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Color name
RGB 129 39 13

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 39 13 it is the complementary color RGB 126 216 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 39 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 39 13 shade: RGB 134 39 8, RGB 151 57 27, RGB 168 75 46, RGB 185 93 65 and RGB 202 111 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 39 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 39 13 shade: RGB 129 39 13, RGB 112 21 0, RGB 95 3 0, RGB 78 0 0 and RGB 61 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 39 13 shade: RGB 129 39 12 and RGB 129 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 39 13 shade: RGB 129 39 12, RGB 129 70 12, RGB 129 102 12, RGB 126 129 12 and RGB 94 129 12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 39 13 shade matches the following richer shades: RGB 129 39 12 and RGB 141 32 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 39 13 shade: RGB 129 39 12, RGB 118 45 24, RGB 106 51 35, RGB 95 58 47 and RGB 83 64 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 39 13 shade: RGB 129 12 49, RGB 129 12 18, RGB 129 38 12, RGB 129 69 12 and RGB 129 100 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 39 13 shade: RGB 54 16 5, RGB 92 27 9, RGB 129 39 12, RGB 167 50 16 and RGB 205 61 20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 39 13 shade: RGB 129 39 13, RGB 81 129 12 and RGB 12 34 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 39 13 shade: RGB 129 39 13, RGB 12 129 38 and RGB 38 12 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 39 13 shade: RGB 129 39 13, RGB 81 129 12, RGB 12 104 129 and RGB 61 12 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 39 13 shade: RGB 129 39 13, RGB 46 129 12, RGB 12 104 129 and RGB 96 12 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 90 / 49

HEX #81270D

RGB 129 39 13

HSL 13.45, 0.82%, 0.28%

LAB 29.78, 37.54, 36.39

 

Complementary color

CMYK 48 / 11 / 0 / 5

HEX #7ED8F2

RGB 126 216 242

HSL 193.45, 0.82%, 0.72%

LAB 81.82, -20.19, -21.1

 

CMYK 0 / 71 / 94 / 47

HEX #862708

RGB 134 39 8

HSL 14.76, 0.89%, 0.28%

LAB 30.73, 39.26, 39.64

 

CMYK 0 / 62 / 82 / 41

HEX #97391B

RGB 151 57 27

HSL 14.52, 0.7%, 0.35%

LAB 37.09, 37.87, 37.67

 

CMYK 0 / 55 / 73 / 34

HEX #A84B2E

RGB 168 75 46

HSL 14.26, 0.57%, 0.42%

LAB 43.59, 36.32, 35.21

 

CMYK 0 / 50 / 65 / 27

HEX #B95D41

RGB 185 93 65

HSL 14, 0.48%, 0.49%

LAB 50.13, 34.8, 32.89

 

CMYK 0 / 45 / 58 / 21

HEX #CA6F54

RGB 202 111 84

HSL 13.73, 0.53%, 0.56%

LAB 56.65, 33.39, 30.83

 

CMYK 0 / 70 / 90 / 49

HEX #81270D

RGB 129 39 13

HSL 13.45, 0.82%, 0.28%

LAB 29.78, 37.54, 36.39

 

CMYK 0 / 81 / 100 / 56

HEX #701500

RGB 112 21 0

HSL 11.25, 1%, 0.22%

LAB 23.61, 38.36, 34.95

 

CMYK 0 / 97 / 100 / 63

HEX #5F0300

RGB 95 3 0

HSL 1.89, 1%, 0.19%

LAB 17.91, 38.03, 27.56

 

CMYK 0 / 100 / 100 / 69

HEX #4E0000

RGB 78 0 0

HSL 0, 1%, 0.15%

LAB 13.35, 33.96, 20.91

 

CMYK 0 / 100 / 100 / 76

HEX #3D0000

RGB 61 0 0

HSL 0, 1%, 0.12%

LAB 8.93, 28.84, 14.1

 

CMYK 0 / 70 / 91 / 49

HEX #81270C

RGB 129 39 12

HSL 13.85, 0.83%, 0.28%

LAB 29.77, 37.51, 36.83

 

CMYK 0 / 91 / 91 / 49

HEX #810C0C

RGB 129 12 12

HSL 0, 0.83%, 0.28%

LAB 26.61, 46.33, 34.2

 

CMYK 0 / 70 / 91 / 49

HEX #81270C

RGB 129 39 12

HSL 13.85, 0.83%, 0.28%

LAB 29.77, 37.51, 36.83

 

CMYK 0 / 46 / 91 / 49

HEX #81460C

RGB 129 70 12

HSL 29.74, 0.83%, 0.28%

LAB 36.13, 21.25, 41.89

 

CMYK 0 / 21 / 91 / 49

HEX #81660C

RGB 129 102 12

HSL 46.15, 0.83%, 0.28%

LAB 44.51, 2.41, 48.59

 

CMYK 2 / 0 / 91 / 49

HEX #7E810C

RGB 126 129 12

HSL 61.54, 0.83%, 0.28%

LAB 52.02, -14.15, 54.49

 

CMYK 27 / 0 / 91 / 49

HEX #5E810C

RGB 94 129 12

HSL 77.95, 0.83%, 0.28%

LAB 49.63, -28.38, 51.54

 

CMYK 0 / 70 / 91 / 49

HEX #81270C

RGB 129 39 12

HSL 13.85, 0.83%, 0.28%

LAB 29.77, 37.51, 36.83

 

CMYK 0 / 77 / 99 / 45

HEX #8D2001

RGB 141 32 1

HSL 13.29, 0.99%, 0.28%

LAB 31.11, 44.29, 43.41

 

CMYK 0 / 70 / 91 / 49

HEX #81270C

RGB 129 39 12

HSL 13.85, 0.83%, 0.28%

LAB 29.77, 37.51, 36.83

 

CMYK 0 / 62 / 80 / 54

HEX #762D18

RGB 118 45 24

HSL 13.4, 0.66%, 0.28%

LAB 28.89, 30.77, 29.12

 

CMYK 0 / 52 / 67 / 58

HEX #6A3323

RGB 106 51 35

HSL 13.52, 0.5%, 0.28%

LAB 28.26, 23.04, 21.26

 

CMYK 0 / 39 / 51 / 63

HEX #5F3A2F

RGB 95 58 47

HSL 13.75, 0.34%, 0.28%

LAB 28.55, 14.99, 13.66

 

CMYK 0 / 23 / 29 / 67

HEX #53403B

RGB 83 64 59

HSL 12.5, 0.17%, 0.28%

LAB 28.96, 7.38, 6.2

 

CMYK 0 / 91 / 62 / 49

HEX #810C31

RGB 129 12 49

HSL 341.03, 0.83%, 0.28%

LAB 27.16, 47.92, 11.52

 

CMYK 0 / 91 / 86 / 49

HEX #810C12

RGB 129 12 18

HSL 356.92, 0.83%, 0.28%

LAB 26.66, 46.47, 31.08

 

CMYK 0 / 71 / 91 / 49

HEX #81260C

RGB 129 38 12

HSL 13.33, 0.83%, 0.28%

LAB 29.61, 37.95, 36.7

 

CMYK 0 / 47 / 91 / 49

HEX #81450C

RGB 129 69 12

HSL 29.23, 0.83%, 0.28%

LAB 35.89, 21.82, 41.7

 

CMYK 0 / 22 / 91 / 49

HEX #81640C

RGB 129 100 12

HSL 45.13, 0.83%, 0.28%

LAB 43.96, 3.58, 48.15

 

CMYK 0 / 70 / 91 / 79

HEX #361005

RGB 54 16 5

HSL 13.47, 0.83%, 0.12%

LAB 10.3, 18.25, 13.8

 

CMYK 0 / 71 / 90 / 64

HEX #5C1B09

RGB 92 27 9

HSL 13.01, 0.82%, 0.2%

LAB 20.36, 28.8, 26.56

 

CMYK 0 / 70 / 91 / 49

HEX #81270C

RGB 129 39 12

HSL 13.85, 0.83%, 0.28%

LAB 29.77, 37.51, 36.83

 

CMYK 0 / 70 / 90 / 35

HEX #A73210

RGB 167 50 16

HSL 13.51, 0.83%, 0.36%

LAB 38.78, 46.51, 45.28

 

CMYK 0 / 70 / 90 / 20

HEX #CD3D14

RGB 205 61 20

HSL 13.3, 0.82%, 0.44%

LAB 47.45, 55.07, 53.33

 

CMYK 0 / 70 / 90 / 49

HEX #81270D

RGB 129 39 13

HSL 13.45, 0.82%, 0.28%

LAB 29.78, 37.54, 36.39

 

CMYK 37 / 0 / 91 / 49

HEX #51810C

RGB 81 129 12

HSL 84.62, 0.83%, 0.28%

LAB 48.85, -33.62, 50.58

 

CMYK 91 / 74 / 0 / 49

HEX #0C2281

RGB 12 34 129

HSL 228.72, 0.83%, 0.28%

LAB 19.25, 31.38, -54.89

 

CMYK 0 / 70 / 90 / 49

HEX #81270D

RGB 129 39 13

HSL 13.45, 0.82%, 0.28%

LAB 29.78, 37.54, 36.39

 

CMYK 91 / 0 / 71 / 49

HEX #0C8126

RGB 12 129 38

HSL 133.33, 0.83%, 0.28%

LAB 46.87, -48.69, 39.42

 

CMYK 71 / 91 / 0 / 49

HEX #260C81

RGB 38 12 129

HSL 253.33, 0.83%, 0.28%

LAB 16.8, 44.64, -58.91

 

CMYK 0 / 70 / 90 / 49

HEX #81270D

RGB 129 39 13

HSL 13.45, 0.82%, 0.28%

LAB 29.78, 37.54, 36.39

 

CMYK 37 / 0 / 91 / 49

HEX #51810C

RGB 81 129 12

HSL 84.62, 0.83%, 0.28%

LAB 48.85, -33.62, 50.58

 

CMYK 91 / 19 / 0 / 49

HEX #0C6881

RGB 12 104 129

HSL 192.82, 0.83%, 0.28%

LAB 40.51, -15.16, -20.84

 

CMYK 53 / 91 / 0 / 49

HEX #3D0C81

RGB 61 12 129

HSL 265.13, 0.83%, 0.28%

LAB 19.39, 46.74, -54.53

 

CMYK 0 / 70 / 90 / 49

HEX #81270D

RGB 129 39 13

HSL 13.45, 0.82%, 0.28%

LAB 29.78, 37.54, 36.39

 

CMYK 64 / 0 / 91 / 49

HEX #2E810C

RGB 46 129 12

HSL 102.56, 0.83%, 0.28%

LAB 47.38, -44.91, 48.74

 

CMYK 91 / 19 / 0 / 49

HEX #0C6881

RGB 12 104 129

HSL 192.82, 0.83%, 0.28%

LAB 40.51, -15.16, -20.84

 

CMYK 26 / 91 / 0 / 49

HEX #600C81

RGB 96 12 129

HSL 283.08, 0.83%, 0.28%

LAB 24.75, 51.56, -45.55

 

Description

Color code: RGB 129 39 13 | qconv.com Color code: RGB 129 39 13 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 39 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 39 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 90 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 90% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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