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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 12 85 128 it is the complementary color RGB 243 170 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 12 85 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 12 85 128 shade: RGB 17 85 123, RGB 34 103 142, RGB 51 121 161, RGB 68 139 180 and RGB 85 157 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 12 85 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 12 85 128 shade: RGB 12 85 128, RGB 0 67 109, RGB 0 49 90, RGB 0 31 71 and RGB 0 13 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 12 85 128 shade: RGB 11 83 125, RGB 11 52 125, RGB 11 21 125, RGB 32 11 125 and RGB 63 11 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 12 85 128 shade: RGB 11 83 125, RGB 11 52 125, RGB 11 21 125 and RGB 11 11 125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 12 85 128 shade matches the following richer shades: RGB 11 83 125 and RGB 0 86 137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 12 85 128 shade: RGB 11 83 125, RGB 22 80 114, RGB 33 77 103, RGB 45 74 92 and RGB 56 72 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 12 85 128 shade: RGB 11 125 106, RGB 11 114 125, RGB 11 84 125, RGB 11 53 125 and RGB 11 23 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 12 85 128 shade: RGB 4 33 50, RGB 8 58 88, RGB 11 83 125, RGB 15 108 163 and RGB 18 133 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 12 85 128 shade: RGB 12 85 128, RGB 76 11 125 and RGB 125 122 11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 12 85 128 shade: RGB 12 85 128, RGB 125 11 84 and RGB 84 125 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 12 85 128 shade: RGB 12 85 128, RGB 76 11 125, RGB 125 53 11 and RGB 61 125 11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 12 85 128 shade: RGB 12 85 128, RGB 110 11 125, RGB 125 53 11 and RGB 26 125 11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 34 / 0 / 50

HEX #0C5580

RGB 12 85 128

HSL 202.24, 0.83%, 0.27%

LAB 34.26, -4.14, -30

 

Complementary color

CMYK 0 / 30 / 48 / 5

HEX #F3AA7F

RGB 243 170 127

HSL 22.24, 0.83%, 0.73%

LAB 75.66, 21.99, 32.86

 

CMYK 86 / 31 / 0 / 52

HEX #11557B

RGB 17 85 123

HSL 201.51, 0.76%, 0.27%

LAB 34.08, -5.73, -27.19

 

CMYK 76 / 27 / 0 / 44

HEX #22678E

RGB 34 103 142

HSL 201.67, 0.61%, 0.35%

LAB 41.21, -7.49, -27.57

 

CMYK 68 / 25 / 0 / 37

HEX #3379A1

RGB 51 121 161

HSL 201.82, 0.52%, 0.42%

LAB 48.2, -8.73, -27.89

 

CMYK 62 / 23 / 0 / 29

HEX #448BB4

RGB 68 139 180

HSL 201.96, 0.45%, 0.49%

LAB 55.06, -9.63, -28.17

 

CMYK 57 / 21 / 0 / 22

HEX #559DC7

RGB 85 157 199

HSL 202.11, 0.5%, 0.56%

LAB 61.8, -10.3, -28.43

 

CMYK 91 / 34 / 0 / 50

HEX #0C5580

RGB 12 85 128

HSL 202.24, 0.83%, 0.27%

LAB 34.26, -4.14, -30

 

CMYK 100 / 39 / 0 / 57

HEX #00436D

RGB 0 67 109

HSL 203.12, 1%, 0.21%

LAB 27.07, -1.25, -29.5

 

CMYK 100 / 46 / 0 / 65

HEX #00315A

RGB 0 49 90

HSL 207.33, 1%, 0.18%

LAB 19.78, 2.79, -28.8

 

CMYK 100 / 56 / 0 / 72

HEX #001F47

RGB 0 31 71

HSL 213.8, 1%, 0.14%

LAB 12.19, 7.37, -28.15

 

CMYK 100 / 75 / 0 / 80

HEX #000D34

RGB 0 13 52

HSL 225, 1%, 0.1%

LAB 4.84, 10.43, -26.5

 

CMYK 91 / 34 / 0 / 51

HEX #0B537D

RGB 11 83 125

HSL 202.11, 0.84%, 0.27%

LAB 33.43, -4.16, -29.46

 

CMYK 91 / 58 / 0 / 51

HEX #0B347D

RGB 11 52 125

HSL 218.42, 0.84%, 0.27%

LAB 23.7, 17.08, -45.07

 

CMYK 91 / 83 / 0 / 51

HEX #0B157D

RGB 11 21 125

HSL 234.74, 0.84%, 0.27%

LAB 15.94, 37.78, -57.83

 

CMYK 74 / 91 / 0 / 51

HEX #200B7D

RGB 32 11 125

HSL 251.05, 0.84%, 0.27%

LAB 15.63, 43.43, -58.32

 

CMYK 50 / 91 / 0 / 51

HEX #3F0B7D

RGB 63 11 125

HSL 267.37, 0.84%, 0.27%

LAB 19.13, 46.24, -52.42

 

CMYK 91 / 34 / 0 / 51

HEX #0B537D

RGB 11 83 125

HSL 202.11, 0.84%, 0.27%

LAB 33.43, -4.16, -29.46

 

CMYK 91 / 58 / 0 / 51

HEX #0B347D

RGB 11 52 125

HSL 218.42, 0.84%, 0.27%

LAB 23.7, 17.08, -45.07

 

CMYK 91 / 83 / 0 / 51

HEX #0B157D

RGB 11 21 125

HSL 234.74, 0.84%, 0.27%

LAB 15.94, 37.78, -57.83

 

CMYK 91 / 91 / 0 / 51

HEX #0B0B7D

RGB 11 11 125

HSL 240, 0.84%, 0.27%

LAB 14.35, 42.5, -60.48

 

CMYK 91 / 34 / 0 / 51

HEX #0B537D

RGB 11 83 125

HSL 202.11, 0.84%, 0.27%

LAB 33.43, -4.16, -29.46

 

CMYK 100 / 37 / 0 / 46

HEX #005689

RGB 0 86 137

HSL 202.34, 1%, 0.27%

LAB 34.93, -1.83, -34.48

 

CMYK 91 / 34 / 0 / 51

HEX #0B537D

RGB 11 83 125

HSL 202.11, 0.84%, 0.27%

LAB 33.43, -4.16, -29.46

 

CMYK 81 / 30 / 0 / 55

HEX #165072

RGB 22 80 114

HSL 202.17, 0.68%, 0.27%

LAB 32.08, -5.59, -24.72

 

CMYK 68 / 25 / 0 / 60

HEX #214D67

RGB 33 77 103

HSL 202.29, 0.51%, 0.27%

LAB 30.9, -6.12, -19.61

 

CMYK 51 / 20 / 0 / 64

HEX #2D4A5C

RGB 45 74 92

HSL 202.98, 0.34%, 0.27%

LAB 29.98, -5.24, -13.98

 

CMYK 31 / 11 / 0 / 68

HEX #384851

RGB 56 72 81

HSL 201.6, 0.18%, 0.27%

LAB 29.59, -3.89, -7.44

 

CMYK 91 / 0 / 15 / 51

HEX #0B7D6A

RGB 11 125 106

HSL 170, 0.84%, 0.27%

LAB 46.68, -33.57, 2.2

 

CMYK 91 / 9 / 0 / 51

HEX #0B727D

RGB 11 114 125

HSL 185.79, 0.84%, 0.27%

LAB 43.63, -22.13, -13.66

 

CMYK 91 / 33 / 0 / 51

HEX #0B547D

RGB 11 84 125

HSL 201.58, 0.84%, 0.27%

LAB 33.76, -4.79, -28.94

 

CMYK 91 / 58 / 0 / 51

HEX #0B357D

RGB 11 53 125

HSL 217.89, 0.84%, 0.27%

LAB 23.99, 16.36, -44.59

 

CMYK 91 / 82 / 0 / 51

HEX #0B177D

RGB 11 23 125

HSL 233.68, 0.84%, 0.27%

LAB 16.33, 36.66, -57.19

 

CMYK 92 / 34 / 0 / 80

HEX #042132

RGB 4 33 50

HSL 202.17, 0.85%, 0.11%

LAB 11.58, -3.44, -14.27

 

CMYK 91 / 34 / 0 / 65

HEX #083A58

RGB 8 58 88

HSL 202.5, 0.83%, 0.19%

LAB 22.94, -3.5, -22.45

 

CMYK 91 / 34 / 0 / 51

HEX #0B537D

RGB 11 83 125

HSL 202.11, 0.84%, 0.27%

LAB 33.43, -4.16, -29.46

 

CMYK 91 / 34 / 0 / 36

HEX #0F6CA3

RGB 15 108 163

HSL 202.3, 0.83%, 0.35%

LAB 43.46, -4.3, -36.55

 

CMYK 91 / 34 / 0 / 21

HEX #1285C9

RGB 18 133 201

HSL 202.3, 0.84%, 0.43%

LAB 53.08, -4.49, -43.32

 

CMYK 91 / 34 / 0 / 50

HEX #0C5580

RGB 12 85 128

HSL 202.24, 0.83%, 0.27%

LAB 34.26, -4.14, -30

 

CMYK 39 / 91 / 0 / 51

HEX #4C0B7D

RGB 76 11 125

HSL 274.21, 0.84%, 0.27%

LAB 21.04, 47.92, -49.2

 

CMYK 0 / 2 / 91 / 51

HEX #7D7A0B

RGB 125 122 11

HSL 58.42, 0.84%, 0.27%

LAB 49.86, -10.85, 52.92

 

CMYK 91 / 34 / 0 / 50

HEX #0C5580

RGB 12 85 128

HSL 202.24, 0.83%, 0.27%

LAB 34.26, -4.14, -30

 

CMYK 0 / 91 / 33 / 51

HEX #7D0B54

RGB 125 11 84

HSL 321.58, 0.84%, 0.27%

LAB 27.41, 50.33, -11.84

 

CMYK 33 / 0 / 91 / 51

HEX #547D0B

RGB 84 125 11

HSL 81.58, 0.84%, 0.27%

LAB 47.72, -30.63, 49.91

 

CMYK 91 / 34 / 0 / 50

HEX #0C5580

RGB 12 85 128

HSL 202.24, 0.83%, 0.27%

LAB 34.26, -4.14, -30

 

CMYK 39 / 91 / 0 / 51

HEX #4C0B7D

RGB 76 11 125

HSL 274.21, 0.84%, 0.27%

LAB 21.04, 47.92, -49.2

 

CMYK 0 / 58 / 91 / 51

HEX #7D350B

RGB 125 53 11

HSL 22.11, 0.84%, 0.27%

LAB 31.65, 29.01, 38.42

 

CMYK 51 / 0 / 91 / 51

HEX #3D7D0B

RGB 61 125 11

HSL 93.68, 0.84%, 0.27%

LAB 46.56, -39.09, 48.45

 

CMYK 91 / 34 / 0 / 50

HEX #0C5580

RGB 12 85 128

HSL 202.24, 0.83%, 0.27%

LAB 34.26, -4.14, -30

 

CMYK 12 / 91 / 0 / 51

HEX #6E0B7D

RGB 110 11 125

HSL 292.11, 0.84%, 0.27%

LAB 26.83, 53.38, -39.52

 

CMYK 0 / 58 / 91 / 51

HEX #7D350B

RGB 125 53 11

HSL 22.11, 0.84%, 0.27%

LAB 31.65, 29.01, 38.42

 

CMYK 79 / 0 / 91 / 51

HEX #1A7D0B

RGB 26 125 11

HSL 112.11, 0.84%, 0.27%

LAB 45.51, -47.67, 47.14

 

Description

Color code: RGB 12 85 128 | qconv.com Color code: RGB 12 85 128 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 85 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 85 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 34 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 34% 0% 50% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - La Caja de Ahorro y ...
Link: http://www.lacaja.com.ar

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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