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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 47 222 it is the complementary color RGB 126 208 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 47 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 47 222 shade: RGB 134 47 217, RGB 151 65 236, RGB 168 83 255, RGB 185 101 255 and RGB 202 119 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 47 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 47 222 shade: RGB 129 47 222, RGB 112 29 203, RGB 95 11 184, RGB 78 0 165 and RGB 61 0 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 47 222 shade: RGB 129 47 222, RGB 176 47 222, RGB 222 47 221, RGB 222 47 174 and RGB 222 47 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 47 222 shade: RGB 129 47 222, RGB 82 47 222 and RGB 47 47 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 47 222 shade matches the following richer shades: RGB 129 47 222 and RGB 128 28 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 47 222 shade: RGB 129 47 222, RGB 130 67 203, RGB 132 86 183, RGB 133 105 164 and RGB 134 125 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 47 222 shade: RGB 47 59 222, RGB 82 47 222, RGB 129 47 222, RGB 175 47 222 and RGB 222 47 222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 47 222 shade: RGB 89 25 162, RGB 109 30 198, RGB 129 47 222, RGB 151 83 228 and RGB 172 119 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 47 222 shade: RGB 129 47 222, RGB 222 47 105 and RGB 47 222 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 47 222 shade: RGB 129 47 222, RGB 222 129 47 and RGB 47 222 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 47 222 shade: RGB 129 47 222, RGB 222 47 105, RGB 140 222 47 and RGB 47 222 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 47 222 shade: RGB 129 47 222, RGB 222 47 53, RGB 140 222 47 and RGB 47 222 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 79 / 0 / 13

HEX #812FDE

RGB 129 47 222

HSL 268.11, 0.73%, 0.53%

LAB 41.17, 66.28, -74.19

 

Complementary color

CMYK 39 / 0 / 84 / 18

HEX #7ED021

RGB 126 208 33

HSL 88.11, 0.73%, 0.47%

LAB 75.86, -50.17, 70.09

 

CMYK 38 / 78 / 0 / 15

HEX #862FD9

RGB 134 47 217

HSL 270.71, 0.69%, 0.52%

LAB 41.39, 65.87, -70.95

 

CMYK 36 / 72 / 0 / 7

HEX #9741EC

RGB 151 65 236

HSL 270.18, 0.82%, 0.59%

LAB 47.52, 65.87, -71.68

 

CMYK 34 / 67 / 0 / 0

HEX #A853FF

RGB 168 83 255

HSL 269.65, 1%, 0.66%

LAB 53.74, 65.43, -72.09

 

CMYK 27 / 60 / 0 / 0

HEX #B965FF

RGB 185 101 255

HSL 272.73, 1%, 0.7%

LAB 58.83, 60.44, -63.78

 

CMYK 21 / 53 / 0 / 0

HEX #CA77FF

RGB 202 119 255

HSL 276.62, 1%, 0.73%

LAB 64.14, 55.51, -55.19

 

CMYK 42 / 79 / 0 / 13

HEX #812FDE

RGB 129 47 222

HSL 268.11, 0.73%, 0.53%

LAB 41.17, 66.28, -74.19

 

CMYK 45 / 86 / 0 / 20

HEX #701DCB

RGB 112 29 203

HSL 268.62, 0.75%, 0.45%

LAB 35.27, 65.6, -73

 

CMYK 48 / 94 / 0 / 28

HEX #5F0BB8

RGB 95 11 184

HSL 269.13, 0.89%, 0.38%

LAB 29.75, 63.64, -71

 

CMYK 53 / 100 / 0 / 35

HEX #4E00A5

RGB 78 0 165

HSL 268.36, 1%, 0.32%

LAB 24.75, 59.86, -67.92

 

CMYK 58 / 100 / 0 / 43

HEX #3D0092

RGB 61 0 146

HSL 265.07, 1%, 0.29%

LAB 20.31, 54.19, -63.68

 

CMYK 42 / 79 / 0 / 13

HEX #812FDE

RGB 129 47 222

HSL 268.11, 0.73%, 0.53%

LAB 41.17, 66.28, -74.19

 

CMYK 21 / 79 / 0 / 13

HEX #B02FDE

RGB 176 47 222

HSL 284.23, 0.73%, 0.53%

LAB 47.67, 73.77, -63.33

 

CMYK 0 / 79 / 0 / 13

HEX #DE2FDD

RGB 222 47 221

HSL 300.34, 0.73%, 0.53%

LAB 54.85, 81.97, -50.85

 

CMYK 0 / 79 / 22 / 13

HEX #DE2FAE

RGB 222 47 174

HSL 316.46, 0.73%, 0.53%

LAB 52.53, 75.46, -27.41

 

CMYK 0 / 79 / 43 / 13

HEX #DE2F7E

RGB 222 47 126

HSL 332.91, 0.73%, 0.53%

LAB 50.77, 70.27, -1.49

 

CMYK 42 / 79 / 0 / 13

HEX #812FDE

RGB 129 47 222

HSL 268.11, 0.73%, 0.53%

LAB 41.17, 66.28, -74.19

 

CMYK 63 / 79 / 0 / 13

HEX #522FDE

RGB 82 47 222

HSL 252, 0.73%, 0.53%

LAB 36.18, 60.52, -82.6

 

CMYK 79 / 79 / 0 / 13

HEX #2F2FDE

RGB 47 47 222

HSL 240, 0.73%, 0.53%

LAB 33.8, 57.78, -86.61

 

CMYK 42 / 79 / 0 / 13

HEX #812FDE

RGB 129 47 222

HSL 268.11, 0.73%, 0.53%

LAB 41.17, 66.28, -74.19

 

CMYK 47 / 88 / 0 / 5

HEX #801CF2

RGB 128 28 242

HSL 268.04, 0.89%, 0.53%

LAB 40.95, 76.37, -85.94

 

CMYK 42 / 79 / 0 / 13

HEX #812FDE

RGB 129 47 222

HSL 268.11, 0.73%, 0.53%

LAB 41.17, 66.28, -74.19

 

CMYK 36 / 67 / 0 / 20

HEX #8243CB

RGB 130 67 203

HSL 267.79, 0.57%, 0.53%

LAB 42.87, 53.2, -60.5

 

CMYK 28 / 53 / 0 / 28

HEX #8456B7

RGB 132 86 183

HSL 268.45, 0.4%, 0.53%

LAB 45.61, 38.59, -44.46

 

CMYK 19 / 36 / 0 / 36

HEX #8569A4

RGB 133 105 164

HSL 268.47, 0.24%, 0.53%

LAB 49.22, 23.19, -27.65

 

CMYK 8 / 14 / 0 / 43

HEX #867D91

RGB 134 125 145

HSL 267, 0.08%, 0.53%

LAB 53.79, 7.44, -9.55

 

CMYK 79 / 73 / 0 / 13

HEX #2F3BDE

RGB 47 59 222

HSL 235.89, 0.73%, 0.53%

LAB 36, 51.5, -82.97

 

CMYK 63 / 79 / 0 / 13

HEX #522FDE

RGB 82 47 222

HSL 252, 0.73%, 0.53%

LAB 36.18, 60.52, -82.6

 

CMYK 42 / 79 / 0 / 13

HEX #812FDE

RGB 129 47 222

HSL 268.11, 0.73%, 0.53%

LAB 41.17, 66.28, -74.19

 

CMYK 21 / 79 / 0 / 13

HEX #AF2FDE

RGB 175 47 222

HSL 283.89, 0.73%, 0.53%

LAB 47.52, 73.6, -63.58

 

CMYK 0 / 79 / 0 / 13

HEX #DE2FDE

RGB 222 47 222

HSL 300, 0.73%, 0.53%

LAB 54.9, 82.12, -51.33

 

CMYK 45 / 85 / 0 / 36

HEX #5919A2

RGB 89 25 162

HSL 268.03, 0.73%, 0.37%

LAB 27.92, 54.27, -60.82

 

CMYK 45 / 85 / 0 / 22

HEX #6D1EC6

RGB 109 30 198

HSL 268.21, 0.74%, 0.45%

LAB 34.51, 63.79, -71.34

 

CMYK 42 / 79 / 0 / 13

HEX #812FDE

RGB 129 47 222

HSL 268.11, 0.73%, 0.53%

LAB 41.17, 66.28, -74.19

 

CMYK 34 / 64 / 0 / 11

HEX #9753E4

RGB 151 83 228

HSL 268.14, 0.73%, 0.61%

LAB 49.94, 55.68, -63.23

 

CMYK 26 / 49 / 0 / 9

HEX #AC77E9

RGB 172 119 233

HSL 267.89, 0.72%, 0.69%

LAB 59.75, 42.86, -50.2

 

CMYK 42 / 79 / 0 / 13

HEX #812FDE

RGB 129 47 222

HSL 268.11, 0.73%, 0.53%

LAB 41.17, 66.28, -74.19

 

CMYK 0 / 79 / 53 / 13

HEX #DE2F69

RGB 222 47 105

HSL 340.11, 0.73%, 0.53%

LAB 50.2, 68.53, 10.43

 

CMYK 79 / 0 / 73 / 13

HEX #2FDE3B

RGB 47 222 59

HSL 124.11, 0.73%, 0.53%

LAB 77.97, -72.03, 63.74

 

CMYK 42 / 79 / 0 / 13

HEX #812FDE

RGB 129 47 222

HSL 268.11, 0.73%, 0.53%

LAB 41.17, 66.28, -74.19

 

CMYK 0 / 42 / 79 / 13

HEX #DE812F

RGB 222 129 47

HSL 28.11, 0.73%, 0.53%

LAB 62.87, 29.94, 56.92

 

CMYK 79 / 0 / 42 / 13

HEX #2FDE81

RGB 47 222 129

HSL 148.11, 0.73%, 0.53%

LAB 78.71, -63.13, 33.7

 

CMYK 42 / 79 / 0 / 13

HEX #812FDE

RGB 129 47 222

HSL 268.11, 0.73%, 0.53%

LAB 41.17, 66.28, -74.19

 

CMYK 0 / 79 / 53 / 13

HEX #DE2F69

RGB 222 47 105

HSL 340.11, 0.73%, 0.53%

LAB 50.2, 68.53, 10.43

 

CMYK 37 / 0 / 79 / 13

HEX #8CDE2F

RGB 140 222 47

HSL 88.11, 0.73%, 0.53%

LAB 80.75, -50.48, 71.15

 

CMYK 79 / 0 / 26 / 13

HEX #2FDEA4

RGB 47 222 164

HSL 160.11, 0.73%, 0.53%

LAB 79.34, -56.05, 16.47

 

CMYK 42 / 79 / 0 / 13

HEX #812FDE

RGB 129 47 222

HSL 268.11, 0.73%, 0.53%

LAB 41.17, 66.28, -74.19

 

CMYK 0 / 79 / 76 / 13

HEX #DE2F35

RGB 222 47 53

HSL 357.94, 0.73%, 0.53%

LAB 49.28, 65.68, 40.3

 

CMYK 37 / 0 / 79 / 13

HEX #8CDE2F

RGB 140 222 47

HSL 88.11, 0.73%, 0.53%

LAB 80.75, -50.48, 71.15

 

CMYK 79 / 0 / 3 / 13

HEX #2FDED8

RGB 47 222 216

HSL 177.94, 0.73%, 0.53%

LAB 80.63, -42.79, -9.26

 

Description

Color code: RGB 129 47 222 | qconv.com Color code: RGB 129 47 222 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 47 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 47 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 79 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 79% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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