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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 197 188 it is the complementary color RGB 126 58 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 197 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 197 188 shade: RGB 134 197 183, RGB 151 215 202, RGB 168 233 221, RGB 185 251 240 and RGB 202 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 197 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 197 188 shade: RGB 129 197 188, RGB 112 179 169, RGB 95 161 150, RGB 78 143 131 and RGB 61 125 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 197 188 shade: RGB 129 197 188, RGB 129 197 169, RGB 129 197 151, RGB 129 197 133 and RGB 143 197 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 197 188 shade: RGB 129 197 188, RGB 129 187 197, RGB 129 169 197, RGB 129 151 197 and RGB 129 132 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 197 188 shade matches the following richer shades: RGB 129 197 188, RGB 114 212 199, RGB 99 226 210 and RGB 84 241 220

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 197 188 shade: RGB 129 197 188, RGB 144 182 177, RGB 158 167 166, RGB 173 152 155 and RGB 188 137 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 197 188 shade: RGB 129 197 151, RGB 129 197 169, RGB 129 197 188, RGB 129 188 197 and RGB 129 169 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 197 188 shade: RGB 76 167 155, RGB 100 184 173, RGB 129 197 188, RGB 157 210 203 and RGB 185 223 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 197 188 shade: RGB 129 197 188, RGB 133 129 197 and RGB 197 160 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 197 188 shade: RGB 129 197 188, RGB 188 129 197 and RGB 197 188 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 197 188 shade: RGB 129 197 188, RGB 133 129 197, RGB 197 129 138 and RGB 192 197 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 197 188 shade: RGB 129 197 188, RGB 154 129 197, RGB 197 129 138 and RGB 172 197 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 5 / 23

HEX #81C5BC

RGB 129 197 188

HSL 172.06, 0.37%, 0.64%

LAB 74.97, -23.46, -2.32

 

Complementary color

CMYK 0 / 54 / 47 / 51

HEX #7E3A43

RGB 126 58 67

HSL 352.06, 0.37%, 0.36%

LAB 33.7, 30.38, 8.58

 

CMYK 32 / 0 / 7 / 23

HEX #86C5B7

RGB 134 197 183

HSL 166.67, 0.35%, 0.65%

LAB 75.09, -23.17, 0.59

 

CMYK 30 / 0 / 6 / 16

HEX #97D7CA

RGB 151 215 202

HSL 167.81, 0.44%, 0.72%

LAB 81.54, -23, -0.1

 

CMYK 28 / 0 / 5 / 9

HEX #A8E9DD

RGB 168 233 221

HSL 168.92, 0.6%, 0.79%

LAB 87.88, -22.85, -0.75

 

CMYK 26 / 0 / 4 / 2

HEX #B9FBF0

RGB 185 251 240

HSL 170, 0.89%, 0.85%

LAB 94.14, -22.71, -1.39

 

CMYK 21 / 0 / 0 / 0

HEX #CAFFFF

RGB 202 255 255

HSL 180, 1%, 0.9%

LAB 96.53, -16.6, -5.5

 

CMYK 35 / 0 / 5 / 23

HEX #81C5BC

RGB 129 197 188

HSL 172.06, 0.37%, 0.64%

LAB 74.97, -23.46, -2.32

 

CMYK 37 / 0 / 6 / 30

HEX #70B3A9

RGB 112 179 169

HSL 171.04, 0.31%, 0.57%

LAB 68.42, -23.6, -1.63

 

CMYK 41 / 0 / 7 / 37

HEX #5FA196

RGB 95 161 150

HSL 170, 0.26%, 0.5%

LAB 61.76, -23.74, -0.89

 

CMYK 45 / 0 / 8 / 44

HEX #4E8F83

RGB 78 143 131

HSL 168.92, 0.29%, 0.43%

LAB 54.97, -23.87, -0.09

 

CMYK 51 / 0 / 10 / 51

HEX #3D7D70

RGB 61 125 112

HSL 167.81, 0.34%, 0.36%

LAB 48.04, -23.95, 0.79

 

CMYK 35 / 0 / 5 / 23

HEX #81C5BC

RGB 129 197 188

HSL 172.06, 0.37%, 0.64%

LAB 74.97, -23.46, -2.32

 

CMYK 35 / 0 / 14 / 23

HEX #81C5A9

RGB 129 197 169

HSL 155.29, 0.37%, 0.64%

LAB 74.49, -27.66, 7.27

 

CMYK 35 / 0 / 23 / 23

HEX #81C597

RGB 129 197 151

HSL 139.41, 0.37%, 0.64%

LAB 74.08, -31.26, 16.39

 

CMYK 35 / 0 / 32 / 23

HEX #81C585

RGB 129 197 133

HSL 123.53, 0.37%, 0.64%

LAB 73.74, -34.47, 25.49

 

CMYK 27 / 0 / 35 / 23

HEX #8FC581

RGB 143 197 129

HSL 107.65, 0.37%, 0.64%

LAB 74.42, -30.48, 28.63

 

CMYK 35 / 0 / 5 / 23

HEX #81C5BC

RGB 129 197 188

HSL 172.06, 0.37%, 0.64%

LAB 74.97, -23.46, -2.32

 

CMYK 35 / 5 / 0 / 23

HEX #81BBC5

RGB 129 187 197

HSL 188.82, 0.37%, 0.64%

LAB 72.39, -16.22, -11.04

 

CMYK 35 / 14 / 0 / 23

HEX #81A9C5

RGB 129 169 197

HSL 204.71, 0.37%, 0.64%

LAB 67.33, -6.64, -18.66

 

CMYK 35 / 23 / 0 / 23

HEX #8197C5

RGB 129 151 197

HSL 220.59, 0.37%, 0.64%

LAB 62.37, 3.4, -26.25

 

CMYK 35 / 33 / 0 / 23

HEX #8184C5

RGB 129 132 197

HSL 237.35, 0.37%, 0.64%

LAB 57.27, 14.41, -34.14

 

CMYK 35 / 0 / 5 / 23

HEX #81C5BC

RGB 129 197 188

HSL 172.06, 0.37%, 0.64%

LAB 74.97, -23.46, -2.32

 

CMYK 46 / 0 / 6 / 17

HEX #72D4C7

RGB 114 212 199

HSL 172.04, 0.53%, 0.64%

LAB 78.92, -31.98, -2.52

 

CMYK 56 / 0 / 7 / 11

HEX #63E2D2

RGB 99 226 210

HSL 172.44, 0.69%, 0.64%

LAB 82.75, -38.94, -2.81

 

CMYK 65 / 0 / 9 / 5

HEX #54F1DC

RGB 84 241 220

HSL 171.97, 0.85%, 0.64%

LAB 86.98, -45.62, -1.93

 

CMYK 35 / 0 / 5 / 23

HEX #81C5BC

RGB 129 197 188

HSL 172.06, 0.37%, 0.64%

LAB 74.97, -23.46, -2.32

 

CMYK 21 / 0 / 3 / 29

HEX #90B6B1

RGB 144 182 177

HSL 172.11, 0.21%, 0.64%

LAB 71.25, -13.78, -1.67

 

CMYK 5 / 0 / 1 / 35

HEX #9EA7A6

RGB 158 167 166

HSL 173.33, 0.05%, 0.64%

LAB 67.77, -3.37, -0.59

 

CMYK 0 / 12 / 10 / 32

HEX #AD989B

RGB 173 152 155

HSL 351.43, 0.11%, 0.64%

LAB 64.73, 8.28, 1.27

 

CMYK 0 / 27 / 23 / 26

HEX #BC8990

RGB 188 137 144

HSL 351.76, 0.28%, 0.64%

LAB 62.17, 20.5, 3.96

 

CMYK 35 / 0 / 23 / 23

HEX #81C597

RGB 129 197 151

HSL 139.41, 0.37%, 0.64%

LAB 74.08, -31.26, 16.39

 

CMYK 35 / 0 / 14 / 23

HEX #81C5A9

RGB 129 197 169

HSL 155.29, 0.37%, 0.64%

LAB 74.49, -27.66, 7.27

 

CMYK 35 / 0 / 5 / 23

HEX #81C5BC

RGB 129 197 188

HSL 172.06, 0.37%, 0.64%

LAB 74.97, -23.46, -2.32

 

CMYK 35 / 5 / 0 / 23

HEX #81BCC5

RGB 129 188 197

HSL 187.94, 0.37%, 0.64%

LAB 72.67, -16.74, -10.62

 

CMYK 35 / 14 / 0 / 23

HEX #81A9C5

RGB 129 169 197

HSL 204.71, 0.37%, 0.64%

LAB 67.33, -6.64, -18.66

 

CMYK 54 / 0 / 7 / 35

HEX #4CA79B

RGB 76 167 155

HSL 172.09, 0.37%, 0.48%

LAB 62.96, -30.06, -2.03

 

CMYK 46 / 0 / 6 / 28

HEX #64B8AD

RGB 100 184 173

HSL 172.14, 0.37%, 0.56%

LAB 69.47, -28.23, -2.35

 

CMYK 35 / 0 / 5 / 23

HEX #81C5BC

RGB 129 197 188

HSL 172.06, 0.37%, 0.64%

LAB 74.97, -23.46, -2.32

 

CMYK 25 / 0 / 3 / 18

HEX #9DD2CB

RGB 157 210 203

HSL 172.08, 0.37%, 0.72%

LAB 80.5, -18.53, -2.11

 

CMYK 17 / 0 / 2 / 13

HEX #B9DFDA

RGB 185 223 218

HSL 172.11, 0.37%, 0.8%

LAB 86.08, -13.37, -1.7

 

CMYK 35 / 0 / 5 / 23

HEX #81C5BC

RGB 129 197 188

HSL 172.06, 0.37%, 0.64%

LAB 74.97, -23.46, -2.32

 

CMYK 32 / 35 / 0 / 23

HEX #8581C5

RGB 133 129 197

HSL 243.53, 0.37%, 0.64%

LAB 56.8, 17.31, -34.86

 

CMYK 0 / 19 / 35 / 23

HEX #C5A081

RGB 197 160 129

HSL 27.35, 0.37%, 0.64%

LAB 68.46, 9.27, 21.33

 

CMYK 35 / 0 / 5 / 23

HEX #81C5BC

RGB 129 197 188

HSL 172.06, 0.37%, 0.64%

LAB 74.97, -23.46, -2.32

 

CMYK 5 / 35 / 0 / 23

HEX #BC81C5

RGB 188 129 197

HSL 292.06, 0.37%, 0.64%

LAB 62.02, 34.2, -26.35

 

CMYK 0 / 5 / 35 / 23

HEX #C5BC81

RGB 197 188 129

HSL 52.06, 0.37%, 0.64%

LAB 75.71, -5.7, 31.04

 

CMYK 35 / 0 / 5 / 23

HEX #81C5BC

RGB 129 197 188

HSL 172.06, 0.37%, 0.64%

LAB 74.97, -23.46, -2.32

 

CMYK 32 / 35 / 0 / 23

HEX #8581C5

RGB 133 129 197

HSL 243.53, 0.37%, 0.64%

LAB 56.8, 17.31, -34.86

 

CMYK 0 / 35 / 30 / 23

HEX #C5818A

RGB 197 129 138

HSL 352.06, 0.37%, 0.64%

LAB 61.14, 27.47, 6.04

 

CMYK 3 / 0 / 35 / 23

HEX #C0C581

RGB 192 197 129

HSL 64.41, 0.37%, 0.64%

LAB 77.71, -12.32, 33.58

 

CMYK 35 / 0 / 5 / 23

HEX #81C5BC

RGB 129 197 188

HSL 172.06, 0.37%, 0.64%

LAB 74.97, -23.46, -2.32

 

CMYK 22 / 35 / 0 / 23

HEX #9A81C5

RGB 154 129 197

HSL 262.06, 0.37%, 0.64%

LAB 58.6, 23.55, -31.91

 

CMYK 0 / 35 / 30 / 23

HEX #C5818A

RGB 197 129 138

HSL 352.06, 0.37%, 0.64%

LAB 61.14, 27.47, 6.04

 

CMYK 13 / 0 / 35 / 23

HEX #ACC581

RGB 172 197 129

HSL 82.06, 0.37%, 0.64%

LAB 76.25, -20, 31.38

 

Description

Color code: RGB 129 197 188 | qconv.com Color code: RGB 129 197 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 197 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 197 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 5 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 5% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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