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Color name
RGB 129 76 224

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 76 224 it is the complementary color RGB 126 179 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 76 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 76 224 shade: RGB 134 76 219, RGB 151 94 238, RGB 168 112 255, RGB 185 130 255 and RGB 202 148 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 76 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 76 224 shade: RGB 129 76 224, RGB 112 58 205, RGB 95 40 186, RGB 78 22 167 and RGB 61 4 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 76 224 shade: RGB 129 77 223, RGB 169 77 223, RGB 208 77 223, RGB 223 77 199 and RGB 223 77 159

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 76 224 shade: RGB 129 77 223, RGB 90 77 223 and RGB 77 77 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 76 224 shade matches the following richer shades: RGB 129 77 223 and RGB 124 60 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 76 224 shade: RGB 129 77 223, RGB 134 94 206, RGB 139 111 189, RGB 144 128 172 and RGB 148 144 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 76 224 shade: RGB 77 104 223, RGB 89 77 223, RGB 128 77 223, RGB 167 77 223 and RGB 206 77 223

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 76 224 shade: RGB 87 32 185, RGB 104 42 217, RGB 129 77 223, RGB 154 112 229 and RGB 179 147 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 76 224 shade: RGB 129 76 224, RGB 223 77 143 and RGB 84 223 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 76 224 shade: RGB 129 76 224, RGB 223 128 77 and RGB 77 223 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 76 224 shade: RGB 129 76 224, RGB 223 77 143, RGB 172 223 77 and RGB 77 223 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 76 224 shade: RGB 129 76 224, RGB 223 77 99, RGB 172 223 77 and RGB 77 223 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 66 / 0 / 12

HEX #814CE0

RGB 129 76 224

HSL 261.49, 0.7%, 0.59%

LAB 45.93, 53.81, -67.57

 

Complementary color

CMYK 30 / 0 / 83 / 30

HEX #7EB31F

RGB 126 179 31

HSL 81.49, 0.7%, 0.41%

LAB 67.11, -37.98, 62.87

 

CMYK 39 / 65 / 0 / 14

HEX #864CDB

RGB 134 76 219

HSL 264.34, 0.67%, 0.58%

LAB 46.11, 53.5, -64.41

 

CMYK 37 / 61 / 0 / 7

HEX #975EEE

RGB 151 94 238

HSL 263.75, 0.81%, 0.65%

LAB 52.68, 52.5, -64.42

 

CMYK 34 / 56 / 0 / 0

HEX #A870FF

RGB 168 112 255

HSL 263.5, 1%, 0.72%

LAB 59.1, 50.98, -63.45

 

CMYK 27 / 49 / 0 / 0

HEX #B982FF

RGB 185 130 255

HSL 266.4, 1%, 0.75%

LAB 64.56, 45.42, -54.62

 

CMYK 21 / 42 / 0 / 0

HEX #CA94FF

RGB 202 148 255

HSL 270.28, 1%, 0.79%

LAB 70.15, 40.22, -45.7

 

CMYK 42 / 66 / 0 / 12

HEX #814CE0

RGB 129 76 224

HSL 261.49, 0.7%, 0.59%

LAB 45.93, 53.81, -67.57

 

CMYK 45 / 72 / 0 / 20

HEX #703ACD

RGB 112 58 205

HSL 262.04, 0.6%, 0.52%

LAB 39.38, 54.76, -67.43

 

CMYK 49 / 78 / 0 / 27

HEX #5F28BA

RGB 95 40 186

HSL 262.6, 0.65%, 0.44%

LAB 32.91, 55.37, -66.98

 

CMYK 53 / 87 / 0 / 35

HEX #4E16A7

RGB 78 22 167

HSL 263.17, 0.77%, 0.37%

LAB 26.69, 55.18, -65.93

 

CMYK 59 / 97 / 0 / 42

HEX #3D0494

RGB 61 4 148

HSL 263.75, 0.95%, 0.3%

LAB 20.89, 53.64, -63.96

 

CMYK 42 / 65 / 0 / 13

HEX #814DDF

RGB 129 77 223

HSL 261.37, 0.7%, 0.59%

LAB 46.05, 53.03, -66.82

 

CMYK 24 / 65 / 0 / 13

HEX #A94DDF

RGB 169 77 223

HSL 277.81, 0.7%, 0.59%

LAB 50.77, 61.25, -58.95

 

CMYK 7 / 65 / 0 / 13

HEX #D04DDF

RGB 208 77 223

HSL 293.84, 0.7%, 0.59%

LAB 56.13, 69.88, -50.07

 

CMYK 0 / 65 / 11 / 13

HEX #DF4DC7

RGB 223 77 199

HSL 309.86, 0.7%, 0.59%

LAB 57.19, 69.53, -34.61

 

CMYK 0 / 65 / 29 / 13

HEX #DF4D9F

RGB 223 77 159

HSL 326.3, 0.7%, 0.59%

LAB 55.58, 64.09, -13.93

 

CMYK 42 / 65 / 0 / 13

HEX #814DDF

RGB 129 77 223

HSL 261.37, 0.7%, 0.59%

LAB 46.05, 53.03, -66.82

 

CMYK 60 / 65 / 0 / 13

HEX #5A4DDF

RGB 90 77 223

HSL 245.34, 0.7%, 0.59%

LAB 42.47, 46.29, -72.79

 

CMYK 65 / 65 / 0 / 13

HEX #4D4DDF

RGB 77 77 223

HSL 240, 0.7%, 0.59%

LAB 41.55, 44.45, -74.34

 

CMYK 42 / 65 / 0 / 13

HEX #814DDF

RGB 129 77 223

HSL 261.37, 0.7%, 0.59%

LAB 46.05, 53.03, -66.82

 

CMYK 48 / 75 / 0 / 6

HEX #7C3CF0

RGB 124 60 240

HSL 261.33, 0.86%, 0.59%

LAB 43.96, 64.71, -79.88

 

CMYK 42 / 65 / 0 / 13

HEX #814DDF

RGB 129 77 223

HSL 261.37, 0.7%, 0.59%

LAB 46.05, 53.03, -66.82

 

CMYK 35 / 54 / 0 / 19

HEX #865ECE

RGB 134 94 206

HSL 261.43, 0.53%, 0.59%

LAB 48.92, 40.42, -52.45

 

CMYK 26 / 41 / 0 / 26

HEX #8B6FBD

RGB 139 111 189

HSL 261.54, 0.37%, 0.59%

LAB 52.43, 27.58, -37.09

 

CMYK 16 / 26 / 0 / 33

HEX #9080AC

RGB 144 128 172

HSL 261.82, 0.21%, 0.59%

LAB 56.43, 15.12, -21.08

 

CMYK 5 / 7 / 0 / 39

HEX #94909B

RGB 148 144 155

HSL 261.82, 0.05%, 0.59%

LAB 60.43, 3.64, -5.29

 

CMYK 65 / 53 / 0 / 13

HEX #4D68DF

RGB 77 104 223

HSL 228.9, 0.7%, 0.59%

LAB 48.01, 27.92, -63.82

 

CMYK 60 / 65 / 0 / 13

HEX #594DDF

RGB 89 77 223

HSL 244.93, 0.7%, 0.59%

LAB 42.4, 46.14, -72.92

 

CMYK 43 / 65 / 0 / 13

HEX #804DDF

RGB 128 77 223

HSL 260.96, 0.7%, 0.59%

LAB 45.94, 52.84, -67

 

CMYK 25 / 65 / 0 / 13

HEX #A74DDF

RGB 167 77 223

HSL 276.99, 0.7%, 0.59%

LAB 50.51, 60.82, -59.38

 

CMYK 8 / 65 / 0 / 13

HEX #CE4DDF

RGB 206 77 223

HSL 293.01, 0.7%, 0.59%

LAB 55.84, 69.43, -50.55

 

CMYK 53 / 83 / 0 / 27

HEX #5720B9

RGB 87 32 185

HSL 261.57, 0.71%, 0.43%

LAB 30.79, 57.28, -69.91

 

CMYK 52 / 81 / 0 / 15

HEX #682AD9

RGB 104 42 217

HSL 261.26, 0.7%, 0.51%

LAB 37.13, 63.66, -78.08

 

CMYK 42 / 65 / 0 / 13

HEX #814DDF

RGB 129 77 223

HSL 261.37, 0.7%, 0.59%

LAB 46.05, 53.03, -66.82

 

CMYK 33 / 51 / 0 / 10

HEX #9A70E5

RGB 154 112 229

HSL 261.54, 0.69%, 0.67%

LAB 56.2, 41.13, -53.72

 

CMYK 24 / 38 / 0 / 7

HEX #B393EC

RGB 179 147 236

HSL 261.57, 0.7%, 0.75%

LAB 66.91, 29.92, -40.54

 

CMYK 42 / 66 / 0 / 12

HEX #814CE0

RGB 129 76 224

HSL 261.49, 0.7%, 0.59%

LAB 45.93, 53.81, -67.57

 

CMYK 0 / 65 / 36 / 13

HEX #DF4D8F

RGB 223 77 143

HSL 332.88, 0.7%, 0.59%

LAB 55.05, 62.23, -5.31

 

CMYK 62 / 0 / 65 / 13

HEX #54DF4D

RGB 84 223 77

HSL 117.12, 0.7%, 0.59%

LAB 79.15, -64.56, 58.47

 

CMYK 42 / 66 / 0 / 12

HEX #814CE0

RGB 129 76 224

HSL 261.49, 0.7%, 0.59%

LAB 45.93, 53.81, -67.57

 

CMYK 0 / 43 / 65 / 13

HEX #DF804D

RGB 223 128 77

HSL 20.96, 0.7%, 0.59%

LAB 63.06, 32.31, 43.02

 

CMYK 65 / 0 / 43 / 13

HEX #4DDF80

RGB 77 223 128

HSL 140.96, 0.7%, 0.59%

LAB 79.56, -59.27, 35.41

 

CMYK 42 / 66 / 0 / 12

HEX #814CE0

RGB 129 76 224

HSL 261.49, 0.7%, 0.59%

LAB 45.93, 53.81, -67.57

 

CMYK 0 / 65 / 36 / 13

HEX #DF4D8F

RGB 223 77 143

HSL 332.88, 0.7%, 0.59%

LAB 55.05, 62.23, -5.31

 

CMYK 23 / 0 / 65 / 13

HEX #ACDF4D

RGB 172 223 77

HSL 80.96, 0.7%, 0.59%

LAB 82.96, -37.59, 63.67

 

CMYK 65 / 0 / 30 / 13

HEX #4DDF9D

RGB 77 223 157

HSL 152.88, 0.7%, 0.59%

LAB 80.06, -53.86, 21.21

 

CMYK 42 / 66 / 0 / 12

HEX #814CE0

RGB 129 76 224

HSL 261.49, 0.7%, 0.59%

LAB 45.93, 53.81, -67.57

 

CMYK 0 / 65 / 56 / 13

HEX #DF4D63

RGB 223 77 99

HSL 350.96, 0.7%, 0.59%

LAB 53.92, 58.16, 19.2

 

CMYK 23 / 0 / 65 / 13

HEX #ACDF4D

RGB 172 223 77

HSL 80.96, 0.7%, 0.59%

LAB 82.96, -37.59, 63.67

 

CMYK 65 / 0 / 10 / 13

HEX #4DDFC9

RGB 77 223 201

HSL 170.96, 0.7%, 0.59%

LAB 81.05, -43.67, -0.6

 

Description

Color code: RGB 129 76 224 | qconv.com Color code: RGB 129 76 224 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 76 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 76 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 66 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 66% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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