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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 119 60 it is the complementary color RGB 125 136 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 119 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 119 60 shade: RGB 135 119 55, RGB 152 137 74, RGB 169 155 93, RGB 186 173 112 and RGB 203 191 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 119 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 119 60 shade: RGB 130 119 60, RGB 113 101 41, RGB 96 83 22, RGB 79 65 3 and RGB 62 47 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 119 60 shade: RGB 129 118 59, RGB 129 99 59, RGB 129 80 59, RGB 129 61 59 and RGB 129 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 119 60 shade: RGB 129 118 59, RGB 121 129 59, RGB 102 129 59, RGB 83 129 59 and RGB 64 129 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 119 60 shade matches the following richer shades: RGB 129 118 59, RGB 144 128 44, RGB 159 139 28 and RGB 175 149 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 119 60 shade: RGB 129 118 59, RGB 113 107 74, RGB 98 97 89, RGB 83 86 105 and RGB 68 76 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 119 60 shade: RGB 129 80 59, RGB 129 99 59, RGB 129 117 59, RGB 122 129 59 and RGB 103 129 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 119 60 shade: RGB 72 66 33, RGB 100 92 46, RGB 129 118 59, RGB 157 144 72 and RGB 179 165 91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 119 60 shade: RGB 130 119 60, RGB 59 129 61 and RGB 89 59 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 119 60 shade: RGB 130 119 60, RGB 59 129 117 and RGB 117 59 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 119 60 shade: RGB 130 119 60, RGB 59 129 61, RGB 59 71 129 and RGB 129 59 126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 119 60 shade: RGB 130 119 60, RGB 59 129 82, RGB 59 71 129 and RGB 129 59 105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 54 / 49

HEX #82773C

RGB 130 119 60

HSL 50.57, 0.37%, 0.37%

LAB 49.82, -4.1, 33.65

 

Complementary color

CMYK 36 / 30 / 0 / 24

HEX #7D88C3

RGB 125 136 195

HSL 230.57, 0.37%, 0.63%

LAB 57.95, 10.39, -31.98

 

CMYK 0 / 12 / 59 / 47

HEX #877737

RGB 135 119 55

HSL 48, 0.42%, 0.37%

LAB 50.24, -2.28, 36.86

 

CMYK 0 / 10 / 51 / 40

HEX #98894A

RGB 152 137 74

HSL 48.46, 0.35%, 0.44%

LAB 57.13, -3.07, 35.57

 

CMYK 0 / 8 / 45 / 34

HEX #A99B5D

RGB 169 155 93

HSL 48.95, 0.31%, 0.51%

LAB 63.89, -3.7, 34.27

 

CMYK 0 / 7 / 40 / 27

HEX #BAAD70

RGB 186 173 112

HSL 49.46, 0.35%, 0.58%

LAB 70.52, -4.22, 33.02

 

CMYK 0 / 6 / 35 / 20

HEX #CBBF83

RGB 203 191 131

HSL 50, 0.41%, 0.65%

LAB 77.04, -4.65, 31.83

 

CMYK 0 / 8 / 54 / 49

HEX #82773C

RGB 130 119 60

HSL 50.57, 0.37%, 0.37%

LAB 49.82, -4.1, 33.65

 

CMYK 0 / 11 / 64 / 56

HEX #716529

RGB 113 101 41

HSL 50, 0.47%, 0.3%

LAB 42.73, -3.27, 34.9

 

CMYK 0 / 14 / 77 / 62

HEX #605316

RGB 96 83 22

HSL 49.46, 0.63%, 0.23%

LAB 35.46, -2.13, 35.79

 

CMYK 0 / 18 / 96 / 69

HEX #4F4103

RGB 79 65 3

HSL 48.95, 0.93%, 0.16%

LAB 27.98, -0.59, 35.83

 

CMYK 0 / 24 / 100 / 76

HEX #3E2F00

RGB 62 47 0

HSL 45.48, 1%, 0.12%

LAB 20.27, 1.73, 28.77

 

CMYK 0 / 9 / 54 / 49

HEX #81763B

RGB 129 118 59

HSL 50.57, 0.37%, 0.37%

LAB 49.42, -4.08, 33.68

 

CMYK 0 / 23 / 54 / 49

HEX #81633B

RGB 129 99 59

HSL 34.29, 0.37%, 0.37%

LAB 44.1, 6.91, 27.22

 

CMYK 0 / 38 / 54 / 49

HEX #81503B

RGB 129 80 59

HSL 18, 0.37%, 0.37%

LAB 39.11, 18.17, 20.91

 

CMYK 0 / 53 / 54 / 49

HEX #813D3B

RGB 129 61 59

HSL 1.71, 0.37%, 0.37%

LAB 34.64, 29.1, 15.04

 

CMYK 0 / 54 / 54 / 49

HEX #813B3B

RGB 129 59 59

HSL 0, 0.37%, 0.37%

LAB 34.21, 30.19, 14.47

 

CMYK 0 / 9 / 54 / 49

HEX #81763B

RGB 129 118 59

HSL 50.57, 0.37%, 0.37%

LAB 49.42, -4.08, 33.68

 

CMYK 6 / 0 / 54 / 49

HEX #79813B

RGB 121 129 59

HSL 66.86, 0.37%, 0.37%

LAB 51.93, -13.73, 36.46

 

CMYK 21 / 0 / 54 / 49

HEX #66813B

RGB 102 129 59

HSL 83.14, 0.37%, 0.37%

LAB 50.5, -21.84, 34.42

 

CMYK 36 / 0 / 54 / 49

HEX #53813B

RGB 83 129 59

HSL 99.43, 0.37%, 0.37%

LAB 49.32, -29.29, 32.73

 

CMYK 50 / 0 / 54 / 49

HEX #40813B

RGB 64 129 59

HSL 115.71, 0.37%, 0.37%

LAB 48.39, -35.73, 31.39

 

CMYK 0 / 9 / 54 / 49

HEX #81763B

RGB 129 118 59

HSL 50.57, 0.37%, 0.37%

LAB 49.42, -4.08, 33.68

 

CMYK 0 / 11 / 69 / 44

HEX #90802C

RGB 144 128 44

HSL 50.4, 0.53%, 0.37%

LAB 53.55, -3.99, 45.95

 

CMYK 0 / 13 / 82 / 38

HEX #9F8B1C

RGB 159 139 28

HSL 50.84, 0.7%, 0.37%

LAB 57.96, -3.91, 56.62

 

CMYK 0 / 15 / 93 / 31

HEX #AF950D

RGB 175 149 13

HSL 50.37, 0.86%, 0.37%

LAB 62.2, -2.41, 64.21

 

CMYK 0 / 9 / 54 / 49

HEX #81763B

RGB 129 118 59

HSL 50.57, 0.37%, 0.37%

LAB 49.42, -4.08, 33.68

 

CMYK 0 / 5 / 35 / 56

HEX #716B4A

RGB 113 107 74

HSL 50.77, 0.21%, 0.37%

LAB 44.97, -3.2, 19.38

 

CMYK 0 / 1 / 9 / 62

HEX #626159

RGB 98 97 89

HSL 53.33, 0.05%, 0.37%

LAB 41, -1.2, 4.7

 

CMYK 21 / 18 / 0 / 59

HEX #535669

RGB 83 86 105

HSL 231.82, 0.12%, 0.37%

LAB 36.96, 3.33, -11.3

 

CMYK 43 / 37 / 0 / 53

HEX #444C78

RGB 68 76 120

HSL 230.77, 0.28%, 0.37%

LAB 33.46, 9.14, -26.13

 

CMYK 0 / 38 / 54 / 49

HEX #81503B

RGB 129 80 59

HSL 18, 0.37%, 0.37%

LAB 39.11, 18.17, 20.91

 

CMYK 0 / 23 / 54 / 49

HEX #81633B

RGB 129 99 59

HSL 34.29, 0.37%, 0.37%

LAB 44.1, 6.91, 27.22

 

CMYK 0 / 9 / 54 / 49

HEX #81753B

RGB 129 117 59

HSL 49.71, 0.37%, 0.37%

LAB 49.14, -3.52, 33.34

 

CMYK 5 / 0 / 54 / 49

HEX #7A813B

RGB 122 129 59

HSL 66, 0.37%, 0.37%

LAB 52.01, -13.3, 36.57

 

CMYK 20 / 0 / 54 / 49

HEX #67813B

RGB 103 129 59

HSL 82.29, 0.37%, 0.37%

LAB 50.57, -21.42, 34.52

 

CMYK 0 / 8 / 54 / 72

HEX #484221

RGB 72 66 33

HSL 50.77, 0.37%, 0.21%

LAB 27.8, -2.77, 20.88

 

CMYK 0 / 8 / 54 / 61

HEX #645C2E

RGB 100 92 46

HSL 51.11, 0.37%, 0.29%

LAB 38.83, -3.68, 27.4

 

CMYK 0 / 9 / 54 / 49

HEX #81763B

RGB 129 118 59

HSL 50.57, 0.37%, 0.37%

LAB 49.42, -4.08, 33.68

 

CMYK 0 / 8 / 54 / 38

HEX #9D9048

RGB 157 144 72

HSL 50.82, 0.37%, 0.45%

LAB 59.51, -4.91, 39.55

 

CMYK 0 / 8 / 49 / 30

HEX #B3A55B

RGB 179 165 91

HSL 50.45, 0.37%, 0.53%

LAB 67.46, -5.05, 39.93

 

CMYK 0 / 8 / 54 / 49

HEX #82773C

RGB 130 119 60

HSL 50.57, 0.37%, 0.37%

LAB 49.82, -4.1, 33.65

 

CMYK 54 / 0 / 53 / 49

HEX #3B813D

RGB 59 129 61

HSL 121.71, 0.37%, 0.37%

LAB 48.22, -36.92, 30.08

 

CMYK 31 / 54 / 0 / 49

HEX #593B81

RGB 89 59 129

HSL 265.71, 0.37%, 0.37%

LAB 31.43, 28.78, -34.83

 

CMYK 0 / 8 / 54 / 49

HEX #82773C

RGB 130 119 60

HSL 50.57, 0.37%, 0.37%

LAB 49.82, -4.1, 33.65

 

CMYK 54 / 0 / 9 / 49

HEX #3B8175

RGB 59 129 117

HSL 169.71, 0.37%, 0.37%

LAB 49.39, -25.15, -0.2

 

CMYK 9 / 54 / 0 / 49

HEX #753B81

RGB 117 59 129

HSL 289.71, 0.37%, 0.37%

LAB 34.99, 36.91, -28.96

 

CMYK 0 / 8 / 54 / 49

HEX #82773C

RGB 130 119 60

HSL 50.57, 0.37%, 0.37%

LAB 49.82, -4.1, 33.65

 

CMYK 54 / 0 / 53 / 49

HEX #3B813D

RGB 59 129 61

HSL 121.71, 0.37%, 0.37%

LAB 48.22, -36.92, 30.08

 

CMYK 54 / 45 / 0 / 49

HEX #3B4781

RGB 59 71 129

HSL 229.71, 0.37%, 0.37%

LAB 31.86, 13.03, -34.32

 

CMYK 0 / 54 / 2 / 49

HEX #813B7E

RGB 129 59 126

HSL 302.57, 0.37%, 0.37%

LAB 36.56, 39.9, -24.52

 

CMYK 0 / 8 / 54 / 49

HEX #82773C

RGB 130 119 60

HSL 50.57, 0.37%, 0.37%

LAB 49.82, -4.1, 33.65

 

CMYK 54 / 0 / 36 / 49

HEX #3B8152

RGB 59 129 82

HSL 139.71, 0.37%, 0.37%

LAB 48.56, -33.32, 18.96

 

CMYK 54 / 45 / 0 / 49

HEX #3B4781

RGB 59 71 129

HSL 229.71, 0.37%, 0.37%

LAB 31.86, 13.03, -34.32

 

CMYK 0 / 54 / 19 / 49

HEX #813B69

RGB 129 59 105

HSL 320.57, 0.37%, 0.37%

LAB 35.63, 36.19, -12.82

 

Description

Color code: RGB 130 119 60 | qconv.com Color code: RGB 130 119 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 119 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 119 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 54 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 54% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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