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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 101 120 it is the complementary color RGB 124 154 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 101 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 101 120 shade: RGB 136 101 115, RGB 153 119 134, RGB 170 137 153, RGB 187 155 172 and RGB 204 173 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 101 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 101 120 shade: RGB 131 101 120, RGB 114 83 101, RGB 97 65 82, RGB 80 47 63 and RGB 63 29 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 101 120 shade: RGB 129 99 118, RGB 129 99 110, RGB 129 99 102 and RGB 129 99 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 101 120 shade: RGB 129 99 118, RGB 129 99 126, RGB 124 99 129, RGB 116 99 129 and RGB 108 99 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 101 120 shade matches the following richer shades: RGB 129 99 118, RGB 148 81 123, RGB 166 62 128, RGB 185 44 133 and RGB 203 25 138

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 101 120 shade: RGB 129 99 118, RGB 111 118 113, RGB 92 136 108, RGB 73 155 103 and RGB 55 174 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 101 120 shade: RGB 124 99 129, RGB 129 99 126, RGB 129 99 118, RGB 129 99 110 and RGB 129 99 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 101 120 shade: RGB 83 63 76, RGB 106 81 97, RGB 129 99 118, RGB 150 119 139 and RGB 168 143 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 101 120 shade: RGB 131 101 120, RGB 129 116 99 and RGB 99 129 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 101 120 shade: RGB 131 101 120, RGB 118 129 99 and RGB 99 118 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 101 120 shade: RGB 131 101 120, RGB 129 116 99, RGB 99 129 110 and RGB 99 112 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 101 120 shade: RGB 131 101 120, RGB 129 125 99, RGB 99 129 110 and RGB 99 103 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 8 / 49

HEX #836578

RGB 131 101 120

HSL 322, 0.13%, 0.45%

LAB 46.3, 15.41, -5.98

 

Complementary color

CMYK 19 / 0 / 12 / 40

HEX #7C9A87

RGB 124 154 135

HSL 142, 0.13%, 0.55%

LAB 60.91, -14.42, 6.54

 

CMYK 0 / 26 / 15 / 47

HEX #886573

RGB 136 101 115

HSL 336, 0.15%, 0.46%

LAB 46.68, 16.42, -2.34

 

CMYK 0 / 22 / 12 / 40

HEX #997786

RGB 153 119 134

HSL 333.53, 0.14%, 0.53%

LAB 53.69, 15.79, -3.08

 

CMYK 0 / 19 / 10 / 33

HEX #AA8999

RGB 170 137 153

HSL 330.91, 0.16%, 0.6%

LAB 60.55, 15.23, -3.75

 

CMYK 0 / 17 / 8 / 27

HEX #BB9BAC

RGB 187 155 172

HSL 328.13, 0.19%, 0.67%

LAB 67.27, 14.73, -4.39

 

CMYK 0 / 15 / 6 / 20

HEX #CCADBF

RGB 204 173 191

HSL 325.16, 0.23%, 0.74%

LAB 73.86, 14.27, -4.99

 

CMYK 0 / 23 / 8 / 49

HEX #836578

RGB 131 101 120

HSL 322, 0.13%, 0.45%

LAB 46.3, 15.41, -5.98

 

CMYK 0 / 27 / 11 / 55

HEX #725365

RGB 114 83 101

HSL 325.16, 0.16%, 0.39%

LAB 39.08, 16.07, -5.32

 

CMYK 0 / 33 / 15 / 62

HEX #614152

RGB 97 65 82

HSL 328.13, 0.2%, 0.32%

LAB 31.65, 16.82, -4.58

 

CMYK 0 / 41 / 21 / 69

HEX #502F3F

RGB 80 47 63

HSL 330.91, 0.26%, 0.25%

LAB 23.99, 17.71, -3.7

 

CMYK 0 / 54 / 30 / 75

HEX #3F1D2C

RGB 63 29 44

HSL 333.53, 0.37%, 0.18%

LAB 16.09, 18.7, -2.53

 

CMYK 0 / 23 / 9 / 49

HEX #816376

RGB 129 99 118

HSL 322, 0.13%, 0.45%

LAB 45.5, 15.46, -5.99

 

CMYK 0 / 23 / 15 / 49

HEX #81636E

RGB 129 99 110

HSL 338, 0.13%, 0.45%

LAB 45.24, 13.98, -1.53

 

CMYK 0 / 23 / 21 / 49

HEX #816366

RGB 129 99 102

HSL 354, 0.13%, 0.45%

LAB 45.01, 12.6, 2.97

 

CMYK 0 / 23 / 23 / 49

HEX #816363

RGB 129 99 99

HSL 0, 0.13%, 0.45%

LAB 44.93, 12.1, 4.66

 

CMYK 0 / 23 / 9 / 49

HEX #816376

RGB 129 99 118

HSL 322, 0.13%, 0.45%

LAB 45.5, 15.46, -5.99

 

CMYK 0 / 23 / 2 / 49

HEX #81637E

RGB 129 99 126

HSL 306, 0.13%, 0.45%

LAB 45.77, 17.02, -10.4

 

CMYK 4 / 23 / 0 / 49

HEX #7C6381

RGB 124 99 129

HSL 290, 0.13%, 0.45%

LAB 45.35, 15.81, -12.89

 

CMYK 10 / 23 / 0 / 49

HEX #746381

RGB 116 99 129

HSL 274, 0.13%, 0.45%

LAB 44.55, 12.93, -14.18

 

CMYK 16 / 23 / 0 / 49

HEX #6C6381

RGB 108 99 129

HSL 258, 0.13%, 0.45%

LAB 43.79, 10.09, -15.4

 

CMYK 0 / 23 / 9 / 49

HEX #816376

RGB 129 99 118

HSL 322, 0.13%, 0.45%

LAB 45.5, 15.46, -5.99

 

CMYK 0 / 45 / 17 / 42

HEX #94517B

RGB 148 81 123

HSL 322.39, 0.29%, 0.45%

LAB 43.67, 33.77, -11.52

 

CMYK 0 / 63 / 23 / 35

HEX #A63E80

RGB 166 62 128

HSL 321.92, 0.46%, 0.45%

LAB 42.93, 49.91, -15.45

 

CMYK 0 / 76 / 28 / 27

HEX #B92C85

RGB 185 44 133

HSL 322.13, 0.62%, 0.45%

LAB 43.96, 62.52, -16.64

 

CMYK 0 / 88 / 32 / 20

HEX #CB198A

RGB 203 25 138

HSL 321.91, 0.78%, 0.45%

LAB 45.94, 71.78, -16.36

 

CMYK 0 / 23 / 9 / 49

HEX #816376

RGB 129 99 118

HSL 322, 0.13%, 0.45%

LAB 45.5, 15.46, -5.99

 

CMYK 6 / 0 / 4 / 54

HEX #6F7671

RGB 111 118 113

HSL 137.14, 0.03%, 0.45%

LAB 48.92, -3.66, 1.84

 

CMYK 32 / 0 / 21 / 47

HEX #5C886C

RGB 92 136 108

HSL 141.82, 0.19%, 0.45%

LAB 52.91, -21.39, 10.29

 

CMYK 53 / 0 / 34 / 39

HEX #499B67

RGB 73 155 103

HSL 141.95, 0.36%, 0.45%

LAB 57.88, -37.21, 19.84

 

CMYK 68 / 0 / 44 / 32

HEX #37AE62

RGB 55 174 98

HSL 141.68, 0.52%, 0.45%

LAB 63.31, -49.95, 29.63

 

CMYK 4 / 23 / 0 / 49

HEX #7C6381

RGB 124 99 129

HSL 290, 0.13%, 0.45%

LAB 45.35, 15.81, -12.89

 

CMYK 0 / 23 / 2 / 49

HEX #81637E

RGB 129 99 126

HSL 306, 0.13%, 0.45%

LAB 45.77, 17.02, -10.4

 

CMYK 0 / 23 / 9 / 49

HEX #816376

RGB 129 99 118

HSL 322, 0.13%, 0.45%

LAB 45.5, 15.46, -5.99

 

CMYK 0 / 23 / 15 / 49

HEX #81636E

RGB 129 99 110

HSL 338, 0.13%, 0.45%

LAB 45.24, 13.98, -1.53

 

CMYK 0 / 23 / 21 / 49

HEX #816366

RGB 129 99 102

HSL 354, 0.13%, 0.45%

LAB 45.01, 12.6, 2.97

 

CMYK 0 / 24 / 8 / 67

HEX #533F4C

RGB 83 63 76

HSL 321, 0.14%, 0.29%

LAB 29.2, 11.2, -4.52

 

CMYK 0 / 24 / 8 / 58

HEX #6A5161

RGB 106 81 97

HSL 321.6, 0.13%, 0.37%

LAB 37.5, 13.37, -5.27

 

CMYK 0 / 23 / 9 / 49

HEX #816376

RGB 129 99 118

HSL 322, 0.13%, 0.45%

LAB 45.5, 15.46, -5.99

 

CMYK 0 / 21 / 7 / 41

HEX #96778B

RGB 150 119 139

HSL 321.29, 0.13%, 0.53%

LAB 53.54, 15.57, -6.27

 

CMYK 0 / 15 / 5 / 34

HEX #A88F9F

RGB 168 143 159

HSL 321.6, 0.13%, 0.61%

LAB 62.06, 12.2, -4.96

 

CMYK 0 / 23 / 8 / 49

HEX #836578

RGB 131 101 120

HSL 322, 0.13%, 0.45%

LAB 46.3, 15.41, -5.98

 

CMYK 0 / 10 / 23 / 49

HEX #817463

RGB 129 116 99

HSL 34, 0.13%, 0.45%

LAB 49.57, 2.11, 11.23

 

CMYK 23 / 0 / 1 / 49

HEX #638180

RGB 99 129 128

HSL 178, 0.13%, 0.45%

LAB 51.74, -10.85, -2.97

 

CMYK 0 / 23 / 8 / 49

HEX #836578

RGB 131 101 120

HSL 322, 0.13%, 0.45%

LAB 46.3, 15.41, -5.98

 

CMYK 9 / 0 / 23 / 49

HEX #768163

RGB 118 129 99

HSL 82, 0.13%, 0.45%

LAB 52.35, -9.75, 14.94

 

CMYK 23 / 9 / 0 / 49

HEX #637681

RGB 99 118 129

HSL 202, 0.13%, 0.45%

LAB 48.5, -4.36, -8.35

 

CMYK 0 / 23 / 8 / 49

HEX #836578

RGB 131 101 120

HSL 322, 0.13%, 0.45%

LAB 46.3, 15.41, -5.98

 

CMYK 0 / 10 / 23 / 49

HEX #817463

RGB 129 116 99

HSL 34, 0.13%, 0.45%

LAB 49.57, 2.11, 11.23

 

CMYK 23 / 0 / 15 / 49

HEX #63816E

RGB 99 129 110

HSL 142, 0.13%, 0.45%

LAB 51.24, -14.86, 6.83

 

CMYK 23 / 13 / 0 / 49

HEX #637081

RGB 99 112 129

HSL 214, 0.13%, 0.45%

LAB 46.75, -0.84, -11

 

CMYK 0 / 23 / 8 / 49

HEX #836578

RGB 131 101 120

HSL 322, 0.13%, 0.45%

LAB 46.3, 15.41, -5.98

 

CMYK 0 / 3 / 23 / 49

HEX #817D63

RGB 129 125 99

HSL 52, 0.13%, 0.45%

LAB 52.1, -3.05, 14.75

 

CMYK 23 / 0 / 15 / 49

HEX #63816E

RGB 99 129 110

HSL 142, 0.13%, 0.45%

LAB 51.24, -14.86, 6.83

 

CMYK 23 / 20 / 0 / 49

HEX #636781

RGB 99 103 129

HSL 232, 0.13%, 0.45%

LAB 44.14, 4.55, -14.94

 

Description

Color code: RGB 131 101 120 | qconv.com Color code: RGB 131 101 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 101 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 101 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 8 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 8% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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