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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 192 50 it is the complementary color RGB 125 63 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 192 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 192 50 shade: RGB 135 192 45, RGB 152 210 64, RGB 169 228 83, RGB 186 246 102 and RGB 203 255 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 192 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 192 50 shade: RGB 130 192 50, RGB 113 174 31, RGB 96 156 12, RGB 79 138 0 and RGB 62 120 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 192 50 shade: RGB 128 190 49, RGB 166 190 49, RGB 190 176 49, RGB 190 137 49 and RGB 190 99 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 192 50 shade: RGB 128 190 49, RGB 90 190 49, RGB 52 190 49, RGB 49 190 83 and RGB 49 190 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 192 50 shade matches the following richer shades: RGB 128 190 49, RGB 131 209 29 and RGB 133 229 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 192 50 shade: RGB 128 190 49, RGB 126 171 68, RGB 123 151 87, RGB 121 132 107 and RGB 118 112 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 192 50 shade: RGB 190 176 49, RGB 166 190 49, RGB 129 190 49, RGB 91 190 49 and RGB 53 190 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 192 50 shade: RGB 84 124 32, RGB 106 157 40, RGB 128 190 49, RGB 149 208 72 and RGB 168 216 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 192 50 shade: RGB 130 192 50, RGB 49 190 138 and RGB 190 49 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 192 50 shade: RGB 130 192 50, RGB 49 129 190 and RGB 190 49 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 192 50 shade: RGB 130 192 50, RGB 49 190 138, RGB 110 49 190 and RGB 190 49 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 192 50 shade: RGB 130 192 50, RGB 49 190 181, RGB 110 49 190 and RGB 190 49 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 74 / 25

HEX #82C032

RGB 130 192 50

HSL 86.2, 0.59%, 0.47%

LAB 71.33, -41.27, 61.11

 

Complementary color

CMYK 39 / 69 / 0 / 20

HEX #7D3FCD

RGB 125 63 205

HSL 266.2, 0.59%, 0.53%

LAB 41.72, 54.67, -63.54

 

CMYK 30 / 0 / 77 / 25

HEX #87C02D

RGB 135 192 45

HSL 83.27, 0.62%, 0.46%

LAB 71.58, -39.69, 63.1

 

CMYK 28 / 0 / 70 / 18

HEX #98D240

RGB 152 210 64

HSL 83.84, 0.62%, 0.54%

LAB 77.96, -40.16, 63.11

 

CMYK 26 / 0 / 64 / 11

HEX #A9E453

RGB 169 228 83

HSL 84.41, 0.73%, 0.61%

LAB 84.25, -40.5, 62.6

 

CMYK 24 / 0 / 59 / 4

HEX #BAF666

RGB 186 246 102

HSL 85, 0.89%, 0.68%

LAB 90.46, -40.72, 61.81

 

CMYK 20 / 0 / 53 / 0

HEX #CBFF79

RGB 203 255 121

HSL 83.28, 1%, 0.74%

LAB 94.14, -36.86, 57.98

 

CMYK 32 / 0 / 74 / 25

HEX #82C032

RGB 130 192 50

HSL 86.2, 0.59%, 0.47%

LAB 71.33, -41.27, 61.11

 

CMYK 35 / 0 / 82 / 32

HEX #71AE1F

RGB 113 174 31

HSL 85.59, 0.7%, 0.4%

LAB 64.87, -40.68, 60.6

 

CMYK 38 / 0 / 92 / 39

HEX #609C0C

RGB 96 156 12

HSL 85, 0.86%, 0.33%

LAB 58.31, -39.82, 58.78

 

CMYK 43 / 0 / 100 / 46

HEX #4F8A00

RGB 79 138 0

HSL 85.65, 1%, 0.27%

LAB 51.65, -38.62, 55.05

 

CMYK 48 / 0 / 100 / 53

HEX #3E7800

RGB 62 120 0

HSL 89, 1%, 0.24%

LAB 44.88, -37.06, 49.43

 

CMYK 33 / 0 / 74 / 25

HEX #80BE31

RGB 128 190 49

HSL 86.38, 0.59%, 0.47%

LAB 70.62, -41.19, 60.72

 

CMYK 13 / 0 / 74 / 25

HEX #A6BE31

RGB 166 190 49

HSL 70.21, 0.59%, 0.47%

LAB 72.99, -26.26, 63.83

 

CMYK 0 / 7 / 74 / 25

HEX #BEB031

RGB 190 176 49

HSL 54.04, 0.59%, 0.47%

LAB 71.02, -8.98, 62.63

 

CMYK 0 / 28 / 74 / 25

HEX #BE8931

RGB 190 137 49

HSL 37.45, 0.59%, 0.47%

LAB 60.83, 12.01, 52.76

 

CMYK 0 / 48 / 74 / 25

HEX #BE6331

RGB 190 99 49

HSL 21.28, 0.59%, 0.47%

LAB 51.94, 32.77, 43.66

 

CMYK 33 / 0 / 74 / 25

HEX #80BE31

RGB 128 190 49

HSL 86.38, 0.59%, 0.47%

LAB 70.62, -41.19, 60.72

 

CMYK 53 / 0 / 74 / 25

HEX #5ABE31

RGB 90 190 49

HSL 102.55, 0.59%, 0.47%

LAB 68.91, -53.59, 58.47

 

CMYK 73 / 0 / 74 / 25

HEX #34BE31

RGB 52 190 49

HSL 118.72, 0.59%, 0.47%

LAB 67.86, -62.17, 57.06

 

CMYK 74 / 0 / 56 / 25

HEX #31BE53

RGB 49 190 83

HSL 134.47, 0.59%, 0.47%

LAB 68.1, -59.06, 43.05

 

CMYK 74 / 0 / 36 / 25

HEX #31BE7A

RGB 49 190 122

HSL 151.06, 0.59%, 0.47%

LAB 68.67, -52.5, 24.01

 

CMYK 33 / 0 / 74 / 25

HEX #80BE31

RGB 128 190 49

HSL 86.38, 0.59%, 0.47%

LAB 70.62, -41.19, 60.72

 

CMYK 37 / 0 / 86 / 18

HEX #83D11D

RGB 131 209 29

HSL 86, 0.76%, 0.47%

LAB 76.38, -48.99, 71.5

 

CMYK 42 / 0 / 96 / 10

HEX #85E50A

RGB 133 229 10

HSL 86.3, 0.92%, 0.47%

LAB 82.4, -56.63, 79.18

 

CMYK 33 / 0 / 74 / 25

HEX #80BE31

RGB 128 190 49

HSL 86.38, 0.59%, 0.47%

LAB 70.62, -41.19, 60.72

 

CMYK 26 / 0 / 60 / 33

HEX #7EAB44

RGB 126 171 68

HSL 86.21, 0.43%, 0.47%

LAB 64.95, -31.95, 47.12

 

CMYK 19 / 0 / 42 / 41

HEX #7B9757

RGB 123 151 87

HSL 86.25, 0.27%, 0.47%

LAB 59, -21.24, 30.51

 

CMYK 8 / 0 / 19 / 48

HEX #79846B

RGB 121 132 107

HSL 86.4, 0.1%, 0.47%

LAB 53.63, -8.86, 12.16

 

CMYK 6 / 11 / 0 / 51

HEX #76707E

RGB 118 112 126

HSL 265.71, 0.06%, 0.47%

LAB 48.19, 5.19, -6.88

 

CMYK 0 / 7 / 74 / 25

HEX #BEB031

RGB 190 176 49

HSL 54.04, 0.59%, 0.47%

LAB 71.02, -8.98, 62.63

 

CMYK 13 / 0 / 74 / 25

HEX #A6BE31

RGB 166 190 49

HSL 70.21, 0.59%, 0.47%

LAB 72.99, -26.26, 63.83

 

CMYK 32 / 0 / 74 / 25

HEX #81BE31

RGB 129 190 49

HSL 85.96, 0.59%, 0.47%

LAB 70.67, -40.82, 60.79

 

CMYK 52 / 0 / 74 / 25

HEX #5BBE31

RGB 91 190 49

HSL 102.13, 0.59%, 0.47%

LAB 68.95, -53.31, 58.51

 

CMYK 72 / 0 / 74 / 25

HEX #35BE31

RGB 53 190 49

HSL 118.3, 0.59%, 0.47%

LAB 67.88, -62, 57.09

 

CMYK 32 / 0 / 74 / 51

HEX #547C20

RGB 84 124 32

HSL 86.09, 0.59%, 0.31%

LAB 47.5, -29.13, 43.3

 

CMYK 32 / 0 / 75 / 38

HEX #6A9D28

RGB 106 157 40

HSL 86.15, 0.59%, 0.39%

LAB 59.28, -35.32, 52.38

 

CMYK 33 / 0 / 74 / 25

HEX #80BE31

RGB 128 190 49

HSL 86.38, 0.59%, 0.47%

LAB 70.62, -41.19, 60.72

 

CMYK 28 / 0 / 65 / 18

HEX #95D048

RGB 149 208 72

HSL 86.03, 0.59%, 0.55%

LAB 77.26, -39.83, 59.24

 

CMYK 22 / 0 / 51 / 15

HEX #A8D869

RGB 168 216 105

HSL 85.95, 0.59%, 0.63%

LAB 80.99, -33.48, 49.22

 

CMYK 32 / 0 / 74 / 25

HEX #82C032

RGB 130 192 50

HSL 86.2, 0.59%, 0.47%

LAB 71.33, -41.27, 61.11

 

CMYK 74 / 0 / 27 / 25

HEX #31BE8A

RGB 49 190 138

HSL 157.87, 0.59%, 0.47%

LAB 68.98, -49.09, 15.86

 

CMYK 0 / 74 / 3 / 25

HEX #BE31B9

RGB 190 49 185

HSL 302.13, 0.59%, 0.47%

LAB 47.81, 69.46, -41.64

 

CMYK 32 / 0 / 74 / 25

HEX #82C032

RGB 130 192 50

HSL 86.2, 0.59%, 0.47%

LAB 71.33, -41.27, 61.11

 

CMYK 74 / 32 / 0 / 25

HEX #3181BE

RGB 49 129 190

HSL 205.96, 0.59%, 0.47%

LAB 51.92, -3.45, -38.85

 

CMYK 0 / 74 / 32 / 25

HEX #BE3181

RGB 190 49 129

HSL 325.96, 0.59%, 0.47%

LAB 45.26, 61.75, -12.14

 

CMYK 32 / 0 / 74 / 25

HEX #82C032

RGB 130 192 50

HSL 86.2, 0.59%, 0.47%

LAB 71.33, -41.27, 61.11

 

CMYK 74 / 0 / 27 / 25

HEX #31BE8A

RGB 49 190 138

HSL 157.87, 0.59%, 0.47%

LAB 68.98, -49.09, 15.86

 

CMYK 42 / 74 / 0 / 25

HEX #6E31BE

RGB 110 49 190

HSL 265.96, 0.59%, 0.47%

LAB 36.42, 54.77, -63.52

 

CMYK 0 / 74 / 47 / 25

HEX #BE3164

RGB 190 49 100

HSL 338.3, 0.59%, 0.47%

LAB 44.32, 58.77, 4.35

 

CMYK 32 / 0 / 74 / 25

HEX #82C032

RGB 130 192 50

HSL 86.2, 0.59%, 0.47%

LAB 71.33, -41.27, 61.11

 

CMYK 74 / 0 / 5 / 25

HEX #31BEB5

RGB 49 190 181

HSL 176.17, 0.59%, 0.47%

LAB 70.05, -38.12, -6.06

 

CMYK 42 / 74 / 0 / 25

HEX #6E31BE

RGB 110 49 190

HSL 265.96, 0.59%, 0.47%

LAB 36.42, 54.77, -63.52

 

CMYK 0 / 74 / 69 / 25

HEX #BE313A

RGB 190 49 58

HSL 356.17, 0.59%, 0.47%

LAB 43.43, 55.84, 29.07

 

Description

Color code: RGB 130 192 50 | qconv.com Color code: RGB 130 192 50 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 192 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 192 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 74 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 74% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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