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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 12 147 170 it is the complementary color RGB 243 108 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 12 147 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 12 147 170 shade: RGB 17 147 165, RGB 34 165 184, RGB 51 183 203, RGB 68 201 222 and RGB 85 219 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 12 147 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 12 147 170 shade: RGB 12 147 170, RGB 0 129 151, RGB 0 111 132, RGB 0 93 113 and RGB 0 75 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 12 147 170 shade: RGB 11 148 171, RGB 11 105 171, RGB 11 62 171, RGB 11 19 171 and RGB 47 11 171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 12 147 170 shade: RGB 11 148 171, RGB 11 105 171, RGB 11 62 171, RGB 11 19 171 and RGB 11 11 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 12 147 170 shade matches the following richer shades: RGB 11 148 171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 12 147 170 shade: RGB 11 148 171, RGB 26 137 156, RGB 41 127 141, RGB 56 116 127 and RGB 71 106 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 12 147 170 shade: RGB 11 171 107, RGB 11 171 150, RGB 11 150 171, RGB 11 107 171 and RGB 11 65 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 12 147 170 shade: RGB 6 81 94, RGB 9 115 133, RGB 11 148 171, RGB 14 181 210 and RGB 26 208 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 12 147 170 shade: RGB 12 147 170, RGB 65 11 171 and RGB 171 129 11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 12 147 170 shade: RGB 12 147 170, RGB 171 11 150 and RGB 150 171 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 12 147 170 shade: RGB 12 147 170, RGB 65 11 171, RGB 171 33 11 and RGB 118 171 11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 12 147 170 shade: RGB 12 147 170, RGB 113 11 171, RGB 171 33 11 and RGB 70 171 11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 14 / 0 / 33

HEX #0C93AA

RGB 12 147 170

HSL 188.73, 0.87%, 0.36%

LAB 55.94, -23.78, -21.21

 

Complementary color

CMYK 0 / 56 / 65 / 5

HEX #F36C55

RGB 243 108 85

HSL 8.73, 0.87%, 0.64%

LAB 62.03, 50.36, 38.24

 

CMYK 90 / 11 / 0 / 35

HEX #1193A5

RGB 17 147 165

HSL 187.3, 0.81%, 0.36%

LAB 55.79, -25.23, -18.57

 

CMYK 82 / 10 / 0 / 28

HEX #22A5B8

RGB 34 165 184

HSL 187.6, 0.69%, 0.43%

LAB 62.26, -26.82, -19.44

 

CMYK 75 / 10 / 0 / 20

HEX #33B7CB

RGB 51 183 203

HSL 187.89, 0.6%, 0.5%

LAB 68.67, -28.03, -20.21

 

CMYK 69 / 9 / 0 / 13

HEX #44C9DE

RGB 68 201 222

HSL 188.18, 0.7%, 0.57%

LAB 75, -28.95, -20.91

 

CMYK 65 / 9 / 0 / 5

HEX #55DBF1

RGB 85 219 241

HSL 188.46, 0.85%, 0.64%

LAB 81.26, -29.66, -21.54

 

CMYK 93 / 14 / 0 / 33

HEX #0C93AA

RGB 12 147 170

HSL 188.73, 0.87%, 0.36%

LAB 55.94, -23.78, -21.21

 

CMYK 100 / 15 / 0 / 41

HEX #008197

RGB 0 129 151

HSL 188.74, 1%, 0.3%

LAB 49.42, -21.51, -20.23

 

CMYK 100 / 16 / 0 / 48

HEX #006F84

RGB 0 111 132

HSL 189.55, 1%, 0.26%

LAB 42.82, -18.66, -19.12

 

CMYK 100 / 18 / 0 / 56

HEX #005D71

RGB 0 93 113

HSL 190.62, 1%, 0.22%

LAB 36.02, -15.71, -18

 

CMYK 100 / 20 / 0 / 63

HEX #004B5E

RGB 0 75 94

HSL 192.13, 1%, 0.18%

LAB 29.01, -12.62, -16.88

 

CMYK 94 / 13 / 0 / 33

HEX #0B94AB

RGB 11 148 171

HSL 188.63, 0.88%, 0.36%

LAB 56.28, -24, -21.25

 

CMYK 94 / 39 / 0 / 33

HEX #0B69AB

RGB 11 105 171

HSL 204.75, 0.88%, 0.36%

LAB 42.94, 0.51, -42.1

 

CMYK 94 / 64 / 0 / 33

HEX #0B3EAB

RGB 11 62 171

HSL 220.88, 0.88%, 0.36%

LAB 30.54, 29.08, -62.15

 

CMYK 94 / 89 / 0 / 33

HEX #0B13AB

RGB 11 19 171

HSL 237, 0.88%, 0.36%

LAB 21.86, 53.35, -76.5

 

CMYK 73 / 94 / 0 / 33

HEX #2F0BAB

RGB 47 11 171

HSL 253.5, 0.88%, 0.36%

LAB 22.94, 56.98, -74.65

 

CMYK 94 / 13 / 0 / 33

HEX #0B94AB

RGB 11 148 171

HSL 188.63, 0.88%, 0.36%

LAB 56.28, -24, -21.25

 

CMYK 94 / 39 / 0 / 33

HEX #0B69AB

RGB 11 105 171

HSL 204.75, 0.88%, 0.36%

LAB 42.94, 0.51, -42.1

 

CMYK 94 / 64 / 0 / 33

HEX #0B3EAB

RGB 11 62 171

HSL 220.88, 0.88%, 0.36%

LAB 30.54, 29.08, -62.15

 

CMYK 94 / 89 / 0 / 33

HEX #0B13AB

RGB 11 19 171

HSL 237, 0.88%, 0.36%

LAB 21.86, 53.35, -76.5

 

CMYK 94 / 94 / 0 / 33

HEX #0B0BAB

RGB 11 11 171

HSL 240, 0.88%, 0.36%

LAB 21.02, 55.91, -77.91

 

CMYK 94 / 13 / 0 / 33

HEX #0B94AB

RGB 11 148 171

HSL 188.63, 0.88%, 0.36%

LAB 56.28, -24, -21.25

 

CMYK 94 / 13 / 0 / 33

HEX #0B94AB

RGB 11 148 171

HSL 188.63, 0.88%, 0.36%

LAB 56.28, -24, -21.25

 

CMYK 83 / 12 / 0 / 39

HEX #1A899C

RGB 26 137 156

HSL 188.77, 0.71%, 0.36%

LAB 52.41, -22.45, -18.53

 

CMYK 71 / 10 / 0 / 45

HEX #297F8D

RGB 41 127 141

HSL 188.4, 0.55%, 0.36%

LAB 48.97, -20.4, -14.99

 

CMYK 56 / 9 / 0 / 50

HEX #38747F

RGB 56 116 127

HSL 189.3, 0.39%, 0.36%

LAB 45.45, -16.08, -12

 

CMYK 37 / 5 / 0 / 56

HEX #476A70

RGB 71 106 112

HSL 188.78, 0.22%, 0.36%

LAB 42.49, -10.84, -7.36

 

CMYK 94 / 0 / 37 / 33

HEX #0BAB6B

RGB 11 171 107

HSL 156, 0.88%, 0.36%

LAB 61.88, -52.02, 22.83

 

CMYK 94 / 0 / 12 / 33

HEX #0BAB96

RGB 11 171 150

HSL 172.13, 0.88%, 0.36%

LAB 62.84, -41.43, 0.45

 

CMYK 94 / 12 / 0 / 33

HEX #0B96AB

RGB 11 150 171

HSL 187.88, 0.88%, 0.36%

LAB 56.9, -25.02, -20.3

 

CMYK 94 / 37 / 0 / 33

HEX #0B6BAB

RGB 11 107 171

HSL 204, 0.88%, 0.36%

LAB 43.55, -0.74, -41.13

 

CMYK 94 / 62 / 0 / 33

HEX #0B41AB

RGB 11 65 171

HSL 219.75, 0.88%, 0.36%

LAB 31.33, 27.05, -60.85

 

CMYK 94 / 14 / 0 / 63

HEX #06515E

RGB 6 81 94

HSL 188.86, 0.88%, 0.2%

LAB 31.19, -15.58, -13.52

 

CMYK 93 / 14 / 0 / 48

HEX #097385

RGB 9 115 133

HSL 188.71, 0.87%, 0.28%

LAB 44.25, -19.97, -17.5

 

CMYK 94 / 13 / 0 / 33

HEX #0B94AB

RGB 11 148 171

HSL 188.63, 0.88%, 0.36%

LAB 56.28, -24, -21.25

 

CMYK 93 / 14 / 0 / 18

HEX #0EB5D2

RGB 14 181 210

HSL 188.88, 0.88%, 0.44%

LAB 67.87, -27.48, -25.32

 

CMYK 89 / 13 / 0 / 6

HEX #1AD0EF

RGB 26 208 239

HSL 188.73, 0.87%, 0.52%

LAB 77.02, -30.8, -27.03

 

CMYK 93 / 14 / 0 / 33

HEX #0C93AA

RGB 12 147 170

HSL 188.73, 0.87%, 0.36%

LAB 55.94, -23.78, -21.21

 

CMYK 62 / 94 / 0 / 33

HEX #410BAB

RGB 65 11 171

HSL 260.25, 0.88%, 0.36%

LAB 24.65, 58.04, -71.77

 

CMYK 0 / 25 / 94 / 33

HEX #AB810B

RGB 171 129 11

HSL 44.25, 0.88%, 0.36%

LAB 56.47, 6.73, 60.04

 

CMYK 93 / 14 / 0 / 33

HEX #0C93AA

RGB 12 147 170

HSL 188.73, 0.87%, 0.36%

LAB 55.94, -23.78, -21.21

 

CMYK 0 / 94 / 12 / 33

HEX #AB0B96

RGB 171 11 150

HSL 307.88, 0.88%, 0.36%

LAB 39.75, 68.64, -33.76

 

CMYK 12 / 0 / 94 / 33

HEX #96AB0B

RGB 150 171 11

HSL 67.88, 0.88%, 0.36%

LAB 66.24, -24.98, 66.71

 

CMYK 93 / 14 / 0 / 33

HEX #0C93AA

RGB 12 147 170

HSL 188.73, 0.87%, 0.36%

LAB 55.94, -23.78, -21.21

 

CMYK 62 / 94 / 0 / 33

HEX #410BAB

RGB 65 11 171

HSL 260.25, 0.88%, 0.36%

LAB 24.65, 58.04, -71.77

 

CMYK 0 / 81 / 94 / 33

HEX #AB210B

RGB 171 33 11

HSL 8.25, 0.88%, 0.36%

LAB 37.43, 53.61, 46.57

 

CMYK 31 / 0 / 94 / 33

HEX #76AB0B

RGB 118 171 11

HSL 79.88, 0.88%, 0.36%

LAB 64.16, -38.09, 64.18

 

CMYK 93 / 14 / 0 / 33

HEX #0C93AA

RGB 12 147 170

HSL 188.73, 0.87%, 0.36%

LAB 55.94, -23.78, -21.21

 

CMYK 34 / 94 / 0 / 33

HEX #710BAB

RGB 113 11 171

HSL 278.25, 0.88%, 0.36%

LAB 31.09, 62.83, -60.93

 

CMYK 0 / 81 / 94 / 33

HEX #AB210B

RGB 171 33 11

HSL 8.25, 0.88%, 0.36%

LAB 37.43, 53.61, 46.57

 

CMYK 59 / 0 / 94 / 33

HEX #46AB0B

RGB 70 171 11

HSL 97.88, 0.88%, 0.36%

LAB 62.04, -53.86, 61.57

 

Description

Color code: RGB 12 147 170 | qconv.com Color code: RGB 12 147 170 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 147 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 147 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 14 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 14% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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