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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 169 198 it is the complementary color RGB 127 86 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 169 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 169 198 shade: RGB 133 169 193, RGB 150 187 212, RGB 167 205 231, RGB 184 223 250 and RGB 201 241 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 169 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 169 198 shade: RGB 128 169 198, RGB 111 151 179, RGB 94 133 160, RGB 77 115 141 and RGB 60 97 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 169 198 shade: RGB 128 169 198, RGB 128 150 198, RGB 128 131 198, RGB 143 128 198 and RGB 162 128 198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 169 198 shade: RGB 128 169 198, RGB 128 150 198, RGB 128 131 198 and RGB 128 128 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 169 198 shade matches the following richer shades: RGB 128 169 198, RGB 113 171 212, RGB 98 174 227 and RGB 83 176 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 169 198 shade: RGB 128 169 198, RGB 143 166 183, RGB 158 164 168, RGB 172 161 153 and RGB 187 158 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 169 198 shade: RGB 128 198 188, RGB 128 188 198, RGB 128 170 198, RGB 128 151 198 and RGB 128 132 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 169 198 shade: RGB 75 129 168, RGB 99 149 185, RGB 128 169 198, RGB 156 188 210 and RGB 185 207 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 169 198 shade: RGB 128 169 198, RGB 170 128 198 and RGB 198 198 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 169 198 shade: RGB 128 169 198, RGB 198 128 170 and RGB 170 198 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 169 198 shade: RGB 128 169 198, RGB 170 128 198, RGB 198 156 128 and RGB 156 198 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 169 198 shade: RGB 128 169 198, RGB 191 128 198, RGB 198 156 128 and RGB 135 198 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 15 / 0 / 22

HEX #80A9C6

RGB 128 169 198

HSL 204.86, 0.38%, 0.64%

LAB 67.31, -6.67, -19.25

 

Complementary color

CMYK 0 / 32 / 55 / 50

HEX #7F5639

RGB 127 86 57

HSL 24.86, 0.38%, 0.36%

LAB 40.35, 13.53, 23.64

 

CMYK 31 / 12 / 0 / 24

HEX #85A9C1

RGB 133 169 193

HSL 204, 0.33%, 0.64%

LAB 67.44, -6.5, -16.26

 

CMYK 29 / 12 / 0 / 17

HEX #96BBD4

RGB 150 187 212

HSL 204.19, 0.42%, 0.71%

LAB 74.05, -6.6, -16.61

 

CMYK 28 / 11 / 0 / 9

HEX #A7CDE7

RGB 167 205 231

HSL 204.38, 0.57%, 0.78%

LAB 80.54, -6.69, -16.96

 

CMYK 26 / 11 / 0 / 2

HEX #B8DFFA

RGB 184 223 250

HSL 204.55, 0.87%, 0.85%

LAB 86.93, -6.78, -17.32

 

CMYK 21 / 5 / 0 / 0

HEX #C9F1FF

RGB 201 241 255

HSL 195.56, 1%, 0.89%

LAB 92.82, -9.91, -11.02

 

CMYK 35 / 15 / 0 / 22

HEX #80A9C6

RGB 128 169 198

HSL 204.86, 0.38%, 0.64%

LAB 67.31, -6.67, -19.25

 

CMYK 38 / 16 / 0 / 30

HEX #6F97B3

RGB 111 151 179

HSL 204.71, 0.31%, 0.57%

LAB 60.58, -6.5, -18.95

 

CMYK 41 / 17 / 0 / 37

HEX #5E85A0

RGB 94 133 160

HSL 204.55, 0.26%, 0.5%

LAB 53.7, -6.3, -18.67

 

CMYK 45 / 18 / 0 / 45

HEX #4D738D

RGB 77 115 141

HSL 204.38, 0.29%, 0.43%

LAB 46.66, -6.04, -18.39

 

CMYK 51 / 20 / 0 / 52

HEX #3C617A

RGB 60 97 122

HSL 204.19, 0.34%, 0.36%

LAB 39.44, -5.69, -18.13

 

CMYK 35 / 15 / 0 / 22

HEX #80A9C6

RGB 128 169 198

HSL 204.86, 0.38%, 0.64%

LAB 67.31, -6.67, -19.25

 

CMYK 35 / 24 / 0 / 22

HEX #8096C6

RGB 128 150 198

HSL 221.14, 0.38%, 0.64%

LAB 62.07, 3.95, -27.28

 

CMYK 35 / 34 / 0 / 22

HEX #8083C6

RGB 128 131 198

HSL 237.43, 0.38%, 0.64%

LAB 56.98, 14.98, -35.18

 

CMYK 28 / 35 / 0 / 22

HEX #8F80C6

RGB 143 128 198

HSL 252.86, 0.38%, 0.64%

LAB 57.42, 21.07, -34.39

 

CMYK 18 / 35 / 0 / 22

HEX #A280C6

RGB 162 128 198

HSL 269.14, 0.38%, 0.64%

LAB 59.16, 26.81, -31.56

 

CMYK 35 / 15 / 0 / 22

HEX #80A9C6

RGB 128 169 198

HSL 204.86, 0.38%, 0.64%

LAB 67.31, -6.67, -19.25

 

CMYK 35 / 24 / 0 / 22

HEX #8096C6

RGB 128 150 198

HSL 221.14, 0.38%, 0.64%

LAB 62.07, 3.95, -27.28

 

CMYK 35 / 34 / 0 / 22

HEX #8083C6

RGB 128 131 198

HSL 237.43, 0.38%, 0.64%

LAB 56.98, 14.98, -35.18

 

CMYK 35 / 35 / 0 / 22

HEX #8080C6

RGB 128 128 198

HSL 240, 0.38%, 0.64%

LAB 56.19, 16.75, -36.4

 

CMYK 35 / 15 / 0 / 22

HEX #80A9C6

RGB 128 169 198

HSL 204.86, 0.38%, 0.64%

LAB 67.31, -6.67, -19.25

 

CMYK 47 / 19 / 0 / 17

HEX #71ABD4

RGB 113 171 212

HSL 204.85, 0.54%, 0.64%

LAB 67.57, -7.88, -26.66

 

CMYK 57 / 23 / 0 / 11

HEX #62AEE3

RGB 98 174 227

HSL 204.65, 0.7%, 0.64%

LAB 68.33, -8.4, -33.79

 

CMYK 66 / 27 / 0 / 5

HEX #53B0F2

RGB 83 176 242

HSL 204.91, 0.86%, 0.64%

LAB 68.97, -7.45, -41.02

 

CMYK 35 / 15 / 0 / 22

HEX #80A9C6

RGB 128 169 198

HSL 204.86, 0.38%, 0.64%

LAB 67.31, -6.67, -19.25

 

CMYK 22 / 9 / 0 / 28

HEX #8FA6B7

RGB 143 166 183

HSL 205.5, 0.22%, 0.64%

LAB 66.92, -4.2, -11.42

 

CMYK 6 / 2 / 0 / 34

HEX #9EA4A8

RGB 158 164 168

HSL 204, 0.05%, 0.64%

LAB 67.01, -1.33, -2.82

 

CMYK 0 / 6 / 11 / 33

HEX #ACA199

RGB 172 161 153

HSL 25.26, 0.1%, 0.64%

LAB 66.95, 2.58, 5.59

 

CMYK 0 / 16 / 26 / 27

HEX #BB9E8A

RGB 187 158 138

HSL 24.49, 0.26%, 0.64%

LAB 67.17, 7.61, 14.43

 

CMYK 35 / 0 / 5 / 22

HEX #80C6BC

RGB 128 198 188

HSL 171.43, 0.38%, 0.64%

LAB 75.21, -24.23, -1.98

 

CMYK 35 / 5 / 0 / 22

HEX #80BCC6

RGB 128 188 198

HSL 188.57, 0.38%, 0.64%

LAB 72.65, -16.77, -11.2

 

CMYK 35 / 14 / 0 / 22

HEX #80AAC6

RGB 128 170 198

HSL 204, 0.38%, 0.64%

LAB 67.59, -7.21, -18.83

 

CMYK 35 / 24 / 0 / 22

HEX #8097C6

RGB 128 151 198

HSL 220.29, 0.38%, 0.64%

LAB 62.34, 3.38, -26.86

 

CMYK 35 / 33 / 0 / 22

HEX #8084C6

RGB 128 132 198

HSL 236.57, 0.38%, 0.64%

LAB 57.24, 14.4, -34.77

 

CMYK 55 / 23 / 0 / 34

HEX #4B81A8

RGB 75 129 168

HSL 205.16, 0.38%, 0.48%

LAB 51.86, -6.35, -26.2

 

CMYK 46 / 19 / 0 / 27

HEX #6395B9

RGB 99 149 185

HSL 205.12, 0.38%, 0.56%

LAB 59.57, -6.88, -23.94

 

CMYK 35 / 15 / 0 / 22

HEX #80A9C6

RGB 128 169 198

HSL 204.86, 0.38%, 0.64%

LAB 67.31, -6.67, -19.25

 

CMYK 26 / 10 / 0 / 18

HEX #9CBCD2

RGB 156 188 210

HSL 204.44, 0.38%, 0.72%

LAB 74.63, -5.83, -14.61

 

CMYK 17 / 7 / 0 / 13

HEX #B9CFDF

RGB 185 207 223

HSL 205.26, 0.37%, 0.8%

LAB 81.98, -4.08, -10.41

 

CMYK 35 / 15 / 0 / 22

HEX #80A9C6

RGB 128 169 198

HSL 204.86, 0.38%, 0.64%

LAB 67.31, -6.67, -19.25

 

CMYK 14 / 35 / 0 / 22

HEX #AA80C6

RGB 170 128 198

HSL 276, 0.38%, 0.64%

LAB 59.94, 29.29, -30.27

 

CMYK 0 / 0 / 35 / 22

HEX #C6C680

RGB 198 198 128

HSL 60, 0.38%, 0.64%

LAB 78.43, -10.6, 35.12

 

CMYK 35 / 15 / 0 / 22

HEX #80A9C6

RGB 128 169 198

HSL 204.86, 0.38%, 0.64%

LAB 67.31, -6.67, -19.25

 

CMYK 0 / 35 / 14 / 22

HEX #C680AA

RGB 198 128 170

HSL 324, 0.38%, 0.64%

LAB 61.95, 33.19, -11.04

 

CMYK 14 / 0 / 35 / 22

HEX #AAC680

RGB 170 198 128

HSL 84, 0.38%, 0.64%

LAB 76.37, -21.38, 32.04

 

CMYK 35 / 15 / 0 / 22

HEX #80A9C6

RGB 128 169 198

HSL 204.86, 0.38%, 0.64%

LAB 67.31, -6.67, -19.25

 

CMYK 14 / 35 / 0 / 22

HEX #AA80C6

RGB 170 128 198

HSL 276, 0.38%, 0.64%

LAB 59.94, 29.29, -30.27

 

CMYK 0 / 21 / 35 / 22

HEX #C69C80

RGB 198 156 128

HSL 24, 0.38%, 0.64%

LAB 67.53, 11.73, 20.63

 

CMYK 21 / 0 / 35 / 22

HEX #9CC680

RGB 156 198 128

HSL 96, 0.38%, 0.64%

LAB 75.46, -26.53, 30.67

 

CMYK 35 / 15 / 0 / 22

HEX #80A9C6

RGB 128 169 198

HSL 204.86, 0.38%, 0.64%

LAB 67.31, -6.67, -19.25

 

CMYK 4 / 35 / 0 / 22

HEX #BF80C6

RGB 191 128 198

HSL 294, 0.38%, 0.64%

LAB 62.16, 35.9, -26.67

 

CMYK 0 / 21 / 35 / 22

HEX #C69C80

RGB 198 156 128

HSL 24, 0.38%, 0.64%

LAB 67.53, 11.73, 20.63

 

CMYK 32 / 0 / 35 / 22

HEX #87C680

RGB 135 198 128

HSL 114, 0.38%, 0.64%

LAB 74.25, -33.8, 28.85

 

Description

Color code: RGB 128 169 198 | qconv.com Color code: RGB 128 169 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 169 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 169 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 15 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 15% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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