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Color name
RGB 132 118 170

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 118 170 it is the complementary color RGB 123 137 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 118 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 132 118 170 shade: RGB 137 118 165, RGB 154 136 184, RGB 171 154 203, RGB 188 172 222 and RGB 205 190 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 118 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 132 118 170 shade: RGB 132 118 170, RGB 115 100 151, RGB 98 82 132, RGB 81 64 113 and RGB 64 46 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 132 118 170 shade: RGB 130 116 168, RGB 144 116 168, RGB 158 116 168, RGB 168 116 164 and RGB 168 116 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 132 118 170 shade: RGB 130 116 168 and RGB 116 116 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 132 118 170 shade matches the following richer shades: RGB 130 116 168, RGB 122 98 186, RGB 114 80 204, RGB 105 62 223 and RGB 97 44 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 132 118 170 shade: RGB 130 116 168, RGB 139 135 150, RGB 147 153 132, RGB 156 171 114 and RGB 164 189 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 132 118 170 shade: RGB 116 130 168, RGB 116 116 168, RGB 130 116 168, RGB 144 116 168 and RGB 158 116 168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 132 118 170 shade: RGB 90 78 124, RGB 109 94 150, RGB 130 116 168, RGB 153 142 184 and RGB 176 167 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 132 118 170 shade: RGB 132 118 170, RGB 168 116 144 and RGB 123 168 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 132 118 170 shade: RGB 132 118 170, RGB 168 130 116 and RGB 116 168 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 132 118 170 shade: RGB 132 118 170, RGB 168 116 144, RGB 154 168 116 and RGB 116 168 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 132 118 170 shade: RGB 132 118 170, RGB 168 116 129, RGB 154 168 116 and RGB 116 168 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 31 / 0 / 33

HEX #8476AA

RGB 132 118 170

HSL 256.15, 0.23%, 0.56%

LAB 52.69, 16.62, -25.77

 

Complementary color

CMYK 10 / 0 / 38 / 46

HEX #7B8955

RGB 123 137 85

HSL 76.15, 0.23%, 0.44%

LAB 54.82, -14.18, 26.22

 

CMYK 17 / 28 / 0 / 35

HEX #8976A5

RGB 137 118 165

HSL 264.26, 0.21%, 0.55%

LAB 52.94, 17.05, -22.45

 

CMYK 16 / 26 / 0 / 28

HEX #9A88B8

RGB 154 136 184

HSL 262.5, 0.25%, 0.63%

LAB 59.83, 16.5, -22.64

 

CMYK 16 / 24 / 0 / 20

HEX #AB9ACB

RGB 171 154 203

HSL 260.82, 0.32%, 0.7%

LAB 66.58, 16, -22.85

 

CMYK 15 / 23 / 0 / 13

HEX #BCACDE

RGB 188 172 222

HSL 259.2, 0.43%, 0.77%

LAB 73.2, 15.55, -23.09

 

CMYK 15 / 21 / 0 / 5

HEX #CDBEF1

RGB 205 190 241

HSL 257.65, 0.65%, 0.85%

LAB 79.7, 15.13, -23.33

 

CMYK 22 / 31 / 0 / 33

HEX #8476AA

RGB 132 118 170

HSL 256.15, 0.23%, 0.56%

LAB 52.69, 16.62, -25.77

 

CMYK 24 / 34 / 0 / 41

HEX #736497

RGB 115 100 151

HSL 257.65, 0.2%, 0.49%

LAB 45.63, 17.26, -25.7

 

CMYK 26 / 38 / 0 / 48

HEX #625284

RGB 98 82 132

HSL 259.2, 0.23%, 0.42%

LAB 38.37, 17.99, -25.67

 

CMYK 28 / 43 / 0 / 56

HEX #514071

RGB 81 64 113

HSL 260.82, 0.28%, 0.35%

LAB 30.9, 18.85, -25.7

 

CMYK 32 / 51 / 0 / 63

HEX #402E5E

RGB 64 46 94

HSL 262.5, 0.34%, 0.27%

LAB 23.18, 19.87, -25.78

 

CMYK 23 / 31 / 0 / 34

HEX #8274A8

RGB 130 116 168

HSL 256.15, 0.23%, 0.56%

LAB 51.91, 16.68, -25.83

 

CMYK 14 / 31 / 0 / 34

HEX #9074A8

RGB 144 116 168

HSL 272.31, 0.23%, 0.56%

LAB 53.22, 21.21, -23.7

 

CMYK 6 / 31 / 0 / 34

HEX #9E74A8

RGB 158 116 168

HSL 288.46, 0.23%, 0.56%

LAB 54.64, 25.85, -21.39

 

CMYK 0 / 31 / 2 / 34

HEX #A874A4

RGB 168 116 164

HSL 304.62, 0.23%, 0.56%

LAB 55.58, 28.44, -17.55

 

CMYK 0 / 31 / 11 / 34

HEX #A87496

RGB 168 116 150

HSL 320.77, 0.23%, 0.56%

LAB 55.09, 25.87, -10.16

 

CMYK 23 / 31 / 0 / 34

HEX #8274A8

RGB 130 116 168

HSL 256.15, 0.23%, 0.56%

LAB 51.91, 16.68, -25.83

 

CMYK 31 / 31 / 0 / 34

HEX #7474A8

RGB 116 116 168

HSL 240, 0.23%, 0.56%

LAB 50.72, 12.33, -27.77

 

CMYK 23 / 31 / 0 / 34

HEX #8274A8

RGB 130 116 168

HSL 256.15, 0.23%, 0.56%

LAB 51.91, 16.68, -25.83

 

CMYK 34 / 47 / 0 / 27

HEX #7A62BA

RGB 122 98 186

HSL 256.36, 0.39%, 0.56%

LAB 47.52, 29.71, -43.23

 

CMYK 44 / 61 / 0 / 20

HEX #7250CC

RGB 114 80 204

HSL 256.45, 0.55%, 0.56%

LAB 43.76, 43.26, -59.71

 

CMYK 53 / 72 / 0 / 13

HEX #693EDF

RGB 105 62 223

HSL 256.02, 0.72%, 0.56%

LAB 40.86, 56.56, -75.39

 

CMYK 60 / 82 / 0 / 5

HEX #612CF1

RGB 97 44 241

HSL 256.14, 0.88%, 0.56%

LAB 39.06, 68.3, -88.6

 

CMYK 23 / 31 / 0 / 34

HEX #8274A8

RGB 130 116 168

HSL 256.15, 0.23%, 0.56%

LAB 51.91, 16.68, -25.83

 

CMYK 7 / 10 / 0 / 41

HEX #8B8796

RGB 139 135 150

HSL 256, 0.07%, 0.56%

LAB 57.09, 4.51, -7.47

 

CMYK 4 / 0 / 14 / 40

HEX #939984

RGB 147 153 132

HSL 77.14, 0.09%, 0.56%

LAB 62.21, -6.07, 10.31

 

CMYK 9 / 0 / 33 / 33

HEX #9CAB72

RGB 156 171 114

HSL 75.79, 0.25%, 0.56%

LAB 67.58, -14.95, 27.66

 

CMYK 13 / 0 / 50 / 26

HEX #A4BD5F

RGB 164 189 95

HSL 75.96, 0.42%, 0.56%

LAB 72.97, -23.15, 44.32

 

CMYK 31 / 23 / 0 / 34

HEX #7482A8

RGB 116 130 168

HSL 223.85, 0.23%, 0.56%

LAB 54.56, 4.03, -21.84

 

CMYK 31 / 31 / 0 / 34

HEX #7474A8

RGB 116 116 168

HSL 240, 0.23%, 0.56%

LAB 50.72, 12.33, -27.77

 

CMYK 23 / 31 / 0 / 34

HEX #8274A8

RGB 130 116 168

HSL 256.15, 0.23%, 0.56%

LAB 51.91, 16.68, -25.83

 

CMYK 14 / 31 / 0 / 34

HEX #9074A8

RGB 144 116 168

HSL 272.31, 0.23%, 0.56%

LAB 53.22, 21.21, -23.7

 

CMYK 6 / 31 / 0 / 34

HEX #9E74A8

RGB 158 116 168

HSL 288.46, 0.23%, 0.56%

LAB 54.64, 25.85, -21.39

 

CMYK 27 / 37 / 0 / 51

HEX #5A4E7C

RGB 90 78 124

HSL 255.65, 0.23%, 0.4%

LAB 36.13, 15.8, -24.3

 

CMYK 27 / 37 / 0 / 41

HEX #6D5E96

RGB 109 94 150

HSL 256.07, 0.23%, 0.48%

LAB 43.45, 18.77, -28.54

 

CMYK 23 / 31 / 0 / 34

HEX #8274A8

RGB 130 116 168

HSL 256.15, 0.23%, 0.56%

LAB 51.91, 16.68, -25.83

 

CMYK 17 / 23 / 0 / 28

HEX #998EB8

RGB 153 142 184

HSL 255.71, 0.23%, 0.64%

LAB 61.29, 12.73, -20.42

 

CMYK 12 / 17 / 0 / 22

HEX #B0A7C8

RGB 176 167 200

HSL 256.36, 0.23%, 0.72%

LAB 70.2, 9.72, -15.66

 

CMYK 22 / 31 / 0 / 33

HEX #8476AA

RGB 132 118 170

HSL 256.15, 0.23%, 0.56%

LAB 52.69, 16.62, -25.77

 

CMYK 0 / 31 / 14 / 34

HEX #A87490

RGB 168 116 144

HSL 327.69, 0.23%, 0.56%

LAB 54.9, 24.82, -6.96

 

CMYK 27 / 0 / 31 / 34

HEX #7BA874

RGB 123 168 116

HSL 111.92, 0.23%, 0.56%

LAB 64.55, -25.44, 22.14

 

CMYK 22 / 31 / 0 / 33

HEX #8476AA

RGB 132 118 170

HSL 256.15, 0.23%, 0.56%

LAB 52.69, 16.62, -25.77

 

CMYK 0 / 23 / 31 / 34

HEX #A88274

RGB 168 130 116

HSL 16.15, 0.23%, 0.56%

LAB 57.61, 12.55, 13.19

 

CMYK 31 / 0 / 23 / 34

HEX #74A882

RGB 116 168 130

HSL 136.15, 0.23%, 0.56%

LAB 64.43, -25.31, 14.23

 

CMYK 22 / 31 / 0 / 33

HEX #8476AA

RGB 132 118 170

HSL 256.15, 0.23%, 0.56%

LAB 52.69, 16.62, -25.77

 

CMYK 0 / 31 / 14 / 34

HEX #A87490

RGB 168 116 144

HSL 327.69, 0.23%, 0.56%

LAB 54.9, 24.82, -6.96

 

CMYK 8 / 0 / 31 / 34

HEX #9AA874

RGB 154 168 116

HSL 76.15, 0.23%, 0.56%

LAB 66.62, -13.89, 25.29

 

CMYK 31 / 0 / 16 / 34

HEX #74A88D

RGB 116 168 141

HSL 148.85, 0.23%, 0.56%

LAB 64.68, -23.12, 8.49

 

CMYK 22 / 31 / 0 / 33

HEX #8476AA

RGB 132 118 170

HSL 256.15, 0.23%, 0.56%

LAB 52.69, 16.62, -25.77

 

CMYK 0 / 31 / 23 / 34

HEX #A87481

RGB 168 116 129

HSL 345, 0.23%, 0.56%

LAB 54.45, 22.39, 1.15

 

CMYK 8 / 0 / 31 / 34

HEX #9AA874

RGB 154 168 116

HSL 76.15, 0.23%, 0.56%

LAB 66.62, -13.89, 25.29

 

CMYK 31 / 0 / 7 / 34

HEX #74A89C

RGB 116 168 156

HSL 166.15, 0.23%, 0.56%

LAB 65.06, -19.86, 0.69

 

Description

Color code: RGB 132 118 170 | qconv.com Color code: RGB 132 118 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 118 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 118 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 31 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 31% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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