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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 194 123 it is the complementary color RGB 125 61 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 194 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 194 123 shade: RGB 135 194 118, RGB 152 212 137, RGB 169 230 156, RGB 186 248 175 and RGB 203 255 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 194 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 194 123 shade: RGB 130 194 123, RGB 113 176 104, RGB 96 158 85, RGB 79 140 66 and RGB 62 122 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 194 123 shade: RGB 129 193 122, RGB 148 193 122, RGB 167 193 122, RGB 187 193 122 and RGB 193 181 122

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 194 123 shade: RGB 129 193 122, RGB 122 193 134, RGB 122 193 153, RGB 122 193 173 and RGB 122 193 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 194 123 shade matches the following richer shades: RGB 129 193 122, RGB 116 209 106, RGB 104 225 90 and RGB 91 240 75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 194 123 shade: RGB 129 193 122, RGB 141 178 137, RGB 154 162 153, RGB 167 146 169 and RGB 179 131 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 194 123 shade: RGB 167 193 122, RGB 148 193 122, RGB 129 193 122, RGB 122 193 134 and RGB 122 193 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 194 123 shade: RGB 82 160 73, RGB 102 180 93, RGB 129 193 122, RGB 156 206 150 and RGB 182 219 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 194 123 shade: RGB 130 194 123, RGB 122 186 193 and RGB 193 122 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 194 123 shade: RGB 130 194 123, RGB 122 129 193 and RGB 193 122 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 194 123 shade: RGB 130 194 123, RGB 122 186 193, RGB 186 122 193 and RGB 193 129 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 194 123 shade: RGB 130 194 123, RGB 122 165 193, RGB 186 122 193 and RGB 193 150 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 37 / 24

HEX #82C27B

RGB 130 194 123

HSL 114.08, 0.37%, 0.62%

LAB 72.73, -34.37, 29.41

 

Complementary color

CMYK 5 / 54 / 0 / 48

HEX #7D3D84

RGB 125 61 132

HSL 294.08, 0.37%, 0.38%

LAB 36.67, 38.83, -28.09

 

CMYK 30 / 0 / 39 / 24

HEX #87C276

RGB 135 194 118

HSL 106.58, 0.38%, 0.61%

LAB 72.92, -33.45, 32.3

 

CMYK 28 / 0 / 35 / 17

HEX #98D489

RGB 152 212 137

HSL 108, 0.47%, 0.68%

LAB 79.37, -33.25, 31.14

 

CMYK 27 / 0 / 32 / 10

HEX #A9E69C

RGB 169 230 156

HSL 109.46, 0.6%, 0.76%

LAB 85.72, -33.05, 30.03

 

CMYK 25 / 0 / 29 / 3

HEX #BAF8AF

RGB 186 248 175

HSL 110.96, 0.84%, 0.83%

LAB 91.98, -32.86, 28.97

 

CMYK 20 / 0 / 24 / 0

HEX #CBFFC2

RGB 203 255 194

HSL 111.15, 1%, 0.88%

LAB 95.21, -27.54, 23.9

 

CMYK 33 / 0 / 37 / 24

HEX #82C27B

RGB 130 194 123

HSL 114.08, 0.37%, 0.62%

LAB 72.73, -34.37, 29.41

 

CMYK 36 / 0 / 41 / 31

HEX #71B068

RGB 113 176 104

HSL 112.5, 0.31%, 0.55%

LAB 66.18, -34.59, 30.62

 

CMYK 39 / 0 / 46 / 38

HEX #609E55

RGB 96 158 85

HSL 110.96, 0.3%, 0.48%

LAB 59.52, -34.77, 31.89

 

CMYK 44 / 0 / 53 / 45

HEX #4F8C42

RGB 79 140 66

HSL 109.46, 0.36%, 0.4%

LAB 52.74, -34.88, 33.2

 

CMYK 49 / 0 / 61 / 52

HEX #3E7A2F

RGB 62 122 47

HSL 108, 0.44%, 0.33%

LAB 45.84, -34.83, 34.45

 

CMYK 33 / 0 / 37 / 24

HEX #81C17A

RGB 129 193 122

HSL 114.08, 0.36%, 0.62%

LAB 72.37, -34.39, 29.44

 

CMYK 23 / 0 / 37 / 24

HEX #94C17A

RGB 148 193 122

HSL 98.03, 0.36%, 0.62%

LAB 73.44, -27.84, 31.05

 

CMYK 13 / 0 / 37 / 24

HEX #A7C17A

RGB 167 193 122

HSL 81.97, 0.36%, 0.62%

LAB 74.67, -20.82, 32.89

 

CMYK 3 / 0 / 37 / 24

HEX #BBC17A

RGB 187 193 122

HSL 65.07, 0.36%, 0.62%

LAB 76.14, -13.08, 35.07

 

CMYK 0 / 6 / 37 / 24

HEX #C1B57A

RGB 193 181 122

HSL 49.86, 0.36%, 0.62%

LAB 73.41, -4.46, 31.63

 

CMYK 33 / 0 / 37 / 24

HEX #81C17A

RGB 129 193 122

HSL 114.08, 0.36%, 0.62%

LAB 72.37, -34.39, 29.44

 

CMYK 37 / 0 / 31 / 24

HEX #7AC186

RGB 122 193 134

HSL 130.14, 0.36%, 0.62%

LAB 72.23, -34.65, 22.86

 

CMYK 37 / 0 / 21 / 24

HEX #7AC199

RGB 122 193 153

HSL 146.2, 0.36%, 0.62%

LAB 72.61, -31.08, 13.2

 

CMYK 37 / 0 / 10 / 24

HEX #7AC1AD

RGB 122 193 173

HSL 163.1, 0.36%, 0.62%

LAB 73.09, -26.84, 3.03

 

CMYK 37 / 0 / 1 / 24

HEX #7AC1C0

RGB 122 193 192

HSL 179.15, 0.36%, 0.62%

LAB 73.6, -22.41, -6.55

 

CMYK 33 / 0 / 37 / 24

HEX #81C17A

RGB 129 193 122

HSL 114.08, 0.36%, 0.62%

LAB 72.37, -34.39, 29.44

 

CMYK 44 / 0 / 49 / 18

HEX #74D16A

RGB 116 209 106

HSL 114.17, 0.53%, 0.62%

LAB 76.29, -47.77, 42.4

 

CMYK 54 / 0 / 60 / 12

HEX #68E15A

RGB 104 225 90

HSL 113.78, 0.69%, 0.62%

LAB 80.48, -59.25, 54.66

 

CMYK 62 / 0 / 69 / 6

HEX #5BF04B

RGB 91 240 75

HSL 114.18, 0.85%, 0.62%

LAB 84.51, -69, 65.02

 

CMYK 33 / 0 / 37 / 24

HEX #81C17A

RGB 129 193 122

HSL 114.08, 0.36%, 0.62%

LAB 72.37, -34.39, 29.44

 

CMYK 21 / 0 / 23 / 30

HEX #8DB289

RGB 141 178 137

HSL 114.15, 0.21%, 0.62%

LAB 68.97, -20.55, 16.95

 

CMYK 5 / 0 / 6 / 36

HEX #9AA299

RGB 154 162 153

HSL 113.33, 0.05%, 0.62%

LAB 65.76, -4.58, 3.69

 

CMYK 1 / 14 / 0 / 34

HEX #A792A9

RGB 167 146 169

HSL 294.78, 0.12%, 0.62%

LAB 63.04, 12.05, -9.17

 

CMYK 3 / 29 / 0 / 28

HEX #B383B8

RGB 179 131 184

HSL 294.34, 0.27%, 0.62%

LAB 61.03, 27.6, -20.6

 

CMYK 13 / 0 / 37 / 24

HEX #A7C17A

RGB 167 193 122

HSL 81.97, 0.36%, 0.62%

LAB 74.67, -20.82, 32.89

 

CMYK 23 / 0 / 37 / 24

HEX #94C17A

RGB 148 193 122

HSL 98.03, 0.36%, 0.62%

LAB 73.44, -27.84, 31.05

 

CMYK 33 / 0 / 37 / 24

HEX #81C17A

RGB 129 193 122

HSL 114.08, 0.36%, 0.62%

LAB 72.37, -34.39, 29.44

 

CMYK 37 / 0 / 31 / 24

HEX #7AC186

RGB 122 193 134

HSL 130.14, 0.36%, 0.62%

LAB 72.23, -34.65, 22.86

 

CMYK 37 / 0 / 21 / 24

HEX #7AC199

RGB 122 193 153

HSL 146.2, 0.36%, 0.62%

LAB 72.61, -31.08, 13.2

 

CMYK 49 / 0 / 54 / 37

HEX #52A049

RGB 82 160 73

HSL 113.79, 0.37%, 0.46%

LAB 59.36, -41.71, 37.67

 

CMYK 43 / 0 / 48 / 29

HEX #66B45D

RGB 102 180 93

HSL 113.79, 0.37%, 0.54%

LAB 66.72, -41.49, 36.85

 

CMYK 33 / 0 / 37 / 24

HEX #81C17A

RGB 129 193 122

HSL 114.08, 0.36%, 0.62%

LAB 72.37, -34.39, 29.44

 

CMYK 24 / 0 / 27 / 19

HEX #9CCE96

RGB 156 206 150

HSL 113.57, 0.36%, 0.7%

LAB 78.12, -27.01, 22.72

 

CMYK 17 / 0 / 19 / 14

HEX #B6DBB2

RGB 182 219 178

HSL 114.15, 0.36%, 0.78%

LAB 83.87, -19.83, 16.2

 

CMYK 33 / 0 / 37 / 24

HEX #82C27B

RGB 130 194 123

HSL 114.08, 0.37%, 0.62%

LAB 72.73, -34.37, 29.41

 

CMYK 37 / 4 / 0 / 24

HEX #7ABAC1

RGB 122 186 193

HSL 185.92, 0.36%, 0.62%

LAB 71.63, -18.6, -10.03

 

CMYK 0 / 37 / 18 / 24

HEX #C17A9E

RGB 193 122 158

HSL 329.58, 0.36%, 0.62%

LAB 59.64, 32.77, -7.69

 

CMYK 33 / 0 / 37 / 24

HEX #82C27B

RGB 130 194 123

HSL 114.08, 0.37%, 0.62%

LAB 72.73, -34.37, 29.41

 

CMYK 37 / 33 / 0 / 24

HEX #7A81C1

RGB 122 129 193

HSL 234.08, 0.36%, 0.62%

LAB 55.77, 13.12, -34.25

 

CMYK 0 / 37 / 33 / 24

HEX #C17A81

RGB 193 122 129

HSL 354.08, 0.36%, 0.62%

LAB 58.83, 28.59, 7.84

 

CMYK 33 / 0 / 37 / 24

HEX #82C27B

RGB 130 194 123

HSL 114.08, 0.37%, 0.62%

LAB 72.73, -34.37, 29.41

 

CMYK 37 / 4 / 0 / 24

HEX #7ABAC1

RGB 122 186 193

HSL 185.92, 0.36%, 0.62%

LAB 71.63, -18.6, -10.03

 

CMYK 4 / 37 / 0 / 24

HEX #BA7AC1

RGB 186 122 193

HSL 294.08, 0.36%, 0.62%

LAB 60.08, 36.62, -27.1

 

CMYK 0 / 33 / 37 / 24

HEX #C1817A

RGB 193 129 122

HSL 5.92, 0.36%, 0.62%

LAB 60.29, 23.86, 13.91

 

CMYK 33 / 0 / 37 / 24

HEX #82C27B

RGB 130 194 123

HSL 114.08, 0.37%, 0.62%

LAB 72.73, -34.37, 29.41

 

CMYK 37 / 15 / 0 / 24

HEX #7AA5C1

RGB 122 165 193

HSL 203.66, 0.36%, 0.62%

LAB 65.67, -7.45, -19

 

CMYK 4 / 37 / 0 / 24

HEX #BA7AC1

RGB 186 122 193

HSL 294.08, 0.36%, 0.62%

LAB 60.08, 36.62, -27.1

 

CMYK 0 / 22 / 37 / 24

HEX #C1967A

RGB 193 150 122

HSL 23.66, 0.36%, 0.62%

LAB 65.4, 12.27, 20.95

 

Description

Color code: RGB 130 194 123 | qconv.com Color code: RGB 130 194 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 194 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 194 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 37 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 37% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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