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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 185 84 it is the complementary color RGB 125 70 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 185 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 185 84 shade: RGB 135 185 79, RGB 152 203 98, RGB 169 221 117, RGB 186 239 136 and RGB 203 255 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 185 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 185 84 shade: RGB 130 185 84, RGB 113 167 65, RGB 96 149 46, RGB 79 131 27 and RGB 62 113 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 185 84 shade: RGB 130 185 84, RGB 157 185 84, RGB 184 185 84, RGB 185 158 84 and RGB 185 131 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 185 84 shade: RGB 130 185 84, RGB 103 185 84, RGB 84 185 93, RGB 84 185 120 and RGB 84 185 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 185 84 shade matches the following richer shades: RGB 130 185 84, RGB 128 204 65, RGB 127 224 46 and RGB 125 243 26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 185 84 shade: RGB 130 185 84, RGB 132 166 104, RGB 134 146 123, RGB 135 127 142 and RGB 137 107 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 185 84 shade: RGB 185 185 84, RGB 158 185 84, RGB 131 185 84, RGB 104 185 84 and RGB 84 185 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 185 84 shade: RGB 90 133 54, RGB 110 162 66, RGB 130 185 84, RGB 152 197 114 and RGB 173 209 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 185 84 shade: RGB 130 185 84, RGB 84 185 158 and RGB 185 84 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 185 84 shade: RGB 130 185 84, RGB 84 131 185 and RGB 185 84 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 185 84 shade: RGB 130 185 84, RGB 84 185 158, RGB 138 84 185 and RGB 185 84 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 185 84 shade: RGB 130 185 84, RGB 84 182 185, RGB 138 84 185 and RGB 185 88 84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 55 / 27

HEX #82B954

RGB 130 185 84

HSL 92.67, 0.42%, 0.53%

LAB 69.53, -35.35, 45

 

Complementary color

CMYK 27 / 59 / 0 / 33

HEX #7D46AB

RGB 125 70 171

HSL 272.67, 0.42%, 0.47%

LAB 40.7, 42.71, -45.28

 

CMYK 27 / 0 / 57 / 27

HEX #87B94F

RGB 135 185 79

HSL 88.3, 0.43%, 0.52%

LAB 69.76, -34.02, 47.69

 

CMYK 25 / 0 / 52 / 20

HEX #98CB62

RGB 152 203 98

HSL 89.14, 0.5%, 0.59%

LAB 76.23, -34.1, 46.61

 

CMYK 24 / 0 / 47 / 13

HEX #A9DD75

RGB 169 221 117

HSL 90, 0.6%, 0.66%

LAB 82.61, -34.11, 45.47

 

CMYK 22 / 0 / 43 / 6

HEX #BAEF88

RGB 186 239 136

HSL 90.87, 0.76%, 0.74%

LAB 88.9, -34.08, 44.33

 

CMYK 20 / 0 / 39 / 0

HEX #CBFF9B

RGB 203 255 155

HSL 91.2, 1%, 0.8%

LAB 94.56, -33.11, 42.5

 

CMYK 30 / 0 / 55 / 27

HEX #82B954

RGB 130 185 84

HSL 92.67, 0.42%, 0.53%

LAB 69.53, -35.35, 45

 

CMYK 32 / 0 / 61 / 35

HEX #71A741

RGB 113 167 65

HSL 91.76, 0.44%, 0.45%

LAB 62.95, -35.27, 46.04

 

CMYK 36 / 0 / 69 / 42

HEX #60952E

RGB 96 149 46

HSL 90.87, 0.53%, 0.38%

LAB 56.27, -35.05, 46.81

 

CMYK 40 / 0 / 79 / 49

HEX #4F831B

RGB 79 131 27

HSL 90, 0.66%, 0.31%

LAB 49.46, -34.6, 46.95

 

CMYK 45 / 0 / 93 / 56

HEX #3E7108

RGB 62 113 8

HSL 89.14, 0.87%, 0.24%

LAB 42.54, -33.79, 45.71

 

CMYK 30 / 0 / 55 / 27

HEX #82B954

RGB 130 185 84

HSL 92.67, 0.42%, 0.53%

LAB 69.53, -35.35, 45

 

CMYK 15 / 0 / 55 / 27

HEX #9DB954

RGB 157 185 84

HSL 76.63, 0.42%, 0.53%

LAB 71.22, -25.04, 47.4

 

CMYK 1 / 0 / 55 / 27

HEX #B8B954

RGB 184 185 84

HSL 60.59, 0.42%, 0.53%

LAB 73.24, -14.01, 50.26

 

CMYK 0 / 15 / 55 / 27

HEX #B99E54

RGB 185 158 84

HSL 43.96, 0.42%, 0.53%

LAB 66.07, 0.63, 41.91

 

CMYK 0 / 29 / 55 / 27

HEX #B98354

RGB 185 131 84

HSL 27.92, 0.42%, 0.53%

LAB 59.15, 15.48, 33.49

 

CMYK 30 / 0 / 55 / 27

HEX #82B954

RGB 130 185 84

HSL 92.67, 0.42%, 0.53%

LAB 69.53, -35.35, 45

 

CMYK 44 / 0 / 55 / 27

HEX #67B954

RGB 103 185 84

HSL 108.71, 0.42%, 0.53%

LAB 68.18, -44.47, 43.08

 

CMYK 55 / 0 / 50 / 27

HEX #54B95D

RGB 84 185 93

HSL 125.35, 0.42%, 0.53%

LAB 67.56, -48.66, 37.74

 

CMYK 55 / 0 / 35 / 27

HEX #54B978

RGB 84 185 120

HSL 141.39, 0.42%, 0.53%

LAB 67.98, -44.21, 24.3

 

CMYK 55 / 0 / 21 / 27

HEX #54B993

RGB 84 185 147

HSL 157.43, 0.42%, 0.53%

LAB 68.53, -38.63, 10.47

 

CMYK 30 / 0 / 55 / 27

HEX #82B954

RGB 130 185 84

HSL 92.67, 0.42%, 0.53%

LAB 69.53, -35.35, 45

 

CMYK 37 / 0 / 68 / 20

HEX #80CC41

RGB 128 204 65

HSL 92.81, 0.58%, 0.53%

LAB 74.92, -46.08, 59.2

 

CMYK 43 / 0 / 79 / 12

HEX #7FE02E

RGB 127 224 46

HSL 92.7, 0.74%, 0.53%

LAB 80.75, -55.59, 71.21

 

CMYK 49 / 0 / 89 / 5

HEX #7DF31A

RGB 125 243 26

HSL 92.63, 0.9%, 0.53%

LAB 86.27, -63.98, 80.28

 

CMYK 30 / 0 / 55 / 27

HEX #82B954

RGB 130 185 84

HSL 92.67, 0.42%, 0.53%

LAB 69.53, -35.35, 45

 

CMYK 20 / 0 / 37 / 35

HEX #84A668

RGB 132 166 104

HSL 92.9, 0.26%, 0.53%

LAB 64.3, -23.02, 28.39

 

CMYK 8 / 0 / 16 / 43

HEX #86927B

RGB 134 146 123

HSL 91.3, 0.1%, 0.53%

LAB 59.03, -8.75, 10.74

 

CMYK 5 / 11 / 0 / 44

HEX #877F8E

RGB 135 127 142

HSL 272, 0.06%, 0.53%

LAB 54.33, 6.01, -7

 

CMYK 15 / 34 / 0 / 36

HEX #896BA2

RGB 137 107 162

HSL 272.73, 0.23%, 0.53%

LAB 50.03, 22.84, -25.19

 

CMYK 0 / 0 / 55 / 27

HEX #B9B954

RGB 185 185 84

HSL 60, 0.42%, 0.53%

LAB 73.32, -13.59, 50.37

 

CMYK 15 / 0 / 55 / 27

HEX #9EB954

RGB 158 185 84

HSL 76.04, 0.42%, 0.53%

LAB 71.29, -24.64, 47.5

 

CMYK 29 / 0 / 55 / 27

HEX #83B954

RGB 131 185 84

HSL 92.08, 0.42%, 0.53%

LAB 69.59, -34.99, 45.08

 

CMYK 44 / 0 / 55 / 27

HEX #68B954

RGB 104 185 84

HSL 108.12, 0.42%, 0.53%

LAB 68.23, -44.16, 43.14

 

CMYK 55 / 0 / 51 / 27

HEX #54B95B

RGB 84 185 91

HSL 124.16, 0.42%, 0.53%

LAB 67.53, -48.95, 38.7

 

CMYK 32 / 0 / 59 / 48

HEX #5A8536

RGB 90 133 54

HSL 92.66, 0.42%, 0.37%

LAB 50.94, -29.14, 37.25

 

CMYK 32 / 0 / 59 / 36

HEX #6EA242

RGB 110 162 66

HSL 92.5, 0.42%, 0.45%

LAB 61.26, -33.99, 43.63

 

CMYK 30 / 0 / 55 / 27

HEX #82B954

RGB 130 185 84

HSL 92.67, 0.42%, 0.53%

LAB 69.53, -35.35, 45

 

CMYK 23 / 0 / 42 / 23

HEX #98C572

RGB 152 197 114

HSL 92.53, 0.42%, 0.61%

LAB 74.71, -29.4, 36.85

 

CMYK 17 / 0 / 32 / 18

HEX #ADD18F

RGB 173 209 143

HSL 92.73, 0.42%, 0.69%

LAB 79.88, -23.6, 28.94

 

CMYK 30 / 0 / 55 / 27

HEX #82B954

RGB 130 185 84

HSL 92.67, 0.42%, 0.53%

LAB 69.53, -35.35, 45

 

CMYK 55 / 0 / 15 / 27

HEX #54B99E

RGB 84 185 158

HSL 163.96, 0.42%, 0.53%

LAB 68.79, -36.07, 4.82

 

CMYK 0 / 55 / 7 / 27

HEX #B954AC

RGB 185 84 172

HSL 307.72, 0.42%, 0.53%

LAB 51.42, 52.17, -28.42

 

CMYK 30 / 0 / 55 / 27

HEX #82B954

RGB 130 185 84

HSL 92.67, 0.42%, 0.53%

LAB 69.53, -35.35, 45

 

CMYK 55 / 29 / 0 / 27

HEX #5483B9

RGB 84 131 185

HSL 212.08, 0.42%, 0.53%

LAB 53.62, -0.1, -33.22

 

CMYK 0 / 55 / 29 / 27

HEX #B95483

RGB 185 84 131

HSL 332.08, 0.42%, 0.53%

LAB 49.85, 45.96, -6.55

 

CMYK 30 / 0 / 55 / 27

HEX #82B954

RGB 130 185 84

HSL 92.67, 0.42%, 0.53%

LAB 69.53, -35.35, 45

 

CMYK 55 / 0 / 15 / 27

HEX #54B99E

RGB 84 185 158

HSL 163.96, 0.42%, 0.53%

LAB 68.79, -36.07, 4.82

 

CMYK 25 / 55 / 0 / 27

HEX #8A54B9

RGB 138 84 185

HSL 272.08, 0.42%, 0.53%

LAB 45.97, 41.77, -45.01

 

CMYK 0 / 55 / 40 / 27

HEX #B9546F

RGB 185 84 111

HSL 343.96, 0.42%, 0.53%

LAB 49.26, 43.5, 4.6

 

CMYK 30 / 0 / 55 / 27

HEX #82B954

RGB 130 185 84

HSL 92.67, 0.42%, 0.53%

LAB 69.53, -35.35, 45

 

CMYK 55 / 2 / 0 / 27

HEX #54B6B9

RGB 84 182 185

HSL 181.78, 0.42%, 0.53%

LAB 68.64, -27.67, -10.26

 

CMYK 25 / 55 / 0 / 27

HEX #8A54B9

RGB 138 84 185

HSL 272.08, 0.42%, 0.53%

LAB 45.97, 41.77, -45.01

 

CMYK 0 / 52 / 55 / 27

HEX #B95854

RGB 185 88 84

HSL 2.38, 0.42%, 0.53%

LAB 49.42, 38.81, 20.99

 

Description

Color code: RGB 130 185 84 | qconv.com Color code: RGB 130 185 84 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 185 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 185 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 55 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 55% 27% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

29% - Buttersafe – Updated...
Link: http://buttersafe.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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