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Color name
RGB 129 105 65

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 105 65 it is the complementary color RGB 126 150 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 105 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 105 65 shade: RGB 134 105 60, RGB 151 123 79, RGB 168 141 98, RGB 185 159 117 and RGB 202 177 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 105 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 105 65 shade: RGB 129 105 65, RGB 112 87 46, RGB 95 69 27, RGB 78 51 8 and RGB 61 33 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 105 65 shade: RGB 128 104 64, RGB 128 87 64, RGB 128 70 64 and RGB 128 64 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 105 65 shade: RGB 128 104 64, RGB 128 122 64, RGB 118 128 64, RGB 101 128 64 and RGB 83 128 64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 105 65 shade matches the following richer shades: RGB 128 104 64, RGB 144 108 49, RGB 160 112 33, RGB 175 116 17 and RGB 191 120 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 105 65 shade: RGB 128 104 64, RGB 113 100 80, RGB 97 97 96, RGB 81 93 111 and RGB 66 89 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 105 65 shade: RGB 128 70 64, RGB 128 87 64, RGB 128 104 64, RGB 128 121 64 and RGB 119 128 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 105 65 shade: RGB 74 60 37, RGB 101 82 51, RGB 128 104 64, RGB 156 127 78 and RGB 176 147 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 105 65 shade: RGB 129 105 65, RGB 76 128 64 and RGB 78 64 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 105 65 shade: RGB 129 105 65, RGB 64 128 104 and RGB 104 64 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 105 65 shade: RGB 129 105 65, RGB 76 128 64, RGB 64 89 128 and RGB 117 64 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 105 65 shade: RGB 129 105 65, RGB 64 128 72, RGB 64 89 128 and RGB 128 64 121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 50 / 49

HEX #816941

RGB 129 105 65

HSL 37.5, 0.33%, 0.38%

LAB 45.84, 4, 26

 

Complementary color

CMYK 34 / 21 / 0 / 25

HEX #7E96BE

RGB 126 150 190

HSL 217.5, 0.33%, 0.62%

LAB 61.62, 1.26, -23.47

 

CMYK 0 / 22 / 55 / 47

HEX #86693C

RGB 134 105 60

HSL 36.49, 0.38%, 0.38%

LAB 46.31, 5.76, 29.51

 

CMYK 0 / 19 / 48 / 41

HEX #977B4F

RGB 151 123 79

HSL 36.67, 0.31%, 0.45%

LAB 53.29, 4.85, 28.07

 

CMYK 0 / 16 / 42 / 34

HEX #A88D62

RGB 168 141 98

HSL 36.86, 0.29%, 0.52%

LAB 60.12, 4.11, 26.72

 

CMYK 0 / 14 / 37 / 27

HEX #B99F75

RGB 185 159 117

HSL 37.06, 0.33%, 0.59%

LAB 66.82, 3.49, 25.48

 

CMYK 0 / 12 / 33 / 21

HEX #CAB188

RGB 202 177 136

HSL 37.27, 0.38%, 0.66%

LAB 73.4, 2.97, 24.31

 

CMYK 0 / 19 / 50 / 49

HEX #816941

RGB 129 105 65

HSL 37.5, 0.33%, 0.38%

LAB 45.84, 4, 26

 

CMYK 0 / 22 / 59 / 56

HEX #70572E

RGB 112 87 46

HSL 37.27, 0.42%, 0.31%

LAB 38.65, 4.97, 27.49

 

CMYK 0 / 27 / 72 / 63

HEX #5F451B

RGB 95 69 27

HSL 37.06, 0.56%, 0.24%

LAB 31.27, 6.27, 28.98

 

CMYK 0 / 35 / 90 / 69

HEX #4E3308

RGB 78 51 8

HSL 36.86, 0.81%, 0.17%

LAB 23.69, 8.05, 29.79

 

CMYK 0 / 46 / 100 / 76

HEX #3D2100

RGB 61 33 0

HSL 32.46, 1%, 0.12%

LAB 15.9, 10.56, 23.53

 

CMYK 0 / 19 / 50 / 50

HEX #806840

RGB 128 104 64

HSL 37.5, 0.33%, 0.38%

LAB 45.44, 4.03, 26.04

 

CMYK 0 / 32 / 50 / 50

HEX #805740

RGB 128 87 64

HSL 21.56, 0.33%, 0.38%

LAB 40.86, 14.09, 20.16

 

CMYK 0 / 45 / 50 / 50

HEX #804640

RGB 128 70 64

HSL 5.63, 0.33%, 0.38%

LAB 36.63, 24.1, 14.55

 

CMYK 0 / 50 / 50 / 50

HEX #804040

RGB 128 64 64

HSL 0, 0.33%, 0.38%

LAB 35.25, 27.52, 12.68

 

CMYK 0 / 19 / 50 / 50

HEX #806840

RGB 128 104 64

HSL 37.5, 0.33%, 0.38%

LAB 45.44, 4.03, 26.04

 

CMYK 0 / 5 / 50 / 50

HEX #807A40

RGB 128 122 64

HSL 54.38, 0.33%, 0.38%

LAB 50.54, -6.3, 32.35

 

CMYK 8 / 0 / 50 / 50

HEX #768040

RGB 118 128 64

HSL 69.38, 0.33%, 0.38%

LAB 51.45, -13.99, 33.25

 

CMYK 21 / 0 / 50 / 50

HEX #658040

RGB 101 128 64

HSL 85.31, 0.33%, 0.38%

LAB 50.19, -21.16, 31.42

 

CMYK 35 / 0 / 50 / 50

HEX #538040

RGB 83 128 64

HSL 102.19, 0.33%, 0.38%

LAB 49.07, -28.16, 29.79

 

CMYK 0 / 19 / 50 / 50

HEX #806840

RGB 128 104 64

HSL 37.5, 0.33%, 0.38%

LAB 45.44, 4.03, 26.04

 

CMYK 0 / 25 / 66 / 44

HEX #906C31

RGB 144 108 49

HSL 37.26, 0.49%, 0.38%

LAB 48.1, 7.7, 37.75

 

CMYK 0 / 30 / 79 / 37

HEX #A07021

RGB 160 112 33

HSL 37.32, 0.66%, 0.38%

LAB 50.89, 11.87, 48.53

 

CMYK 0 / 34 / 90 / 31

HEX #AF7411

RGB 175 116 17

HSL 37.59, 0.82%, 0.38%

LAB 53.65, 15.93, 56.85

 

CMYK 0 / 37 / 99 / 25

HEX #BF7802

RGB 191 120 2

HSL 37.46, 0.98%, 0.38%

LAB 56.6, 20.61, 62.8

 

CMYK 0 / 19 / 50 / 50

HEX #806840

RGB 128 104 64

HSL 37.5, 0.33%, 0.38%

LAB 45.44, 4.03, 26.04

 

CMYK 0 / 12 / 29 / 56

HEX #716450

RGB 113 100 80

HSL 36.36, 0.17%, 0.38%

LAB 43.07, 1.78, 13.25

 

CMYK 0 / 0 / 1 / 62

HEX #616160

RGB 97 97 96

HSL 60, 0.01%, 0.38%

LAB 41.11, -0.21, 0.56

 

CMYK 27 / 16 / 0 / 56

HEX #515D6F

RGB 81 93 111

HSL 216, 0.16%, 0.38%

LAB 39.11, -0.14, -11.76

 

CMYK 48 / 30 / 0 / 50

HEX #42597F

RGB 66 89 127

HSL 217.38, 0.32%, 0.38%

LAB 37.55, 2.46, -24.09

 

CMYK 0 / 45 / 50 / 50

HEX #804640

RGB 128 70 64

HSL 5.63, 0.33%, 0.38%

LAB 36.63, 24.1, 14.55

 

CMYK 0 / 32 / 50 / 50

HEX #805740

RGB 128 87 64

HSL 21.56, 0.33%, 0.38%

LAB 40.86, 14.09, 20.16

 

CMYK 0 / 19 / 50 / 50

HEX #806840

RGB 128 104 64

HSL 37.5, 0.33%, 0.38%

LAB 45.44, 4.03, 26.04

 

CMYK 0 / 5 / 50 / 50

HEX #807940

RGB 128 121 64

HSL 53.44, 0.33%, 0.38%

LAB 50.26, -5.74, 32

 

CMYK 7 / 0 / 50 / 50

HEX #778040

RGB 119 128 64

HSL 68.44, 0.33%, 0.38%

LAB 51.53, -13.56, 33.36

 

CMYK 0 / 19 / 50 / 71

HEX #4A3C25

RGB 74 60 37

HSL 37.3, 0.33%, 0.22%

LAB 26.22, 2.5, 16.49

 

CMYK 0 / 19 / 50 / 60

HEX #655233

RGB 101 82 51

HSL 37.2, 0.33%, 0.3%

LAB 36.06, 3.34, 21.11

 

CMYK 0 / 19 / 50 / 50

HEX #806840

RGB 128 104 64

HSL 37.5, 0.33%, 0.38%

LAB 45.44, 4.03, 26.04

 

CMYK 0 / 19 / 50 / 39

HEX #9C7F4E

RGB 156 127 78

HSL 37.69, 0.33%, 0.46%

LAB 54.86, 4.66, 30.72

 

CMYK 0 / 16 / 44 / 31

HEX #B09363

RGB 176 147 99

HSL 37.4, 0.33%, 0.54%

LAB 62.51, 4.26, 29.43

 

CMYK 0 / 19 / 50 / 49

HEX #816941

RGB 129 105 65

HSL 37.5, 0.33%, 0.38%

LAB 45.84, 4, 26

 

CMYK 41 / 0 / 50 / 50

HEX #4C8040

RGB 76 128 64

HSL 108.75, 0.33%, 0.38%

LAB 48.69, -30.65, 29.24

 

CMYK 39 / 50 / 0 / 50

HEX #4E4080

RGB 78 64 128

HSL 253.13, 0.33%, 0.38%

LAB 31.45, 22.28, -34.24

 

CMYK 0 / 19 / 50 / 49

HEX #816941

RGB 129 105 65

HSL 37.5, 0.33%, 0.38%

LAB 45.84, 4, 26

 

CMYK 50 / 0 / 19 / 50

HEX #408068

RGB 64 128 104

HSL 157.5, 0.33%, 0.38%

LAB 48.92, -26.69, 6.76

 

CMYK 19 / 50 / 0 / 50

HEX #684080

RGB 104 64 128

HSL 277.5, 0.33%, 0.38%

LAB 34.33, 29.91, -29.5

 

CMYK 0 / 19 / 50 / 49

HEX #816941

RGB 129 105 65

HSL 37.5, 0.33%, 0.38%

LAB 45.84, 4, 26

 

CMYK 41 / 0 / 50 / 50

HEX #4C8040

RGB 76 128 64

HSL 108.75, 0.33%, 0.38%

LAB 48.69, -30.65, 29.24

 

CMYK 50 / 30 / 0 / 50

HEX #405980

RGB 64 89 128

HSL 216.56, 0.33%, 0.38%

LAB 37.47, 2.25, -24.83

 

CMYK 9 / 50 / 0 / 50

HEX #754080

RGB 117 64 128

HSL 289.69, 0.33%, 0.38%

LAB 36, 33.92, -26.76

 

CMYK 0 / 19 / 50 / 49

HEX #816941

RGB 129 105 65

HSL 37.5, 0.33%, 0.38%

LAB 45.84, 4, 26

 

CMYK 50 / 0 / 44 / 50

HEX #408048

RGB 64 128 72

HSL 127.5, 0.33%, 0.38%

LAB 48.26, -33.28, 24.21

 

CMYK 50 / 30 / 0 / 50

HEX #405980

RGB 64 89 128

HSL 216.56, 0.33%, 0.38%

LAB 37.47, 2.25, -24.83

 

CMYK 0 / 50 / 5 / 50

HEX #804079

RGB 128 64 121

HSL 306.56, 0.33%, 0.38%

LAB 37.18, 35.99, -20.46

 

Description

Color code: RGB 129 105 65 | qconv.com Color code: RGB 129 105 65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 105 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 105 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 50 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 50% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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