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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 202 100 it is the complementary color RGB 125 53 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 202 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 202 100 shade: RGB 135 202 95, RGB 152 220 114, RGB 169 238 133, RGB 186 255 152 and RGB 203 255 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 202 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 202 100 shade: RGB 130 202 100, RGB 113 184 81, RGB 96 166 62, RGB 79 148 43 and RGB 62 130 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 202 100 shade: RGB 129 201 99, RGB 156 201 99, RGB 184 201 99, RGB 201 191 99 and RGB 201 163 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 202 100 shade: RGB 129 201 99, RGB 101 201 99, RGB 99 201 124, RGB 99 201 151 and RGB 99 201 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 202 100 shade matches the following richer shades: RGB 129 201 99, RGB 122 218 82, RGB 115 235 65 and RGB 108 252 48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 202 100 shade: RGB 129 201 99, RGB 136 184 116, RGB 143 167 133, RGB 150 150 149 and RGB 157 134 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 202 100 shade: RGB 184 201 99, RGB 157 201 99, RGB 129 201 99, RGB 102 201 99 and RGB 99 201 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 202 100 shade: RGB 87 162 55, RGB 104 191 68, RGB 129 201 99, RGB 154 212 129 and RGB 178 222 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 202 100 shade: RGB 130 202 100, RGB 99 201 191 and RGB 201 99 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 202 100 shade: RGB 130 202 100, RGB 99 129 201 and RGB 201 99 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 202 100 shade: RGB 130 202 100, RGB 99 201 191, RGB 170 99 201 and RGB 201 99 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 202 100 shade: RGB 130 202 100, RGB 99 181 201, RGB 170 99 201 and RGB 201 119 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 50 / 21

HEX #82CA64

RGB 130 202 100

HSL 102.35, 0.49%, 0.59%

LAB 74.77, -41.14, 43.6

 

Complementary color

CMYK 19 / 66 / 0 / 39

HEX #7D359B

RGB 125 53 155

HSL 282.35, 0.49%, 0.41%

LAB 36.5, 47.72, -42.41

 

CMYK 33 / 0 / 53 / 21

HEX #87CA5F

RGB 135 202 95

HSL 97.57, 0.5%, 0.58%

LAB 74.96, -40.03, 46.29

 

CMYK 31 / 0 / 48 / 14

HEX #98DC72

RGB 152 220 114

HSL 98.49, 0.6%, 0.65%

LAB 81.33, -39.98, 45.13

 

CMYK 29 / 0 / 44 / 7

HEX #A9EE85

RGB 169 238 133

HSL 99.43, 0.76%, 0.73%

LAB 87.62, -39.88, 43.97

 

CMYK 27 / 0 / 40 / 0

HEX #BAFF98

RGB 186 255 152

HSL 100.19, 1%, 0.8%

LAB 93.55, -39.31, 42.47

 

CMYK 20 / 0 / 33 / 0

HEX #CBFFAB

RGB 203 255 171

HSL 97.14, 1%, 0.84%

LAB 94.8, -30.99, 34.93

 

CMYK 36 / 0 / 50 / 21

HEX #82CA64

RGB 130 202 100

HSL 102.35, 0.49%, 0.59%

LAB 74.77, -41.14, 43.6

 

CMYK 39 / 0 / 56 / 28

HEX #71B851

RGB 113 184 81

HSL 101.36, 0.42%, 0.52%

LAB 68.3, -41.17, 44.76

 

CMYK 42 / 0 / 63 / 35

HEX #60A63E

RGB 96 166 62

HSL 100.38, 0.46%, 0.45%

LAB 61.75, -41.08, 45.81

 

CMYK 47 / 0 / 71 / 42

HEX #4F942B

RGB 79 148 43

HSL 99.43, 0.55%, 0.37%

LAB 55.09, -40.8, 46.56

 

CMYK 52 / 0 / 82 / 49

HEX #3E8218

RGB 62 130 24

HSL 98.49, 0.69%, 0.3%

LAB 48.33, -40.19, 46.59

 

CMYK 36 / 0 / 51 / 21

HEX #81C963

RGB 129 201 99

HSL 102.35, 0.49%, 0.59%

LAB 74.41, -41.16, 43.63

 

CMYK 22 / 0 / 51 / 21

HEX #9CC963

RGB 156 201 99

HSL 86.47, 0.49%, 0.59%

LAB 75.91, -31.58, 45.8

 

CMYK 8 / 0 / 51 / 21

HEX #B8C963

RGB 184 201 99

HSL 70, 0.49%, 0.59%

LAB 77.79, -20.73, 48.51

 

CMYK 0 / 5 / 51 / 21

HEX #C9BF63

RGB 201 191 99

HSL 54.12, 0.49%, 0.59%

LAB 76.42, -8.77, 47.2

 

CMYK 0 / 19 / 51 / 21

HEX #C9A363

RGB 201 163 99

HSL 37.65, 0.49%, 0.59%

LAB 69.12, 6.03, 38.33

 

CMYK 36 / 0 / 51 / 21

HEX #81C963

RGB 129 201 99

HSL 102.35, 0.49%, 0.59%

LAB 74.41, -41.16, 43.63

 

CMYK 50 / 0 / 51 / 21

HEX #65C963

RGB 101 201 99

HSL 118.82, 0.49%, 0.59%

LAB 73.18, -49.72, 41.86

 

CMYK 51 / 0 / 38 / 21

HEX #63C97C

RGB 99 201 124

HSL 134.71, 0.49%, 0.59%

LAB 73.47, -46.46, 29.6

 

CMYK 51 / 0 / 25 / 21

HEX #63C997

RGB 99 201 151

HSL 150.59, 0.49%, 0.59%

LAB 73.97, -41.36, 16.04

 

CMYK 51 / 0 / 11 / 21

HEX #63C9B3

RGB 99 201 179

HSL 167.06, 0.49%, 0.59%

LAB 74.62, -35.09, 1.89

 

CMYK 36 / 0 / 51 / 21

HEX #81C963

RGB 129 201 99

HSL 102.35, 0.49%, 0.59%

LAB 74.41, -41.16, 43.63

 

CMYK 44 / 0 / 62 / 15

HEX #7ADA52

RGB 122 218 82

HSL 102.35, 0.65%, 0.59%

LAB 78.98, -52.3, 56.58

 

CMYK 51 / 0 / 72 / 8

HEX #73EB41

RGB 115 235 65

HSL 102.35, 0.81%, 0.59%

LAB 83.67, -62.16, 67.97

 

CMYK 57 / 0 / 81 / 1

HEX #6CFC30

RGB 108 252 48

HSL 102.35, 0.97%, 0.59%

LAB 88.46, -70.84, 77.49

 

CMYK 36 / 0 / 51 / 21

HEX #81C963

RGB 129 201 99

HSL 102.35, 0.49%, 0.59%

LAB 74.41, -41.16, 43.63

 

CMYK 26 / 0 / 37 / 28

HEX #88B874

RGB 136 184 116

HSL 102.35, 0.32%, 0.59%

LAB 70.02, -28.66, 29.56

 

CMYK 14 / 0 / 20 / 35

HEX #8FA785

RGB 143 167 133

HSL 102.35, 0.16%, 0.59%

LAB 65.88, -14.87, 14.86

 

CMYK 0 / 0 / 1 / 41

HEX #969695

RGB 150 150 149

HSL 60, 0%, 0.59%

LAB 62.05, -0.19, 0.52

 

CMYK 5 / 19 / 0 / 35

HEX #9D86A6

RGB 157 134 166

HSL 283.13, 0.15%, 0.59%

LAB 58.95, 14.76, -13.71

 

CMYK 8 / 0 / 51 / 21

HEX #B8C963

RGB 184 201 99

HSL 70, 0.49%, 0.59%

LAB 77.79, -20.73, 48.51

 

CMYK 22 / 0 / 51 / 21

HEX #9DC963

RGB 157 201 99

HSL 85.88, 0.49%, 0.59%

LAB 75.97, -31.21, 45.89

 

CMYK 36 / 0 / 51 / 21

HEX #81C963

RGB 129 201 99

HSL 102.35, 0.49%, 0.59%

LAB 74.41, -41.16, 43.63

 

CMYK 49 / 0 / 51 / 21

HEX #66C963

RGB 102 201 99

HSL 118.24, 0.49%, 0.59%

LAB 73.22, -49.44, 41.91

 

CMYK 51 / 0 / 39 / 21

HEX #63C97B

RGB 99 201 123

HSL 134.12, 0.49%, 0.59%

LAB 73.45, -46.63, 30.1

 

CMYK 46 / 0 / 66 / 36

HEX #57A237

RGB 87 162 55

HSL 102.06, 0.49%, 0.43%

LAB 60.02, -42.99, 46.87

 

CMYK 46 / 0 / 64 / 25

HEX #68BF44

RGB 104 191 68

HSL 102.44, 0.49%, 0.51%

LAB 69.91, -48.32, 52.31

 

CMYK 36 / 0 / 51 / 21

HEX #81C963

RGB 129 201 99

HSL 102.35, 0.49%, 0.59%

LAB 74.41, -41.16, 43.63

 

CMYK 27 / 0 / 39 / 17

HEX #9AD481

RGB 154 212 129

HSL 101.93, 0.49%, 0.67%

LAB 79.35, -33.73, 35.22

 

CMYK 20 / 0 / 28 / 13

HEX #B2DEA0

RGB 178 222 160

HSL 102.58, 0.48%, 0.75%

LAB 84.09, -25.6, 25.86

 

CMYK 36 / 0 / 50 / 21

HEX #82CA64

RGB 130 202 100

HSL 102.35, 0.49%, 0.59%

LAB 74.77, -41.14, 43.6

 

CMYK 51 / 0 / 5 / 21

HEX #63C9BF

RGB 99 201 191

HSL 174.12, 0.49%, 0.59%

LAB 74.94, -32.13, -4.13

 

CMYK 0 / 51 / 15 / 21

HEX #C963AA

RGB 201 99 170

HSL 318.24, 0.49%, 0.59%

LAB 56.33, 49.34, -19.51

 

CMYK 36 / 0 / 50 / 21

HEX #82CA64

RGB 130 202 100

HSL 102.35, 0.49%, 0.59%

LAB 74.77, -41.14, 43.6

 

CMYK 51 / 36 / 0 / 21

HEX #6381C9

RGB 99 129 201

HSL 222.35, 0.49%, 0.59%

LAB 54.63, 9.56, -40.7

 

CMYK 0 / 51 / 36 / 21

HEX #C96381

RGB 201 99 129

HSL 342.35, 0.49%, 0.59%

LAB 55, 43.66, 2.47

 

CMYK 36 / 0 / 50 / 21

HEX #82CA64

RGB 130 202 100

HSL 102.35, 0.49%, 0.59%

LAB 74.77, -41.14, 43.6

 

CMYK 51 / 0 / 5 / 21

HEX #63C9BF

RGB 99 201 191

HSL 174.12, 0.49%, 0.59%

LAB 74.94, -32.13, -4.13

 

CMYK 15 / 51 / 0 / 21

HEX #AA63C9

RGB 170 99 201

HSL 281.76, 0.49%, 0.59%

LAB 53.69, 45.91, -41.76

 

CMYK 0 / 51 / 46 / 21

HEX #C9636D

RGB 201 99 109

HSL 354.12, 0.49%, 0.59%

LAB 54.5, 41.45, 13.53

 

CMYK 36 / 0 / 50 / 21

HEX #82CA64

RGB 130 202 100

HSL 102.35, 0.49%, 0.59%

LAB 74.77, -41.14, 43.6

 

CMYK 51 / 10 / 0 / 21

HEX #63B5C9

RGB 99 181 201

HSL 191.76, 0.49%, 0.59%

LAB 69.41, -19.55, -17.85

 

CMYK 15 / 51 / 0 / 21

HEX #AA63C9

RGB 170 99 201

HSL 281.76, 0.49%, 0.59%

LAB 53.69, 45.91, -41.76

 

CMYK 0 / 41 / 51 / 21

HEX #C97763

RGB 201 119 99

HSL 11.76, 0.49%, 0.59%

LAB 58.52, 29.99, 24.76

 

Description

Color code: RGB 130 202 100 | qconv.com Color code: RGB 130 202 100 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 202 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 202 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 50 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 50% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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