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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 212 202 it is the complementary color RGB 126 43 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 212 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 212 202 shade: RGB 134 212 197, RGB 151 230 216, RGB 168 248 235, RGB 185 255 254 and RGB 202 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 212 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 212 202 shade: RGB 129 212 202, RGB 112 194 183, RGB 95 176 164, RGB 78 158 145 and RGB 61 140 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 212 202 shade: RGB 129 212 202, RGB 129 212 179, RGB 129 212 157, RGB 129 212 135 and RGB 146 212 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 212 202 shade: RGB 129 212 202, RGB 129 199 212, RGB 129 177 212, RGB 129 155 212 and RGB 129 133 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 212 202 shade matches the following richer shades: RGB 129 212 202, RGB 116 225 212, RGB 102 239 222 and RGB 88 252 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 212 202 shade: RGB 129 212 202, RGB 143 198 191, RGB 156 184 181, RGB 170 171 171 and RGB 184 157 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 212 202 shade: RGB 129 212 157, RGB 129 212 179, RGB 129 212 201, RGB 129 201 212 and RGB 129 179 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 212 202 shade: RGB 68 191 176, RGB 98 201 189, RGB 129 212 202, RGB 160 222 215 and RGB 191 233 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 212 202 shade: RGB 129 212 202, RGB 135 129 212 and RGB 212 168 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 212 202 shade: RGB 129 212 202, RGB 201 129 212 and RGB 212 201 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 212 202 shade: RGB 129 212 202, RGB 135 129 212, RGB 212 129 140 and RGB 206 212 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 212 202 shade: RGB 129 212 202, RGB 159 129 212, RGB 212 129 140 and RGB 181 212 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 5 / 17

HEX #81D4CA

RGB 129 212 202

HSL 172.77, 0.49%, 0.67%

LAB 79.62, -27.57, -3.02

 

Complementary color

CMYK 0 / 66 / 58 / 51

HEX #7E2B35

RGB 126 43 53

HSL 352.77, 0.49%, 0.33%

LAB 30.45, 36.7, 13.19

 

CMYK 37 / 0 / 7 / 17

HEX #86D4C5

RGB 134 212 197

HSL 168.46, 0.48%, 0.68%

LAB 79.72, -27.41, -0.18

 

CMYK 34 / 0 / 6 / 10

HEX #97E6D8

RGB 151 230 216

HSL 169.37, 0.61%, 0.75%

LAB 86.07, -27.25, -0.88

 

CMYK 32 / 0 / 5 / 3

HEX #A8F8EB

RGB 168 248 235

HSL 170.25, 0.85%, 0.82%

LAB 92.34, -27.1, -1.54

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFE

RGB 185 255 254

HSL 179.14, 1%, 0.86%

LAB 95.58, -21.67, -6.51

 

CMYK 21 / 0 / 0 / 0

HEX #CAFFFF

RGB 202 255 255

HSL 180, 1%, 0.9%

LAB 96.53, -16.6, -5.5

 

CMYK 39 / 0 / 5 / 17

HEX #81D4CA

RGB 129 212 202

HSL 172.77, 0.49%, 0.67%

LAB 79.62, -27.57, -3.02

 

CMYK 42 / 0 / 6 / 24

HEX #70C2B7

RGB 112 194 183

HSL 171.95, 0.4%, 0.6%

LAB 73.19, -27.68, -2.31

 

CMYK 46 / 0 / 7 / 31

HEX #5FB0A4

RGB 95 176 164

HSL 171.11, 0.34%, 0.53%

LAB 66.64, -27.77, -1.56

 

CMYK 51 / 0 / 8 / 38

HEX #4E9E91

RGB 78 158 145

HSL 170.25, 0.34%, 0.46%

LAB 59.99, -27.81, -0.74

 

CMYK 56 / 0 / 10 / 45

HEX #3D8C7E

RGB 61 140 126

HSL 169.37, 0.39%, 0.39%

LAB 53.23, -27.78, 0.16

 

CMYK 39 / 0 / 5 / 17

HEX #81D4CA

RGB 129 212 202

HSL 172.77, 0.49%, 0.67%

LAB 79.62, -27.57, -3.02

 

CMYK 39 / 0 / 16 / 17

HEX #81D4B3

RGB 129 212 179

HSL 156.14, 0.49%, 0.67%

LAB 79.05, -32.71, 8.43

 

CMYK 39 / 0 / 26 / 17

HEX #81D49D

RGB 129 212 157

HSL 140.24, 0.49%, 0.67%

LAB 78.57, -37.1, 19.43

 

CMYK 39 / 0 / 36 / 17

HEX #81D487

RGB 129 212 135

HSL 124.34, 0.49%, 0.67%

LAB 78.17, -40.93, 30.37

 

CMYK 31 / 0 / 39 / 17

HEX #92D481

RGB 146 212 129

HSL 107.71, 0.49%, 0.67%

LAB 78.92, -36.44, 34.57

 

CMYK 39 / 0 / 5 / 17

HEX #81D4CA

RGB 129 212 202

HSL 172.77, 0.49%, 0.67%

LAB 79.62, -27.57, -3.02

 

CMYK 39 / 6 / 0 / 17

HEX #81C7D4

RGB 129 199 212

HSL 189.4, 0.49%, 0.67%

LAB 76.23, -18.66, -13.44

 

CMYK 39 / 17 / 0 / 17

HEX #81B1D4

RGB 129 177 212

HSL 205.3, 0.49%, 0.67%

LAB 70.08, -7.08, -22.74

 

CMYK 39 / 27 / 0 / 17

HEX #819BD4

RGB 129 155 212

HSL 221.2, 0.49%, 0.67%

LAB 64.05, 5.16, -32.02

 

CMYK 39 / 37 / 0 / 17

HEX #8185D4

RGB 129 133 212

HSL 237.11, 0.49%, 0.67%

LAB 58.22, 17.93, -41.12

 

CMYK 39 / 0 / 5 / 17

HEX #81D4CA

RGB 129 212 202

HSL 172.77, 0.49%, 0.67%

LAB 79.62, -27.57, -3.02

 

CMYK 48 / 0 / 6 / 12

HEX #74E1D4

RGB 116 225 212

HSL 172.84, 0.64%, 0.67%

LAB 83.08, -34.48, -3.32

 

CMYK 57 / 0 / 7 / 6

HEX #66EFDE

RGB 102 239 222

HSL 172.55, 0.81%, 0.67%

LAB 86.91, -41.24, -3.01

 

CMYK 65 / 0 / 8 / 1

HEX #58FCE9

RGB 88 252 233

HSL 173.05, 0.96%, 0.67%

LAB 90.59, -46.48, -3.4

 

CMYK 39 / 0 / 5 / 17

HEX #81D4CA

RGB 129 212 202

HSL 172.77, 0.49%, 0.67%

LAB 79.62, -27.57, -3.02

 

CMYK 28 / 0 / 4 / 22

HEX #8FC6BF

RGB 143 198 191

HSL 172.36, 0.33%, 0.67%

LAB 76.06, -19.26, -2.25

 

CMYK 15 / 0 / 2 / 28

HEX #9CB8B5

RGB 156 184 181

HSL 173.57, 0.16%, 0.67%

LAB 72.68, -10.11, -1.68

 

CMYK 1 / 0 / 0 / 33

HEX #AAABAB

RGB 170 171 171

HSL 180, 0.01%, 0.67%

LAB 69.9, -0.35, -0.13

 

CMYK 0 / 15 / 13 / 28

HEX #B89DA0

RGB 184 157 160

HSL 353.33, 0.16%, 0.67%

LAB 67.16, 10.45, 2.13

 

CMYK 39 / 0 / 26 / 17

HEX #81D49D

RGB 129 212 157

HSL 140.24, 0.49%, 0.67%

LAB 78.57, -37.1, 19.43

 

CMYK 39 / 0 / 16 / 17

HEX #81D4B3

RGB 129 212 179

HSL 156.14, 0.49%, 0.67%

LAB 79.05, -32.71, 8.43

 

CMYK 39 / 0 / 5 / 17

HEX #81D4C9

RGB 129 212 201

HSL 172.05, 0.49%, 0.67%

LAB 79.6, -27.81, -2.53

 

CMYK 39 / 5 / 0 / 17

HEX #81C9D4

RGB 129 201 212

HSL 187.95, 0.49%, 0.67%

LAB 76.8, -19.68, -12.59

 

CMYK 39 / 16 / 0 / 17

HEX #81B3D4

RGB 129 179 212

HSL 203.86, 0.49%, 0.67%

LAB 70.64, -8.16, -21.9

 

CMYK 64 / 0 / 8 / 25

HEX #44BFB0

RGB 68 191 176

HSL 172.68, 0.49%, 0.51%

LAB 70.61, -37.3, -2.45

 

CMYK 51 / 0 / 6 / 21

HEX #62C9BD

RGB 98 201 189

HSL 173.01, 0.49%, 0.59%

LAB 74.85, -32.85, -3.18

 

CMYK 39 / 0 / 5 / 17

HEX #81D4CA

RGB 129 212 202

HSL 172.77, 0.49%, 0.67%

LAB 79.62, -27.57, -3.02

 

CMYK 28 / 0 / 3 / 13

HEX #A0DED7

RGB 160 222 215

HSL 173.23, 0.48%, 0.75%

LAB 84.29, -21.04, -2.91

 

CMYK 18 / 0 / 2 / 9

HEX #BFE9E4

RGB 191 233 228

HSL 172.86, 0.49%, 0.83%

LAB 89.37, -14.52, -2.09

 

CMYK 39 / 0 / 5 / 17

HEX #81D4CA

RGB 129 212 202

HSL 172.77, 0.49%, 0.67%

LAB 79.62, -27.57, -3.02

 

CMYK 36 / 39 / 0 / 17

HEX #8781D4

RGB 135 129 212

HSL 244.34, 0.49%, 0.67%

LAB 57.66, 21.89, -41.97

 

CMYK 0 / 21 / 39 / 17

HEX #D4A881

RGB 212 168 129

HSL 28.19, 0.49%, 0.67%

LAB 71.95, 10.93, 26.29

 

CMYK 39 / 0 / 5 / 17

HEX #81D4CA

RGB 129 212 202

HSL 172.77, 0.49%, 0.67%

LAB 79.62, -27.57, -3.02

 

CMYK 5 / 39 / 0 / 17

HEX #C981D4

RGB 201 129 212

HSL 292.05, 0.49%, 0.67%

LAB 64.06, 41.19, -31.51

 

CMYK 0 / 5 / 39 / 17

HEX #D4C981

RGB 212 201 129

HSL 52.05, 0.49%, 0.67%

LAB 80.38, -6.49, 37.35

 

CMYK 39 / 0 / 5 / 17

HEX #81D4CA

RGB 129 212 202

HSL 172.77, 0.49%, 0.67%

LAB 79.62, -27.57, -3.02

 

CMYK 36 / 39 / 0 / 17

HEX #8781D4

RGB 135 129 212

HSL 244.34, 0.49%, 0.67%

LAB 57.66, 21.89, -41.97

 

CMYK 0 / 39 / 34 / 17

HEX #D4818C

RGB 212 129 140

HSL 352.05, 0.49%, 0.67%

LAB 63, 33.33, 7.81

 

CMYK 3 / 0 / 39 / 17

HEX #CED481

RGB 206 212 129

HSL 64.34, 0.49%, 0.67%

LAB 82.8, -14.44, 40.35

 

CMYK 39 / 0 / 5 / 17

HEX #81D4CA

RGB 129 212 202

HSL 172.77, 0.49%, 0.67%

LAB 79.62, -27.57, -3.02

 

CMYK 25 / 39 / 0 / 17

HEX #9F81D4

RGB 159 129 212

HSL 261.69, 0.49%, 0.67%

LAB 59.73, 28.62, -38.58

 

CMYK 0 / 39 / 34 / 17

HEX #D4818C

RGB 212 129 140

HSL 352.05, 0.49%, 0.67%

LAB 63, 33.33, 7.81

 

CMYK 15 / 0 / 39 / 17

HEX #B5D481

RGB 181 212 129

HSL 82.41, 0.49%, 0.67%

LAB 81.01, -24.01, 37.7

 

Description

Color code: RGB 129 212 202 | qconv.com Color code: RGB 129 212 202 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 212 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 212 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 5 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 5% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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