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Color name
RGB 130 32 14

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 32 14 it is the complementary color RGB 125 223 241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 32 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 32 14 shade: RGB 135 32 9, RGB 152 50 28, RGB 169 68 47, RGB 186 86 66 and RGB 203 104 85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 32 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 32 14 shade: RGB 130 32 14, RGB 113 14 0, RGB 96 0 0, RGB 79 0 0 and RGB 62 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 32 14 shade: RGB 129 31 13 and RGB 129 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 32 14 shade: RGB 129 31 13, RGB 129 62 13, RGB 129 93 13, RGB 129 125 13 and RGB 102 129 13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 32 14 shade matches the following richer shades: RGB 129 31 13 and RGB 140 23 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 32 14 shade: RGB 129 31 13, RGB 117 39 25, RGB 106 47 36, RGB 94 55 48 and RGB 83 63 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 32 14 shade: RGB 129 13 57, RGB 129 13 27, RGB 129 30 13, RGB 129 61 13 and RGB 129 92 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 32 14 shade: RGB 54 13 5, RGB 91 22 9, RGB 129 31 13, RGB 166 40 17 and RGB 203 49 21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 32 14 shade: RGB 130 32 14, RGB 88 129 13 and RGB 13 42 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 32 14 shade: RGB 130 32 14, RGB 13 129 30 and RGB 30 13 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 32 14 shade: RGB 130 32 14, RGB 88 129 13, RGB 13 111 129 and RGB 54 13 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 32 14 shade: RGB 130 32 14, RGB 54 129 13, RGB 13 111 129 and RGB 88 13 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 89 / 49

HEX #82200E

RGB 130 32 14

HSL 9.31, 0.81%, 0.28%

LAB 28.93, 40.81, 35.3

 

Complementary color

CMYK 48 / 7 / 0 / 5

HEX #7DDFF1

RGB 125 223 241

HSL 189.31, 0.81%, 0.72%

LAB 83.7, -24.17, -17.73

 

CMYK 0 / 76 / 93 / 47

HEX #872009

RGB 135 32 9

HSL 10.95, 0.88%, 0.28%

LAB 29.92, 42.42, 38.72

 

CMYK 0 / 67 / 82 / 40

HEX #98321C

RGB 152 50 28

HSL 10.65, 0.69%, 0.35%

LAB 36.06, 41.52, 36.21

 

CMYK 0 / 60 / 72 / 34

HEX #A9442F

RGB 169 68 47

HSL 10.33, 0.56%, 0.42%

LAB 42.42, 40.24, 33.38

 

CMYK 0 / 54 / 65 / 27

HEX #BA5642

RGB 186 86 66

HSL 10, 0.48%, 0.49%

LAB 48.87, 38.86, 30.84

 

CMYK 0 / 49 / 58 / 20

HEX #CB6855

RGB 203 104 85

HSL 9.66, 0.53%, 0.56%

LAB 55.33, 37.52, 28.62

 

CMYK 0 / 75 / 89 / 49

HEX #82200E

RGB 130 32 14

HSL 9.31, 0.81%, 0.28%

LAB 28.93, 40.81, 35.3

 

CMYK 0 / 88 / 100 / 56

HEX #710E00

RGB 113 14 0

HSL 7.43, 1%, 0.22%

LAB 23.08, 40.79, 34.49

 

CMYK 0 / 100 / 100 / 62

HEX #600000

RGB 96 0 0

HSL 0, 1%, 0.19%

LAB 17.86, 39.18, 27.56

 

CMYK 0 / 100 / 100 / 69

HEX #4F0000

RGB 79 0 0

HSL 0, 1%, 0.15%

LAB 13.6, 34.26, 21.3

 

CMYK 0 / 100 / 100 / 76

HEX #3E0000

RGB 62 0 0

HSL 0, 1%, 0.12%

LAB 9.19, 29.15, 14.52

 

CMYK 0 / 76 / 90 / 49

HEX #811F0D

RGB 129 31 13

HSL 9.31, 0.82%, 0.28%

LAB 28.58, 40.82, 35.41

 

CMYK 0 / 90 / 90 / 49

HEX #810D0D

RGB 129 13 13

HSL 0, 0.82%, 0.28%

LAB 26.69, 46.15, 33.8

 

CMYK 0 / 76 / 90 / 49

HEX #811F0D

RGB 129 31 13

HSL 9.31, 0.82%, 0.28%

LAB 28.58, 40.82, 35.41

 

CMYK 0 / 52 / 90 / 49

HEX #813E0D

RGB 129 62 13

HSL 25.34, 0.82%, 0.28%

LAB 34.28, 25.83, 40.05

 

CMYK 0 / 28 / 90 / 49

HEX #815D0D

RGB 129 93 13

HSL 41.38, 0.82%, 0.28%

LAB 42.04, 7.72, 46.34

 

CMYK 0 / 3 / 90 / 49

HEX #817D0D

RGB 129 125 13

HSL 57.93, 0.82%, 0.28%

LAB 51.11, -10.57, 53.66

 

CMYK 21 / 0 / 90 / 49

HEX #66810D

RGB 102 129 13

HSL 73.97, 0.82%, 0.28%

LAB 50.16, -24.93, 52

 

CMYK 0 / 76 / 90 / 49

HEX #811F0D

RGB 129 31 13

HSL 9.31, 0.82%, 0.28%

LAB 28.58, 40.82, 35.41

 

CMYK 0 / 84 / 99 / 45

HEX #8C1702

RGB 140 23 2

HSL 9.13, 0.97%, 0.28%

LAB 29.89, 46.82, 42.01

 

CMYK 0 / 76 / 90 / 49

HEX #811F0D

RGB 129 31 13

HSL 9.31, 0.82%, 0.28%

LAB 28.58, 40.82, 35.41

 

CMYK 0 / 67 / 79 / 54

HEX #752719

RGB 117 39 25

HSL 9.13, 0.65%, 0.28%

LAB 27.58, 33.42, 27.1

 

CMYK 0 / 56 / 66 / 58

HEX #6A2F24

RGB 106 47 36

HSL 9.43, 0.49%, 0.28%

LAB 27.37, 25.41, 19.53

 

CMYK 0 / 41 / 49 / 63

HEX #5E3730

RGB 94 55 48

HSL 9.13, 0.32%, 0.28%

LAB 27.64, 16.52, 11.77

 

CMYK 0 / 24 / 29 / 67

HEX #533F3B

RGB 83 63 59

HSL 10, 0.17%, 0.28%

LAB 28.67, 8.02, 5.8

 

CMYK 0 / 90 / 56 / 49

HEX #810D39

RGB 129 13 57

HSL 337.24, 0.82%, 0.28%

LAB 27.44, 48.31, 6.46

 

CMYK 0 / 90 / 79 / 49

HEX #810D1B

RGB 129 13 27

HSL 352.76, 0.82%, 0.28%

LAB 26.83, 46.56, 25.76

 

CMYK 0 / 77 / 90 / 49

HEX #811E0D

RGB 129 30 13

HSL 8.79, 0.82%, 0.28%

LAB 28.45, 41.2, 35.3

 

CMYK 0 / 53 / 90 / 49

HEX #813D0D

RGB 129 61 13

HSL 24.83, 0.82%, 0.28%

LAB 34.05, 26.39, 39.87

 

CMYK 0 / 29 / 90 / 49

HEX #815C0D

RGB 129 92 13

HSL 40.86, 0.82%, 0.28%

LAB 41.77, 8.31, 46.12

 

CMYK 0 / 76 / 91 / 79

HEX #360D05

RGB 54 13 5

HSL 9.8, 0.83%, 0.12%

LAB 9.67, 19.94, 12.9

 

CMYK 0 / 76 / 90 / 64

HEX #5B1609

RGB 91 22 9

HSL 9.51, 0.82%, 0.2%

LAB 19.3, 30.73, 25.3

 

CMYK 0 / 76 / 90 / 49

HEX #811F0D

RGB 129 31 13

HSL 9.31, 0.82%, 0.28%

LAB 28.58, 40.82, 35.41

 

CMYK 0 / 76 / 90 / 35

HEX #A62811

RGB 166 40 17

HSL 9.26, 0.81%, 0.36%

LAB 37.23, 49.95, 43.61

 

CMYK 0 / 76 / 90 / 20

HEX #CB3115

RGB 203 49 21

HSL 9.23, 0.81%, 0.44%

LAB 45.56, 58.65, 51.41

 

CMYK 0 / 75 / 89 / 49

HEX #82200E

RGB 130 32 14

HSL 9.31, 0.81%, 0.28%

LAB 28.93, 40.81, 35.3

 

CMYK 32 / 0 / 90 / 49

HEX #58810D

RGB 88 129 13

HSL 81.21, 0.82%, 0.28%

LAB 49.26, -30.82, 50.87

 

CMYK 90 / 67 / 0 / 49

HEX #0D2A81

RGB 13 42 129

HSL 225, 0.82%, 0.28%

LAB 21.31, 26, -51.51

 

CMYK 0 / 75 / 89 / 49

HEX #82200E

RGB 130 32 14

HSL 9.31, 0.81%, 0.28%

LAB 28.93, 40.81, 35.3

 

CMYK 90 / 0 / 77 / 49

HEX #0D811E

RGB 13 129 30

HSL 128.79, 0.82%, 0.28%

LAB 46.82, -49.37, 42.61

 

CMYK 77 / 90 / 0 / 49

HEX #1E0D81

RGB 30 13 129

HSL 248.79, 0.82%, 0.28%

LAB 16.25, 43.75, -59.84

 

CMYK 0 / 75 / 89 / 49

HEX #82200E

RGB 130 32 14

HSL 9.31, 0.81%, 0.28%

LAB 28.93, 40.81, 35.3

 

CMYK 32 / 0 / 90 / 49

HEX #58810D

RGB 88 129 13

HSL 81.21, 0.82%, 0.28%

LAB 49.26, -30.82, 50.87

 

CMYK 90 / 14 / 0 / 49

HEX #0D6F81

RGB 13 111 129

HSL 189.31, 0.82%, 0.28%

LAB 42.82, -18.98, -17.29

 

CMYK 58 / 90 / 0 / 49

HEX #360D81

RGB 54 13 129

HSL 261.21, 0.82%, 0.28%

LAB 18.61, 45.68, -55.85

 

CMYK 0 / 75 / 89 / 49

HEX #82200E

RGB 130 32 14

HSL 9.31, 0.81%, 0.28%

LAB 28.93, 40.81, 35.3

 

CMYK 58 / 0 / 90 / 49

HEX #36810D

RGB 54 129 13

HSL 98.79, 0.82%, 0.28%

LAB 47.64, -42.73, 48.85

 

CMYK 90 / 14 / 0 / 49

HEX #0D6F81

RGB 13 111 129

HSL 189.31, 0.82%, 0.28%

LAB 42.82, -18.98, -17.29

 

CMYK 32 / 90 / 0 / 49

HEX #580D81

RGB 88 13 129

HSL 278.79, 0.82%, 0.28%

LAB 23.5, 50.06, -47.64

 

Description

Color code: RGB 130 32 14 | qconv.com Color code: RGB 130 32 14 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 32 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 32 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 89 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 89% 49% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - De Chico a GIGANTE
Link: http://www.dechicoagigante.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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