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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 206 176 it is the complementary color RGB 125 49 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 206 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 206 176 shade: RGB 135 206 171, RGB 152 224 190, RGB 169 242 209, RGB 186 255 228 and RGB 203 255 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 206 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 206 176 shade: RGB 130 206 176, RGB 113 188 157, RGB 96 170 138, RGB 79 152 119 and RGB 62 134 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 206 176 shade: RGB 130 206 176, RGB 130 206 155, RGB 130 206 135, RGB 145 206 130 and RGB 166 206 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 206 176 shade: RGB 130 206 176, RGB 130 206 196, RGB 130 195 206, RGB 130 174 206 and RGB 130 154 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 206 176 shade matches the following richer shades: RGB 130 206 176, RGB 116 220 179, RGB 102 234 182 and RGB 88 248 185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 206 176 shade: RGB 130 206 176, RGB 144 192 173, RGB 158 178 170, RGB 172 164 167 and RGB 186 150 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 206 176 shade: RGB 130 206 135, RGB 130 206 155, RGB 130 206 175, RGB 130 206 196 and RGB 130 196 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 206 176 shade: RGB 71 182 138, RGB 100 194 157, RGB 130 206 176, RGB 159 218 195 and RGB 189 229 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 206 176 shade: RGB 130 206 176, RGB 130 145 206 and RGB 206 145 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 206 176 shade: RGB 130 206 176, RGB 175 130 206 and RGB 206 175 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 206 176 shade: RGB 130 206 176, RGB 130 145 206, RGB 206 130 160 and RGB 206 191 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 206 176 shade: RGB 130 206 176, RGB 137 130 206, RGB 206 130 160 and RGB 198 206 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 15 / 19

HEX #82CEB0

RGB 130 206 176

HSL 156.32, 0.44%, 0.66%

LAB 77.29, -30.23, 7.53

 

Complementary color

CMYK 0 / 61 / 37 / 51

HEX #7D314F

RGB 125 49 79

HSL 336.32, 0.44%, 0.34%

LAB 32.08, 36.17, -1.54

 

CMYK 34 / 0 / 17 / 19

HEX #87CEAB

RGB 135 206 171

HSL 150.42, 0.42%, 0.67%

LAB 77.42, -29.82, 10.42

 

CMYK 32 / 0 / 15 / 12

HEX #98E0BE

RGB 152 224 190

HSL 151.67, 0.54%, 0.74%

LAB 83.81, -29.58, 9.56

 

CMYK 30 / 0 / 14 / 5

HEX #A9F2D1

RGB 169 242 209

HSL 152.88, 0.74%, 0.81%

LAB 90.11, -29.36, 8.74

 

CMYK 27 / 0 / 11 / 0

HEX #BAFFE4

RGB 186 255 228

HSL 156.52, 1%, 0.86%

LAB 94.98, -26.78, 6.03

 

CMYK 20 / 0 / 3 / 0

HEX #CBFFF7

RGB 203 255 247

HSL 170.77, 1%, 0.9%

LAB 96.38, -17.94, -1.6

 

CMYK 37 / 0 / 15 / 19

HEX #82CEB0

RGB 130 206 176

HSL 156.32, 0.44%, 0.66%

LAB 77.29, -30.23, 7.53

 

CMYK 40 / 0 / 16 / 26

HEX #71BC9D

RGB 113 188 157

HSL 155.2, 0.36%, 0.59%

LAB 70.81, -30.45, 8.42

 

CMYK 44 / 0 / 19 / 33

HEX #60AA8A

RGB 96 170 138

HSL 154.05, 0.3%, 0.52%

LAB 64.22, -30.68, 9.37

 

CMYK 48 / 0 / 22 / 40

HEX #4F9877

RGB 79 152 119

HSL 152.88, 0.32%, 0.45%

LAB 57.51, -30.89, 10.41

 

CMYK 54 / 0 / 25 / 47

HEX #3E8664

RGB 62 134 100

HSL 151.67, 0.37%, 0.38%

LAB 50.68, -31.05, 11.56

 

CMYK 37 / 0 / 15 / 19

HEX #82CEB0

RGB 130 206 176

HSL 156.32, 0.44%, 0.66%

LAB 77.29, -30.23, 7.53

 

CMYK 37 / 0 / 25 / 19

HEX #82CE9B

RGB 130 206 155

HSL 139.74, 0.44%, 0.66%

LAB 76.83, -34.42, 18.09

 

CMYK 37 / 0 / 34 / 19

HEX #82CE87

RGB 130 206 135

HSL 123.95, 0.44%, 0.66%

LAB 76.46, -37.94, 28.1

 

CMYK 30 / 0 / 37 / 19

HEX #91CE82

RGB 145 206 130

HSL 108.16, 0.44%, 0.66%

LAB 77.15, -33.87, 31.74

 

CMYK 19 / 0 / 37 / 19

HEX #A6CE82

RGB 166 206 130

HSL 91.58, 0.44%, 0.66%

LAB 78.38, -26.5, 33.59

 

CMYK 37 / 0 / 15 / 19

HEX #82CEB0

RGB 130 206 176

HSL 156.32, 0.44%, 0.66%

LAB 77.29, -30.23, 7.53

 

CMYK 37 / 0 / 5 / 19

HEX #82CEC4

RGB 130 206 196

HSL 172.11, 0.44%, 0.66%

LAB 77.8, -25.78, -2.48

 

CMYK 37 / 5 / 0 / 19

HEX #82C3CE

RGB 130 195 206

HSL 188.68, 0.44%, 0.66%

LAB 74.97, -17.86, -12.07

 

CMYK 37 / 16 / 0 / 19

HEX #82AECE

RGB 130 174 206

HSL 205.26, 0.44%, 0.66%

LAB 69.09, -6.76, -20.94

 

CMYK 37 / 25 / 0 / 19

HEX #829ACE

RGB 130 154 206

HSL 221.05, 0.44%, 0.66%

LAB 63.6, 4.37, -29.37

 

CMYK 37 / 0 / 15 / 19

HEX #82CEB0

RGB 130 206 176

HSL 156.32, 0.44%, 0.66%

LAB 77.29, -30.23, 7.53

 

CMYK 47 / 0 / 19 / 14

HEX #74DCB3

RGB 116 220 179

HSL 156.35, 0.6%, 0.66%

LAB 80.82, -39.76, 10.89

 

CMYK 56 / 0 / 22 / 8

HEX #66EAB6

RGB 102 234 182

HSL 156.36, 0.76%, 0.66%

LAB 84.51, -48.36, 14.47

 

CMYK 65 / 0 / 25 / 3

HEX #58F8B9

RGB 88 248 185

HSL 156.38, 0.92%, 0.66%

LAB 88.31, -56.06, 18.2

 

CMYK 37 / 0 / 15 / 19

HEX #82CEB0

RGB 130 206 176

HSL 156.32, 0.44%, 0.66%

LAB 77.29, -30.23, 7.53

 

CMYK 25 / 0 / 10 / 25

HEX #90C0AD

RGB 144 192 173

HSL 156.25, 0.28%, 0.66%

LAB 73.96, -19.77, 4.45

 

CMYK 11 / 0 / 4 / 30

HEX #9EB2AA

RGB 158 178 170

HSL 156, 0.11%, 0.66%

LAB 70.88, -8.49, 1.73

 

CMYK 0 / 5 / 3 / 33

HEX #ACA4A7

RGB 172 164 167

HSL 337.5, 0.05%, 0.66%

LAB 68.1, 3.44, -0.53

 

CMYK 0 / 19 / 12 / 27

HEX #BA96A4

RGB 186 150 164

HSL 336.67, 0.21%, 0.66%

LAB 65.7, 15.74, -2.23

 

CMYK 37 / 0 / 34 / 19

HEX #82CE87

RGB 130 206 135

HSL 123.95, 0.44%, 0.66%

LAB 76.46, -37.94, 28.1

 

CMYK 37 / 0 / 25 / 19

HEX #82CE9B

RGB 130 206 155

HSL 139.74, 0.44%, 0.66%

LAB 76.83, -34.42, 18.09

 

CMYK 37 / 0 / 15 / 19

HEX #82CEAF

RGB 130 206 175

HSL 155.53, 0.44%, 0.66%

LAB 77.27, -30.44, 8.03

 

CMYK 37 / 0 / 5 / 19

HEX #82CEC4

RGB 130 206 196

HSL 172.11, 0.44%, 0.66%

LAB 77.8, -25.78, -2.48

 

CMYK 37 / 5 / 0 / 19

HEX #82C4CE

RGB 130 196 206

HSL 187.89, 0.44%, 0.66%

LAB 75.25, -18.37, -11.65

 

CMYK 61 / 0 / 24 / 29

HEX #47B68A

RGB 71 182 138

HSL 156.22, 0.44%, 0.5%

LAB 67, -42.1, 13.17

 

CMYK 48 / 0 / 19 / 24

HEX #64C29D

RGB 100 194 157

HSL 156.38, 0.44%, 0.58%

LAB 72.05, -36.7, 10.1

 

CMYK 37 / 0 / 15 / 19

HEX #82CEB0

RGB 130 206 176

HSL 156.32, 0.44%, 0.66%

LAB 77.29, -30.23, 7.53

 

CMYK 27 / 0 / 11 / 15

HEX #9FDAC3

RGB 159 218 195

HSL 156.61, 0.44%, 0.74%

LAB 82.62, -23.58, 5.26

 

CMYK 17 / 0 / 7 / 10

HEX #BDE5D5

RGB 189 229 213

HSL 156, 0.43%, 0.82%

LAB 87.81, -16.11, 3.48

 

CMYK 37 / 0 / 15 / 19

HEX #82CEB0

RGB 130 206 176

HSL 156.32, 0.44%, 0.66%

LAB 77.29, -30.23, 7.53

 

CMYK 37 / 30 / 0 / 19

HEX #8291CE

RGB 130 145 206

HSL 228.16, 0.44%, 0.66%

LAB 61.18, 9.54, -33.12

 

CMYK 0 / 30 / 37 / 19

HEX #CE9182

RGB 206 145 130

HSL 11.84, 0.44%, 0.66%

LAB 65.74, 21.15, 17.19

 

CMYK 37 / 0 / 15 / 19

HEX #82CEB0

RGB 130 206 176

HSL 156.32, 0.44%, 0.66%

LAB 77.29, -30.23, 7.53

 

CMYK 15 / 37 / 0 / 19

HEX #AF82CE

RGB 175 130 206

HSL 275.53, 0.44%, 0.66%

LAB 61.25, 31.45, -32.72

 

CMYK 0 / 15 / 37 / 19

HEX #CEAF82

RGB 206 175 130

HSL 35.53, 0.44%, 0.66%

LAB 73.15, 4.89, 27.26

 

CMYK 37 / 0 / 15 / 19

HEX #82CEB0

RGB 130 206 176

HSL 156.32, 0.44%, 0.66%

LAB 77.29, -30.23, 7.53

 

CMYK 37 / 30 / 0 / 19

HEX #8291CE

RGB 130 145 206

HSL 228.16, 0.44%, 0.66%

LAB 61.18, 9.54, -33.12

 

CMYK 0 / 37 / 22 / 19

HEX #CE82A0

RGB 206 130 160

HSL 336.32, 0.44%, 0.66%

LAB 63.03, 33.36, -3.64

 

CMYK 0 / 7 / 37 / 19

HEX #CEBF82

RGB 206 191 130

HSL 48.16, 0.44%, 0.66%

LAB 77.28, -3.57, 32.71

 

CMYK 37 / 0 / 15 / 19

HEX #82CEB0

RGB 130 206 176

HSL 156.32, 0.44%, 0.66%

LAB 77.29, -30.23, 7.53

 

CMYK 33 / 37 / 0 / 19

HEX #8982CE

RGB 137 130 206

HSL 245.53, 0.44%, 0.66%

LAB 57.79, 20.24, -38.38

 

CMYK 0 / 37 / 22 / 19

HEX #CE82A0

RGB 206 130 160

HSL 336.32, 0.44%, 0.66%

LAB 63.03, 33.36, -3.64

 

CMYK 4 / 0 / 37 / 19

HEX #C6CE82

RGB 198 206 130

HSL 66.32, 0.44%, 0.66%

LAB 80.61, -14.42, 36.91

 

Description

Color code: RGB 130 206 176 | qconv.com Color code: RGB 130 206 176 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 206 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 206 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 15 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 15% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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