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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 159 158 it is the complementary color RGB 125 96 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 159 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 159 158 shade: RGB 135 159 153, RGB 152 177 172, RGB 169 195 191, RGB 186 213 210 and RGB 203 231 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 159 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 159 158 shade: RGB 130 159 158, RGB 113 141 139, RGB 96 123 120, RGB 79 105 101 and RGB 62 87 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 159 158 shade: RGB 131 159 158, RGB 131 159 150, RGB 131 159 143, RGB 131 159 135 and RGB 134 159 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 159 158 shade: RGB 131 159 158, RGB 131 152 159, RGB 131 145 159, RGB 131 137 159 and RGB 131 131 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 159 158 shade matches the following richer shades: RGB 131 159 158, RGB 113 177 175, RGB 95 195 191, RGB 77 212 208 and RGB 60 230 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 159 158 shade: RGB 131 159 158, RGB 148 141 142, RGB 166 124 125, RGB 184 106 109 and RGB 202 88 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 159 158 shade: RGB 131 159 142, RGB 131 159 150, RGB 131 159 158, RGB 131 153 159 and RGB 131 145 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 159 158 shade: RGB 90 117 116, RGB 108 140 139, RGB 131 159 158, RGB 154 177 176 and RGB 177 195 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 159 158 shade: RGB 130 159 158, RGB 135 131 159 and RGB 159 146 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 159 158 shade: RGB 130 159 158, RGB 158 131 159 and RGB 159 158 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 159 158 shade: RGB 130 159 158, RGB 135 131 159, RGB 159 131 132 and RGB 155 159 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 159 158 shade: RGB 130 159 158, RGB 143 131 159, RGB 159 131 132 and RGB 146 159 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 1 / 38

HEX #829F9E

RGB 130 159 158

HSL 177.93, 0.13%, 0.57%

LAB 63.35, -10.23, -2.83

 

Complementary color

CMYK 0 / 23 / 22 / 51

HEX #7D6061

RGB 125 96 97

HSL 357.93, 0.13%, 0.43%

LAB 43.64, 11.93, 3.96

 

CMYK 15 / 0 / 4 / 38

HEX #879F99

RGB 135 159 153

HSL 165, 0.11%, 0.58%

LAB 63.55, -9.63, 0.3

 

CMYK 14 / 0 / 3 / 31

HEX #98B1AC

RGB 152 177 172

HSL 168, 0.14%, 0.65%

LAB 70.24, -9.59, -0.34

 

CMYK 13 / 0 / 2 / 24

HEX #A9C3BF

RGB 169 195 191

HSL 170.77, 0.18%, 0.71%

LAB 76.82, -9.56, -0.96

 

CMYK 13 / 0 / 1 / 16

HEX #BAD5D2

RGB 186 213 210

HSL 173.33, 0.24%, 0.78%

LAB 83.27, -9.55, -1.56

 

CMYK 12 / 0 / 1 / 9

HEX #CBE7E5

RGB 203 231 229

HSL 175.71, 0.37%, 0.85%

LAB 89.63, -9.54, -2.15

 

CMYK 18 / 0 / 1 / 38

HEX #829F9E

RGB 130 159 158

HSL 177.93, 0.13%, 0.57%

LAB 63.35, -10.23, -2.83

 

CMYK 20 / 0 / 1 / 45

HEX #718D8B

RGB 113 141 139

HSL 175.71, 0.11%, 0.5%

LAB 56.51, -10.3, -2.22

 

CMYK 22 / 0 / 2 / 52

HEX #607B78

RGB 96 123 120

HSL 173.33, 0.12%, 0.43%

LAB 49.51, -10.38, -1.57

 

CMYK 25 / 0 / 4 / 59

HEX #4F6965

RGB 79 105 101

HSL 170.77, 0.14%, 0.36%

LAB 42.32, -10.5, -0.89

 

CMYK 29 / 0 / 6 / 66

HEX #3E5752

RGB 62 87 82

HSL 168, 0.17%, 0.29%

LAB 34.9, -10.65, -0.15

 

CMYK 18 / 0 / 1 / 38

HEX #839F9E

RGB 131 159 158

HSL 177.86, 0.13%, 0.57%

LAB 63.42, -9.9, -2.73

 

CMYK 18 / 0 / 6 / 38

HEX #839F96

RGB 131 159 150

HSL 160.71, 0.13%, 0.57%

LAB 63.2, -11.62, 1.45

 

CMYK 18 / 0 / 10 / 38

HEX #839F8F

RGB 131 159 143

HSL 145.71, 0.13%, 0.57%

LAB 63.01, -13.05, 5.12

 

CMYK 18 / 0 / 15 / 38

HEX #839F87

RGB 131 159 135

HSL 128.57, 0.13%, 0.57%

LAB 62.82, -14.62, 9.32

 

CMYK 16 / 0 / 18 / 38

HEX #869F83

RGB 134 159 131

HSL 113.57, 0.13%, 0.57%

LAB 62.93, -14.29, 11.74

 

CMYK 18 / 0 / 1 / 38

HEX #839F9E

RGB 131 159 158

HSL 177.86, 0.13%, 0.57%

LAB 63.42, -9.9, -2.73

 

CMYK 18 / 4 / 0 / 38

HEX #83989F

RGB 131 152 159

HSL 195, 0.13%, 0.57%

LAB 61.47, -5.86, -6.17

 

CMYK 18 / 9 / 0 / 38

HEX #83919F

RGB 131 145 159

HSL 210, 0.13%, 0.57%

LAB 59.51, -1.96, -9.09

 

CMYK 18 / 14 / 0 / 38

HEX #83899F

RGB 131 137 159

HSL 227.14, 0.13%, 0.57%

LAB 57.29, 2.58, -12.41

 

CMYK 18 / 18 / 0 / 38

HEX #83839F

RGB 131 131 159

HSL 240, 0.13%, 0.57%

LAB 55.65, 6.04, -14.89

 

CMYK 18 / 0 / 1 / 38

HEX #839F9E

RGB 131 159 158

HSL 177.86, 0.13%, 0.57%

LAB 63.42, -9.9, -2.73

 

CMYK 36 / 0 / 1 / 31

HEX #71B1AF

RGB 113 177 175

HSL 178.13, 0.29%, 0.57%

LAB 68.06, -20.87, -5.48

 

CMYK 51 / 0 / 2 / 24

HEX #5FC3BF

RGB 95 195 191

HSL 177.6, 0.45%, 0.57%

LAB 73.04, -30.12, -6.96

 

CMYK 64 / 0 / 2 / 17

HEX #4DD4D0

RGB 77 212 208

HSL 178.22, 0.61%, 0.57%

LAB 78, -36.88, -8.83

 

CMYK 74 / 0 / 3 / 10

HEX #3CE6E0

RGB 60 230 224

HSL 177.88, 0.77%, 0.57%

LAB 83.41, -42.83, -9.35

 

CMYK 18 / 0 / 1 / 38

HEX #839F9E

RGB 131 159 158

HSL 177.86, 0.13%, 0.57%

LAB 63.42, -9.9, -2.73

 

CMYK 0 / 5 / 4 / 42

HEX #948D8E

RGB 148 141 142

HSL 351.43, 0.03%, 0.57%

LAB 59.25, 2.78, 0.39

 

CMYK 0 / 25 / 25 / 35

HEX #A67C7D

RGB 166 124 125

HSL 358.57, 0.19%, 0.57%

LAB 56.09, 16.46, 5.82

 

CMYK 0 / 42 / 41 / 28

HEX #B86A6D

RGB 184 106 109

HSL 357.69, 0.35%, 0.57%

LAB 53.6, 31.41, 11.93

 

CMYK 0 / 56 / 54 / 21

HEX #CA585C

RGB 202 88 92

HSL 357.89, 0.52%, 0.57%

LAB 52.18, 45.69, 20.42

 

CMYK 18 / 0 / 11 / 38

HEX #839F8E

RGB 131 159 142

HSL 143.57, 0.13%, 0.57%

LAB 62.99, -13.25, 5.64

 

CMYK 18 / 0 / 6 / 38

HEX #839F96

RGB 131 159 150

HSL 160.71, 0.13%, 0.57%

LAB 63.2, -11.62, 1.45

 

CMYK 18 / 0 / 1 / 38

HEX #839F9E

RGB 131 159 158

HSL 177.86, 0.13%, 0.57%

LAB 63.42, -9.9, -2.73

 

CMYK 18 / 4 / 0 / 38

HEX #83999F

RGB 131 153 159

HSL 192.86, 0.13%, 0.57%

LAB 61.75, -6.41, -5.75

 

CMYK 18 / 9 / 0 / 38

HEX #83919F

RGB 131 145 159

HSL 210, 0.13%, 0.57%

LAB 59.51, -1.96, -9.09

 

CMYK 23 / 0 / 1 / 54

HEX #5A7574

RGB 90 117 116

HSL 177.78, 0.13%, 0.41%

LAB 47.18, -9.98, -2.67

 

CMYK 23 / 0 / 1 / 45

HEX #6C8C8B

RGB 108 140 139

HSL 178.13, 0.13%, 0.49%

LAB 55.9, -11.4, -3.16

 

CMYK 18 / 0 / 1 / 38

HEX #839F9E

RGB 131 159 158

HSL 177.86, 0.13%, 0.57%

LAB 63.42, -9.9, -2.73

 

CMYK 13 / 0 / 1 / 31

HEX #9AB1B0

RGB 154 177 176

HSL 177.39, 0.13%, 0.65%

LAB 70.49, -8.09, -2.17

 

CMYK 9 / 0 / 1 / 24

HEX #B1C3C2

RGB 177 195 194

HSL 176.67, 0.13%, 0.73%

LAB 77.44, -6.31, -1.6

 

CMYK 18 / 0 / 1 / 38

HEX #829F9E

RGB 130 159 158

HSL 177.93, 0.13%, 0.57%

LAB 63.35, -10.23, -2.83

 

CMYK 15 / 18 / 0 / 38

HEX #87839F

RGB 135 131 159

HSL 248.57, 0.13%, 0.57%

LAB 55.97, 7.39, -14.37

 

CMYK 0 / 8 / 18 / 38

HEX #9F9283

RGB 159 146 131

HSL 32.14, 0.13%, 0.57%

LAB 61.28, 2.24, 9.69

 

CMYK 18 / 0 / 1 / 38

HEX #829F9E

RGB 130 159 158

HSL 177.93, 0.13%, 0.57%

LAB 63.35, -10.23, -2.83

 

CMYK 1 / 18 / 0 / 38

HEX #9E839F

RGB 158 131 159

HSL 297.86, 0.13%, 0.57%

LAB 58.04, 15.42, -11.05

 

CMYK 0 / 1 / 18 / 38

HEX #9F9E83

RGB 159 158 131

HSL 57.86, 0.13%, 0.57%

LAB 64.53, -4.36, 14.27

 

CMYK 18 / 0 / 1 / 38

HEX #829F9E

RGB 130 159 158

HSL 177.93, 0.13%, 0.57%

LAB 63.35, -10.23, -2.83

 

CMYK 15 / 18 / 0 / 38

HEX #87839F

RGB 135 131 159

HSL 248.57, 0.13%, 0.57%

LAB 55.97, 7.39, -14.37

 

CMYK 0 / 18 / 17 / 38

HEX #9F8384

RGB 159 131 132

HSL 357.86, 0.13%, 0.57%

LAB 57.34, 10.86, 3.48

 

CMYK 3 / 0 / 18 / 38

HEX #9B9F83

RGB 155 159 131

HSL 68.57, 0.13%, 0.57%

LAB 64.49, -6.44, 14.15

 

CMYK 18 / 0 / 1 / 38

HEX #829F9E

RGB 130 159 158

HSL 177.93, 0.13%, 0.57%

LAB 63.35, -10.23, -2.83

 

CMYK 10 / 18 / 0 / 38

HEX #8F839F

RGB 143 131 159

HSL 265.71, 0.13%, 0.57%

LAB 56.66, 10.14, -13.26

 

CMYK 0 / 18 / 17 / 38

HEX #9F8384

RGB 159 131 132

HSL 357.86, 0.13%, 0.57%

LAB 57.34, 10.86, 3.48

 

CMYK 8 / 0 / 18 / 38

HEX #929F83

RGB 146 159 131

HSL 87.86, 0.13%, 0.57%

LAB 63.79, -9.86, 13.08

 

Description

Color code: RGB 130 159 158 | qconv.com Color code: RGB 130 159 158 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 159 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 159 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 1 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 1% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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