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Color name
RGB 128 34 42

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 34 42 it is the complementary color RGB 127 221 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 34 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 34 42 shade: RGB 133 34 37, RGB 150 52 56, RGB 167 70 75, RGB 184 88 94 and RGB 201 106 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 34 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 34 42 shade: RGB 128 34 42, RGB 111 16 23, RGB 94 0 4, RGB 77 0 0 and RGB 60 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 34 42 shade: RGB 128 34 42 and RGB 128 34 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 34 42 shade: RGB 128 34 42, RGB 128 34 67, RGB 128 34 93, RGB 128 34 118 and RGB 113 34 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 34 42 shade matches the following richer shades: RGB 128 34 42, RGB 142 21 31 and RGB 155 7 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 34 42 shade: RGB 128 34 42, RGB 115 47 53, RGB 102 60 64, RGB 89 73 75 and RGB 76 87 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 34 42 shade: RGB 128 34 94, RGB 128 34 68, RGB 128 34 43, RGB 128 50 34 and RGB 128 75 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 34 42 shade: RGB 63 16 20, RGB 96 25 31, RGB 128 34 42, RGB 161 42 53 and RGB 194 51 63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 34 42 shade: RGB 128 34 42, RGB 119 128 34 and RGB 34 81 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 34 42 shade: RGB 128 34 42, RGB 43 128 34 and RGB 34 43 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 34 42 shade: RGB 128 34 42, RGB 119 128 34, RGB 34 128 119 and RGB 43 34 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 34 42 shade: RGB 128 34 42, RGB 91 128 34, RGB 34 128 119 and RGB 72 34 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 67 / 50

HEX #80222A

RGB 128 34 42

HSL 354.89, 0.58%, 0.32%

LAB 29.16, 40.54, 18.77

 

Complementary color

CMYK 43 / 0 / 4 / 13

HEX #7FDDD5

RGB 127 221 213

HSL 174.89, 0.58%, 0.68%

LAB 82.39, -29.8, -4.82

 

CMYK 0 / 74 / 72 / 48

HEX #852225

RGB 133 34 37

HSL 358.18, 0.59%, 0.33%

LAB 30.07, 41.94, 23.34

 

CMYK 0 / 65 / 63 / 41

HEX #963438

RGB 150 52 56

HSL 357.55, 0.49%, 0.4%

LAB 36.41, 41.36, 19.93

 

CMYK 0 / 58 / 55 / 35

HEX #A7464B

RGB 167 70 75

HSL 356.91, 0.41%, 0.46%

LAB 42.92, 40.41, 17.25

 

CMYK 0 / 52 / 49 / 28

HEX #B8585E

RGB 184 88 94

HSL 356.25, 0.4%, 0.53%

LAB 49.47, 39.34, 15.09

 

CMYK 0 / 47 / 44 / 21

HEX #C96A71

RGB 201 106 113

HSL 355.58, 0.47%, 0.6%

LAB 56.01, 38.27, 13.29

 

CMYK 0 / 73 / 67 / 50

HEX #80222A

RGB 128 34 42

HSL 354.89, 0.58%, 0.32%

LAB 29.16, 40.54, 18.77

 

CMYK 0 / 86 / 79 / 56

HEX #6F1017

RGB 111 16 23

HSL 355.58, 0.75%, 0.25%

LAB 23.04, 40.26, 23.01

 

CMYK 0 / 100 / 96 / 63

HEX #5E0004

RGB 94 0 4

HSL 357.45, 1%, 0.18%

LAB 17.41, 38.72, 25.27

 

CMYK 0 / 100 / 100 / 70

HEX #4D0000

RGB 77 0 0

HSL 0, 1%, 0.15%

LAB 13.09, 33.66, 20.53

 

CMYK 0 / 100 / 100 / 76

HEX #3C0000

RGB 60 0 0

HSL 0, 1%, 0.12%

LAB 8.66, 28.53, 13.68

 

CMYK 0 / 73 / 67 / 50

HEX #80222A

RGB 128 34 42

HSL 354.89, 0.58%, 0.32%

LAB 29.16, 40.54, 18.77

 

CMYK 0 / 73 / 73 / 50

HEX #802222

RGB 128 34 34

HSL 0, 0.58%, 0.32%

LAB 29.03, 40.08, 23.76

 

CMYK 0 / 73 / 67 / 50

HEX #80222A

RGB 128 34 42

HSL 354.89, 0.58%, 0.32%

LAB 29.16, 40.54, 18.77

 

CMYK 0 / 73 / 48 / 50

HEX #802243

RGB 128 34 67

HSL 338.94, 0.58%, 0.32%

LAB 29.76, 42.58, 3.03

 

CMYK 0 / 73 / 27 / 50

HEX #80225D

RGB 128 34 93

HSL 322.34, 0.58%, 0.32%

LAB 30.7, 45.66, -12.67

 

CMYK 0 / 73 / 8 / 50

HEX #802276

RGB 128 34 118

HSL 306.38, 0.58%, 0.32%

LAB 31.9, 49.45, -26.83

 

CMYK 12 / 73 / 0 / 50

HEX #712280

RGB 113 34 128

HSL 290.43, 0.58%, 0.32%

LAB 29.94, 47.66, -36.39

 

CMYK 0 / 73 / 67 / 50

HEX #80222A

RGB 128 34 42

HSL 354.89, 0.58%, 0.32%

LAB 29.16, 40.54, 18.77

 

CMYK 0 / 85 / 78 / 44

HEX #8E151F

RGB 142 21 31

HSL 355.04, 0.74%, 0.32%

LAB 30.37, 48.66, 27.94

 

CMYK 0 / 95 / 87 / 39

HEX #9B0714

RGB 155 7 20

HSL 354.73, 0.91%, 0.32%

LAB 32.19, 54.56, 37.11

 

CMYK 0 / 73 / 67 / 50

HEX #80222A

RGB 128 34 42

HSL 354.89, 0.58%, 0.32%

LAB 29.16, 40.54, 18.77

 

CMYK 0 / 59 / 54 / 55

HEX #732F35

RGB 115 47 53

HSL 354.71, 0.42%, 0.32%

LAB 29.25, 30.56, 11.23

 

CMYK 0 / 41 / 37 / 60

HEX #663C40

RGB 102 60 64

HSL 354.29, 0.26%, 0.32%

LAB 30.46, 19.03, 5.43

 

CMYK 0 / 18 / 16 / 65

HEX #59494B

RGB 89 73 75

HSL 352.5, 0.1%, 0.32%

LAB 32.69, 7.14, 1.34

 

CMYK 13 / 0 / 1 / 66

HEX #4C5756

RGB 76 87 86

HSL 174.55, 0.07%, 0.32%

LAB 36.03, -4.53, -0.89

 

CMYK 0 / 73 / 27 / 50

HEX #80225E

RGB 128 34 94

HSL 321.7, 0.58%, 0.32%

LAB 30.74, 45.8, -13.25

 

CMYK 0 / 73 / 47 / 50

HEX #802244

RGB 128 34 68

HSL 338.3, 0.58%, 0.32%

LAB 29.79, 42.68, 2.41

 

CMYK 0 / 73 / 66 / 50

HEX #80222B

RGB 128 34 43

HSL 354.26, 0.58%, 0.32%

LAB 29.18, 40.6, 18.14

 

CMYK 0 / 61 / 73 / 50

HEX #803222

RGB 128 50 34

HSL 10.21, 0.58%, 0.32%

LAB 31.77, 32.7, 26.95

 

CMYK 0 / 41 / 73 / 50

HEX #804B22

RGB 128 75 34

HSL 26.17, 0.58%, 0.32%

LAB 37.37, 18.75, 33.15

 

CMYK 0 / 75 / 68 / 75

HEX #3F1014

RGB 63 16 20

HSL 354.89, 0.59%, 0.15%

LAB 12.47, 23.2, 9.73

 

CMYK 0 / 74 / 68 / 62

HEX #60191F

RGB 96 25 31

HSL 354.93, 0.59%, 0.24%

LAB 21.14, 32.37, 14.59

 

CMYK 0 / 73 / 67 / 50

HEX #80222A

RGB 128 34 42

HSL 354.89, 0.58%, 0.32%

LAB 29.16, 40.54, 18.77

 

CMYK 0 / 74 / 67 / 37

HEX #A12A35

RGB 161 42 53

HSL 354.45, 0.59%, 0.4%

LAB 36.91, 48.98, 22.87

 

CMYK 0 / 74 / 68 / 24

HEX #C2333F

RGB 194 51 63

HSL 354.97, 0.58%, 0.48%

LAB 44.51, 56.64, 27.55

 

CMYK 0 / 73 / 67 / 50

HEX #80222A

RGB 128 34 42

HSL 354.89, 0.58%, 0.32%

LAB 29.16, 40.54, 18.77

 

CMYK 7 / 0 / 73 / 50

HEX #778022

RGB 119 128 34

HSL 65.74, 0.58%, 0.32%

LAB 51.24, -15.98, 47.04

 

CMYK 73 / 37 / 0 / 50

HEX #225180

RGB 34 81 128

HSL 210, 0.58%, 0.32%

LAB 33.53, 0.96, -31.12

 

CMYK 0 / 73 / 67 / 50

HEX #80222A

RGB 128 34 42

HSL 354.89, 0.58%, 0.32%

LAB 29.16, 40.54, 18.77

 

CMYK 66 / 0 / 73 / 50

HEX #2B8022

RGB 43 128 34

HSL 114.26, 0.58%, 0.32%

LAB 47.06, -43.89, 41.48

 

CMYK 73 / 66 / 0 / 50

HEX #222B80

RGB 34 43 128

HSL 234.26, 0.58%, 0.32%

LAB 22.4, 26.95, -49.05

 

CMYK 0 / 73 / 67 / 50

HEX #80222A

RGB 128 34 42

HSL 354.89, 0.58%, 0.32%

LAB 29.16, 40.54, 18.77

 

CMYK 7 / 0 / 73 / 50

HEX #778022

RGB 119 128 34

HSL 65.74, 0.58%, 0.32%

LAB 51.24, -15.98, 47.04

 

CMYK 73 / 0 / 7 / 50

HEX #228077

RGB 34 128 119

HSL 174.26, 0.58%, 0.32%

LAB 48.4, -28.79, -2.92

 

CMYK 66 / 73 / 0 / 50

HEX #2B2280

RGB 43 34 128

HSL 245.74, 0.58%, 0.32%

LAB 20.89, 33.97, -51.5

 

CMYK 0 / 73 / 67 / 50

HEX #80222A

RGB 128 34 42

HSL 354.89, 0.58%, 0.32%

LAB 29.16, 40.54, 18.77

 

CMYK 29 / 0 / 73 / 50

HEX #5B8022

RGB 91 128 34

HSL 83.62, 0.58%, 0.32%

LAB 49.23, -28.09, 44.37

 

CMYK 73 / 0 / 7 / 50

HEX #228077

RGB 34 128 119

HSL 174.26, 0.58%, 0.32%

LAB 48.4, -28.79, -2.92

 

CMYK 44 / 73 / 0 / 50

HEX #482280

RGB 72 34 128

HSL 264.26, 0.58%, 0.32%

LAB 23.94, 38.85, -46.39

 

Description

Color code: RGB 128 34 42 | qconv.com Color code: RGB 128 34 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 34 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 34 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 67 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 67% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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