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Color name
RGB 128 15 119

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 15 119 it is the complementary color RGB 127 240 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 15 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 15 119 shade: RGB 133 15 114, RGB 150 33 133, RGB 167 51 152, RGB 184 69 171 and RGB 201 87 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 15 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 15 119 shade: RGB 128 15 119, RGB 111 0 100, RGB 94 0 81, RGB 77 0 62 and RGB 60 0 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 15 119 shade: RGB 127 14 118, RGB 127 14 88, RGB 127 14 57, RGB 127 14 27 and RGB 127 14 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 15 119 shade: RGB 127 14 118, RGB 106 14 127, RGB 75 14 127, RGB 45 14 127 and RGB 15 14 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 15 119 shade matches the following richer shades: RGB 127 14 118 and RGB 139 3 128

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 15 119 shade: RGB 127 14 118, RGB 116 26 109, RGB 104 38 99, RGB 93 49 89 and RGB 81 61 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 15 119 shade: RGB 75 14 127, RGB 105 14 127, RGB 127 14 120, RGB 127 14 90 and RGB 127 14 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 15 119 shade: RGB 53 6 50, RGB 90 10 84, RGB 127 14 118, RGB 164 19 153 and RGB 201 23 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 15 119 shade: RGB 128 15 119, RGB 127 45 14 and RGB 14 127 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 15 119 shade: RGB 128 15 119, RGB 120 127 14 and RGB 14 120 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 15 119 shade: RGB 128 15 119, RGB 127 45 14, RGB 14 127 22 and RGB 14 97 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 15 119 shade: RGB 128 15 119, RGB 127 78 14, RGB 14 127 22 and RGB 14 63 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 7 / 50

HEX #800F77

RGB 128 15 119

HSL 304.78, 0.79%, 0.28%

LAB 30.07, 55.05, -30.36

 

Complementary color

CMYK 47 / 0 / 43 / 6

HEX #7FF088

RGB 127 240 136

HSL 124.78, 0.79%, 0.72%

LAB 86.31, -53.16, 40.45

 

CMYK 0 / 89 / 14 / 48

HEX #850F72

RGB 133 15 114

HSL 309.66, 0.8%, 0.29%

LAB 30.74, 55.35, -26.04

 

CMYK 0 / 78 / 11 / 41

HEX #962185

RGB 150 33 133

HSL 308.72, 0.64%, 0.36%

LAB 36.49, 57.41, -28.72

 

CMYK 0 / 69 / 9 / 35

HEX #A73398

RGB 167 51 152

HSL 307.76, 0.53%, 0.43%

LAB 42.54, 58.3, -30.63

 

CMYK 0 / 63 / 7 / 28

HEX #B845AB

RGB 184 69 171

HSL 306.78, 0.45%, 0.5%

LAB 48.74, 58.49, -32.02

 

CMYK 0 / 57 / 5 / 21

HEX #C957BE

RGB 201 87 190

HSL 305.79, 0.51%, 0.56%

LAB 55.02, 58.26, -33.08

 

CMYK 0 / 88 / 7 / 50

HEX #800F77

RGB 128 15 119

HSL 304.78, 0.79%, 0.28%

LAB 30.07, 55.05, -30.36

 

CMYK 0 / 100 / 10 / 56

HEX #6F0064

RGB 111 0 100

HSL 305.95, 1%, 0.22%

LAB 24.64, 51.51, -26.93

 

CMYK 0 / 100 / 14 / 63

HEX #5E0051

RGB 94 0 81

HSL 308.3, 1%, 0.18%

LAB 19.94, 45.29, -21.93

 

CMYK 0 / 100 / 19 / 70

HEX #4D003E

RGB 77 0 62

HSL 311.69, 1%, 0.15%

LAB 15.09, 38.88, -16.66

 

CMYK 0 / 100 / 28 / 76

HEX #3C002B

RGB 60 0 43

HSL 317, 1%, 0.12%

LAB 10.07, 32.24, -11

 

CMYK 0 / 89 / 7 / 50

HEX #7F0E76

RGB 127 14 118

HSL 304.78, 0.8%, 0.28%

LAB 29.75, 54.89, -30.24

 

CMYK 0 / 89 / 31 / 50

HEX #7F0E58

RGB 127 14 88

HSL 320.71, 0.8%, 0.28%

LAB 28.2, 50.71, -13.24

 

CMYK 0 / 89 / 55 / 50

HEX #7F0E39

RGB 127 14 57

HSL 337.17, 0.8%, 0.28%

LAB 27.08, 47.56, 5.9

 

CMYK 0 / 89 / 79 / 50

HEX #7F0E1B

RGB 127 14 27

HSL 353.1, 0.8%, 0.28%

LAB 26.46, 45.77, 25.23

 

CMYK 0 / 89 / 89 / 50

HEX #7F0E0E

RGB 127 14 14

HSL 0, 0.8%, 0.28%

LAB 26.33, 45.36, 32.81

 

CMYK 0 / 89 / 7 / 50

HEX #7F0E76

RGB 127 14 118

HSL 304.78, 0.8%, 0.28%

LAB 29.75, 54.89, -30.24

 

CMYK 17 / 89 / 0 / 50

HEX #6A0E7F

RGB 106 14 127

HSL 288.85, 0.8%, 0.28%

LAB 26.48, 52.41, -41.4

 

CMYK 41 / 89 / 0 / 50

HEX #4B0E7F

RGB 75 14 127

HSL 272.39, 0.8%, 0.28%

LAB 21.37, 47.42, -49.95

 

CMYK 65 / 89 / 0 / 50

HEX #2D0E7F

RGB 45 14 127

HSL 256.46, 0.8%, 0.28%

LAB 17.48, 43.91, -56.48

 

CMYK 88 / 89 / 0 / 50

HEX #0F0E7F

RGB 15 14 127

HSL 240.53, 0.8%, 0.28%

LAB 15.21, 42.02, -60.32

 

CMYK 0 / 89 / 7 / 50

HEX #7F0E76

RGB 127 14 118

HSL 304.78, 0.8%, 0.28%

LAB 29.75, 54.89, -30.24

 

CMYK 0 / 98 / 8 / 45

HEX #8B0380

RGB 139 3 128

HSL 304.85, 0.96%, 0.28%

LAB 32.06, 60.47, -32.74

 

CMYK 0 / 89 / 7 / 50

HEX #7F0E76

RGB 127 14 118

HSL 304.78, 0.8%, 0.28%

LAB 29.75, 54.89, -30.24

 

CMYK 0 / 78 / 6 / 55

HEX #741A6D

RGB 116 26 109

HSL 304.67, 0.63%, 0.28%

LAB 28.26, 47.84, -26.97

 

CMYK 0 / 63 / 5 / 59

HEX #682663

RGB 104 38 99

HSL 304.55, 0.46%, 0.28%

LAB 27.38, 37.95, -22.04

 

CMYK 0 / 47 / 4 / 64

HEX #5D3159

RGB 93 49 89

HSL 305.45, 0.31%, 0.28%

LAB 27.42, 26.49, -15.59

 

CMYK 0 / 25 / 2 / 68

HEX #513D4F

RGB 81 61 79

HSL 306, 0.14%, 0.28%

LAB 28.52, 12.31, -7.53

 

CMYK 41 / 89 / 0 / 50

HEX #4B0E7F

RGB 75 14 127

HSL 272.39, 0.8%, 0.28%

LAB 21.37, 47.42, -49.95

 

CMYK 17 / 89 / 0 / 50

HEX #690E7F

RGB 105 14 127

HSL 288.32, 0.8%, 0.28%

LAB 26.3, 52.23, -41.69

 

CMYK 0 / 89 / 6 / 50

HEX #7F0E78

RGB 127 14 120

HSL 303.72, 0.8%, 0.28%

LAB 29.87, 55.2, -31.32

 

CMYK 0 / 89 / 29 / 50

HEX #7F0E5A

RGB 127 14 90

HSL 319.65, 0.8%, 0.28%

LAB 28.29, 50.95, -14.42

 

CMYK 0 / 89 / 53 / 50

HEX #7F0E3C

RGB 127 14 60

HSL 335.58, 0.8%, 0.28%

LAB 27.16, 47.81, 3.98

 

CMYK 0 / 89 / 6 / 79

HEX #350632

RGB 53 6 50

HSL 303.83, 0.8%, 0.12%

LAB 9.93, 28.72, -16.5

 

CMYK 0 / 89 / 7 / 65

HEX #5A0A54

RGB 90 10 84

HSL 304.5, 0.8%, 0.2%

LAB 20.17, 42.36, -23.65

 

CMYK 0 / 89 / 7 / 50

HEX #7F0E76

RGB 127 14 118

HSL 304.78, 0.8%, 0.28%

LAB 29.75, 54.89, -30.24

 

CMYK 0 / 88 / 7 / 36

HEX #A41399

RGB 164 19 153

HSL 304.55, 0.79%, 0.36%

LAB 39, 66.6, -36.85

 

CMYK 0 / 89 / 7 / 21

HEX #C917BB

RGB 201 23 187

HSL 304.72, 0.79%, 0.44%

LAB 47.78, 77.81, -42.75

 

CMYK 0 / 88 / 7 / 50

HEX #800F77

RGB 128 15 119

HSL 304.78, 0.79%, 0.28%

LAB 30.07, 55.05, -30.36

 

CMYK 0 / 65 / 89 / 50

HEX #7F2D0E

RGB 127 45 14

HSL 16.46, 0.8%, 0.28%

LAB 30.45, 34.01, 36.33

 

CMYK 89 / 0 / 29 / 50

HEX #0E7F5A

RGB 14 127 90

HSL 160.35, 0.8%, 0.28%

LAB 46.99, -38.52, 12.03

 

CMYK 0 / 88 / 7 / 50

HEX #800F77

RGB 128 15 119

HSL 304.78, 0.79%, 0.28%

LAB 30.07, 55.05, -30.36

 

CMYK 6 / 0 / 89 / 50

HEX #787F0E

RGB 120 127 14

HSL 63.72, 0.8%, 0.28%

LAB 50.92, -15.8, 52.97

 

CMYK 89 / 6 / 0 / 50

HEX #0E787F

RGB 14 120 127

HSL 183.72, 0.8%, 0.28%

LAB 45.71, -24.37, -11.7

 

CMYK 0 / 88 / 7 / 50

HEX #800F77

RGB 128 15 119

HSL 304.78, 0.79%, 0.28%

LAB 30.07, 55.05, -30.36

 

CMYK 0 / 65 / 89 / 50

HEX #7F2D0E

RGB 127 45 14

HSL 16.46, 0.8%, 0.28%

LAB 30.45, 34.01, 36.33

 

CMYK 89 / 0 / 83 / 50

HEX #0E7F16

RGB 14 127 22

HSL 124.25, 0.8%, 0.28%

LAB 46.08, -49.25, 44.68

 

CMYK 89 / 24 / 0 / 50

HEX #0E617F

RGB 14 97 127

HSL 195.93, 0.8%, 0.28%

LAB 38.15, -11.72, -23.28

 

CMYK 0 / 88 / 7 / 50

HEX #800F77

RGB 128 15 119

HSL 304.78, 0.79%, 0.28%

LAB 30.07, 55.05, -30.36

 

CMYK 0 / 39 / 89 / 50

HEX #7F4E0E

RGB 127 78 14

HSL 33.98, 0.8%, 0.28%

LAB 37.83, 15.68, 42.48

 

CMYK 89 / 0 / 83 / 50

HEX #0E7F16

RGB 14 127 22

HSL 124.25, 0.8%, 0.28%

LAB 46.08, -49.25, 44.68

 

CMYK 89 / 50 / 0 / 50

HEX #0E3F7F

RGB 14 63 127

HSL 213.98, 0.8%, 0.28%

LAB 27.24, 10.33, -40.58

 

Description

Color code: RGB 128 15 119 | qconv.com Color code: RGB 128 15 119 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 15 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 15 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 7 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 7% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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