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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 154 69 it is the complementary color RGB 126 101 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 154 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 154 69 shade: RGB 134 154 64, RGB 151 172 83, RGB 168 190 102, RGB 185 208 121 and RGB 202 226 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 154 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 154 69 shade: RGB 129 154 69, RGB 112 136 50, RGB 95 118 31, RGB 78 100 12 and RGB 61 82 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 154 69 shade: RGB 129 154 69, RGB 152 154 69, RGB 154 133 69, RGB 154 110 69 and RGB 154 87 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 154 69 shade: RGB 129 154 69, RGB 106 154 69, RGB 83 154 69, RGB 69 154 78 and RGB 69 154 101

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 154 69 shade matches the following richer shades: RGB 129 154 69, RGB 137 172 51, RGB 144 191 33 and RGB 152 209 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 154 69 shade: RGB 129 154 69, RGB 122 136 87, RGB 114 118 105, RGB 107 100 124 and RGB 99 82 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 154 69 shade: RGB 154 133 69, RGB 153 154 69, RGB 130 154 69, RGB 107 154 69 and RGB 85 154 69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 154 69 shade: RGB 82 97 43, RGB 105 126 56, RGB 129 154 69, RGB 151 179 86 and RGB 169 192 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 154 69 shade: RGB 129 154 69, RGB 69 154 110 and RGB 144 69 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 154 69 shade: RGB 129 154 69, RGB 69 130 154 and RGB 154 69 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 154 69 shade: RGB 129 154 69, RGB 69 154 110, RGB 93 69 154 and RGB 154 69 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 154 69 shade: RGB 129 154 69, RGB 69 154 136, RGB 93 69 154 and RGB 154 69 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 55 / 40

HEX #819A45

RGB 129 154 69

HSL 77.65, 0.38%, 0.44%

LAB 60.08, -22.4, 41.14

 

Complementary color

CMYK 32 / 46 / 0 / 27

HEX #7E65BA

RGB 126 101 186

HSL 257.65, 0.38%, 0.56%

LAB 48.62, 29.02, -41.46

 

CMYK 13 / 0 / 58 / 40

HEX #869A40

RGB 134 154 64

HSL 73.33, 0.41%, 0.43%

LAB 60.38, -20.79, 43.98

 

CMYK 12 / 0 / 52 / 33

HEX #97AC53

RGB 151 172 83

HSL 74.16, 0.35%, 0.5%

LAB 67.06, -21.11, 42.9

 

CMYK 12 / 0 / 46 / 25

HEX #A8BE66

RGB 168 190 102

HSL 75, 0.4%, 0.57%

LAB 73.62, -21.33, 41.74

 

CMYK 11 / 0 / 42 / 18

HEX #B9D079

RGB 185 208 121

HSL 75.86, 0.48%, 0.65%

LAB 80.07, -21.49, 40.57

 

CMYK 11 / 0 / 38 / 11

HEX #CAE28C

RGB 202 226 140

HSL 76.74, 0.6%, 0.72%

LAB 86.43, -21.61, 39.42

 

CMYK 16 / 0 / 55 / 40

HEX #819A45

RGB 129 154 69

HSL 77.65, 0.38%, 0.44%

LAB 60.08, -22.4, 41.14

 

CMYK 18 / 0 / 63 / 47

HEX #708832

RGB 112 136 50

HSL 76.74, 0.46%, 0.36%

LAB 53.26, -22.09, 42.14

 

CMYK 19 / 0 / 74 / 54

HEX #5F761F

RGB 95 118 31

HSL 75.86, 0.58%, 0.29%

LAB 46.3, -21.61, 42.73

 

CMYK 22 / 0 / 88 / 61

HEX #4E640C

RGB 78 100 12

HSL 75, 0.79%, 0.22%

LAB 39.17, -20.86, 42.22

 

CMYK 26 / 0 / 100 / 68

HEX #3D5200

RGB 61 82 0

HSL 75.37, 1%, 0.16%

LAB 31.87, -19.71, 39.35

 

CMYK 16 / 0 / 55 / 40

HEX #819A45

RGB 129 154 69

HSL 77.65, 0.38%, 0.44%

LAB 60.08, -22.4, 41.14

 

CMYK 1 / 0 / 55 / 40

HEX #989A45

RGB 152 154 69

HSL 61.41, 0.38%, 0.44%

LAB 61.84, -12.71, 43.63

 

CMYK 0 / 14 / 55 / 40

HEX #9A8545

RGB 154 133 69

HSL 45.18, 0.38%, 0.44%

LAB 56.16, -0.43, 37.05

 

CMYK 0 / 29 / 55 / 40

HEX #9A6E45

RGB 154 110 69

HSL 28.94, 0.38%, 0.44%

LAB 50.04, 12.63, 29.61

 

CMYK 0 / 44 / 55 / 40

HEX #9A5745

RGB 154 87 69

HSL 12.71, 0.38%, 0.44%

LAB 44.4, 25.77, 22.46

 

CMYK 16 / 0 / 55 / 40

HEX #819A45

RGB 129 154 69

HSL 77.65, 0.38%, 0.44%

LAB 60.08, -22.4, 41.14

 

CMYK 31 / 0 / 55 / 40

HEX #6A9A45

RGB 106 154 69

HSL 93.88, 0.38%, 0.44%

LAB 58.61, -31.43, 39.04

 

CMYK 46 / 0 / 55 / 40

HEX #539A45

RGB 83 154 69

HSL 110.12, 0.38%, 0.44%

LAB 57.44, -39.36, 37.38

 

CMYK 55 / 0 / 49 / 40

HEX #459A4E

RGB 69 154 78

HSL 126.35, 0.38%, 0.44%

LAB 57, -42.18, 32.14

 

CMYK 55 / 0 / 34 / 40

HEX #459A65

RGB 69 154 101

HSL 142.59, 0.38%, 0.44%

LAB 57.38, -38.18, 20.25

 

CMYK 16 / 0 / 55 / 40

HEX #819A45

RGB 129 154 69

HSL 77.65, 0.38%, 0.44%

LAB 60.08, -22.4, 41.14

 

CMYK 20 / 0 / 70 / 33

HEX #89AC33

RGB 137 172 51

HSL 77.36, 0.54%, 0.44%

LAB 65.8, -29.39, 55.4

 

CMYK 25 / 0 / 83 / 25

HEX #90BF21

RGB 144 191 33

HSL 77.85, 0.71%, 0.44%

LAB 71.76, -36.31, 66.87

 

CMYK 27 / 0 / 93 / 18

HEX #98D10F

RGB 152 209 15

HSL 77.63, 0.87%, 0.44%

LAB 77.47, -41.66, 75.14

 

CMYK 16 / 0 / 55 / 40

HEX #819A45

RGB 129 154 69

HSL 77.65, 0.38%, 0.44%

LAB 60.08, -22.4, 41.14

 

CMYK 10 / 0 / 36 / 47

HEX #7A8857

RGB 122 136 87

HSL 77.14, 0.22%, 0.44%

LAB 54.48, -13.78, 24.66

 

CMYK 3 / 0 / 11 / 54

HEX #727669

RGB 114 118 105

HSL 78.46, 0.06%, 0.44%

LAB 48.95, -4.07, 6.64

 

CMYK 14 / 19 / 0 / 51

HEX #6B647C

RGB 107 100 124

HSL 257.5, 0.11%, 0.44%

LAB 43.79, 7.95, -12.39

 

CMYK 30 / 42 / 0 / 44

HEX #63528E

RGB 99 82 142

HSL 257, 0.27%, 0.44%

LAB 38.97, 20.98, -30.81

 

CMYK 0 / 14 / 55 / 40

HEX #9A8545

RGB 154 133 69

HSL 45.18, 0.38%, 0.44%

LAB 56.16, -0.43, 37.05

 

CMYK 1 / 0 / 55 / 40

HEX #999A45

RGB 153 154 69

HSL 60.71, 0.38%, 0.44%

LAB 61.92, -12.28, 43.75

 

CMYK 16 / 0 / 55 / 40

HEX #829A45

RGB 130 154 69

HSL 76.94, 0.38%, 0.44%

LAB 60.15, -21.99, 41.24

 

CMYK 31 / 0 / 55 / 40

HEX #6B9A45

RGB 107 154 69

HSL 93.18, 0.38%, 0.44%

LAB 58.66, -31.06, 39.13

 

CMYK 45 / 0 / 55 / 40

HEX #559A45

RGB 85 154 69

HSL 108.71, 0.38%, 0.44%

LAB 57.53, -38.73, 37.51

 

CMYK 15 / 0 / 56 / 62

HEX #52612B

RGB 82 97 43

HSL 76.67, 0.39%, 0.27%

LAB 38.76, -15.17, 28.57

 

CMYK 17 / 0 / 56 / 51

HEX #697E38

RGB 105 126 56

HSL 78, 0.38%, 0.36%

LAB 49.75, -19.35, 35.12

 

CMYK 16 / 0 / 55 / 40

HEX #819A45

RGB 129 154 69

HSL 77.65, 0.38%, 0.44%

LAB 60.08, -22.4, 41.14

 

CMYK 16 / 0 / 52 / 30

HEX #97B356

RGB 151 179 86

HSL 78.06, 0.38%, 0.52%

LAB 69.11, -24.29, 43.86

 

CMYK 12 / 0 / 41 / 25

HEX #A9C072

RGB 169 192 114

HSL 77.69, 0.38%, 0.6%

LAB 74.41, -20.56, 36.7

 

CMYK 16 / 0 / 55 / 40

HEX #819A45

RGB 129 154 69

HSL 77.65, 0.38%, 0.44%

LAB 60.08, -22.4, 41.14

 

CMYK 55 / 0 / 29 / 40

HEX #459A6E

RGB 69 154 110

HSL 148.94, 0.38%, 0.44%

LAB 57.56, -36.34, 15.49

 

CMYK 6 / 55 / 0 / 40

HEX #90459A

RGB 144 69 154

HSL 292.94, 0.38%, 0.44%

LAB 42.03, 44.58, -32.87

 

CMYK 16 / 0 / 55 / 40

HEX #819A45

RGB 129 154 69

HSL 77.65, 0.38%, 0.44%

LAB 60.08, -22.4, 41.14

 

CMYK 55 / 16 / 0 / 40

HEX #45829A

RGB 69 130 154

HSL 196.94, 0.38%, 0.44%

LAB 51.34, -12.64, -18.9

 

CMYK 0 / 55 / 16 / 40

HEX #9A4582

RGB 154 69 130

HSL 316.94, 0.38%, 0.44%

LAB 42.37, 43.24, -17.7

 

CMYK 16 / 0 / 55 / 40

HEX #819A45

RGB 129 154 69

HSL 77.65, 0.38%, 0.44%

LAB 60.08, -22.4, 41.14

 

CMYK 55 / 0 / 29 / 40

HEX #459A6E

RGB 69 154 110

HSL 148.94, 0.38%, 0.44%

LAB 57.56, -36.34, 15.49

 

CMYK 40 / 55 / 0 / 40

HEX #5D459A

RGB 93 69 154

HSL 256.94, 0.38%, 0.44%

LAB 35.82, 30.72, -43.11

 

CMYK 0 / 55 / 27 / 40

HEX #9A4571

RGB 154 69 113

HSL 328.94, 0.38%, 0.44%

LAB 41.72, 40.64, -8.24

 

CMYK 16 / 0 / 55 / 40

HEX #819A45

RGB 129 154 69

HSL 77.65, 0.38%, 0.44%

LAB 60.08, -22.4, 41.14

 

CMYK 55 / 0 / 12 / 40

HEX #459A88

RGB 69 154 136

HSL 167.29, 0.38%, 0.44%

LAB 58.18, -30.23, 1.68

 

CMYK 40 / 55 / 0 / 40

HEX #5D459A

RGB 93 69 154

HSL 256.94, 0.38%, 0.44%

LAB 35.82, 30.72, -43.11

 

CMYK 0 / 55 / 43 / 40

HEX #9A4558

RGB 154 69 88

HSL 346.59, 0.38%, 0.44%

LAB 40.95, 37.44, 6.15

 

Description

Color code: RGB 129 154 69 | qconv.com Color code: RGB 129 154 69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 154 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 154 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 55 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 55% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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