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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 73 163 it is the complementary color RGB 126 182 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 73 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 73 163 shade: RGB 134 73 158, RGB 151 91 177, RGB 168 109 196, RGB 185 127 215 and RGB 202 145 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 73 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 73 163 shade: RGB 129 73 163, RGB 112 55 144, RGB 95 37 125, RGB 78 19 106 and RGB 61 1 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 73 163 shade: RGB 128 72 161, RGB 152 72 161, RGB 161 72 147, RGB 161 72 123 and RGB 161 72 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 73 163 shade: RGB 128 72 161, RGB 104 72 161, RGB 80 72 161 and RGB 72 72 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 73 163 shade matches the following richer shades: RGB 128 72 161, RGB 132 53 180, RGB 137 34 199 and RGB 142 15 218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 73 163 shade: RGB 128 72 161, RGB 123 91 142, RGB 118 110 123, RGB 114 129 104 and RGB 109 148 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 73 163 shade: RGB 80 72 161, RGB 103 72 161, RGB 127 72 161, RGB 151 72 161 and RGB 161 72 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 73 163 shade: RGB 83 47 104, RGB 105 59 133, RGB 128 72 161, RGB 148 93 182 and RGB 167 121 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 73 163 shade: RGB 129 73 163, RGB 161 72 89 and RGB 72 161 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 73 163 shade: RGB 129 73 163, RGB 161 127 72 and RGB 72 161 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 73 163 shade: RGB 129 73 163, RGB 161 72 89, RGB 106 161 72 and RGB 72 161 145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 73 163 shade: RGB 129 73 163, RGB 161 83 72, RGB 106 161 72 and RGB 72 151 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 55 / 0 / 36

HEX #8149A3

RGB 129 73 163

HSL 277.33, 0.38%, 0.46%

LAB 41.34, 40.24, -39.48

 

Complementary color

CMYK 31 / 0 / 49 / 29

HEX #7EB65C

RGB 126 182 92

HSL 97.33, 0.38%, 0.54%

LAB 68.51, -34.5, 39.83

 

CMYK 15 / 54 / 0 / 38

HEX #86499E

RGB 134 73 158

HSL 283.06, 0.37%, 0.45%

LAB 41.69, 40.49, -35.89

 

CMYK 15 / 49 / 0 / 31

HEX #975BB1

RGB 151 91 177

HSL 281.86, 0.36%, 0.53%

LAB 48.56, 39.69, -36.15

 

CMYK 14 / 44 / 0 / 23

HEX #A86DC4

RGB 168 109 196

HSL 280.69, 0.42%, 0.6%

LAB 55.33, 38.87, -36.35

 

CMYK 14 / 41 / 0 / 16

HEX #B97FD7

RGB 185 127 215

HSL 279.55, 0.52%, 0.67%

LAB 62, 38.07, -36.52

 

CMYK 14 / 38 / 0 / 8

HEX #CA91EA

RGB 202 145 234

HSL 278.43, 0.68%, 0.74%

LAB 68.57, 37.31, -36.69

 

CMYK 21 / 55 / 0 / 36

HEX #8149A3

RGB 129 73 163

HSL 277.33, 0.38%, 0.46%

LAB 41.34, 40.24, -39.48

 

CMYK 22 / 62 / 0 / 44

HEX #703790

RGB 112 55 144

HSL 278.43, 0.45%, 0.39%

LAB 34.38, 41.02, -39.22

 

CMYK 24 / 70 / 0 / 51

HEX #5F257D

RGB 95 37 125

HSL 279.55, 0.54%, 0.32%

LAB 27.4, 41.53, -38.74

 

CMYK 26 / 82 / 0 / 58

HEX #4E136A

RGB 78 19 106

HSL 280.69, 0.7%, 0.25%

LAB 20.54, 41.32, -37.76

 

CMYK 30 / 99 / 0 / 66

HEX #3D0157

RGB 61 1 87

HSL 281.86, 0.98%, 0.17%

LAB 13.84, 40.16, -36.17

 

CMYK 20 / 55 / 0 / 37

HEX #8048A1

RGB 128 72 161

HSL 277.75, 0.38%, 0.46%

LAB 40.89, 40.05, -39

 

CMYK 6 / 55 / 0 / 37

HEX #9848A1

RGB 152 72 161

HSL 293.93, 0.38%, 0.46%

LAB 44.07, 46.69, -33.77

 

CMYK 0 / 55 / 9 / 37

HEX #A14893

RGB 161 72 147

HSL 309.44, 0.38%, 0.46%

LAB 44.69, 46.72, -24.33

 

CMYK 0 / 55 / 24 / 37

HEX #A1487B

RGB 161 72 123

HSL 325.62, 0.38%, 0.46%

LAB 43.71, 42.9, -11.27

 

CMYK 0 / 55 / 39 / 37

HEX #A14863

RGB 161 72 99

HSL 341.8, 0.38%, 0.46%

LAB 42.93, 39.7, 2.32

 

CMYK 20 / 55 / 0 / 37

HEX #8048A1

RGB 128 72 161

HSL 277.75, 0.38%, 0.46%

LAB 40.89, 40.05, -39

 

CMYK 35 / 55 / 0 / 37

HEX #6848A1

RGB 104 72 161

HSL 261.57, 0.38%, 0.46%

LAB 38.11, 33.67, -43.6

 

CMYK 50 / 55 / 0 / 37

HEX #5048A1

RGB 80 72 161

HSL 245.39, 0.38%, 0.46%

LAB 35.82, 27.89, -47.41

 

CMYK 55 / 55 / 0 / 37

HEX #4848A1

RGB 72 72 161

HSL 240, 0.38%, 0.46%

LAB 35.17, 26.17, -48.48

 

CMYK 20 / 55 / 0 / 37

HEX #8048A1

RGB 128 72 161

HSL 277.75, 0.38%, 0.46%

LAB 40.89, 40.05, -39

 

CMYK 27 / 71 / 0 / 29

HEX #8435B4

RGB 132 53 180

HSL 277.32, 0.55%, 0.46%

LAB 39.15, 54.77, -53.06

 

CMYK 31 / 83 / 0 / 22

HEX #8922C7

RGB 137 34 199

HSL 277.45, 0.71%, 0.46%

LAB 38.87, 66.69, -64.63

 

CMYK 35 / 93 / 0 / 15

HEX #8E0FDA

RGB 142 15 218

HSL 277.54, 0.87%, 0.46%

LAB 39.84, 75.26, -74.02

 

CMYK 20 / 55 / 0 / 37

HEX #8048A1

RGB 128 72 161

HSL 277.75, 0.38%, 0.46%

LAB 40.89, 40.05, -39

 

CMYK 13 / 36 / 0 / 44

HEX #7B5B8E

RGB 123 91 142

HSL 277.65, 0.22%, 0.46%

LAB 43.72, 23.14, -23.21

 

CMYK 4 / 11 / 0 / 52

HEX #766E7B

RGB 118 110 123

HSL 276.92, 0.06%, 0.46%

LAB 47.54, 5.74, -6.07

 

CMYK 12 / 0 / 19 / 49

HEX #728168

RGB 114 129 104

HSL 96, 0.11%, 0.46%

LAB 52.15, -10.45, 11.74

 

CMYK 26 / 0 / 43 / 42

HEX #6D9455

RGB 109 148 85

HSL 97.14, 0.27%, 0.46%

LAB 57.16, -25.39, 29.04

 

CMYK 50 / 55 / 0 / 37

HEX #5048A1

RGB 80 72 161

HSL 245.39, 0.38%, 0.46%

LAB 35.82, 27.89, -47.41

 

CMYK 36 / 55 / 0 / 37

HEX #6748A1

RGB 103 72 161

HSL 260.9, 0.38%, 0.46%

LAB 38.01, 33.42, -43.77

 

CMYK 21 / 55 / 0 / 37

HEX #7F48A1

RGB 127 72 161

HSL 277.08, 0.38%, 0.46%

LAB 40.77, 39.78, -39.2

 

CMYK 6 / 55 / 0 / 37

HEX #9748A1

RGB 151 72 161

HSL 293.26, 0.38%, 0.46%

LAB 43.93, 46.41, -34

 

CMYK 0 / 55 / 8 / 37

HEX #A14894

RGB 161 72 148

HSL 308.76, 0.38%, 0.46%

LAB 44.73, 46.89, -24.86

 

CMYK 20 / 55 / 0 / 59

HEX #532F68

RGB 83 47 104

HSL 277.89, 0.38%, 0.3%

LAB 26.37, 27.79, -27.09

 

CMYK 21 / 56 / 0 / 48

HEX #693B85

RGB 105 59 133

HSL 277.3, 0.39%, 0.38%

LAB 33.61, 34.32, -33.72

 

CMYK 20 / 55 / 0 / 37

HEX #8048A1

RGB 128 72 161

HSL 277.75, 0.38%, 0.46%

LAB 40.89, 40.05, -39

 

CMYK 19 / 49 / 0 / 29

HEX #945DB6

RGB 148 93 182

HSL 277.08, 0.38%, 0.54%

LAB 48.89, 38.83, -38.57

 

CMYK 14 / 38 / 0 / 24

HEX #A779C3

RGB 167 121 195

HSL 277.3, 0.38%, 0.62%

LAB 57.88, 31.65, -31.81

 

CMYK 21 / 55 / 0 / 36

HEX #8149A3

RGB 129 73 163

HSL 277.33, 0.38%, 0.46%

LAB 41.34, 40.24, -39.48

 

CMYK 0 / 55 / 45 / 37

HEX #A14859

RGB 161 72 89

HSL 348.54, 0.38%, 0.46%

LAB 42.66, 38.57, 8.12

 

CMYK 55 / 0 / 43 / 37

HEX #48A15C

RGB 72 161 92

HSL 133.48, 0.38%, 0.46%

LAB 59.56, -42.07, 28.04

 

CMYK 21 / 55 / 0 / 36

HEX #8149A3

RGB 129 73 163

HSL 277.33, 0.38%, 0.46%

LAB 41.34, 40.24, -39.48

 

CMYK 0 / 21 / 55 / 37

HEX #A17F48

RGB 161 127 72

HSL 37.08, 0.38%, 0.46%

LAB 55.3, 6.29, 34.61

 

CMYK 55 / 0 / 21 / 37

HEX #48A17F

RGB 72 161 127

HSL 157.08, 0.38%, 0.46%

LAB 60.25, -35.04, 9.74

 

CMYK 21 / 55 / 0 / 36

HEX #8149A3

RGB 129 73 163

HSL 277.33, 0.38%, 0.46%

LAB 41.34, 40.24, -39.48

 

CMYK 0 / 55 / 45 / 37

HEX #A14859

RGB 161 72 89

HSL 348.54, 0.38%, 0.46%

LAB 42.66, 38.57, 8.12

 

CMYK 34 / 0 / 55 / 37

HEX #6AA148

RGB 106 161 72

HSL 97.08, 0.38%, 0.46%

LAB 60.8, -34.35, 40.16

 

CMYK 55 / 0 / 10 / 37

HEX #48A191

RGB 72 161 145

HSL 169.21, 0.38%, 0.46%

LAB 60.7, -30.63, 0.27

 

CMYK 21 / 55 / 0 / 36

HEX #8149A3

RGB 129 73 163

HSL 277.33, 0.38%, 0.46%

LAB 41.34, 40.24, -39.48

 

CMYK 0 / 48 / 55 / 37

HEX #A15348

RGB 161 83 72

HSL 7.42, 0.38%, 0.46%

LAB 44.56, 31.11, 21.08

 

CMYK 34 / 0 / 55 / 37

HEX #6AA148

RGB 106 161 72

HSL 97.08, 0.38%, 0.46%

LAB 60.8, -34.35, 40.16

 

CMYK 55 / 6 / 0 / 37

HEX #4897A1

RGB 72 151 161

HSL 186.74, 0.38%, 0.46%

LAB 58.12, -21.22, -12.64

 

Description

Color code: RGB 129 73 163 | qconv.com Color code: RGB 129 73 163 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 73 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 73 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 55 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 55% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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