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Color name
RGB 128 37 24

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 37 24 it is the complementary color RGB 127 218 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 37 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 37 24 shade: RGB 133 37 19, RGB 150 55 38, RGB 167 73 57, RGB 184 91 76 and RGB 201 109 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 37 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 37 24 shade: RGB 128 37 24, RGB 111 19 5, RGB 94 1 0, RGB 77 0 0 and RGB 60 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 37 24 shade: RGB 128 37 24 and RGB 128 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 37 24 shade: RGB 128 37 24, RGB 128 65 24, RGB 128 93 24, RGB 128 121 24 and RGB 107 128 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 37 24 shade matches the following richer shades: RGB 128 37 24 and RGB 140 28 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 37 24 shade: RGB 128 37 24, RGB 116 46 36, RGB 103 56 49, RGB 91 65 61 and RGB 79 74 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 37 24 shade: RGB 128 24 67, RGB 128 24 40, RGB 128 36 24, RGB 128 64 24 and RGB 128 92 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 37 24 shade: RGB 59 17 11, RGB 93 27 17, RGB 128 37 24, RGB 163 47 31 and RGB 197 57 37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 37 24 shade: RGB 128 37 24, RGB 95 128 24 and RGB 24 53 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 37 24 shade: RGB 128 37 24, RGB 24 128 36 and RGB 36 24 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 37 24 shade: RGB 128 37 24, RGB 95 128 24, RGB 24 116 128 and RGB 57 24 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 37 24 shade: RGB 128 37 24, RGB 64 128 24, RGB 24 116 128 and RGB 88 24 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 81 / 50

HEX #802518

RGB 128 37 24

HSL 7.5, 0.68%, 0.3%

LAB 29.36, 38.38, 30.2

 

Complementary color

CMYK 45 / 6 / 0 / 9

HEX #7FDAE7

RGB 127 218 231

HSL 187.5, 0.68%, 0.7%

LAB 82.07, -23.85, -14.87

 

CMYK 0 / 72 / 86 / 48

HEX #852513

RGB 133 37 19

HSL 9.47, 0.75%, 0.3%

LAB 30.3, 40, 34.2

 

CMYK 0 / 63 / 75 / 41

HEX #963726

RGB 150 55 38

HSL 9.11, 0.6%, 0.37%

LAB 36.66, 38.9, 31.16

 

CMYK 0 / 56 / 66 / 35

HEX #A74939

RGB 167 73 57

HSL 8.73, 0.49%, 0.44%

LAB 43.18, 37.58, 28.42

 

CMYK 0 / 51 / 59 / 28

HEX #B85B4C

RGB 184 91 76

HSL 8.33, 0.43%, 0.51%

LAB 49.73, 36.23, 26.07

 

CMYK 0 / 46 / 53 / 21

HEX #C96D5F

RGB 201 109 95

HSL 7.92, 0.5%, 0.58%

LAB 56.27, 34.96, 24.07

 

CMYK 0 / 71 / 81 / 50

HEX #802518

RGB 128 37 24

HSL 7.5, 0.68%, 0.3%

LAB 29.36, 38.38, 30.2

 

CMYK 0 / 83 / 95 / 56

HEX #6F1305

RGB 111 19 5

HSL 7.92, 0.91%, 0.23%

LAB 23.19, 38.81, 32.42

 

CMYK 0 / 99 / 100 / 63

HEX #5E0100

RGB 94 1 0

HSL 0.64, 1%, 0.18%

LAB 17.47, 38.31, 26.97

 

CMYK 0 / 100 / 100 / 70

HEX #4D0000

RGB 77 0 0

HSL 0, 1%, 0.15%

LAB 13.09, 33.66, 20.53

 

CMYK 0 / 100 / 100 / 76

HEX #3C0000

RGB 60 0 0

HSL 0, 1%, 0.12%

LAB 8.66, 28.53, 13.68

 

CMYK 0 / 71 / 81 / 50

HEX #802518

RGB 128 37 24

HSL 7.5, 0.68%, 0.3%

LAB 29.36, 38.38, 30.2

 

CMYK 0 / 81 / 81 / 50

HEX #801818

RGB 128 24 24

HSL 0, 0.68%, 0.3%

LAB 27.6, 43.26, 28.38

 

CMYK 0 / 71 / 81 / 50

HEX #802518

RGB 128 37 24

HSL 7.5, 0.68%, 0.3%

LAB 29.36, 38.38, 30.2

 

CMYK 0 / 49 / 81 / 50

HEX #804118

RGB 128 65 24

HSL 23.65, 0.68%, 0.3%

LAB 34.87, 24.06, 35.7

 

CMYK 0 / 27 / 81 / 50

HEX #805D18

RGB 128 93 24

HSL 39.81, 0.68%, 0.3%

LAB 41.98, 7.6, 42.44

 

CMYK 0 / 5 / 81 / 50

HEX #807918

RGB 128 121 24

HSL 55.96, 0.68%, 0.3%

LAB 49.89, -8.5, 49.63

 

CMYK 16 / 0 / 81 / 50

HEX #6B8018

RGB 107 128 24

HSL 72.12, 0.68%, 0.3%

LAB 50.25, -21.84, 49.3

 

CMYK 0 / 71 / 81 / 50

HEX #802518

RGB 128 37 24

HSL 7.5, 0.68%, 0.3%

LAB 29.36, 38.38, 30.2

 

CMYK 0 / 80 / 91 / 45

HEX #8C1C0C

RGB 140 28 12

HSL 7.5, 0.84%, 0.3%

LAB 30.48, 45.5, 38.34

 

CMYK 0 / 71 / 81 / 50

HEX #802518

RGB 128 37 24

HSL 7.5, 0.68%, 0.3%

LAB 29.36, 38.38, 30.2

 

CMYK 0 / 60 / 69 / 55

HEX #742E24

RGB 116 46 36

HSL 7.5, 0.53%, 0.3%

LAB 28.89, 30.1, 21.79

 

CMYK 0 / 46 / 52 / 60

HEX #673831

RGB 103 56 49

HSL 7.78, 0.36%, 0.3%

LAB 29.24, 20.03, 13.51

 

CMYK 0 / 29 / 33 / 64

HEX #5B413D

RGB 91 65 61

HSL 8, 0.2%, 0.3%

LAB 30.26, 10.66, 6.88

 

CMYK 0 / 6 / 8 / 69

HEX #4F4A49

RGB 79 74 73

HSL 10, 0.04%, 0.3%

LAB 31.9, 1.87, 1.34

 

CMYK 0 / 81 / 48 / 50

HEX #801843

RGB 128 24 67

HSL 335.19, 0.68%, 0.3%

LAB 28.51, 46.1, 1.22

 

CMYK 0 / 81 / 69 / 50

HEX #801828

RGB 128 24 40

HSL 350.77, 0.68%, 0.3%

LAB 27.83, 44.01, 18.41

 

CMYK 0 / 72 / 81 / 50

HEX #802418

RGB 128 36 24

HSL 6.92, 0.68%, 0.3%

LAB 29.2, 38.81, 30.04

 

CMYK 0 / 50 / 81 / 50

HEX #804018

RGB 128 64 24

HSL 23.08, 0.68%, 0.3%

LAB 34.64, 24.63, 35.48

 

CMYK 0 / 28 / 81 / 50

HEX #805C18

RGB 128 92 24

HSL 39.23, 0.68%, 0.3%

LAB 41.7, 8.19, 42.19

 

CMYK 0 / 71 / 81 / 77

HEX #3B110B

RGB 59 17 11

HSL 7.5, 0.69%, 0.14%

LAB 11.65, 20.31, 13.38

 

CMYK 0 / 71 / 82 / 64

HEX #5D1B11

RGB 93 27 17

HSL 7.89, 0.69%, 0.22%

LAB 20.64, 29.5, 23.08

 

CMYK 0 / 71 / 81 / 50

HEX #802518

RGB 128 37 24

HSL 7.5, 0.68%, 0.3%

LAB 29.36, 38.38, 30.2

 

CMYK 0 / 71 / 81 / 36

HEX #A32F1F

RGB 163 47 31

HSL 7.27, 0.68%, 0.38%

LAB 37.7, 46.73, 36.91

 

CMYK 0 / 71 / 81 / 23

HEX #C53925

RGB 197 57 37

HSL 7.5, 0.68%, 0.46%

LAB 45.54, 54.35, 43.59

 

CMYK 0 / 71 / 81 / 50

HEX #802518

RGB 128 37 24

HSL 7.5, 0.68%, 0.3%

LAB 29.36, 38.38, 30.2

 

CMYK 26 / 0 / 81 / 50

HEX #5F8018

RGB 95 128 24

HSL 79.04, 0.68%, 0.3%

LAB 49.42, -27.01, 48.23

 

CMYK 81 / 59 / 0 / 50

HEX #183580

RGB 24 53 128

HSL 223.27, 0.68%, 0.3%

LAB 24.64, 18.78, -45.42

 

CMYK 0 / 71 / 81 / 50

HEX #802518

RGB 128 37 24

HSL 7.5, 0.68%, 0.3%

LAB 29.36, 38.38, 30.2

 

CMYK 81 / 0 / 72 / 50

HEX #188024

RGB 24 128 36

HSL 126.92, 0.68%, 0.3%

LAB 46.66, -47.24, 40.09

 

CMYK 72 / 81 / 0 / 50

HEX #241880

RGB 36 24 128

HSL 246.92, 0.68%, 0.3%

LAB 18.31, 38.85, -55.78

 

CMYK 0 / 71 / 81 / 50

HEX #802518

RGB 128 37 24

HSL 7.5, 0.68%, 0.3%

LAB 29.36, 38.38, 30.2

 

CMYK 26 / 0 / 81 / 50

HEX #5F8018

RGB 95 128 24

HSL 79.04, 0.68%, 0.3%

LAB 49.42, -27.01, 48.23

 

CMYK 81 / 9 / 0 / 50

HEX #187480

RGB 24 116 128

HSL 186.92, 0.68%, 0.3%

LAB 44.58, -21.07, -14

 

CMYK 55 / 81 / 0 / 50

HEX #391880

RGB 57 24 128

HSL 259.04, 0.68%, 0.3%

LAB 20.37, 41.33, -52.31

 

CMYK 0 / 71 / 81 / 50

HEX #802518

RGB 128 37 24

HSL 7.5, 0.68%, 0.3%

LAB 29.36, 38.38, 30.2

 

CMYK 50 / 0 / 81 / 50

HEX #408018

RGB 64 128 24

HSL 96.92, 0.68%, 0.3%

LAB 47.74, -38.73, 46.07

 

CMYK 81 / 9 / 0 / 50

HEX #187480

RGB 24 116 128

HSL 186.92, 0.68%, 0.3%

LAB 44.58, -21.07, -14

 

CMYK 31 / 81 / 0 / 50

HEX #581880

RGB 88 24 128

HSL 276.92, 0.68%, 0.3%

LAB 24.6, 46.37, -45.22

 

Description

Color code: RGB 128 37 24 | qconv.com Color code: RGB 128 37 24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 37 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 37 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 81 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 81% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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