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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 117 58 it is the complementary color RGB 126 138 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 117 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 117 58 shade: RGB 134 117 53, RGB 151 135 72, RGB 168 153 91, RGB 185 171 110 and RGB 202 189 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 117 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 117 58 shade: RGB 129 117 58, RGB 112 99 39, RGB 95 81 20, RGB 78 63 1 and RGB 61 45 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 117 58 shade: RGB 130 118 58, RGB 130 98 58, RGB 130 79 58, RGB 130 60 58 and RGB 130 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 117 58 shade: RGB 130 118 58, RGB 122 130 58, RGB 103 130 58, RGB 84 130 58 and RGB 64 130 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 117 58 shade matches the following richer shades: RGB 130 118 58, RGB 145 128 43, RGB 160 138 27 and RGB 176 148 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 117 58 shade: RGB 130 118 58, RGB 114 107 73, RGB 99 97 89, RGB 84 87 104 and RGB 69 77 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 117 58 shade: RGB 130 78 58, RGB 130 97 58, RGB 130 117 58, RGB 124 130 58 and RGB 105 130 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 117 58 shade: RGB 73 66 32, RGB 101 92 45, RGB 130 118 58, RGB 158 143 71 and RGB 180 165 90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 117 58 shade: RGB 129 117 58, RGB 58 130 59 and RGB 88 58 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 117 58 shade: RGB 129 117 58, RGB 58 130 117 and RGB 117 58 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 117 58 shade: RGB 129 117 58, RGB 58 130 59, RGB 58 71 130 and RGB 130 58 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 117 58 shade: RGB 129 117 58, RGB 58 130 81, RGB 58 71 130 and RGB 130 58 107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 55 / 49

HEX #81753A

RGB 129 117 58

HSL 49.86, 0.38%, 0.37%

LAB 49.12, -3.61, 33.85

 

Complementary color

CMYK 36 / 30 / 0 / 23

HEX #7E8AC5

RGB 126 138 197

HSL 229.86, 0.38%, 0.63%

LAB 58.64, 10.04, -32.02

 

CMYK 0 / 13 / 60 / 47

HEX #867535

RGB 134 117 53

HSL 47.41, 0.43%, 0.37%

LAB 49.55, -1.76, 37.07

 

CMYK 0 / 11 / 52 / 41

HEX #978748

RGB 151 135 72

HSL 47.85, 0.35%, 0.44%

LAB 56.46, -2.59, 35.78

 

CMYK 0 / 9 / 46 / 34

HEX #A8995B

RGB 168 153 91

HSL 48.31, 0.31%, 0.51%

LAB 63.23, -3.25, 34.48

 

CMYK 0 / 8 / 41 / 27

HEX #B9AB6E

RGB 185 171 110

HSL 48.8, 0.35%, 0.58%

LAB 69.87, -3.79, 33.22

 

CMYK 0 / 6 / 36 / 21

HEX #CABD81

RGB 202 189 129

HSL 49.32, 0.41%, 0.65%

LAB 76.4, -4.24, 32.01

 

CMYK 0 / 9 / 55 / 49

HEX #81753A

RGB 129 117 58

HSL 49.86, 0.38%, 0.37%

LAB 49.12, -3.61, 33.85

 

CMYK 0 / 12 / 65 / 56

HEX #706327

RGB 112 99 39

HSL 49.32, 0.48%, 0.3%

LAB 42.02, -2.73, 35.09

 

CMYK 0 / 15 / 79 / 63

HEX #5F5114

RGB 95 81 20

HSL 48.8, 0.65%, 0.23%

LAB 34.74, -1.53, 35.91

 

CMYK 0 / 19 / 99 / 69

HEX #4E3F01

RGB 78 63 1

HSL 48.31, 0.97%, 0.15%

LAB 27.23, 0.06, 35.96

 

CMYK 0 / 26 / 100 / 76

HEX #3D2D00

RGB 61 45 0

HSL 44.26, 1%, 0.12%

LAB 19.51, 2.5, 27.88

 

CMYK 0 / 9 / 55 / 49

HEX #82763A

RGB 130 118 58

HSL 50, 0.38%, 0.37%

LAB 49.51, -3.72, 34.33

 

CMYK 0 / 25 / 55 / 49

HEX #82623A

RGB 130 98 58

HSL 33.33, 0.38%, 0.37%

LAB 43.93, 7.86, 27.6

 

CMYK 0 / 39 / 55 / 49

HEX #824F3A

RGB 130 79 58

HSL 17.5, 0.38%, 0.37%

LAB 38.97, 19.1, 21.37

 

CMYK 0 / 54 / 55 / 49

HEX #823C3A

RGB 130 60 58

HSL 1.67, 0.38%, 0.37%

LAB 34.57, 29.96, 15.6

 

CMYK 0 / 55 / 55 / 49

HEX #823A3A

RGB 130 58 58

HSL 0, 0.38%, 0.37%

LAB 34.14, 31.04, 15.04

 

CMYK 0 / 9 / 55 / 49

HEX #82763A

RGB 130 118 58

HSL 50, 0.38%, 0.37%

LAB 49.51, -3.72, 34.33

 

CMYK 6 / 0 / 55 / 49

HEX #7A823A

RGB 122 130 58

HSL 66.67, 0.38%, 0.37%

LAB 52.3, -13.93, 37.41

 

CMYK 21 / 0 / 55 / 49

HEX #67823A

RGB 103 130 58

HSL 82.5, 0.38%, 0.37%

LAB 50.87, -22.04, 35.38

RGB 103 130 58

CMYK 35 / 0 / 55 / 49

HEX #54823A

RGB 84 130 58

HSL 98.33, 0.38%, 0.37%

LAB 49.68, -29.52, 33.69

RGB 84 130 58

CMYK 51 / 0 / 55 / 49

HEX #40823A

RGB 64 130 58

HSL 115, 0.38%, 0.37%

LAB 48.71, -36.3, 32.29

RGB 64 130 58

CMYK 0 / 9 / 55 / 49

HEX #82763A

RGB 130 118 58

HSL 50, 0.38%, 0.37%

LAB 49.51, -3.72, 34.33

 

CMYK 0 / 12 / 70 / 43

HEX #91802B

RGB 145 128 43

HSL 50, 0.54%, 0.37%

LAB 53.63, -3.59, 46.51

 

CMYK 0 / 14 / 83 / 37

HEX #A08A1B

RGB 160 138 27

HSL 50.08, 0.71%, 0.37%

LAB 57.78, -2.94, 56.8

 

CMYK 0 / 16 / 93 / 31

HEX #B0940C

RGB 176 148 12

HSL 49.76, 0.87%, 0.37%

LAB 62.03, -1.43, 64.29

 

CMYK 0 / 9 / 55 / 49

HEX #82763A

RGB 130 118 58

HSL 50, 0.38%, 0.37%

LAB 49.51, -3.72, 34.33

 

CMYK 0 / 6 / 36 / 55

HEX #726B49

RGB 114 107 73

HSL 49.76, 0.22%, 0.37%

LAB 45.04, -2.9, 20.08

 

CMYK 0 / 2 / 10 / 61

HEX #636159

RGB 99 97 89

HSL 48, 0.05%, 0.37%

LAB 41.09, -0.79, 4.84

 

CMYK 19 / 16 / 0 / 59

HEX #545768

RGB 84 87 104

HSL 231, 0.11%, 0.37%

LAB 37.3, 2.81, -10.15

 

CMYK 42 / 35 / 0 / 53

HEX #454D77

RGB 69 77 119

HSL 230.4, 0.27%, 0.37%

LAB 33.78, 8.46, -25.01

 

CMYK 0 / 40 / 55 / 49

HEX #824E3A

RGB 130 78 58

HSL 16.67, 0.38%, 0.37%

LAB 38.73, 19.69, 21.05

 

CMYK 0 / 25 / 55 / 49

HEX #82613A

RGB 130 97 58

HSL 32.5, 0.38%, 0.37%

LAB 43.65, 8.45, 27.27

 

CMYK 0 / 10 / 55 / 49

HEX #82753A

RGB 130 117 58

HSL 49.17, 0.38%, 0.37%

LAB 49.22, -3.16, 33.99

 

CMYK 5 / 0 / 55 / 49

HEX #7C823A

RGB 124 130 58

HSL 65, 0.38%, 0.37%

LAB 52.46, -13.05, 37.64

 

CMYK 19 / 0 / 55 / 49

HEX #69823A

RGB 105 130 58

HSL 80.83, 0.38%, 0.37%

LAB 51.01, -21.21, 35.58

 

CMYK 0 / 10 / 56 / 71

HEX #494220

RGB 73 66 32

HSL 49.76, 0.39%, 0.21%

LAB 27.89, -2.39, 21.61

 

CMYK 0 / 9 / 55 / 60

HEX #655C2D

RGB 101 92 45

HSL 50.36, 0.38%, 0.29%

LAB 38.92, -3.31, 28.08

 

CMYK 0 / 9 / 55 / 49

HEX #82763A

RGB 130 118 58

HSL 50, 0.38%, 0.37%

LAB 49.51, -3.72, 34.33

 

CMYK 0 / 9 / 55 / 38

HEX #9E8F47

RGB 158 143 71

HSL 49.66, 0.38%, 0.45%

LAB 59.31, -4.01, 39.85

 

CMYK 0 / 8 / 50 / 29

HEX #B4A55A

RGB 180 165 90

HSL 50, 0.38%, 0.53%

LAB 67.54, -4.72, 40.55

 

CMYK 0 / 9 / 55 / 49

HEX #81753A

RGB 129 117 58

HSL 49.86, 0.38%, 0.37%

LAB 49.12, -3.61, 33.85

 

CMYK 55 / 0 / 55 / 49

HEX #3A823B

RGB 58 130 59

HSL 120.83, 0.38%, 0.37%

LAB 48.49, -37.92, 31.45

 

CMYK 32 / 55 / 0 / 49

HEX #583A82

RGB 88 58 130

HSL 265, 0.38%, 0.37%

LAB 31.14, 29.38, -35.92

 

CMYK 0 / 9 / 55 / 49

HEX #81753A

RGB 129 117 58

HSL 49.86, 0.38%, 0.37%

LAB 49.12, -3.61, 33.85

 

CMYK 55 / 0 / 10 / 49

HEX #3A8275

RGB 58 130 117

HSL 169.17, 0.38%, 0.37%

LAB 49.68, -25.88, 0.21

 

CMYK 10 / 55 / 0 / 49

HEX #753A82

RGB 117 58 130

HSL 289.17, 0.38%, 0.37%

LAB 34.84, 37.66, -29.82

 

CMYK 0 / 9 / 55 / 49

HEX #81753A

RGB 129 117 58

HSL 49.86, 0.38%, 0.37%

LAB 49.12, -3.61, 33.85

 

CMYK 55 / 0 / 55 / 49

HEX #3A823B

RGB 58 130 59

HSL 120.83, 0.38%, 0.37%

LAB 48.49, -37.92, 31.45

 

CMYK 55 / 45 / 0 / 49

HEX #3A4782

RGB 58 71 130

HSL 229.17, 0.38%, 0.37%

LAB 31.85, 13.13, -34.95

 

CMYK 0 / 55 / 1 / 49

HEX #823A81

RGB 130 58 129

HSL 300.83, 0.38%, 0.37%

LAB 36.66, 41.28, -26.21

 

CMYK 0 / 9 / 55 / 49

HEX #81753A

RGB 129 117 58

HSL 49.86, 0.38%, 0.37%

LAB 49.12, -3.61, 33.85

 

CMYK 55 / 0 / 38 / 49

HEX #3A8251

RGB 58 130 81

HSL 139.17, 0.38%, 0.37%

LAB 48.83, -34.23, 19.88

 

CMYK 55 / 45 / 0 / 49

HEX #3A4782

RGB 58 71 130

HSL 229.17, 0.38%, 0.37%

LAB 31.85, 13.13, -34.95

 

CMYK 0 / 55 / 18 / 49

HEX #823A6B

RGB 130 58 107

HSL 319.17, 0.38%, 0.37%

LAB 35.66, 37.38, -14.02

 

Description

Color code: RGB 129 117 58 | qconv.com Color code: RGB 129 117 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 117 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 117 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 55 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 55% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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