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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 12 110 54 it is the complementary color RGB 243 145 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 12 110 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 12 110 54 shade: RGB 17 110 49, RGB 34 128 68, RGB 51 146 87, RGB 68 164 106 and RGB 85 182 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 12 110 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 12 110 54 shade: RGB 12 110 54, RGB 0 92 35, RGB 0 74 16, RGB 0 56 0 and RGB 0 38 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 12 110 54 shade: RGB 12 110 54, RGB 12 110 27, RGB 23 110 12, RGB 49 110 12 and RGB 75 110 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 12 110 54 shade: RGB 12 110 54, RGB 12 110 80, RGB 12 110 107, RGB 12 86 110 and RGB 12 60 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 12 110 54 shade matches the following richer shades: RGB 12 110 54 and RGB 2 120 52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 12 110 54 shade: RGB 12 110 54, RGB 22 100 55, RGB 32 90 57, RGB 41 80 58 and RGB 51 70 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 12 110 54 shade: RGB 23 110 12, RGB 12 110 26, RGB 12 110 53, RGB 12 110 79 and RGB 12 110 105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 12 110 54 shade: RGB 3 35 17, RGB 8 73 35, RGB 12 110 54, RGB 16 147 72 and RGB 20 184 90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 12 110 54 shade: RGB 12 110 54, RGB 12 49 110 and RGB 110 13 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 12 110 54 shade: RGB 12 110 54, RGB 53 12 110 and RGB 110 53 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 12 110 54 shade: RGB 12 110 54, RGB 12 49 110, RGB 110 12 69 and RGB 110 72 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 12 110 54 shade: RGB 12 110 54, RGB 12 20 110, RGB 110 12 69 and RGB 110 101 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 51 / 57

HEX #0C6E36

RGB 12 110 54

HSL 145.71, 0.8%, 0.24%

LAB 40.4, -39.78, 23.89

 

Complementary color

CMYK 0 / 40 / 17 / 5

HEX #F391C9

RGB 243 145 201

HSL 325.71, 0.8%, 0.76%

LAB 71.91, 44.28, -12.97

 

CMYK 85 / 0 / 55 / 57

HEX #116E31

RGB 17 110 49

HSL 140.65, 0.73%, 0.25%

LAB 40.4, -40.09, 26.64

 

CMYK 73 / 0 / 47 / 50

HEX #228044

RGB 34 128 68

HSL 141.7, 0.58%, 0.32%

LAB 47.23, -41.14, 24.91

 

CMYK 65 / 0 / 40 / 43

HEX #339257

RGB 51 146 87

HSL 142.74, 0.48%, 0.39%

LAB 53.97, -41.61, 23.31

 

CMYK 59 / 0 / 35 / 36

HEX #44A46A

RGB 68 164 106

HSL 143.75, 0.41%, 0.45%

LAB 60.62, -41.76, 21.86

 

CMYK 53 / 0 / 31 / 29

HEX #55B67D

RGB 85 182 125

HSL 144.74, 0.4%, 0.52%

LAB 67.18, -41.73, 20.54

 

CMYK 89 / 0 / 51 / 57

HEX #0C6E36

RGB 12 110 54

HSL 145.71, 0.8%, 0.24%

LAB 40.4, -39.78, 23.89

 

CMYK 100 / 0 / 62 / 64

HEX #005C23

RGB 0 92 35

HSL 142.83, 1%, 0.18%

LAB 33.51, -37.62, 25.82

 

CMYK 100 / 0 / 78 / 71

HEX #004A10

RGB 0 74 16

HSL 132.97, 1%, 0.15%

LAB 26.55, -33.87, 27.55

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 100 / 0 / 100 / 85

HEX #002600

RGB 0 38 0

HSL 120, 1%, 0.07%

LAB 11.87, -22.75, 17.15

 

CMYK 89 / 0 / 51 / 57

HEX #0C6E36

RGB 12 110 54

HSL 145.71, 0.8%, 0.24%

LAB 40.4, -39.78, 23.89

 

CMYK 89 / 0 / 75 / 57

HEX #0C6E1B

RGB 12 110 27

HSL 129.18, 0.8%, 0.24%

LAB 40.1, -43.54, 36.94

 

CMYK 79 / 0 / 89 / 57

HEX #176E0C

RGB 23 110 12

HSL 113.27, 0.8%, 0.24%

LAB 40.18, -43.12, 42.19

 

CMYK 55 / 0 / 89 / 57

HEX #316E0C

RGB 49 110 12

HSL 97.35, 0.8%, 0.24%

LAB 40.95, -36.79, 43.16

 

CMYK 32 / 0 / 89 / 57

HEX #4B6E0C

RGB 75 110 12

HSL 81.43, 0.8%, 0.24%

LAB 42.27, -27.18, 44.83

 

CMYK 89 / 0 / 51 / 57

HEX #0C6E36

RGB 12 110 54

HSL 145.71, 0.8%, 0.24%

LAB 40.4, -39.78, 23.89

 

CMYK 89 / 0 / 27 / 57

HEX #0C6E50

RGB 12 110 80

HSL 161.63, 0.8%, 0.24%

LAB 40.91, -33.99, 9.45

 

CMYK 89 / 0 / 3 / 57

HEX #0C6E6B

RGB 12 110 107

HSL 178.16, 0.8%, 0.24%

LAB 41.68, -26.05, -5.75

 

CMYK 89 / 22 / 0 / 57

HEX #0C566E

RGB 12 86 110

HSL 194.69, 0.8%, 0.24%

LAB 33.69, -11.89, -19.73

 

CMYK 89 / 45 / 0 / 57

HEX #0C3C6E

RGB 12 60 110

HSL 210.61, 0.8%, 0.24%

LAB 25.06, 4.98, -33.33

 

CMYK 89 / 0 / 51 / 57

HEX #0C6E36

RGB 12 110 54

HSL 145.71, 0.8%, 0.24%

LAB 40.4, -39.78, 23.89

 

CMYK 98 / 0 / 57 / 53

HEX #027834

RGB 2 120 52

HSL 145.42, 0.97%, 0.24%

LAB 43.79, -44.59, 29.14

 

CMYK 89 / 0 / 51 / 57

HEX #0C6E36

RGB 12 110 54

HSL 145.71, 0.8%, 0.24%

LAB 40.4, -39.78, 23.89

 

CMYK 78 / 0 / 45 / 61

HEX #166437

RGB 22 100 55

HSL 145.38, 0.64%, 0.24%

LAB 37.04, -34.33, 19.05

 

CMYK 64 / 0 / 37 / 65

HEX #205A39

RGB 32 90 57

HSL 145.86, 0.48%, 0.24%

LAB 33.8, -27.45, 13.61

 

CMYK 49 / 0 / 28 / 69

HEX #29503A

RGB 41 80 58

HSL 146.15, 0.32%, 0.24%

LAB 30.67, -19.68, 8.75

 

CMYK 27 / 0 / 16 / 73

HEX #33463B

RGB 51 70 59

HSL 145.26, 0.16%, 0.24%

LAB 27.84, -10.21, 4.21

 

CMYK 79 / 0 / 89 / 57

HEX #176E0C

RGB 23 110 12

HSL 113.27, 0.8%, 0.24%

LAB 40.18, -43.12, 42.19

 

CMYK 89 / 0 / 76 / 57

HEX #0C6E1A

RGB 12 110 26

HSL 128.57, 0.8%, 0.24%

LAB 40.09, -43.63, 37.34

 

CMYK 89 / 0 / 52 / 57

HEX #0C6E35

RGB 12 110 53

HSL 145.1, 0.8%, 0.24%

LAB 40.39, -39.96, 24.43

 

CMYK 89 / 0 / 28 / 57

HEX #0C6E4F

RGB 12 110 79

HSL 161.02, 0.8%, 0.24%

LAB 40.89, -34.25, 10.01

 

CMYK 89 / 0 / 5 / 57

HEX #0C6E69

RGB 12 110 105

HSL 176.94, 0.8%, 0.24%

LAB 41.61, -26.7, -4.63

 

CMYK 91 / 0 / 51 / 86

HEX #032311

RGB 3 35 17

HSL 146.25, 0.84%, 0.07%

LAB 11.01, -17.14, 8.46

 

CMYK 89 / 0 / 52 / 71

HEX #084923

RGB 8 73 35

HSL 144.92, 0.8%, 0.16%

LAB 26.56, -29.27, 17.33

 

CMYK 89 / 0 / 51 / 57

HEX #0C6E36

RGB 12 110 54

HSL 145.71, 0.8%, 0.24%

LAB 40.4, -39.78, 23.89

 

CMYK 89 / 0 / 51 / 42

HEX #109348

RGB 16 147 72

HSL 145.65, 0.8%, 0.32%

LAB 53.43, -49.73, 30.55

 

CMYK 89 / 0 / 51 / 28

HEX #14B85A

RGB 20 184 90

HSL 145.61, 0.8%, 0.4%

LAB 65.88, -59.17, 36.87

 

CMYK 89 / 0 / 51 / 57

HEX #0C6E36

RGB 12 110 54

HSL 145.71, 0.8%, 0.24%

LAB 40.4, -39.78, 23.89

 

CMYK 89 / 55 / 0 / 57

HEX #0C316E

RGB 12 49 110

HSL 217.35, 0.8%, 0.24%

LAB 21.58, 12.86, -38.94

 

CMYK 0 / 88 / 89 / 57

HEX #6E0D0C

RGB 110 13 12

HSL 0.61, 0.8%, 0.24%

LAB 22.41, 40.39, 28.64

 

CMYK 89 / 0 / 51 / 57

HEX #0C6E36

RGB 12 110 54

HSL 145.71, 0.8%, 0.24%

LAB 40.4, -39.78, 23.89

 

CMYK 52 / 89 / 0 / 57

HEX #350C6E

RGB 53 12 110

HSL 265.1, 0.8%, 0.24%

LAB 16.23, 40.79, -47.57

 

CMYK 0 / 52 / 89 / 57

HEX #6E350C

RGB 110 53 12

HSL 25.1, 0.8%, 0.24%

LAB 29.13, 22.49, 34.9

 

CMYK 89 / 0 / 51 / 57

HEX #0C6E36

RGB 12 110 54

HSL 145.71, 0.8%, 0.24%

LAB 40.4, -39.78, 23.89

 

CMYK 89 / 55 / 0 / 57

HEX #0C316E

RGB 12 49 110

HSL 217.35, 0.8%, 0.24%

LAB 21.58, 12.86, -38.94

 

CMYK 0 / 89 / 37 / 57

HEX #6E0C45

RGB 110 12 69

HSL 325.1, 0.8%, 0.24%

LAB 23.7, 44.64, -7.67

 

CMYK 0 / 35 / 89 / 57

HEX #6E480C

RGB 110 72 12

HSL 36.73, 0.8%, 0.24%

LAB 33.93, 11.09, 38.98

 

CMYK 89 / 0 / 51 / 57

HEX #0C6E36

RGB 12 110 54

HSL 145.71, 0.8%, 0.24%

LAB 40.4, -39.78, 23.89

 

CMYK 89 / 82 / 0 / 57

HEX #0C146E

RGB 12 20 110

HSL 235.1, 0.8%, 0.24%

LAB 13.85, 33.05, -51.62

 

CMYK 0 / 89 / 37 / 57

HEX #6E0C45

RGB 110 12 69

HSL 325.1, 0.8%, 0.24%

LAB 23.7, 44.64, -7.67

 

CMYK 0 / 8 / 89 / 57

HEX #6E650C

RGB 110 101 12

HSL 54.49, 0.8%, 0.24%

LAB 42.23, -6.22, 45.91

 

Description

Color code: RGB 12 110 54 | qconv.com Color code: RGB 12 110 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 110 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 110 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 51 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 51% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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