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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 198 128 it is the complementary color RGB 126 57 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 198 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 198 128 shade: RGB 134 198 123, RGB 151 216 142, RGB 168 234 161, RGB 185 252 180 and RGB 202 255 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 198 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 198 128 shade: RGB 129 198 128, RGB 112 180 109, RGB 95 162 90, RGB 78 144 71 and RGB 61 126 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 198 128 shade: RGB 129 198 128, RGB 148 198 128, RGB 166 198 128, RGB 185 198 128 and RGB 198 191 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 198 128 shade: RGB 129 198 128, RGB 128 198 146, RGB 128 198 164, RGB 128 198 183 and RGB 128 193 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 198 128 shade matches the following richer shades: RGB 129 198 128, RGB 114 212 113, RGB 100 227 98 and RGB 86 242 83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 198 128 shade: RGB 129 198 128, RGB 143 183 143, RGB 158 168 158, RGB 172 153 172 and RGB 187 138 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 198 128 shade: RGB 166 198 128, RGB 148 198 128, RGB 129 198 128, RGB 128 198 145 and RGB 128 198 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 198 128 shade: RGB 76 168 75, RGB 101 185 99, RGB 129 198 128, RGB 157 210 156 and RGB 185 223 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 198 128 shade: RGB 129 198 128, RGB 128 185 198 and RGB 198 128 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 198 128 shade: RGB 129 198 128, RGB 128 129 198 and RGB 198 128 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 198 128 shade: RGB 129 198 128, RGB 128 185 198, RGB 196 128 198 and RGB 198 141 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 198 128 shade: RGB 129 198 128, RGB 128 164 198, RGB 196 128 198 and RGB 198 162 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 35 / 22

HEX #81C680

RGB 129 198 128

HSL 119.14, 0.38%, 0.64%

LAB 73.94, -35.75, 28.39

 

Complementary color

CMYK 1 / 55 / 0 / 50

HEX #7E397F

RGB 126 57 127

HSL 299.14, 0.38%, 0.36%

LAB 35.78, 40.23, -26.39

 

CMYK 32 / 0 / 38 / 22

HEX #86C67B

RGB 134 198 123

HSL 111.2, 0.4%, 0.63%

LAB 74.12, -34.89, 31.27

 

CMYK 30 / 0 / 34 / 15

HEX #97D88E

RGB 151 216 142

HSL 112.7, 0.49%, 0.7%

LAB 80.54, -34.68, 30.11

 

CMYK 28 / 0 / 31 / 8

HEX #A8EAA1

RGB 168 234 161

HSL 114.25, 0.63%, 0.77%

LAB 86.87, -34.46, 29.01

 

CMYK 27 / 0 / 29 / 1

HEX #B9FCB4

RGB 185 252 180

HSL 115.83, 0.92%, 0.85%

LAB 93.12, -34.24, 27.96

 

CMYK 21 / 0 / 22 / 0

HEX #CAFFC7

RGB 202 255 199

HSL 116.79, 1%, 0.89%

LAB 95.25, -27.06, 21.4

 

CMYK 35 / 0 / 35 / 22

HEX #81C680

RGB 129 198 128

HSL 119.14, 0.38%, 0.64%

LAB 73.94, -35.75, 28.39

 

CMYK 38 / 0 / 39 / 29

HEX #70B46D

RGB 112 180 109

HSL 117.46, 0.32%, 0.57%

LAB 67.42, -35.98, 29.59

 

CMYK 41 / 0 / 44 / 36

HEX #5FA25A

RGB 95 162 90

HSL 115.83, 0.29%, 0.49%

LAB 60.79, -36.18, 30.87

 

CMYK 46 / 0 / 51 / 44

HEX #4E9047

RGB 78 144 71

HSL 114.25, 0.34%, 0.42%

LAB 54.05, -36.3, 32.19

 

CMYK 52 / 0 / 59 / 51

HEX #3D7E34

RGB 61 126 52

HSL 112.7, 0.42%, 0.35%

LAB 47.19, -36.27, 33.51

 

CMYK 35 / 0 / 35 / 22

HEX #81C680

RGB 129 198 128

HSL 119.14, 0.38%, 0.64%

LAB 73.94, -35.75, 28.39

 

CMYK 25 / 0 / 35 / 22

HEX #94C680

RGB 148 198 128

HSL 102.86, 0.38%, 0.64%

LAB 74.98, -29.37, 29.95

 

CMYK 16 / 0 / 35 / 22

HEX #A6C680

RGB 166 198 128

HSL 87.43, 0.38%, 0.64%

LAB 76.1, -22.87, 31.64

 

CMYK 7 / 0 / 35 / 22

HEX #B9C680

RGB 185 198 128

HSL 71.14, 0.38%, 0.64%

LAB 77.44, -15.67, 33.63

 

CMYK 0 / 4 / 35 / 22

HEX #C6BF80

RGB 198 191 128

HSL 54, 0.38%, 0.64%

LAB 76.57, -6.98, 32.7

 

CMYK 35 / 0 / 35 / 22

HEX #81C680

RGB 129 198 128

HSL 119.14, 0.38%, 0.64%

LAB 73.94, -35.75, 28.39

 

CMYK 35 / 0 / 26 / 22

HEX #80C692

RGB 128 198 146

HSL 135.43, 0.38%, 0.64%

LAB 74.22, -32.97, 19.25

 

CMYK 35 / 0 / 17 / 22

HEX #80C6A4

RGB 128 198 164

HSL 150.86, 0.38%, 0.64%

LAB 74.61, -29.47, 10.13

 

CMYK 35 / 0 / 8 / 22

HEX #80C6B7

RGB 128 198 183

HSL 167.14, 0.38%, 0.64%

LAB 75.07, -25.37, 0.54

 

CMYK 35 / 3 / 0 / 22

HEX #80C1C6

RGB 128 193 198

HSL 184.29, 0.38%, 0.64%

LAB 74.07, -19.34, -9.09

 

CMYK 35 / 0 / 35 / 22

HEX #81C680

RGB 129 198 128

HSL 119.14, 0.38%, 0.64%

LAB 73.94, -35.75, 28.39

 

CMYK 46 / 0 / 47 / 17

HEX #72D471

RGB 114 212 113

HSL 119.39, 0.54%, 0.64%

LAB 77.2, -48.64, 40.09

 

CMYK 56 / 0 / 57 / 11

HEX #64E362

RGB 100 227 98

HSL 119.07, 0.7%, 0.64%

LAB 81.03, -60.1, 51.72

 

CMYK 64 / 0 / 66 / 5

HEX #56F253

RGB 86 242 83

HSL 118.87, 0.86%, 0.64%

LAB 85.05, -69.99, 62.49

 

CMYK 35 / 0 / 35 / 22

HEX #81C680

RGB 129 198 128

HSL 119.14, 0.38%, 0.64%

LAB 73.94, -35.75, 28.39

 

CMYK 22 / 0 / 22 / 28

HEX #8FB78F

RGB 143 183 143

HSL 120, 0.22%, 0.64%

LAB 70.66, -21.32, 16.05

 

CMYK 6 / 0 / 6 / 34

HEX #9EA89E

RGB 158 168 158

HSL 120, 0.05%, 0.64%

LAB 67.83, -5.45, 3.94

 

CMYK 0 / 11 / 0 / 33

HEX #AC99AC

RGB 172 153 172

HSL 300, 0.1%, 0.64%

LAB 65.38, 10.48, -7.33

 

CMYK 0 / 26 / 0 / 27

HEX #BB8ABB

RGB 187 138 187

HSL 300, 0.26%, 0.64%

LAB 63.61, 26.95, -18.28

 

CMYK 16 / 0 / 35 / 22

HEX #A6C680

RGB 166 198 128

HSL 87.43, 0.38%, 0.64%

LAB 76.1, -22.87, 31.64

 

CMYK 25 / 0 / 35 / 22

HEX #94C680

RGB 148 198 128

HSL 102.86, 0.38%, 0.64%

LAB 74.98, -29.37, 29.95

 

CMYK 35 / 0 / 35 / 22

HEX #81C680

RGB 129 198 128

HSL 119.14, 0.38%, 0.64%

LAB 73.94, -35.75, 28.39

 

CMYK 35 / 0 / 27 / 22

HEX #80C691

RGB 128 198 145

HSL 134.57, 0.38%, 0.64%

LAB 74.2, -33.15, 19.76

 

CMYK 35 / 0 / 17 / 22

HEX #80C6A4

RGB 128 198 164

HSL 150.86, 0.38%, 0.64%

LAB 74.61, -29.47, 10.13

 

CMYK 55 / 0 / 55 / 34

HEX #4CA84B

RGB 76 168 75

HSL 119.35, 0.38%, 0.48%

LAB 61.7, -46.43, 39.44

 

CMYK 45 / 0 / 46 / 27

HEX #65B963

RGB 101 185 99

HSL 118.6, 0.38%, 0.56%

LAB 68.29, -43.09, 35.78

 

CMYK 35 / 0 / 35 / 22

HEX #81C680

RGB 129 198 128

HSL 119.14, 0.38%, 0.64%

LAB 73.94, -35.75, 28.39

 

CMYK 25 / 0 / 26 / 18

HEX #9DD29C

RGB 157 210 156

HSL 118.89, 0.38%, 0.72%

LAB 79.42, -27.6, 21.36

 

CMYK 17 / 0 / 17 / 13

HEX #B9DFB9

RGB 185 223 185

HSL 120, 0.37%, 0.8%

LAB 85.3, -19.59, 14.56

 

CMYK 35 / 0 / 35 / 22

HEX #81C680

RGB 129 198 128

HSL 119.14, 0.38%, 0.64%

LAB 73.94, -35.75, 28.39

 

CMYK 35 / 7 / 0 / 22

HEX #80B9C6

RGB 128 185 198

HSL 191.14, 0.38%, 0.64%

LAB 71.8, -15.21, -12.47

 

CMYK 0 / 35 / 21 / 22

HEX #C6809D

RGB 198 128 157

HSL 335.14, 0.38%, 0.64%

LAB 61.55, 31.13, -4.22

 

CMYK 35 / 0 / 35 / 22

HEX #81C680

RGB 129 198 128

HSL 119.14, 0.38%, 0.64%

LAB 73.94, -35.75, 28.39

 

CMYK 35 / 35 / 0 / 22

HEX #8081C6

RGB 128 129 198

HSL 239.14, 0.38%, 0.64%

LAB 56.45, 16.16, -35.99

 

CMYK 0 / 35 / 35 / 22

HEX #C68081

RGB 198 128 129

HSL 359.14, 0.38%, 0.64%

LAB 60.81, 27.22, 10.73

 

CMYK 35 / 0 / 35 / 22

HEX #81C680

RGB 129 198 128

HSL 119.14, 0.38%, 0.64%

LAB 73.94, -35.75, 28.39

 

CMYK 35 / 7 / 0 / 22

HEX #80B9C6

RGB 128 185 198

HSL 191.14, 0.38%, 0.64%

LAB 71.8, -15.21, -12.47

 

CMYK 1 / 35 / 0 / 22

HEX #C480C6

RGB 196 128 198

HSL 298.29, 0.38%, 0.64%

LAB 62.72, 37.49, -25.76

 

CMYK 0 / 29 / 35 / 22

HEX #C68D80

RGB 198 141 128

HSL 11.14, 0.38%, 0.64%

LAB 63.85, 19.96, 15.56

 

CMYK 35 / 0 / 35 / 22

HEX #81C680

RGB 129 198 128

HSL 119.14, 0.38%, 0.64%

LAB 73.94, -35.75, 28.39

 

CMYK 35 / 17 / 0 / 22

HEX #80A4C6

RGB 128 164 198

HSL 209.14, 0.38%, 0.64%

LAB 65.92, -3.92, -21.37

 

CMYK 1 / 35 / 0 / 22

HEX #C480C6

RGB 196 128 198

HSL 298.29, 0.38%, 0.64%

LAB 62.72, 37.49, -25.76

 

CMYK 0 / 18 / 35 / 22

HEX #C6A280

RGB 198 162 128

HSL 29.14, 0.38%, 0.64%

LAB 69.04, 8.46, 22.68

 

Description

Color code: RGB 129 198 128 | qconv.com Color code: RGB 129 198 128 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 198 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 198 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 35 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 35% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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