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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 182 90 it is the complementary color RGB 123 73 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 182 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 132 182 90 shade: RGB 137 182 85, RGB 154 200 104, RGB 171 218 123, RGB 188 236 142 and RGB 205 254 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 182 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 132 182 90 shade: RGB 132 182 90, RGB 115 164 71, RGB 98 146 52, RGB 81 128 33 and RGB 64 110 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 132 182 90 shade: RGB 131 181 88, RGB 156 181 88, RGB 181 181 88, RGB 181 157 88 and RGB 181 131 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 132 182 90 shade: RGB 131 181 88, RGB 105 181 88, RGB 88 181 96, RGB 88 181 121 and RGB 88 181 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 132 182 90 shade matches the following richer shades: RGB 131 181 88, RGB 129 201 69, RGB 127 220 49 and RGB 126 240 30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 132 182 90 shade: RGB 131 181 88, RGB 132 162 107, RGB 134 143 127, RGB 136 123 146 and RGB 137 104 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 132 182 90 shade: RGB 181 181 88, RGB 156 181 88, RGB 132 181 88, RGB 107 181 88 and RGB 88 181 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 132 182 90 shade: RGB 90 130 57, RGB 110 159 69, RGB 131 181 88, RGB 152 194 117 and RGB 173 207 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 132 182 90 shade: RGB 132 182 90, RGB 88 181 156 and RGB 181 88 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 132 182 90 shade: RGB 132 182 90, RGB 88 132 181 and RGB 181 88 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 132 182 90 shade: RGB 132 182 90, RGB 88 181 156, RGB 138 88 181 and RGB 181 88 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 132 182 90 shade: RGB 132 182 90, RGB 88 178 181, RGB 138 88 181 and RGB 181 91 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 51 / 29

HEX #84B65A

RGB 132 182 90

HSL 92.61, 0.39%, 0.53%

LAB 68.82, -32.57, 41.28

 

Complementary color

CMYK 25 / 56 / 0 / 35

HEX #7B49A5

RGB 123 73 165

HSL 272.61, 0.39%, 0.47%

LAB 40.72, 39.09, -41.69

 

CMYK 25 / 0 / 53 / 29

HEX #89B655

RGB 137 182 85

HSL 87.84, 0.4%, 0.52%

LAB 69.06, -31.26, 44.07

 

CMYK 23 / 0 / 48 / 22

HEX #9AC868

RGB 154 200 104

HSL 88.75, 0.47%, 0.6%

LAB 75.56, -31.3, 42.93

 

CMYK 22 / 0 / 44 / 15

HEX #ABDA7B

RGB 171 218 123

HSL 89.68, 0.56%, 0.67%

LAB 81.96, -31.29, 41.77

 

CMYK 20 / 0 / 40 / 7

HEX #BCEC8E

RGB 188 236 142

HSL 90.64, 0.71%, 0.74%

LAB 88.27, -31.25, 40.62

 

CMYK 19 / 0 / 37 / 0

HEX #CDFEA1

RGB 205 254 161

HSL 91.61, 0.98%, 0.81%

LAB 94.5, -31.18, 39.51

 

CMYK 27 / 0 / 51 / 29

HEX #84B65A

RGB 132 182 90

HSL 92.61, 0.39%, 0.53%

LAB 68.82, -32.57, 41.28

 

CMYK 30 / 0 / 57 / 36

HEX #73A447

RGB 115 164 71

HSL 91.61, 0.4%, 0.46%

LAB 62.21, -32.55, 42.42

 

CMYK 33 / 0 / 64 / 43

HEX #629234

RGB 98 146 52

HSL 90.64, 0.47%, 0.39%

LAB 55.48, -32.42, 43.41

 

CMYK 37 / 0 / 74 / 50

HEX #518021

RGB 81 128 33

HSL 89.68, 0.59%, 0.32%

LAB 48.63, -32.1, 43.98

 

CMYK 42 / 0 / 87 / 57

HEX #406E0E

RGB 64 110 14

HSL 88.75, 0.77%, 0.24%

LAB 41.65, -31.48, 43.51

 

CMYK 28 / 0 / 51 / 29

HEX #83B558

RGB 131 181 88

HSL 92.26, 0.39%, 0.53%

LAB 68.44, -32.7, 41.79

 

CMYK 14 / 0 / 51 / 29

HEX #9CB558

RGB 156 181 88

HSL 76.13, 0.39%, 0.53%

LAB 70.05, -23.08, 44.1

 

CMYK 0 / 0 / 51 / 29

HEX #B5B558

RGB 181 181 88

HSL 60, 0.39%, 0.53%

LAB 71.94, -12.87, 46.81

 

CMYK 0 / 13 / 51 / 29

HEX #B59D58

RGB 181 157 88

HSL 44.52, 0.39%, 0.53%

LAB 65.47, -0.18, 39.07

 

CMYK 0 / 28 / 51 / 29

HEX #B58358

RGB 181 131 88

HSL 27.74, 0.39%, 0.53%

LAB 58.75, 14.14, 30.72

 

CMYK 28 / 0 / 51 / 29

HEX #83B558

RGB 131 181 88

HSL 92.26, 0.39%, 0.53%

LAB 68.44, -32.7, 41.79

 

CMYK 42 / 0 / 51 / 29

HEX #69B558

RGB 105 181 88

HSL 109.03, 0.39%, 0.53%

LAB 67.09, -41.64, 39.84

 

CMYK 51 / 0 / 47 / 29

HEX #58B560

RGB 88 181 96

HSL 125.16, 0.39%, 0.53%

LAB 66.49, -45.55, 34.93

 

CMYK 51 / 0 / 33 / 29

HEX #58B579

RGB 88 181 121

HSL 141.29, 0.39%, 0.53%

LAB 66.9, -41.31, 22.34

 

CMYK 51 / 0 / 19 / 29

HEX #58B592

RGB 88 181 146

HSL 157.42, 0.39%, 0.53%

LAB 67.43, -36.12, 9.47

 

CMYK 28 / 0 / 51 / 29

HEX #83B558

RGB 131 181 88

HSL 92.26, 0.39%, 0.53%

LAB 68.44, -32.7, 41.79

 

CMYK 36 / 0 / 66 / 21

HEX #81C945

RGB 129 201 69

HSL 92.73, 0.55%, 0.53%

LAB 74.11, -44.16, 56.77

 

CMYK 42 / 0 / 78 / 14

HEX #7FDC31

RGB 127 220 49

HSL 92.63, 0.71%, 0.53%

LAB 79.57, -53.89, 69.26

 

CMYK 48 / 0 / 88 / 6

HEX #7EF01E

RGB 126 240 30

HSL 92.57, 0.88%, 0.53%

LAB 85.43, -62.5, 78.92

 

CMYK 28 / 0 / 51 / 29

HEX #83B558

RGB 131 181 88

HSL 92.26, 0.39%, 0.53%

LAB 68.44, -32.7, 41.79

 

CMYK 19 / 0 / 34 / 36

HEX #84A26B

RGB 132 162 107

HSL 92.73, 0.23%, 0.53%

LAB 63.18, -20.57, 25.3

 

CMYK 6 / 0 / 11 / 44

HEX #868F7F

RGB 134 143 127

HSL 93.75, 0.07%, 0.53%

LAB 58.27, -6.38, 7.39

 

CMYK 7 / 16 / 0 / 43

HEX #887B92

RGB 136 123 146

HSL 273.91, 0.1%, 0.53%

LAB 53.47, 9.54, -10.6

 

CMYK 17 / 37 / 0 / 35

HEX #8968A5

RGB 137 104 165

HSL 272.46, 0.25%, 0.53%

LAB 49.42, 25.29, -27.89

 

CMYK 0 / 0 / 51 / 29

HEX #B5B558

RGB 181 181 88

HSL 60, 0.39%, 0.53%

LAB 71.94, -12.87, 46.81

 

CMYK 14 / 0 / 51 / 29

HEX #9CB558

RGB 156 181 88

HSL 76.13, 0.39%, 0.53%

LAB 70.05, -23.08, 44.1

 

CMYK 27 / 0 / 51 / 29

HEX #84B558

RGB 132 181 88

HSL 91.61, 0.39%, 0.53%

LAB 68.5, -32.33, 41.88

 

CMYK 41 / 0 / 51 / 29

HEX #6BB558

RGB 107 181 88

HSL 107.74, 0.39%, 0.53%

LAB 67.19, -41.01, 39.98

 

CMYK 51 / 0 / 48 / 29

HEX #58B55E

RGB 88 181 94

HSL 123.87, 0.39%, 0.53%

LAB 66.47, -45.84, 35.91

 

CMYK 31 / 0 / 56 / 49

HEX #5A8239

RGB 90 130 57

HSL 92.88, 0.39%, 0.37%

LAB 50.02, -27.36, 34.68

 

CMYK 31 / 0 / 57 / 38

HEX #6E9F45

RGB 110 159 69

HSL 92.67, 0.39%, 0.45%

LAB 60.37, -32.29, 41.17

 

CMYK 28 / 0 / 51 / 29

HEX #83B558

RGB 131 181 88

HSL 92.26, 0.39%, 0.53%

LAB 68.44, -32.7, 41.79

 

CMYK 22 / 0 / 40 / 24

HEX #98C275

RGB 152 194 117

HSL 92.73, 0.39%, 0.61%

LAB 73.9, -27.57, 34.27

 

CMYK 16 / 0 / 30 / 19

HEX #ADCF91

RGB 173 207 145

HSL 92.9, 0.39%, 0.69%

LAB 79.36, -22.33, 27.2

 

CMYK 27 / 0 / 51 / 29

HEX #84B65A

RGB 132 182 90

HSL 92.61, 0.39%, 0.53%

LAB 68.82, -32.57, 41.28

 

CMYK 51 / 0 / 14 / 29

HEX #58B59C

RGB 88 181 156

HSL 163.87, 0.39%, 0.53%

LAB 67.67, -33.79, 4.32

 

CMYK 0 / 51 / 7 / 29

HEX #B558A9

RGB 181 88 169

HSL 307.74, 0.39%, 0.53%

LAB 51.46, 48.55, -26.65

 

CMYK 27 / 0 / 51 / 29

HEX #84B65A

RGB 132 182 90

HSL 92.61, 0.39%, 0.53%

LAB 68.82, -32.57, 41.28

 

CMYK 51 / 27 / 0 / 29

HEX #5884B5

RGB 88 132 181

HSL 211.61, 0.39%, 0.53%

LAB 53.94, -1.03, -30.42

 

CMYK 0 / 51 / 27 / 29

HEX #B55884

RGB 181 88 132

HSL 331.61, 0.39%, 0.53%

LAB 50.06, 42.76, -6.89

 

CMYK 27 / 0 / 51 / 29

HEX #84B65A

RGB 132 182 90

HSL 92.61, 0.39%, 0.53%

LAB 68.82, -32.57, 41.28

 

CMYK 51 / 0 / 14 / 29

HEX #58B59C

RGB 88 181 156

HSL 163.87, 0.39%, 0.53%

LAB 67.67, -33.79, 4.32

 

CMYK 24 / 51 / 0 / 29

HEX #8A58B5

RGB 138 88 181

HSL 272.26, 0.39%, 0.53%

LAB 46.6, 38.59, -41.67

 

CMYK 0 / 51 / 38 / 29

HEX #B55871

RGB 181 88 113

HSL 343.87, 0.39%, 0.53%

LAB 49.49, 40.31, 3.66

 

CMYK 27 / 0 / 51 / 29

HEX #84B65A

RGB 132 182 90

HSL 92.61, 0.39%, 0.53%

LAB 68.82, -32.57, 41.28

 

CMYK 51 / 2 / 0 / 29

HEX #58B2B5

RGB 88 178 181

HSL 181.94, 0.39%, 0.53%

LAB 67.47, -25.95, -9.79

 

CMYK 24 / 51 / 0 / 29

HEX #8A58B5

RGB 138 88 181

HSL 272.26, 0.39%, 0.53%

LAB 46.6, 38.59, -41.67

 

CMYK 0 / 50 / 51 / 29

HEX #B55B58

RGB 181 91 88

HSL 1.94, 0.39%, 0.53%

LAB 49.51, 36.1, 18.64

 

Description

Color code: RGB 132 182 90 | qconv.com Color code: RGB 132 182 90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 182 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 182 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 51 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 51% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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