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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 163 241 it is the complementary color RGB 125 92 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 163 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 163 241 shade: RGB 135 163 236, RGB 152 181 255, RGB 169 199 255, RGB 186 217 255 and RGB 203 235 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 163 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 163 241 shade: RGB 130 163 241, RGB 113 145 222, RGB 96 127 203, RGB 79 109 184 and RGB 62 91 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 163 241 shade: RGB 131 163 241, RGB 131 134 241, RGB 157 131 241, RGB 187 131 241 and RGB 217 131 241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 163 241 shade: RGB 131 163 241, RGB 131 134 241 and RGB 131 131 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 163 241 shade matches the following richer shades: RGB 131 163 241 and RGB 119 159 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 163 241 shade: RGB 131 163 241, RGB 142 168 230, RGB 153 172 218, RGB 164 177 207 and RGB 175 181 196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 163 241 shade: RGB 131 222 241, RGB 131 193 241, RGB 131 164 241, RGB 131 134 241 and RGB 156 131 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 163 241 shade: RGB 56 109 232, RGB 93 136 237, RGB 131 163 241, RGB 168 191 245 and RGB 205 218 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 163 241 shade: RGB 130 163 241, RGB 230 131 241 and RGB 208 241 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 163 241 shade: RGB 130 163 241, RGB 241 131 164 and RGB 164 241 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 163 241 shade: RGB 130 163 241, RGB 230 131 241, RGB 241 208 131 and RGB 142 241 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 163 241 shade: RGB 130 163 241, RGB 241 131 219, RGB 241 208 131 and RGB 131 241 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 32 / 0 / 5

HEX #82A3F1

RGB 130 163 241

HSL 222.16, 0.8%, 0.73%

LAB 67.49, 9.03, -42.62

 

Complementary color

CMYK 0 / 26 / 89 / 51

HEX #7D5C0E

RGB 125 92 14

HSL 42.16, 0.8%, 0.27%

LAB 41.29, 6.41, 45.23

 

CMYK 43 / 31 / 0 / 7

HEX #87A3EC

RGB 135 163 236

HSL 223.37, 0.73%, 0.73%

LAB 67.58, 8.84, -39.74

 

CMYK 40 / 29 / 0 / 0

HEX #98B5FF

RGB 152 181 255

HSL 223.11, 1%, 0.8%

LAB 74.15, 8.26, -39.72

 

CMYK 34 / 22 / 0 / 0

HEX #A9C7FF

RGB 169 199 255

HSL 219.07, 1%, 0.83%

LAB 79.9, 2.88, -30.75

 

CMYK 27 / 15 / 0 / 0

HEX #BAD9FF

RGB 186 217 255

HSL 213.04, 1%, 0.86%

LAB 85.65, -1.93, -21.88

 

CMYK 20 / 8 / 0 / 0

HEX #CBEBFF

RGB 203 235 255

HSL 203.08, 1%, 0.9%

LAB 91.38, -6.26, -13.14

 

CMYK 46 / 32 / 0 / 5

HEX #82A3F1

RGB 130 163 241

HSL 222.16, 0.8%, 0.73%

LAB 67.49, 9.03, -42.62

 

CMYK 49 / 35 / 0 / 13

HEX #7191DE

RGB 113 145 222

HSL 222.39, 0.62%, 0.66%

LAB 60.81, 9.8, -42.71

 

CMYK 53 / 37 / 0 / 20

HEX #607FCB

RGB 96 127 203

HSL 222.62, 0.51%, 0.59%

LAB 54, 10.71, -42.83

 

CMYK 57 / 41 / 0 / 28

HEX #4F6DB8

RGB 79 109 184

HSL 222.86, 0.43%, 0.52%

LAB 47.05, 11.82, -43.01

 

CMYK 62 / 45 / 0 / 35

HEX #3E5BA5

RGB 62 91 165

HSL 223.11, 0.45%, 0.45%

LAB 39.95, 13.22, -43.22

 

CMYK 46 / 32 / 0 / 5

HEX #83A3F1

RGB 131 163 241

HSL 222.55, 0.8%, 0.73%

LAB 67.55, 9.27, -42.53

 

CMYK 46 / 44 / 0 / 5

HEX #8386F1

RGB 131 134 241

HSL 238.36, 0.8%, 0.73%

LAB 60.09, 26.12, -54.31

 

CMYK 35 / 46 / 0 / 5

HEX #9D83F1

RGB 157 131 241

HSL 254.18, 0.8%, 0.73%

LAB 61.44, 34.22, -52.05

 

CMYK 22 / 46 / 0 / 5

HEX #BB83F1

RGB 187 131 241

HSL 270.55, 0.8%, 0.73%

LAB 64.28, 42.17, -47.37

 

CMYK 10 / 46 / 0 / 5

HEX #D983F1

RGB 217 131 241

HSL 286.91, 0.8%, 0.73%

LAB 67.53, 50.5, -42.04

 

CMYK 46 / 32 / 0 / 5

HEX #83A3F1

RGB 131 163 241

HSL 222.55, 0.8%, 0.73%

LAB 67.55, 9.27, -42.53

 

CMYK 46 / 44 / 0 / 5

HEX #8386F1

RGB 131 134 241

HSL 238.36, 0.8%, 0.73%

LAB 60.09, 26.12, -54.31

 

CMYK 46 / 46 / 0 / 5

HEX #8383F1

RGB 131 131 241

HSL 240, 0.8%, 0.73%

LAB 59.35, 27.88, -55.5

 

CMYK 46 / 32 / 0 / 5

HEX #83A3F1

RGB 131 163 241

HSL 222.55, 0.8%, 0.73%

LAB 67.55, 9.27, -42.53

 

CMYK 53 / 37 / 0 / 1

HEX #779FFC

RGB 119 159 252

HSL 221.95, 0.96%, 0.73%

LAB 66.33, 12.12, -50.51

 

CMYK 46 / 32 / 0 / 5

HEX #83A3F1

RGB 131 163 241

HSL 222.55, 0.8%, 0.73%

LAB 67.55, 9.27, -42.53

 

CMYK 38 / 27 / 0 / 10

HEX #8EA8E6

RGB 142 168 230

HSL 222.27, 0.64%, 0.73%

LAB 69.09, 6.17, -34.07

 

CMYK 30 / 21 / 0 / 15

HEX #99ACDA

RGB 153 172 218

HSL 222.46, 0.47%, 0.73%

LAB 70.41, 3.92, -25.39

 

CMYK 21 / 14 / 0 / 19

HEX #A4B1CF

RGB 164 177 207

HSL 221.86, 0.31%, 0.73%

LAB 72.12, 1.89, -16.69

 

CMYK 11 / 8 / 0 / 23

HEX #AFB5C4

RGB 175 181 196

HSL 222.86, 0.15%, 0.73%

LAB 73.64, 0.89, -8.32

 

CMYK 46 / 8 / 0 / 5

HEX #83DEF1

RGB 131 222 241

HSL 190.36, 0.8%, 0.73%

LAB 83.66, -22.33, -17.76

 

CMYK 46 / 20 / 0 / 5

HEX #83C1F1

RGB 131 193 241

HSL 206.18, 0.8%, 0.73%

LAB 75.65, -7.34, -29.96

 

CMYK 46 / 32 / 0 / 5

HEX #83A4F1

RGB 131 164 241

HSL 222, 0.8%, 0.73%

LAB 67.82, 8.7, -42.11

 

CMYK 46 / 44 / 0 / 5

HEX #8386F1

RGB 131 134 241

HSL 238.36, 0.8%, 0.73%

LAB 60.09, 26.12, -54.31

 

CMYK 35 / 46 / 0 / 5

HEX #9C83F1

RGB 156 131 241

HSL 253.64, 0.8%, 0.73%

LAB 61.35, 33.97, -52.19

 

CMYK 76 / 53 / 0 / 9

HEX #386DE8

RGB 56 109 232

HSL 221.93, 0.79%, 0.56%

LAB 49.01, 25.2, -67.32

 

CMYK 61 / 43 / 0 / 7

HEX #5D88ED

RGB 93 136 237

HSL 222.08, 0.8%, 0.65%

LAB 58.08, 15.74, -55.44

 

CMYK 46 / 32 / 0 / 5

HEX #83A3F1

RGB 131 163 241

HSL 222.55, 0.8%, 0.73%

LAB 67.55, 9.27, -42.53

 

CMYK 31 / 22 / 0 / 4

HEX #A8BFF5

RGB 168 191 245

HSL 222.08, 0.79%, 0.81%

LAB 77.39, 4.46, -29.26

 

CMYK 18 / 12 / 0 / 2

HEX #CDDAF9

RGB 205 218 249

HSL 222.27, 0.79%, 0.89%

LAB 86.98, 1.89, -16.58

 

CMYK 46 / 32 / 0 / 5

HEX #82A3F1

RGB 130 163 241

HSL 222.16, 0.8%, 0.73%

LAB 67.49, 9.03, -42.62

 

CMYK 5 / 46 / 0 / 5

HEX #E683F1

RGB 230 131 241

HSL 294, 0.8%, 0.73%

LAB 69.04, 54.15, -39.56

 

CMYK 14 / 0 / 46 / 5

HEX #D0F183

RGB 208 241 131

HSL 78, 0.8%, 0.73%

LAB 90.76, -27.56, 49.36

 

CMYK 46 / 32 / 0 / 5

HEX #82A3F1

RGB 130 163 241

HSL 222.16, 0.8%, 0.73%

LAB 67.49, 9.03, -42.62

 

CMYK 0 / 46 / 32 / 5

HEX #F183A4

RGB 241 131 164

HSL 342, 0.8%, 0.73%

LAB 67.73, 45.62, 1.5

 

CMYK 32 / 0 / 46 / 5

HEX #A4F183

RGB 164 241 131

HSL 102, 0.8%, 0.73%

LAB 88.18, -43.12, 45.59

 

CMYK 46 / 32 / 0 / 5

HEX #82A3F1

RGB 130 163 241

HSL 222.16, 0.8%, 0.73%

LAB 67.49, 9.03, -42.62

 

CMYK 5 / 46 / 0 / 5

HEX #E683F1

RGB 230 131 241

HSL 294, 0.8%, 0.73%

LAB 69.04, 54.15, -39.56

 

CMYK 0 / 14 / 46 / 5

HEX #F1D083

RGB 241 208 131

HSL 42, 0.8%, 0.73%

LAB 84.72, 1.67, 42.37

 

CMYK 41 / 0 / 46 / 5

HEX #8EF183

RGB 142 241 131

HSL 114, 0.8%, 0.73%

LAB 87.14, -50.02, 44.06

 

CMYK 46 / 32 / 0 / 5

HEX #82A3F1

RGB 130 163 241

HSL 222.16, 0.8%, 0.73%

LAB 67.49, 9.03, -42.62

 

CMYK 0 / 46 / 9 / 5

HEX #F183DB

RGB 241 131 219

HSL 312, 0.8%, 0.73%

LAB 69.5, 53.54, -26.61

 

CMYK 0 / 14 / 46 / 5

HEX #F1D083

RGB 241 208 131

HSL 42, 0.8%, 0.73%

LAB 84.72, 1.67, 42.37

 

CMYK 46 / 0 / 37 / 5

HEX #83F199

RGB 131 241 153

HSL 132, 0.8%, 0.73%

LAB 87.01, -49.86, 32.95

 

Description

Color code: RGB 130 163 241 | qconv.com Color code: RGB 130 163 241 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 163 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 163 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 32 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 32% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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