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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 137 195 it is the complementary color RGB 125 118 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 137 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 137 195 shade: RGB 135 137 190, RGB 152 155 209, RGB 169 173 228, RGB 186 191 247 and RGB 203 209 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 137 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 137 195 shade: RGB 130 137 195, RGB 113 119 176, RGB 96 101 157, RGB 79 83 138 and RGB 62 65 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 137 195 shade: RGB 131 137 195, RGB 141 131 195, RGB 158 131 195, RGB 176 131 195 and RGB 193 131 195

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 137 195 shade: RGB 131 137 195 and RGB 131 131 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 137 195 shade matches the following richer shades: RGB 131 137 195, RGB 116 126 210, RGB 101 114 225, RGB 86 103 239 and RGB 71 91 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 137 195 shade: RGB 131 137 195, RGB 145 149 180, RGB 160 161 165, RGB 175 172 150 and RGB 190 184 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 137 195 shade: RGB 131 172 195, RGB 131 155 195, RGB 131 138 195, RGB 140 131 195 and RGB 157 131 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 137 195 shade: RGB 79 88 164, RGB 103 111 181, RGB 131 137 195, RGB 158 164 208 and RGB 186 190 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 137 195 shade: RGB 130 137 195, RGB 195 131 189 and RGB 164 195 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 137 195 shade: RGB 130 137 195, RGB 195 131 138 and RGB 138 195 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 137 195 shade: RGB 130 137 195, RGB 195 131 189, RGB 195 187 131 and RGB 131 195 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 137 195 shade: RGB 130 137 195, RGB 195 131 170, RGB 195 187 131 and RGB 131 195 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 30 / 0 / 24

HEX #8289C3

RGB 130 137 195

HSL 233.54, 0.35%, 0.64%

LAB 58.58, 11.23, -30.97

 

Complementary color

CMYK 0 / 6 / 52 / 51

HEX #7D763C

RGB 125 118 60

HSL 53.54, 0.35%, 0.36%

LAB 49.06, -5.79, 32.63

 

CMYK 29 / 28 / 0 / 25

HEX #8789BE

RGB 135 137 190

HSL 237.82, 0.3%, 0.64%

LAB 58.75, 11.4, -27.84

 

CMYK 27 / 26 / 0 / 18

HEX #989BD1

RGB 152 155 209

HSL 236.84, 0.38%, 0.71%

LAB 65.53, 10.93, -27.93

 

CMYK 26 / 24 / 0 / 11

HEX #A9ADE4

RGB 169 173 228

HSL 235.93, 0.52%, 0.78%

LAB 72.18, 10.51, -28.06

 

CMYK 25 / 23 / 0 / 3

HEX #BABFF7

RGB 186 191 247

HSL 235.08, 0.79%, 0.85%

LAB 78.7, 10.13, -28.21

 

CMYK 20 / 18 / 0 / 0

HEX #CBD1FF

RGB 203 209 255

HSL 233.08, 1%, 0.9%

LAB 84.75, 7.33, -23.13

 

CMYK 33 / 30 / 0 / 24

HEX #8289C3

RGB 130 137 195

HSL 233.54, 0.35%, 0.64%

LAB 58.58, 11.23, -30.97

 

CMYK 36 / 32 / 0 / 31

HEX #7177B0

RGB 113 119 176

HSL 234.29, 0.29%, 0.57%

LAB 51.65, 11.82, -30.98

 

CMYK 39 / 36 / 0 / 38

HEX #60659D

RGB 96 101 157

HSL 235.08, 0.24%, 0.5%

LAB 44.56, 12.51, -31.04

 

CMYK 43 / 40 / 0 / 46

HEX #4F538A

RGB 79 83 138

HSL 235.93, 0.27%, 0.43%

LAB 37.27, 13.35, -31.18

 

CMYK 48 / 45 / 0 / 53

HEX #3E4177

RGB 62 65 119

HSL 236.84, 0.31%, 0.35%

LAB 29.75, 14.41, -31.4

 

CMYK 33 / 30 / 0 / 24

HEX #8389C3

RGB 131 137 195

HSL 234.38, 0.35%, 0.64%

LAB 58.66, 11.52, -30.85

 

CMYK 28 / 33 / 0 / 24

HEX #8D83C3

RGB 141 131 195

HSL 249.38, 0.35%, 0.64%

LAB 57.88, 17.97, -31.99

 

CMYK 19 / 33 / 0 / 24

HEX #9E83C3

RGB 158 131 195

HSL 265.31, 0.35%, 0.64%

LAB 59.38, 23.16, -29.54

 

CMYK 10 / 33 / 0 / 24

HEX #B083C3

RGB 176 131 195

HSL 282.19, 0.35%, 0.64%

LAB 61.14, 28.85, -26.69

 

CMYK 1 / 33 / 0 / 24

HEX #C183C3

RGB 193 131 195

HSL 298.13, 0.35%, 0.64%

LAB 62.94, 34.32, -23.77

 

CMYK 33 / 30 / 0 / 24

HEX #8389C3

RGB 131 137 195

HSL 234.38, 0.35%, 0.64%

LAB 58.66, 11.52, -30.85

 

CMYK 33 / 33 / 0 / 24

HEX #8383C3

RGB 131 131 195

HSL 240, 0.35%, 0.64%

LAB 57.07, 15.03, -33.31

 

CMYK 33 / 30 / 0 / 24

HEX #8389C3

RGB 131 137 195

HSL 234.38, 0.35%, 0.64%

LAB 58.66, 11.52, -30.85

 

CMYK 45 / 40 / 0 / 18

HEX #747ED2

RGB 116 126 210

HSL 233.62, 0.51%, 0.64%

LAB 55.37, 18.18, -44.56

 

CMYK 55 / 49 / 0 / 12

HEX #6572E1

RGB 101 114 225

HSL 233.71, 0.67%, 0.64%

LAB 52.1, 26.7, -58.28

 

CMYK 64 / 57 / 0 / 6

HEX #5667EF

RGB 86 103 239

HSL 233.33, 0.83%, 0.64%

LAB 49.39, 35.36, -70.58

 

CMYK 72 / 64 / 0 / 0

HEX #475BFE

RGB 71 91 254

HSL 233.44, 0.99%, 0.64%

LAB 46.94, 45.72, -82.97

 

CMYK 33 / 30 / 0 / 24

HEX #8389C3

RGB 131 137 195

HSL 234.38, 0.35%, 0.64%

LAB 58.66, 11.52, -30.85

 

CMYK 19 / 17 / 0 / 29

HEX #9195B4

RGB 145 149 180

HSL 233.14, 0.19%, 0.64%

LAB 62.35, 5.22, -16.62

 

CMYK 3 / 2 / 0 / 35

HEX #A0A1A5

RGB 160 161 165

HSL 228, 0.03%, 0.64%

LAB 66.27, 0.42, -2.21

 

CMYK 0 / 2 / 14 / 31

HEX #AFAC96

RGB 175 172 150

HSL 52.8, 0.14%, 0.64%

LAB 70.05, -2.77, 11.71

 

CMYK 0 / 3 / 29 / 25

HEX #BEB887

RGB 190 184 135

HSL 53.45, 0.3%, 0.64%

LAB 74.18, -5.6, 25.72

 

CMYK 33 / 12 / 0 / 24

HEX #83ACC3

RGB 131 172 195

HSL 201.56, 0.35%, 0.64%

LAB 68.22, -8.21, -16.2

 

CMYK 33 / 21 / 0 / 24

HEX #839BC3

RGB 131 155 195

HSL 217.5, 0.35%, 0.64%

LAB 63.51, 1.19, -23.35

 

CMYK 33 / 29 / 0 / 24

HEX #838AC3

RGB 131 138 195

HSL 233.44, 0.35%, 0.64%

LAB 58.92, 10.94, -30.43

 

CMYK 28 / 33 / 0 / 24

HEX #8C83C3

RGB 140 131 195

HSL 248.44, 0.35%, 0.64%

LAB 57.8, 17.67, -32.12

 

CMYK 19 / 33 / 0 / 24

HEX #9D83C3

RGB 157 131 195

HSL 264.38, 0.35%, 0.64%

LAB 59.29, 22.85, -29.69

 

CMYK 52 / 46 / 0 / 36

HEX #4F58A4

RGB 79 88 164

HSL 233.65, 0.35%, 0.48%

LAB 40.12, 18.44, -42.31

 

CMYK 43 / 39 / 0 / 29

HEX #676FB5

RGB 103 111 181

HSL 233.85, 0.35%, 0.56%

LAB 48.99, 15.35, -38.1

 

CMYK 33 / 30 / 0 / 24

HEX #8389C3

RGB 131 137 195

HSL 234.38, 0.35%, 0.64%

LAB 58.66, 11.52, -30.85

 

CMYK 24 / 21 / 0 / 18

HEX #9EA4D0

RGB 158 164 208

HSL 232.8, 0.35%, 0.72%

LAB 68.3, 7.44, -23.1

 

CMYK 16 / 14 / 0 / 13

HEX #BABEDE

RGB 186 190 222

HSL 233.33, 0.35%, 0.8%

LAB 77.6, 5.08, -16.43

 

CMYK 33 / 30 / 0 / 24

HEX #8289C3

RGB 130 137 195

HSL 233.54, 0.35%, 0.64%

LAB 58.58, 11.23, -30.97

 

CMYK 0 / 33 / 3 / 24

HEX #C383BD

RGB 195 131 189

HSL 305.63, 0.35%, 0.64%

LAB 62.93, 33.86, -20.36

 

CMYK 16 / 0 / 33 / 24

HEX #A4C383

RGB 164 195 131

HSL 89.06, 0.35%, 0.64%

LAB 75.18, -21.71, 28.83

 

CMYK 33 / 30 / 0 / 24

HEX #8289C3

RGB 130 137 195

HSL 233.54, 0.35%, 0.64%

LAB 58.58, 11.23, -30.97

 

CMYK 0 / 33 / 29 / 24

HEX #C3838A

RGB 195 131 138

HSL 353.44, 0.35%, 0.64%

LAB 61.37, 25.61, 6.34

 

CMYK 29 / 0 / 33 / 24

HEX #8AC383

RGB 138 195 131

HSL 113.44, 0.35%, 0.64%

LAB 73.59, -30.91, 26.43

 

CMYK 33 / 30 / 0 / 24

HEX #8289C3

RGB 130 137 195

HSL 233.54, 0.35%, 0.64%

LAB 58.58, 11.23, -30.97

 

CMYK 0 / 33 / 3 / 24

HEX #C383BD

RGB 195 131 189

HSL 305.63, 0.35%, 0.64%

LAB 62.93, 33.86, -20.36

 

CMYK 0 / 4 / 33 / 24

HEX #C3BB83

RGB 195 187 131

HSL 52.5, 0.35%, 0.64%

LAB 75.32, -5.72, 29.43

 

CMYK 33 / 0 / 30 / 24

HEX #83C388

RGB 131 195 136

HSL 124.69, 0.35%, 0.64%

LAB 73.31, -32.39, 23.34

 

CMYK 33 / 30 / 0 / 24

HEX #8289C3

RGB 130 137 195

HSL 233.54, 0.35%, 0.64%

LAB 58.58, 11.23, -30.97

 

CMYK 0 / 33 / 13 / 24

HEX #C383AA

RGB 195 131 170

HSL 323.44, 0.35%, 0.64%

LAB 62.28, 30.51, -10.58

 

CMYK 0 / 4 / 33 / 24

HEX #C3BB83

RGB 195 187 131

HSL 52.5, 0.35%, 0.64%

LAB 75.32, -5.72, 29.43

 

CMYK 33 / 0 / 21 / 24

HEX #83C39B

RGB 131 195 155

HSL 142.5, 0.35%, 0.64%

LAB 73.69, -28.92, 13.7

 

Description

Color code: RGB 130 137 195 | qconv.com Color code: RGB 130 137 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 137 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 137 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 30 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 30% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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