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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 108 63 it is the complementary color RGB 126 147 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 108 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 108 63 shade: RGB 134 108 58, RGB 151 126 77, RGB 168 144 96, RGB 185 162 115 and RGB 202 180 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 108 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 108 63 shade: RGB 129 108 63, RGB 112 90 44, RGB 95 72 25, RGB 78 54 6 and RGB 61 36 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 108 63 shade: RGB 129 108 63, RGB 129 91 63, RGB 129 73 63 and RGB 129 63 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 108 63 shade: RGB 129 108 63, RGB 129 126 63, RGB 115 129 63, RGB 97 129 63 and RGB 79 129 63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 108 63 shade matches the following richer shades: RGB 129 108 63, RGB 145 114 48, RGB 161 120 32, RGB 176 125 16 and RGB 192 131 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 108 63 shade: RGB 129 108 63, RGB 114 103 79, RGB 98 97 95, RGB 82 91 110 and RGB 67 86 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 108 63 shade: RGB 129 72 63, RGB 129 90 63, RGB 129 107 63, RGB 129 125 63 and RGB 116 129 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 108 63 shade: RGB 74 62 36, RGB 102 85 50, RGB 129 108 63, RGB 157 132 77 and RGB 177 152 98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 108 63 shade: RGB 129 108 63, RGB 72 129 63 and RGB 81 63 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 108 63 shade: RGB 129 108 63, RGB 63 129 107 and RGB 107 63 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 108 63 shade: RGB 129 108 63, RGB 72 129 63, RGB 63 85 129 and RGB 121 63 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 108 63 shade: RGB 129 108 63, RGB 63 129 74, RGB 63 85 129 and RGB 129 63 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 51 / 49

HEX #816C3F

RGB 129 108 63

HSL 40.91, 0.34%, 0.38%

LAB 46.65, 2.04, 28.14

 

Complementary color

CMYK 34 / 23 / 0 / 25

HEX #7E93C0

RGB 126 147 192

HSL 220.91, 0.34%, 0.62%

LAB 60.88, 3.5, -25.75

 

CMYK 0 / 19 / 57 / 47

HEX #866C3A

RGB 134 108 58

HSL 39.47, 0.4%, 0.38%

LAB 47.1, 3.83, 31.57

 

CMYK 0 / 17 / 49 / 41

HEX #977E4D

RGB 151 126 77

HSL 39.73, 0.32%, 0.45%

LAB 54.07, 2.94, 30.15

 

CMYK 0 / 14 / 43 / 34

HEX #A89060

RGB 168 144 96

HSL 40, 0.29%, 0.52%

LAB 60.88, 2.22, 28.81

 

CMYK 0 / 12 / 38 / 27

HEX #B9A273

RGB 185 162 115

HSL 40.29, 0.33%, 0.59%

LAB 67.57, 1.62, 27.55

 

CMYK 0 / 11 / 34 / 21

HEX #CAB486

RGB 202 180 134

HSL 40.59, 0.39%, 0.66%

LAB 74.14, 1.12, 26.38

 

CMYK 0 / 16 / 51 / 49

HEX #816C3F

RGB 129 108 63

HSL 40.91, 0.34%, 0.38%

LAB 46.65, 2.04, 28.14

 

CMYK 0 / 20 / 61 / 56

HEX #705A2C

RGB 112 90 44

HSL 40.59, 0.44%, 0.31%

LAB 39.48, 3, 29.58

 

CMYK 0 / 24 / 74 / 63

HEX #5F4819

RGB 95 72 25

HSL 40.29, 0.58%, 0.24%

LAB 32.12, 4.27, 30.93

 

CMYK 0 / 31 / 92 / 69

HEX #4E3606

RGB 78 54 6

HSL 40, 0.86%, 0.16%

LAB 24.55, 6.02, 31.46

 

CMYK 0 / 41 / 100 / 76

HEX #3D2400

RGB 61 36 0

HSL 35.41, 1%, 0.12%

LAB 16.77, 8.55, 24.61

 

CMYK 0 / 16 / 51 / 49

HEX #816C3F

RGB 129 108 63

HSL 40.91, 0.34%, 0.38%

LAB 46.65, 2.04, 28.14

 

CMYK 0 / 29 / 51 / 49

HEX #815B3F

RGB 129 91 63

HSL 25.45, 0.34%, 0.38%

LAB 42.01, 12.05, 22.28

 

CMYK 0 / 43 / 51 / 49

HEX #81493F

RGB 129 73 63

HSL 9.09, 0.34%, 0.38%

LAB 37.46, 22.68, 16.32

 

CMYK 0 / 51 / 51 / 49

HEX #813F3F

RGB 129 63 63

HSL 0, 0.34%, 0.38%

LAB 35.16, 28.39, 13.22

 

CMYK 0 / 16 / 51 / 49

HEX #816C3F

RGB 129 108 63

HSL 40.91, 0.34%, 0.38%

LAB 46.65, 2.04, 28.14

 

CMYK 0 / 2 / 51 / 49

HEX #817E3F

RGB 129 126 63

HSL 57.27, 0.34%, 0.38%

LAB 51.78, -8.18, 34.38

 

CMYK 11 / 0 / 51 / 49

HEX #73813F

RGB 115 129 63

HSL 72.73, 0.34%, 0.38%

LAB 51.5, -15.93, 33.77

 

CMYK 25 / 0 / 51 / 49

HEX #61813F

RGB 97 129 63

HSL 89.09, 0.34%, 0.38%

LAB 50.22, -23.4, 31.92

 

CMYK 39 / 0 / 51 / 49

HEX #4F813F

RGB 79 129 63

HSL 105.45, 0.34%, 0.38%

LAB 49.16, -30.21, 30.38

 

CMYK 0 / 16 / 51 / 49

HEX #816C3F

RGB 129 108 63

HSL 40.91, 0.34%, 0.38%

LAB 46.65, 2.04, 28.14

 

CMYK 0 / 21 / 67 / 43

HEX #917230

RGB 145 114 48

HSL 40.82, 0.5%, 0.38%

LAB 49.82, 4.63, 40.18

 

CMYK 0 / 25 / 80 / 37

HEX #A17820

RGB 161 120 32

HSL 40.93, 0.67%, 0.38%

LAB 53.07, 7.74, 50.99

 

CMYK 0 / 29 / 91 / 31

HEX #B07D10

RGB 176 125 16

HSL 40.88, 0.83%, 0.38%

LAB 56.02, 11.33, 58.96

 

CMYK 0 / 32 / 99 / 25

HEX #C08301

RGB 192 131 1

HSL 40.84, 0.99%, 0.38%

LAB 59.38, 14.99, 64.89

 

CMYK 0 / 16 / 51 / 49

HEX #816C3F

RGB 129 108 63

HSL 40.91, 0.34%, 0.38%

LAB 46.65, 2.04, 28.14

 

CMYK 0 / 10 / 31 / 55

HEX #72674F

RGB 114 103 79

HSL 41.14, 0.18%, 0.38%

LAB 44.01, 0.29, 15.15

 

CMYK 0 / 1 / 3 / 62

HEX #62615F

RGB 98 97 95

HSL 40, 0.02%, 0.38%

LAB 41.17, -0.01, 1.27

 

CMYK 25 / 17 / 0 / 57

HEX #525B6E

RGB 82 91 110

HSL 220.71, 0.15%, 0.38%

LAB 38.55, 1.17, -11.99

 

CMYK 47 / 32 / 0 / 51

HEX #43567E

RGB 67 86 126

HSL 220.68, 0.31%, 0.38%

LAB 36.66, 4.31, -24.85

 

CMYK 0 / 44 / 51 / 49

HEX #81483F

RGB 129 72 63

HSL 8.18, 0.34%, 0.38%

LAB 37.23, 23.26, 16

 

CMYK 0 / 30 / 51 / 49

HEX #815A3F

RGB 129 90 63

HSL 24.55, 0.34%, 0.38%

LAB 41.75, 12.64, 21.94

 

CMYK 0 / 17 / 51 / 49

HEX #816B3F

RGB 129 107 63

HSL 40, 0.34%, 0.38%

LAB 46.37, 2.62, 27.79

 

CMYK 0 / 3 / 51 / 49

HEX #817D3F

RGB 129 125 63

HSL 56.36, 0.34%, 0.38%

LAB 51.49, -7.63, 34.04

 

CMYK 10 / 0 / 51 / 49

HEX #74813F

RGB 116 129 63

HSL 71.82, 0.34%, 0.38%

LAB 51.58, -15.5, 33.89

 

CMYK 0 / 16 / 51 / 71

HEX #4A3E24

RGB 74 62 36

HSL 41.05, 0.35%, 0.22%

LAB 26.82, 1.1, 17.87

 

CMYK 0 / 17 / 51 / 60

HEX #665532

RGB 102 85 50

HSL 40.38, 0.34%, 0.3%

LAB 37.03, 1.87, 22.94

 

CMYK 0 / 16 / 51 / 49

HEX #816C3F

RGB 129 108 63

HSL 40.91, 0.34%, 0.38%

LAB 46.65, 2.04, 28.14

 

CMYK 0 / 16 / 51 / 38

HEX #9D844D

RGB 157 132 77

HSL 41.25, 0.34%, 0.46%

LAB 56.29, 2.19, 33.06

 

CMYK 0 / 14 / 45 / 31

HEX #B19862

RGB 177 152 98

HSL 41.01, 0.34%, 0.54%

LAB 63.91, 1.83, 31.79

 

CMYK 0 / 16 / 51 / 49

HEX #816C3F

RGB 129 108 63

HSL 40.91, 0.34%, 0.38%

LAB 46.65, 2.04, 28.14

 

CMYK 44 / 0 / 51 / 49

HEX #48813F

RGB 72 129 63

HSL 111.82, 0.34%, 0.38%

LAB 48.81, -32.61, 29.87

 

CMYK 37 / 51 / 0 / 49

HEX #513F81

RGB 81 63 129

HSL 256.36, 0.34%, 0.38%

LAB 31.55, 24.04, -34.69

 

CMYK 0 / 16 / 51 / 49

HEX #816C3F

RGB 129 108 63

HSL 40.91, 0.34%, 0.38%

LAB 46.65, 2.04, 28.14

 

CMYK 51 / 0 / 17 / 49

HEX #3F816B

RGB 63 129 107

HSL 160, 0.34%, 0.38%

LAB 49.28, -26.73, 5.51

 

CMYK 17 / 51 / 0 / 49

HEX #6B3F81

RGB 107 63 129

HSL 280, 0.34%, 0.38%

LAB 34.53, 31.65, -29.78

 

CMYK 0 / 16 / 51 / 49

HEX #816C3F

RGB 129 108 63

HSL 40.91, 0.34%, 0.38%

LAB 46.65, 2.04, 28.14

 

CMYK 44 / 0 / 51 / 49

HEX #48813F

RGB 72 129 63

HSL 111.82, 0.34%, 0.38%

LAB 48.81, -32.61, 29.87

 

CMYK 51 / 34 / 0 / 49

HEX #3F5581

RGB 63 85 129

HSL 220, 0.34%, 0.38%

LAB 36.25, 4.86, -27.35

 

CMYK 6 / 51 / 0 / 49

HEX #793F81

RGB 121 63 129

HSL 292.73, 0.34%, 0.38%

LAB 36.38, 35.92, -26.75

 

CMYK 0 / 16 / 51 / 49

HEX #816C3F

RGB 129 108 63

HSL 40.91, 0.34%, 0.38%

LAB 46.65, 2.04, 28.14

 

CMYK 51 / 0 / 43 / 49

HEX #3F814A

RGB 63 129 74

HSL 130, 0.34%, 0.38%

LAB 48.58, -33.68, 23.51

 

CMYK 51 / 34 / 0 / 49

HEX #3F5581

RGB 63 85 129

HSL 220, 0.34%, 0.38%

LAB 36.25, 4.86, -27.35

 

CMYK 0 / 51 / 9 / 49

HEX #813F76

RGB 129 63 118

HSL 310, 0.34%, 0.38%

LAB 36.99, 36.3, -18.89

 

Description

Color code: RGB 129 108 63 | qconv.com Color code: RGB 129 108 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 108 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 108 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 51 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 51% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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