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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 136 52 it is the complementary color RGB 125 119 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 136 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 136 52 shade: RGB 135 136 47, RGB 152 154 66, RGB 169 172 85, RGB 186 190 104 and RGB 203 208 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 136 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 136 52 shade: RGB 130 136 52, RGB 113 118 33, RGB 96 100 14, RGB 79 82 0 and RGB 62 64 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 136 52 shade: RGB 130 136 51, RGB 136 119 51, RGB 136 97 51, RGB 136 74 51 and RGB 136 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 136 52 shade: RGB 130 136 51, RGB 107 136 51, RGB 84 136 51, RGB 62 136 51 and RGB 51 136 64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 136 52 shade matches the following richer shades: RGB 130 136 51, RGB 143 152 36, RGB 156 167 21 and RGB 169 182 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 136 52 shade: RGB 130 136 51, RGB 117 121 67, RGB 104 106 82, RGB 91 91 97 and RGB 78 75 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 136 52 shade: RGB 136 97 51, RGB 136 119 51, RGB 131 136 51, RGB 108 136 51 and RGB 85 136 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 136 52 shade: RGB 73 76 29, RGB 102 106 40, RGB 130 136 51, RGB 159 166 63 and RGB 181 189 81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 136 52 shade: RGB 130 136 52, RGB 51 136 74 and RGB 108 51 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 136 52 shade: RGB 130 136 52, RGB 51 131 136 and RGB 136 51 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 136 52 shade: RGB 130 136 52, RGB 51 136 74, RGB 57 51 136 and RGB 136 51 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 136 52 shade: RGB 130 136 52, RGB 51 136 100, RGB 57 51 136 and RGB 136 51 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 62 / 47

HEX #828834

RGB 130 136 52

HSL 64.29, 0.45%, 0.37%

LAB 54.66, -14.13, 43.15

 

Complementary color

CMYK 38 / 41 / 0 / 20

HEX #7D77CB

RGB 125 119 203

HSL 244.29, 0.45%, 0.63%

LAB 53.88, 22.66, -42.89

 

CMYK 1 / 0 / 65 / 47

HEX #87882F

RGB 135 136 47

HSL 60.67, 0.49%, 0.36%

LAB 55.04, -12.26, 45.93

 

CMYK 1 / 0 / 57 / 40

HEX #989A42

RGB 152 154 66

HSL 61.36, 0.4%, 0.43%

LAB 61.81, -12.95, 45.03

 

CMYK 2 / 0 / 51 / 33

HEX #A9AC55

RGB 169 172 85

HSL 62.07, 0.34%, 0.5%

LAB 68.46, -13.49, 43.91

 

CMYK 2 / 0 / 45 / 25

HEX #BABE68

RGB 186 190 104

HSL 62.79, 0.4%, 0.58%

LAB 74.99, -13.92, 42.73

 

CMYK 2 / 0 / 41 / 18

HEX #CBD07B

RGB 203 208 123

HSL 63.53, 0.47%, 0.65%

LAB 81.42, -14.26, 41.55

 

CMYK 4 / 0 / 62 / 47

HEX #828834

RGB 130 136 52

HSL 64.29, 0.45%, 0.37%

LAB 54.66, -14.13, 43.15

 

CMYK 4 / 0 / 72 / 54

HEX #717621

RGB 113 118 33

HSL 63.53, 0.56%, 0.3%

LAB 47.72, -13.39, 43.81

 

CMYK 4 / 0 / 86 / 61

HEX #60640E

RGB 96 100 14

HSL 62.79, 0.75%, 0.22%

LAB 40.63, -12.36, 43.47

 

CMYK 4 / 0 / 100 / 68

HEX #4F5200

RGB 79 82 0

HSL 62.2, 1%, 0.16%

LAB 33.34, -10.96, 41.11

 

CMYK 3 / 0 / 100 / 75

HEX #3E4000

RGB 62 64 0

HSL 61.88, 1%, 0.13%

LAB 25.84, -9.06, 34.47

 

CMYK 4 / 0 / 63 / 47

HEX #828833

RGB 130 136 51

HSL 64.24, 0.45%, 0.37%

LAB 54.65, -14.2, 43.6

 

CMYK 0 / 13 / 63 / 47

HEX #887733

RGB 136 119 51

HSL 48, 0.45%, 0.37%

LAB 50.3, -2.13, 38.96

 

CMYK 0 / 29 / 63 / 47

HEX #886133

RGB 136 97 51

HSL 32.47, 0.45%, 0.37%

LAB 44.27, 10.59, 32.06

 

CMYK 0 / 46 / 63 / 47

HEX #884A33

RGB 136 74 51

HSL 16.24, 0.45%, 0.37%

LAB 38.5, 24.01, 25.14

 

CMYK 0 / 63 / 63 / 47

HEX #883333

RGB 136 51 51

HSL 0, 0.45%, 0.37%

LAB 33.65, 36.37, 19.03

 

CMYK 4 / 0 / 63 / 47

HEX #828833

RGB 130 136 51

HSL 64.24, 0.45%, 0.37%

LAB 54.65, -14.2, 43.6

 

CMYK 21 / 0 / 63 / 47

HEX #6B8833

RGB 107 136 51

HSL 80.47, 0.45%, 0.37%

LAB 52.92, -24.1, 41.21

 

CMYK 38 / 0 / 63 / 47

HEX #548833

RGB 84 136 51

HSL 96.71, 0.45%, 0.37%

LAB 51.53, -33.09, 39.28

 

CMYK 54 / 0 / 63 / 47

HEX #3E8833

RGB 62 136 51

HSL 112.24, 0.45%, 0.37%

LAB 50.54, -40.3, 37.88

 

CMYK 63 / 0 / 53 / 47

HEX #338840

RGB 51 136 64

HSL 129.18, 0.45%, 0.37%

LAB 50.31, -41.47, 31.02

 

CMYK 4 / 0 / 63 / 47

HEX #828833

RGB 130 136 51

HSL 64.24, 0.45%, 0.37%

LAB 54.65, -14.2, 43.6

 

CMYK 6 / 0 / 76 / 40

HEX #8F9824

RGB 143 152 36

HSL 64.66, 0.62%, 0.37%

LAB 60.27, -17.74, 55.6

 

CMYK 7 / 0 / 87 / 35

HEX #9CA715

RGB 156 167 21

HSL 64.52, 0.78%, 0.37%

LAB 65.56, -20.2, 64.68

 

CMYK 7 / 0 / 97 / 29

HEX #A9B606

RGB 169 182 6

HSL 64.43, 0.94%, 0.37%

LAB 70.8, -22.3, 71.44

 

CMYK 4 / 0 / 63 / 47

HEX #828833

RGB 130 136 51

HSL 64.24, 0.45%, 0.37%

LAB 54.65, -14.2, 43.6

 

CMYK 3 / 0 / 45 / 53

HEX #757943

RGB 117 121 67

HSL 64.44, 0.29%, 0.37%

LAB 49.33, -10.27, 29.02

 

CMYK 2 / 0 / 23 / 58

HEX #686A52

RGB 104 106 82

HSL 65, 0.13%, 0.37%

LAB 44.03, -5.26, 13.25

 

CMYK 6 / 6 / 0 / 62

HEX #5B5B61

RGB 91 91 97

HSL 240, 0.03%, 0.37%

LAB 38.85, 1.3, -3.44

 

CMYK 30 / 33 / 0 / 56

HEX #4E4B70

RGB 78 75 112

HSL 244.86, 0.2%, 0.37%

LAB 33.61, 10.49, -20.85

 

CMYK 0 / 29 / 63 / 47

HEX #886133

RGB 136 97 51

HSL 32.47, 0.45%, 0.37%

LAB 44.27, 10.59, 32.06

 

CMYK 0 / 13 / 63 / 47

HEX #887733

RGB 136 119 51

HSL 48, 0.45%, 0.37%

LAB 50.3, -2.13, 38.96

 

CMYK 4 / 0 / 63 / 47

HEX #838833

RGB 131 136 51

HSL 63.53, 0.45%, 0.37%

LAB 54.73, -13.76, 43.71

 

CMYK 21 / 0 / 63 / 47

HEX #6C8833

RGB 108 136 51

HSL 79.76, 0.45%, 0.37%

LAB 52.99, -23.69, 41.3

 

CMYK 38 / 0 / 63 / 47

HEX #558833

RGB 85 136 51

HSL 96, 0.45%, 0.37%

LAB 51.59, -32.73, 39.35

 

CMYK 4 / 0 / 62 / 70

HEX #494C1D

RGB 73 76 29

HSL 63.83, 0.45%, 0.21%

LAB 31.05, -8.79, 27

 

CMYK 4 / 0 / 62 / 58

HEX #666A28

RGB 102 106 40

HSL 63.64, 0.45%, 0.29%

LAB 43.19, -11.35, 35.62

 

CMYK 4 / 0 / 63 / 47

HEX #828833

RGB 130 136 51

HSL 64.24, 0.45%, 0.37%

LAB 54.65, -14.2, 43.6

 

CMYK 4 / 0 / 62 / 35

HEX #9FA63F

RGB 159 166 63

HSL 64.08, 0.45%, 0.45%

LAB 65.75, -16.42, 50.9

 

CMYK 4 / 0 / 57 / 26

HEX #B5BD51

RGB 181 189 81

HSL 64.44, 0.45%, 0.53%

LAB 74.07, -17.52, 52.51

 

CMYK 4 / 0 / 62 / 47

HEX #828834

RGB 130 136 52

HSL 64.29, 0.45%, 0.37%

LAB 54.66, -14.13, 43.15

 

CMYK 63 / 0 / 46 / 47

HEX #33884A

RGB 51 136 74

HSL 136.24, 0.45%, 0.37%

LAB 50.46, -39.85, 25.86

 

CMYK 21 / 63 / 0 / 47

HEX #6C3388

RGB 108 51 136

HSL 280.24, 0.45%, 0.37%

LAB 32.55, 40.23, -37.24

 

CMYK 4 / 0 / 62 / 47

HEX #828834

RGB 130 136 52

HSL 64.29, 0.45%, 0.37%

LAB 54.66, -14.13, 43.15

 

CMYK 63 / 4 / 0 / 47

HEX #338388

RGB 51 131 136

HSL 183.53, 0.45%, 0.37%

LAB 50.35, -22.41, -9.95

 

CMYK 0 / 63 / 4 / 47

HEX #883383

RGB 136 51 131

HSL 303.53, 0.45%, 0.37%

LAB 36.44, 46.73, -27.72

 

CMYK 4 / 0 / 62 / 47

HEX #828834

RGB 130 136 52

HSL 64.29, 0.45%, 0.37%

LAB 54.66, -14.13, 43.15

 

CMYK 63 / 0 / 46 / 47

HEX #33884A

RGB 51 136 74

HSL 136.24, 0.45%, 0.37%

LAB 50.46, -39.85, 25.86

 

CMYK 58 / 63 / 0 / 47

HEX #393388

RGB 57 51 136

HSL 244.24, 0.45%, 0.37%

LAB 26.78, 28.3, -46.85

 

CMYK 0 / 63 / 16 / 47

HEX #883372

RGB 136 51 114

HSL 315.53, 0.45%, 0.37%

LAB 35.63, 43.85, -18.39

 

CMYK 4 / 0 / 62 / 47

HEX #828834

RGB 130 136 52

HSL 64.29, 0.45%, 0.37%

LAB 54.66, -14.13, 43.15

 

CMYK 63 / 0 / 26 / 47

HEX #338864

RGB 51 136 100

HSL 154.59, 0.45%, 0.37%

LAB 50.96, -34.55, 11.9

 

CMYK 58 / 63 / 0 / 47

HEX #393388

RGB 57 51 136

HSL 244.24, 0.45%, 0.37%

LAB 26.78, 28.3, -46.85

 

CMYK 0 / 63 / 35 / 47

HEX #883358

RGB 136 51 88

HSL 333.88, 0.45%, 0.37%

LAB 34.61, 40.1, -3.41

 

Description

Color code: RGB 130 136 52 | qconv.com Color code: RGB 130 136 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 136 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 136 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 62 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 62% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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