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Color name
RGB 12 145 129

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 12 145 129 it is the complementary color RGB 243 110 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 12 145 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 12 145 129 shade: RGB 17 145 124, RGB 34 163 143, RGB 51 181 162, RGB 68 199 181 and RGB 85 217 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 12 145 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 12 145 129 shade: RGB 12 145 129, RGB 0 127 110, RGB 0 109 91, RGB 0 91 72 and RGB 0 73 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 12 145 129 shade: RGB 11 146 130, RGB 11 146 93, RGB 11 146 57, RGB 11 146 21 and RGB 38 146 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 12 145 129 shade: RGB 11 146 130, RGB 11 126 146, RGB 11 89 146, RGB 11 53 146 and RGB 11 17 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 12 145 129 shade matches the following richer shades: RGB 11 146 130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 12 145 129 shade: RGB 11 146 130, RGB 24 133 120, RGB 37 120 110, RGB 50 107 100 and RGB 63 95 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 12 145 129 shade: RGB 11 146 56, RGB 11 146 92, RGB 11 146 128, RGB 11 128 146 and RGB 11 92 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 12 145 129 shade: RGB 5 69 62, RGB 8 108 96, RGB 11 146 130, RGB 14 184 164 and RGB 18 222 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 12 145 129 shade: RGB 12 145 129, RGB 20 11 146 and RGB 146 74 11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 12 145 129 shade: RGB 12 145 129, RGB 128 11 146 and RGB 146 128 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 12 145 129 shade: RGB 12 145 129, RGB 20 11 146, RGB 146 11 29 and RGB 137 146 11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 12 145 129 shade: RGB 12 145 129, RGB 61 11 146, RGB 146 11 29 and RGB 96 146 11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 11 / 43

HEX #0C9181

RGB 12 145 129

HSL 172.78, 0.85%, 0.31%

LAB 53.94, -35.89, -0.65

 

Complementary color

CMYK 0 / 55 / 48 / 5

HEX #F36E7E

RGB 243 110 126

HSL 352.78, 0.85%, 0.69%

LAB 63.1, 52.46, 16.56

 

CMYK 88 / 0 / 14 / 43

HEX #11917C

RGB 17 145 124

HSL 170.16, 0.79%, 0.32%

LAB 53.84, -37.01, 2.1

 

CMYK 79 / 0 / 12 / 36

HEX #22A38F

RGB 34 163 143

HSL 170.7, 0.65%, 0.39%

LAB 60.35, -38.23, 0.78

 

CMYK 72 / 0 / 10 / 29

HEX #33B5A2

RGB 51 181 162

HSL 171.23, 0.56%, 0.45%

LAB 66.79, -39.05, -0.39

 

CMYK 66 / 0 / 9 / 22

HEX #44C7B5

RGB 68 199 181

HSL 171.76, 0.54%, 0.52%

LAB 73.16, -39.6, -1.43

 

CMYK 61 / 0 / 8 / 15

HEX #55D9C8

RGB 85 217 200

HSL 172.27, 0.63%, 0.59%

LAB 79.46, -39.96, -2.38

 

CMYK 92 / 0 / 11 / 43

HEX #0C9181

RGB 12 145 129

HSL 172.78, 0.85%, 0.31%

LAB 53.94, -35.89, -0.65

 

CMYK 100 / 0 / 13 / 50

HEX #007F6E

RGB 0 127 110

HSL 171.97, 1%, 0.25%

LAB 47.37, -33.97, 0.83

 

CMYK 100 / 0 / 17 / 57

HEX #006D5B

RGB 0 109 91

HSL 170.09, 1%, 0.21%

LAB 40.72, -31.41, 2.54

 

CMYK 100 / 0 / 21 / 64

HEX #005B48

RGB 0 91 72

HSL 167.47, 1%, 0.18%

LAB 33.88, -28.77, 4.36

 

CMYK 100 / 0 / 27 / 71

HEX #004935

RGB 0 73 53

HSL 163.56, 1%, 0.14%

LAB 26.8, -26.02, 6.33

 

CMYK 92 / 0 / 11 / 43

HEX #0B9282

RGB 11 146 130

HSL 172.89, 0.86%, 0.31%

LAB 54.28, -36.1, -0.72

 

CMYK 92 / 0 / 36 / 43

HEX #0B925D

RGB 11 146 93

HSL 156.44, 0.86%, 0.31%

LAB 53.41, -45.62, 19.11

 

CMYK 92 / 0 / 61 / 43

HEX #0B9239

RGB 11 146 57

HSL 140.44, 0.86%, 0.31%

LAB 52.87, -52.03, 37.41

 

CMYK 92 / 0 / 86 / 43

HEX #0B9215

RGB 11 146 21

HSL 124.44, 0.86%, 0.31%

LAB 52.6, -55.38, 50.99

 

CMYK 74 / 0 / 92 / 43

HEX #26920B

RGB 38 146 11

HSL 108, 0.86%, 0.31%

LAB 52.94, -52.49, 53.61

 

CMYK 92 / 0 / 11 / 43

HEX #0B9282

RGB 11 146 130

HSL 172.89, 0.86%, 0.31%

LAB 54.28, -36.1, -0.72

 

CMYK 92 / 14 / 0 / 43

HEX #0B7E92

RGB 11 126 146

HSL 188.89, 0.86%, 0.31%

LAB 48.35, -21.15, -18.93

 

CMYK 92 / 39 / 0 / 43

HEX #0B5992

RGB 11 89 146

HSL 205.33, 0.86%, 0.31%

LAB 36.54, 0.58, -37.38

 

CMYK 92 / 64 / 0 / 43

HEX #0B3592

RGB 11 53 146

HSL 221.33, 0.86%, 0.31%

LAB 25.84, 25.16, -54.67

 

CMYK 92 / 88 / 0 / 43

HEX #0B1192

RGB 11 17 146

HSL 237.33, 0.86%, 0.31%

LAB 18.13, 46.59, -67.41

 

CMYK 92 / 0 / 11 / 43

HEX #0B9282

RGB 11 146 130

HSL 172.89, 0.86%, 0.31%

LAB 54.28, -36.1, -0.72

 

CMYK 92 / 0 / 11 / 43

HEX #0B9282

RGB 11 146 130

HSL 172.89, 0.86%, 0.31%

LAB 54.28, -36.1, -0.72

 

CMYK 82 / 0 / 10 / 48

HEX #188578

RGB 24 133 120

HSL 172.84, 0.69%, 0.31%

LAB 49.89, -32.1, -1.34

 

CMYK 69 / 0 / 8 / 53

HEX #25786E

RGB 37 120 110

HSL 172.77, 0.53%, 0.31%

LAB 45.57, -27.05, -1.74

 

CMYK 53 / 0 / 7 / 58

HEX #326B64

RGB 50 107 100

HSL 172.63, 0.36%, 0.31%

LAB 41.4, -20.57, -1.81

 

CMYK 34 / 0 / 4 / 63

HEX #3F5F5B

RGB 63 95 91

HSL 172.5, 0.2%, 0.31%

LAB 37.84, -12.65, -1.45

 

CMYK 92 / 0 / 62 / 43

HEX #0B9238

RGB 11 146 56

HSL 140, 0.86%, 0.31%

LAB 52.86, -52.17, 37.87

 

CMYK 92 / 0 / 37 / 43

HEX #0B925C

RGB 11 146 92

HSL 156, 0.86%, 0.31%

LAB 53.39, -45.84, 19.64

 

CMYK 92 / 0 / 12 / 43

HEX #0B9280

RGB 11 146 128

HSL 172, 0.86%, 0.31%

LAB 54.23, -36.68, 0.35

 

CMYK 92 / 12 / 0 / 43

HEX #0B8092

RGB 11 128 146

HSL 188, 0.86%, 0.31%

LAB 48.99, -22.21, -17.95

 

CMYK 92 / 37 / 0 / 43

HEX #0B5C92

RGB 11 92 146

HSL 204, 0.86%, 0.31%

LAB 37.48, -1.34, -35.88

 

CMYK 93 / 0 / 10 / 73

HEX #05453E

RGB 5 69 62

HSL 173.44, 0.86%, 0.15%

LAB 25.67, -20.56, -1.13

 

CMYK 93 / 0 / 11 / 58

HEX #086C60

RGB 8 108 96

HSL 172.8, 0.86%, 0.23%

LAB 40.61, -28.84, -0.66

 

CMYK 92 / 0 / 11 / 43

HEX #0B9282

RGB 11 146 130

HSL 172.89, 0.86%, 0.31%

LAB 54.28, -36.1, -0.72

 

CMYK 92 / 0 / 11 / 28

HEX #0EB8A4

RGB 14 184 164

HSL 172.94, 0.86%, 0.39%

LAB 67.32, -43, -0.78

 

CMYK 92 / 0 / 11 / 13

HEX #12DEC5

RGB 18 222 197

HSL 172.65, 0.85%, 0.47%

LAB 79.84, -49.85, -0.34

 

CMYK 92 / 0 / 11 / 43

HEX #0C9181

RGB 12 145 129

HSL 172.78, 0.85%, 0.31%

LAB 53.94, -35.89, -0.65

 

CMYK 86 / 92 / 0 / 43

HEX #140B92

RGB 20 11 146

HSL 244, 0.86%, 0.31%

LAB 17.75, 49.04, -68.04

 

CMYK 0 / 49 / 92 / 43

HEX #924A0B

RGB 146 74 11

HSL 28, 0.86%, 0.31%

LAB 39.64, 26.51, 46.04

 

CMYK 92 / 0 / 11 / 43

HEX #0C9181

RGB 12 145 129

HSL 172.78, 0.85%, 0.31%

LAB 53.94, -35.89, -0.65

 

CMYK 12 / 92 / 0 / 43

HEX #800B92

RGB 128 11 146

HSL 292, 0.86%, 0.31%

LAB 31.59, 60.26, -44.8

 

CMYK 0 / 12 / 92 / 43

HEX #92800B

RGB 146 128 11

HSL 52, 0.86%, 0.31%

LAB 53.57, -4.31, 56.69

 

CMYK 92 / 0 / 11 / 43

HEX #0C9181

RGB 12 145 129

HSL 172.78, 0.85%, 0.31%

LAB 53.94, -35.89, -0.65

 

CMYK 86 / 92 / 0 / 43

HEX #140B92

RGB 20 11 146

HSL 244, 0.86%, 0.31%

LAB 17.75, 49.04, -68.04

 

CMYK 0 / 92 / 80 / 43

HEX #920B1D

RGB 146 11 29

HSL 352, 0.86%, 0.31%

LAB 30.49, 51.78, 29.57

 

CMYK 6 / 0 / 92 / 43

HEX #89920B

RGB 137 146 11

HSL 64, 0.86%, 0.31%

LAB 57.94, -18.11, 59.77

 

CMYK 92 / 0 / 11 / 43

HEX #0C9181

RGB 12 145 129

HSL 172.78, 0.85%, 0.31%

LAB 53.94, -35.89, -0.65

 

CMYK 58 / 92 / 0 / 43

HEX #3D0B92

RGB 61 11 146

HSL 262.22, 0.86%, 0.31%

LAB 21.23, 51.39, -62.15

 

CMYK 0 / 92 / 80 / 43

HEX #920B1D

RGB 146 11 29

HSL 352, 0.86%, 0.31%

LAB 30.49, 51.78, 29.57

 

CMYK 34 / 0 / 92 / 43

HEX #60920B

RGB 96 146 11

HSL 82.22, 0.86%, 0.31%

LAB 55.14, -35.47, 56.34

 

Description

Color code: RGB 12 145 129 | qconv.com Color code: RGB 12 145 129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 145 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 145 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 11 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 11% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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