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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 25 172 it is the complementary color RGB 125 230 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 25 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 25 172 shade: RGB 135 25 167, RGB 152 43 186, RGB 169 61 205, RGB 186 79 224 and RGB 203 97 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 25 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 25 172 shade: RGB 130 25 172, RGB 113 7 153, RGB 96 0 134, RGB 79 0 115 and RGB 62 0 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 25 172 shade: RGB 131 24 174, RGB 171 24 174, RGB 174 24 136, RGB 174 24 95 and RGB 174 24 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 25 172 shade: RGB 131 24 174, RGB 91 24 174, RGB 50 24 174 and RGB 24 24 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 25 172 shade matches the following richer shades: RGB 131 24 174 and RGB 138 8 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 25 172 shade: RGB 131 24 174, RGB 124 40 157, RGB 117 57 141, RGB 110 73 125 and RGB 103 89 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 25 172 shade: RGB 49 24 174, RGB 89 24 174, RGB 129 24 174, RGB 169 24 174 and RGB 174 24 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 25 172 shade: RGB 76 14 101, RGB 104 19 137, RGB 131 24 174, RGB 158 30 210 and RGB 177 54 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 25 172 shade: RGB 130 25 172, RGB 174 24 39 and RGB 24 174 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 25 172 shade: RGB 130 25 172, RGB 174 129 24 and RGB 24 174 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 25 172 shade: RGB 130 25 172, RGB 174 24 39, RGB 69 174 24 and RGB 24 174 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 25 172 shade: RGB 130 25 172, RGB 174 54 24, RGB 69 174 24 and RGB 24 144 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 85 / 0 / 33

HEX #8219AC

RGB 130 25 172

HSL 282.86, 0.75%, 0.39%

LAB 34.84, 62.57, -55.29

 

Complementary color

CMYK 46 / 0 / 64 / 10

HEX #7DE653

RGB 125 230 83

HSL 102.86, 0.75%, 0.61%

LAB 82.69, -56.02, 60.29

 

CMYK 19 / 85 / 0 / 35

HEX #8719A7

RGB 135 25 167

HSL 286.48, 0.74%, 0.38%

LAB 35.27, 62.43, -51.55

 

CMYK 18 / 77 / 0 / 27

HEX #982BBA

RGB 152 43 186

HSL 285.73, 0.62%, 0.45%

LAB 41.13, 63.84, -53.25

 

CMYK 18 / 70 / 0 / 20

HEX #A93DCD

RGB 169 61 205

HSL 285, 0.59%, 0.52%

LAB 47.21, 64.34, -54.39

 

CMYK 17 / 65 / 0 / 12

HEX #BA4FE0

RGB 186 79 224

HSL 284.28, 0.7%, 0.59%

LAB 53.4, 64.3, -55.18

 

CMYK 16 / 60 / 0 / 5

HEX #CB61F3

RGB 203 97 243

HSL 283.56, 0.86%, 0.67%

LAB 59.63, 63.93, -55.73

 

CMYK 24 / 85 / 0 / 33

HEX #8219AC

RGB 130 25 172

HSL 282.86, 0.75%, 0.39%

LAB 34.84, 62.57, -55.29

 

CMYK 26 / 95 / 0 / 40

HEX #710799

RGB 113 7 153

HSL 283.56, 0.91%, 0.31%

LAB 29.32, 59.85, -52.9

 

CMYK 28 / 100 / 0 / 47

HEX #600086

RGB 96 0 134

HSL 282.99, 1%, 0.26%

LAB 24.35, 55.05, -49.35

 

CMYK 31 / 100 / 0 / 55

HEX #4F0073

RGB 79 0 115

HSL 281.22, 1%, 0.23%

LAB 19.64, 48.94, -45.07

 

CMYK 35 / 100 / 0 / 62

HEX #3E0060

RGB 62 0 96

HSL 278.75, 1%, 0.19%

LAB 14.78, 42.64, -40.67

 

CMYK 25 / 86 / 0 / 32

HEX #8318AE

RGB 131 24 174

HSL 282.8, 0.76%, 0.39%

LAB 35.07, 63.37, -56.11

 

CMYK 2 / 86 / 0 / 32

HEX #AB18AE

RGB 171 24 174

HSL 298.8, 0.76%, 0.39%

LAB 41.79, 70.22, -44.93

 

CMYK 0 / 86 / 22 / 32

HEX #AE1888

RGB 174 24 136

HSL 315.2, 0.76%, 0.39%

LAB 40.29, 65.39, -24.3

 

CMYK 0 / 86 / 45 / 32

HEX #AE185F

RGB 174 24 95

HSL 331.6, 0.76%, 0.39%

LAB 38.69, 60.92, -1.07

 

CMYK 0 / 86 / 68 / 32

HEX #AE1837

RGB 174 24 55

HSL 347.6, 0.76%, 0.39%

LAB 37.71, 58.1, 23.17

 

CMYK 25 / 86 / 0 / 32

HEX #8318AE

RGB 131 24 174

HSL 282.8, 0.76%, 0.39%

LAB 35.07, 63.37, -56.11

 

CMYK 48 / 86 / 0 / 32

HEX #5B18AE

RGB 91 24 174

HSL 266.8, 0.76%, 0.39%

LAB 29.24, 57.76, -65.88

 

CMYK 71 / 86 / 0 / 32

HEX #3218AE

RGB 50 24 174

HSL 250.4, 0.76%, 0.39%

LAB 24.91, 53.9, -73.18

 

CMYK 86 / 86 / 0 / 32

HEX #1818AE

RGB 24 24 174

HSL 240, 0.76%, 0.39%

LAB 23.35, 52.6, -75.82

 

CMYK 25 / 86 / 0 / 32

HEX #8318AE

RGB 131 24 174

HSL 282.8, 0.76%, 0.39%

LAB 35.07, 63.37, -56.11

 

CMYK 27 / 96 / 0 / 25

HEX #8A08BE

RGB 138 8 190

HSL 282.86, 0.92%, 0.39%

LAB 36.55, 70.22, -63.15

 

CMYK 25 / 86 / 0 / 32

HEX #8318AE

RGB 131 24 174

HSL 282.8, 0.76%, 0.39%

LAB 35.07, 63.37, -56.11

 

CMYK 21 / 75 / 0 / 38

HEX #7C289D

RGB 124 40 157

HSL 283.08, 0.59%, 0.39%

LAB 34.47, 53.59, -46.9

 

CMYK 17 / 60 / 0 / 45

HEX #75398D

RGB 117 57 141

HSL 282.86, 0.42%, 0.39%

LAB 35.26, 40.6, -35.93

 

CMYK 12 / 42 / 0 / 51

HEX #6E497D

RGB 110 73 125

HSL 282.69, 0.26%, 0.39%

LAB 37.04, 25.74, -23.34

 

CMYK 6 / 18 / 0 / 57

HEX #67596D

RGB 103 89 109

HSL 282, 0.1%, 0.39%

LAB 39.8, 9.79, -9.3

 

CMYK 72 / 86 / 0 / 32

HEX #3118AE

RGB 49 24 174

HSL 250, 0.76%, 0.39%

LAB 24.83, 53.84, -73.31

 

CMYK 49 / 86 / 0 / 32

HEX #5918AE

RGB 89 24 174

HSL 266, 0.76%, 0.39%

LAB 28.99, 57.52, -66.31

 

CMYK 26 / 86 / 0 / 32

HEX #8118AE

RGB 129 24 174

HSL 282, 0.76%, 0.39%

LAB 34.75, 63.05, -56.64

 

CMYK 3 / 86 / 0 / 32

HEX #A918AE

RGB 169 24 174

HSL 298, 0.76%, 0.39%

LAB 41.44, 69.86, -45.51

 

CMYK 0 / 86 / 20 / 32

HEX #AE188B

RGB 174 24 139

HSL 314, 0.76%, 0.39%

LAB 40.44, 65.78, -25.92

 

CMYK 25 / 86 / 0 / 60

HEX #4C0E65

RGB 76 14 101

HSL 282.76, 0.76%, 0.23%

LAB 19.18, 41.58, -36.7

 

CMYK 24 / 86 / 0 / 46

HEX #681389

RGB 104 19 137

HSL 283.22, 0.76%, 0.31%

LAB 27.34, 52.78, -46.3

 

CMYK 25 / 86 / 0 / 32

HEX #8318AE

RGB 131 24 174

HSL 282.8, 0.76%, 0.39%

LAB 35.07, 63.37, -56.11

 

CMYK 25 / 86 / 0 / 18

HEX #9E1ED2

RGB 158 30 210

HSL 282.67, 0.75%, 0.47%

LAB 42.54, 73.08, -64.91

 

CMYK 22 / 76 / 0 / 11

HEX #B136E2

RGB 177 54 226

HSL 282.91, 0.75%, 0.55%

LAB 48.85, 72.51, -63.69

 

CMYK 24 / 85 / 0 / 33

HEX #8219AC

RGB 130 25 172

HSL 282.86, 0.75%, 0.39%

LAB 34.84, 62.57, -55.29

 

CMYK 0 / 86 / 78 / 32

HEX #AE1827

RGB 174 24 39

HSL 354, 0.76%, 0.39%

LAB 37.48, 57.41, 32.79

 

CMYK 86 / 0 / 60 / 32

HEX #18AE45

RGB 24 174 69

HSL 138, 0.76%, 0.39%

LAB 62.42, -58.6, 42.86

 

CMYK 24 / 85 / 0 / 33

HEX #8219AC

RGB 130 25 172

HSL 282.86, 0.75%, 0.39%

LAB 34.84, 62.57, -55.29

 

CMYK 0 / 26 / 86 / 32

HEX #AE8118

RGB 174 129 24

HSL 42, 0.76%, 0.39%

LAB 56.85, 8.37, 57.48

 

CMYK 86 / 0 / 26 / 32

HEX #18AE81

RGB 24 174 129

HSL 162, 0.76%, 0.39%

LAB 63.39, -47.41, 12.9

 

CMYK 24 / 85 / 0 / 33

HEX #8219AC

RGB 130 25 172

HSL 282.86, 0.75%, 0.39%

LAB 34.84, 62.57, -55.29

 

CMYK 0 / 86 / 78 / 32

HEX #AE1827

RGB 174 24 39

HSL 354, 0.76%, 0.39%

LAB 37.48, 57.41, 32.79

 

CMYK 60 / 0 / 86 / 32

HEX #45AE18

RGB 69 174 24

HSL 102, 0.76%, 0.39%

LAB 63.01, -54.75, 60

 

CMYK 86 / 0 / 9 / 32

HEX #18AE9F

RGB 24 174 159

HSL 174, 0.76%, 0.39%

LAB 64.14, -39.49, -2.67

 

CMYK 24 / 85 / 0 / 33

HEX #8219AC

RGB 130 25 172

HSL 282.86, 0.75%, 0.39%

LAB 34.84, 62.57, -55.29

 

CMYK 0 / 69 / 86 / 32

HEX #AE3618

RGB 174 54 24

HSL 12, 0.76%, 0.39%

LAB 40.74, 47.47, 43.98

 

CMYK 60 / 0 / 86 / 32

HEX #45AE18

RGB 69 174 24

HSL 102, 0.76%, 0.39%

LAB 63.01, -54.75, 60

 

CMYK 86 / 17 / 0 / 32

HEX #1890AE

RGB 24 144 174

HSL 192, 0.76%, 0.39%

LAB 55.27, -20.14, -24.5

 

Description

Color code: RGB 130 25 172 | qconv.com Color code: RGB 130 25 172 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 25 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 25 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 85 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 85% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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