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Color name
RGB 130 197 67

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 197 67 it is the complementary color RGB 125 58 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 197 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 197 67 shade: RGB 135 197 62, RGB 152 215 81, RGB 169 233 100, RGB 186 251 119 and RGB 203 255 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 197 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 197 67 shade: RGB 130 197 67, RGB 113 179 48, RGB 96 161 29, RGB 79 143 10 and RGB 62 125 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 197 67 shade: RGB 130 197 67, RGB 165 197 67, RGB 197 194 67, RGB 197 159 67 and RGB 197 124 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 197 67 shade: RGB 130 197 67, RGB 95 197 67, RGB 67 197 74, RGB 67 197 109 and RGB 67 197 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 197 67 shade matches the following richer shades: RGB 130 197 67, RGB 130 217 47 and RGB 129 237 28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 197 67 shade: RGB 130 197 67, RGB 131 177 87, RGB 131 157 107, RGB 132 138 127 and RGB 133 118 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 197 67 shade: RGB 197 193 67, RGB 167 197 67, RGB 132 197 67, RGB 98 197 67 and RGB 67 197 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 197 67 shade: RGB 89 139 42, RGB 110 171 52, RGB 130 197 67, RGB 151 207 99 and RGB 172 216 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 197 67 shade: RGB 130 197 67, RGB 67 197 158 and RGB 197 67 184

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 197 67 shade: RGB 130 197 67, RGB 67 132 197 and RGB 197 67 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 197 67 shade: RGB 130 197 67, RGB 67 197 158, RGB 132 67 197 and RGB 197 67 106

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 197 67 shade: RGB 130 197 67, RGB 67 197 197, RGB 132 67 197 and RGB 197 67 67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 66 / 23

HEX #82C543

RGB 130 197 67

HSL 90.92, 0.53%, 0.52%

LAB 72.95, -42.26, 56.36

 

Complementary color

CMYK 34 / 69 / 0 / 26

HEX #7D3ABC

RGB 125 58 188

HSL 270.92, 0.53%, 0.48%

LAB 39.61, 52.9, -57.07

 

CMYK 31 / 0 / 69 / 23

HEX #87C53E

RGB 135 197 62

HSL 87.56, 0.54%, 0.51%

LAB 73.17, -40.84, 58.66

 

CMYK 29 / 0 / 62 / 16

HEX #98D751

RGB 152 215 81

HSL 88.21, 0.63%, 0.58%

LAB 79.54, -41.11, 58.04

 

CMYK 27 / 0 / 57 / 9

HEX #A9E964

RGB 169 233 100

HSL 88.87, 0.75%, 0.65%

LAB 85.82, -41.27, 57.15

 

CMYK 26 / 0 / 53 / 2

HEX #BAFB77

RGB 186 251 119

HSL 89.55, 0.94%, 0.73%

LAB 92.03, -41.35, 56.14

 

CMYK 20 / 0 / 46 / 0

HEX #CBFF8A

RGB 203 255 138

HSL 86.67, 1%, 0.77%

LAB 94.33, -35.12, 50.38

 

CMYK 34 / 0 / 66 / 23

HEX #82C543

RGB 130 197 67

HSL 90.92, 0.53%, 0.52%

LAB 72.95, -42.26, 56.36

 

CMYK 37 / 0 / 73 / 30

HEX #71B330

RGB 113 179 48

HSL 90.23, 0.58%, 0.45%

LAB 66.49, -41.91, 56.75

 

CMYK 40 / 0 / 82 / 37

HEX #60A11D

RGB 96 161 29

HSL 89.55, 0.69%, 0.37%

LAB 59.95, -41.35, 56.38

 

CMYK 45 / 0 / 93 / 44

HEX #4F8F0A

RGB 79 143 10

HSL 88.87, 0.87%, 0.3%

LAB 53.31, -40.46, 54.64

 

CMYK 50 / 0 / 100 / 51

HEX #3E7D00

RGB 62 125 0

HSL 90.24, 1%, 0.25%

LAB 46.57, -39.12, 50.75

 

CMYK 34 / 0 / 66 / 23

HEX #82C543

RGB 130 197 67

HSL 90.92, 0.53%, 0.52%

LAB 72.95, -42.26, 56.36

 

CMYK 16 / 0 / 66 / 23

HEX #A5C543

RGB 165 197 67

HSL 74.77, 0.53%, 0.52%

LAB 75.04, -28.98, 59.2

 

CMYK 0 / 2 / 66 / 23

HEX #C5C243

RGB 197 194 67

HSL 58.62, 0.53%, 0.52%

LAB 76.59, -14.29, 61.56

 

CMYK 0 / 19 / 66 / 23

HEX #C59F43

RGB 197 159 67

HSL 42.46, 0.53%, 0.52%

LAB 67.33, 4.04, 51.83

 

CMYK 0 / 37 / 66 / 23

HEX #C57C43

RGB 197 124 67

HSL 26.31, 0.53%, 0.52%

LAB 58.69, 23.16, 42.25

 

CMYK 34 / 0 / 66 / 23

HEX #82C543

RGB 130 197 67

HSL 90.92, 0.53%, 0.52%

LAB 72.95, -42.26, 56.36

 

CMYK 52 / 0 / 66 / 23

HEX #5FC543

RGB 95 197 67

HSL 107.08, 0.53%, 0.52%

LAB 71.4, -53.4, 54.24

 

CMYK 66 / 0 / 62 / 23

HEX #43C54A

RGB 67 197 74

HSL 123.23, 0.53%, 0.52%

LAB 70.61, -59.42, 50.16

 

CMYK 66 / 0 / 45 / 23

HEX #43C56D

RGB 67 197 109

HSL 139.38, 0.53%, 0.52%

LAB 71.03, -54.59, 33.95

 

CMYK 66 / 0 / 27 / 23

HEX #43C590

RGB 67 197 144

HSL 155.54, 0.53%, 0.52%

LAB 71.65, -47.84, 16.41

 

CMYK 34 / 0 / 66 / 23

HEX #82C543

RGB 130 197 67

HSL 90.92, 0.53%, 0.52%

LAB 72.95, -42.26, 56.36

 

CMYK 40 / 0 / 78 / 15

HEX #82D92F

RGB 130 217 47

HSL 90.71, 0.69%, 0.52%

LAB 78.8, -51.83, 69.17

 

CMYK 46 / 0 / 88 / 7

HEX #81ED1C

RGB 129 237 28

HSL 91, 0.85%, 0.52%

LAB 84.65, -60.55, 78.66

 

CMYK 34 / 0 / 66 / 23

HEX #82C543

RGB 130 197 67

HSL 90.92, 0.53%, 0.52%

LAB 72.95, -42.26, 56.36

 

CMYK 26 / 0 / 51 / 31

HEX #83B157

RGB 131 177 87

HSL 90.67, 0.37%, 0.52%

LAB 67.25, -30.94, 40.84

 

CMYK 17 / 0 / 32 / 38

HEX #839D6B

RGB 131 157 107

HSL 91.2, 0.2%, 0.52%

LAB 61.65, -18.38, 23.25

 

CMYK 4 / 0 / 8 / 46

HEX #848A7F

RGB 132 138 127

HSL 92.73, 0.04%, 0.52%

LAB 56.7, -4.35, 5.12

 

CMYK 9 / 19 / 0 / 43

HEX #857692

RGB 133 118 146

HSL 272.14, 0.11%, 0.52%

LAB 51.86, 11.4, -13.05

 

CMYK 0 / 2 / 66 / 23

HEX #C5C143

RGB 197 193 67

HSL 58.15, 0.53%, 0.52%

LAB 76.32, -13.79, 61.28

 

CMYK 15 / 0 / 66 / 23

HEX #A7C543

RGB 167 197 67

HSL 73.85, 0.53%, 0.52%

LAB 75.17, -28.18, 59.38

 

CMYK 33 / 0 / 66 / 23

HEX #84C543

RGB 132 197 67

HSL 90, 0.53%, 0.52%

LAB 73.05, -41.55, 56.5

 

CMYK 50 / 0 / 66 / 23

HEX #62C543

RGB 98 197 67

HSL 105.69, 0.53%, 0.52%

LAB 71.51, -52.56, 54.39

 

CMYK 66 / 0 / 63 / 23

HEX #43C548

RGB 67 197 72

HSL 122.31, 0.53%, 0.52%

LAB 70.59, -59.63, 51

 

CMYK 36 / 0 / 70 / 45

HEX #598B2A

RGB 89 139 42

HSL 90.93, 0.54%, 0.35%

LAB 52.68, -33.44, 44.61

 

CMYK 36 / 0 / 70 / 33

HEX #6EAB34

RGB 110 171 52

HSL 90.76, 0.53%, 0.44%

LAB 63.91, -39.25, 52.57

 

CMYK 34 / 0 / 66 / 23

HEX #82C543

RGB 130 197 67

HSL 90.92, 0.53%, 0.52%

LAB 72.95, -42.26, 56.36

 

CMYK 27 / 0 / 52 / 19

HEX #97CF63

RGB 151 207 99

HSL 91.11, 0.53%, 0.6%

LAB 77.34, -36.19, 47.45

 

CMYK 20 / 0 / 40 / 15

HEX #ACD882

RGB 172 216 130

HSL 90.7, 0.52%, 0.68%

LAB 81.56, -29.11, 37.78

 

CMYK 34 / 0 / 66 / 23

HEX #82C543

RGB 130 197 67

HSL 90.92, 0.53%, 0.52%

LAB 72.95, -42.26, 56.36

 

CMYK 66 / 0 / 20 / 23

HEX #43C59E

RGB 67 197 158

HSL 162, 0.53%, 0.52%

LAB 71.96, -44.65, 9.3

 

CMYK 0 / 66 / 7 / 23

HEX #C543B8

RGB 197 67 184

HSL 306, 0.53%, 0.52%

LAB 51.09, 64.66, -35.81

 

CMYK 34 / 0 / 66 / 23

HEX #82C543

RGB 130 197 67

HSL 90.92, 0.53%, 0.52%

LAB 72.95, -42.26, 56.36

 

CMYK 66 / 33 / 0 / 23

HEX #4384C5

RGB 67 132 197

HSL 210, 0.53%, 0.52%

LAB 53.74, -0.03, -39.94

 

CMYK 0 / 66 / 33 / 23

HEX #C54384

RGB 197 67 132

HSL 330, 0.53%, 0.52%

LAB 48.95, 57.43, -8.29

 

CMYK 34 / 0 / 66 / 23

HEX #82C543

RGB 130 197 67

HSL 90.92, 0.53%, 0.52%

LAB 72.95, -42.26, 56.36

 

CMYK 66 / 0 / 20 / 23

HEX #43C59E

RGB 67 197 158

HSL 162, 0.53%, 0.52%

LAB 71.96, -44.65, 9.3

 

CMYK 33 / 66 / 0 / 23

HEX #8443C5

RGB 132 67 197

HSL 270, 0.53%, 0.52%

LAB 42.69, 52.16, -57.3

 

CMYK 0 / 66 / 46 / 23

HEX #C5436A

RGB 197 67 106

HSL 342, 0.53%, 0.52%

LAB 48.17, 54.66, 6.32

 

CMYK 34 / 0 / 66 / 23

HEX #82C543

RGB 130 197 67

HSL 90.92, 0.53%, 0.52%

LAB 72.95, -42.26, 56.36

 

CMYK 66 / 0 / 0 / 23

HEX #43C5C5

RGB 67 197 197

HSL 180, 0.53%, 0.52%

LAB 73, -34.47, -10.38

 

CMYK 33 / 66 / 0 / 23

HEX #8443C5

RGB 132 67 197

HSL 270, 0.53%, 0.52%

LAB 42.69, 52.16, -57.3

 

CMYK 0 / 66 / 66 / 23

HEX #C54343

RGB 197 67 67

HSL 0, 0.53%, 0.52%

LAB 47.35, 51.7, 28.8

 

Description

Color code: RGB 130 197 67 | qconv.com Color code: RGB 130 197 67 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 197 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 197 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 66 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 66% 23% C M Y K

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Provide designers and agencies with accurate color values.

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