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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 214 212 it is the complementary color RGB 123 41 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 214 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 132 214 212 shade: RGB 137 214 207, RGB 154 232 226, RGB 171 250 245, RGB 188 255 255 and RGB 205 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 214 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 132 214 212 shade: RGB 132 214 212, RGB 115 196 193, RGB 98 178 174, RGB 81 160 155 and RGB 64 142 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 132 214 212 shade: RGB 132 214 212, RGB 132 214 190, RGB 132 214 168, RGB 132 214 146 and RGB 141 214 132

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 132 214 212 shade: RGB 132 214 212, RGB 132 194 214, RGB 132 172 214, RGB 132 150 214 and RGB 132 132 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 132 214 212 shade matches the following richer shades: RGB 132 214 212, RGB 119 227 224, RGB 106 240 237 and RGB 92 253 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 132 214 212 shade: RGB 132 214 212, RGB 145 200 199, RGB 159 187 187, RGB 172 174 174 and RGB 185 161 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 132 214 212 shade: RGB 132 214 167, RGB 132 214 189, RGB 132 214 211, RGB 132 195 214 and RGB 132 173 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 132 214 212 shade: RGB 70 193 190, RGB 101 203 201, RGB 132 214 212, RGB 163 224 223 and RGB 194 234 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 132 214 212 shade: RGB 132 214 212, RGB 146 132 214 and RGB 214 178 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 132 214 212 shade: RGB 132 214 212, RGB 211 132 214 and RGB 214 211 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 132 214 212 shade: RGB 132 214 212, RGB 146 132 214, RGB 214 132 135 and RGB 200 214 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 132 214 212 shade: RGB 132 214 212, RGB 170 132 214, RGB 214 132 135 and RGB 176 214 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 1 / 16

HEX #84D6D4

RGB 132 214 212

HSL 178.54, 0.5%, 0.68%

LAB 80.6, -25.4, -6.91

 

Complementary color

CMYK 0 / 67 / 65 / 52

HEX #7B292B

RGB 123 41 43

HSL 358.54, 0.5%, 0.32%

LAB 29.34, 35.77, 18.15

 

CMYK 36 / 0 / 3 / 16

HEX #89D6CF

RGB 137 214 207

HSL 174.55, 0.48%, 0.69%

LAB 80.69, -25.28, -4.08

 

CMYK 34 / 0 / 3 / 9

HEX #9AE8E2

RGB 154 232 226

HSL 175.38, 0.63%, 0.76%

LAB 87.03, -25.17, -4.71

 

CMYK 32 / 0 / 2 / 2

HEX #ABFAF5

RGB 171 250 245

HSL 176.2, 0.89%, 0.83%

LAB 93.29, -25.05, -5.31

 

CMYK 26 / 0 / 0 / 0

HEX #BCFFFF

RGB 188 255 255

HSL 180, 1%, 0.87%

LAB 95.76, -20.62, -6.73

 

CMYK 20 / 0 / 0 / 0

HEX #CDFFFF

RGB 205 255 255

HSL 180, 1%, 0.9%

LAB 96.71, -15.72, -5.23

 

CMYK 38 / 0 / 1 / 16

HEX #84D6D4

RGB 132 214 212

HSL 178.54, 0.5%, 0.68%

LAB 80.6, -25.4, -6.91

 

CMYK 41 / 0 / 2 / 23

HEX #73C4C1

RGB 115 196 193

HSL 177.78, 0.41%, 0.61%

LAB 74.17, -25.46, -6.28

 

CMYK 45 / 0 / 2 / 30

HEX #62B2AE

RGB 98 178 174

HSL 177, 0.34%, 0.54%

LAB 67.65, -25.5, -5.61

 

CMYK 49 / 0 / 3 / 37

HEX #51A09B

RGB 81 160 155

HSL 176.2, 0.33%, 0.47%

LAB 61.01, -25.49, -4.89

 

CMYK 55 / 0 / 4 / 44

HEX #408E88

RGB 64 142 136

HSL 175.38, 0.38%, 0.4%

LAB 54.25, -25.41, -4.1

 

CMYK 38 / 0 / 1 / 16

HEX #84D6D4

RGB 132 214 212

HSL 178.54, 0.5%, 0.68%

LAB 80.6, -25.4, -6.91

 

CMYK 38 / 0 / 11 / 16

HEX #84D6BE

RGB 132 214 190

HSL 162.44, 0.5%, 0.68%

LAB 80.02, -30.47, 3.98

 

CMYK 38 / 0 / 21 / 16

HEX #84D6A8

RGB 132 214 168

HSL 146.34, 0.5%, 0.68%

LAB 79.51, -35.05, 14.96

 

CMYK 38 / 0 / 32 / 16

HEX #84D692

RGB 132 214 146

HSL 130.24, 0.5%, 0.68%

LAB 79.08, -39.09, 25.92

 

CMYK 34 / 0 / 38 / 16

HEX #8DD684

RGB 141 214 132

HSL 113.41, 0.5%, 0.68%

LAB 79.28, -38.54, 33.48

 

CMYK 38 / 0 / 1 / 16

HEX #84D6D4

RGB 132 214 212

HSL 178.54, 0.5%, 0.68%

LAB 80.6, -25.4, -6.91

 

CMYK 38 / 9 / 0 / 16

HEX #84C2D6

RGB 132 194 214

HSL 194.63, 0.5%, 0.68%

LAB 75.04, -14.8, -16.29

 

CMYK 38 / 20 / 0 / 16

HEX #84ACD6

RGB 132 172 214

HSL 210.73, 0.5%, 0.68%

LAB 68.94, -3.02, -25.57

 

CMYK 38 / 30 / 0 / 16

HEX #8496D6

RGB 132 150 214

HSL 226.83, 0.5%, 0.68%

LAB 62.99, 9.38, -34.76

 

CMYK 38 / 38 / 0 / 16

HEX #8484D6

RGB 132 132 214

HSL 240, 0.5%, 0.68%

LAB 58.29, 19.87, -42.13

 

CMYK 38 / 0 / 1 / 16

HEX #84D6D4

RGB 132 214 212

HSL 178.54, 0.5%, 0.68%

LAB 80.6, -25.4, -6.91

 

CMYK 48 / 0 / 1 / 11

HEX #77E3E0

RGB 119 227 224

HSL 178.33, 0.66%, 0.68%

LAB 84.09, -31.79, -8.17

 

CMYK 56 / 0 / 1 / 6

HEX #6AF0ED

RGB 106 240 237

HSL 178.66, 0.82%, 0.68%

LAB 87.73, -37.14, -9.66

 

CMYK 64 / 0 / 2 / 1

HEX #5CFDF9

RGB 92 253 249

HSL 178.51, 0.98%, 0.68%

LAB 91.4, -42.18, -10.49

 

CMYK 38 / 0 / 1 / 16

HEX #84D6D4

RGB 132 214 212

HSL 178.54, 0.5%, 0.68%

LAB 80.6, -25.4, -6.91

 

CMYK 28 / 0 / 0 / 22

HEX #91C8C7

RGB 145 200 199

HSL 178.91, 0.33%, 0.68%

LAB 76.95, -17.89, -5.26

 

CMYK 15 / 0 / 0 / 27

HEX #9FBBBB

RGB 159 187 187

HSL 180, 0.17%, 0.68%

LAB 73.87, -9.46, -3.19

 

CMYK 1 / 0 / 0 / 32

HEX #ACAEAE

RGB 172 174 174

HSL 180, 0.01%, 0.68%

LAB 70.94, -0.7, -0.26

 

CMYK 0 / 13 / 13 / 27

HEX #B9A1A1

RGB 185 161 161

HSL 0, 0.15%, 0.68%

LAB 68.3, 8.78, 3.23

 

CMYK 38 / 0 / 22 / 16

HEX #84D6A7

RGB 132 214 167

HSL 145.61, 0.5%, 0.68%

LAB 79.49, -35.24, 15.46

 

CMYK 38 / 0 / 12 / 16

HEX #84D6BD

RGB 132 214 189

HSL 161.71, 0.5%, 0.68%

LAB 80, -30.69, 4.48

 

CMYK 38 / 0 / 1 / 16

HEX #84D6D3

RGB 132 214 211

HSL 177.8, 0.5%, 0.68%

LAB 80.57, -25.64, -6.42

 

CMYK 38 / 9 / 0 / 16

HEX #84C3D6

RGB 132 195 214

HSL 193.9, 0.5%, 0.68%

LAB 75.32, -15.32, -15.87

 

CMYK 38 / 19 / 0 / 16

HEX #84ADD6

RGB 132 173 214

HSL 210, 0.5%, 0.68%

LAB 69.22, -3.57, -25.14

 

CMYK 64 / 0 / 2 / 24

HEX #46C1BE

RGB 70 193 190

HSL 178.54, 0.5%, 0.52%

LAB 71.66, -34.09, -8.54

 

CMYK 50 / 0 / 1 / 20

HEX #65CBC9

RGB 101 203 201

HSL 178.82, 0.5%, 0.6%

LAB 75.88, -30.09, -8.14

 

CMYK 38 / 0 / 1 / 16

HEX #84D6D4

RGB 132 214 212

HSL 178.54, 0.5%, 0.68%

LAB 80.6, -25.4, -6.91

 

CMYK 27 / 0 / 0 / 12

HEX #A3E0DF

RGB 163 224 223

HSL 179.02, 0.5%, 0.76%

LAB 85.21, -19.41, -5.76

 

CMYK 17 / 0 / 0 / 8

HEX #C2EAE9

RGB 194 234 233

HSL 178.5, 0.49%, 0.84%

LAB 89.95, -13.08, -3.83

 

CMYK 38 / 0 / 1 / 16

HEX #84D6D4

RGB 132 214 212

HSL 178.54, 0.5%, 0.68%

LAB 80.6, -25.4, -6.91

 

CMYK 32 / 38 / 0 / 16

HEX #9284D6

RGB 146 132 214

HSL 250.24, 0.5%, 0.68%

LAB 59.41, 23.69, -40.29

 

CMYK 0 / 17 / 38 / 16

HEX #D6B284

RGB 214 178 132

HSL 33.66, 0.5%, 0.68%

LAB 74.7, 6.71, 28.39

 

CMYK 38 / 0 / 1 / 16

HEX #84D6D4

RGB 132 214 212

HSL 178.54, 0.5%, 0.68%

LAB 80.6, -25.4, -6.91

 

CMYK 1 / 38 / 0 / 16

HEX #D384D6

RGB 211 132 214

HSL 297.8, 0.5%, 0.68%

LAB 65.91, 43.04, -29.67

 

CMYK 0 / 1 / 38 / 16

HEX #D6D384

RGB 214 211 132

HSL 57.8, 0.5%, 0.68%

LAB 83.21, -10.47, 39.48

 

CMYK 38 / 0 / 1 / 16

HEX #84D6D4

RGB 132 214 212

HSL 178.54, 0.5%, 0.68%

LAB 80.6, -25.4, -6.91

 

CMYK 32 / 38 / 0 / 16

HEX #9284D6

RGB 146 132 214

HSL 250.24, 0.5%, 0.68%

LAB 59.41, 23.69, -40.29

 

CMYK 0 / 38 / 37 / 16

HEX #D68487

RGB 214 132 135

HSL 357.8, 0.5%, 0.68%

LAB 63.79, 31.87, 11.8

 

CMYK 7 / 0 / 38 / 16

HEX #C8D684

RGB 200 214 132

HSL 70.24, 0.5%, 0.68%

LAB 82.93, -17.42, 38.92

 

CMYK 38 / 0 / 1 / 16

HEX #84D6D4

RGB 132 214 212

HSL 178.54, 0.5%, 0.68%

LAB 80.6, -25.4, -6.91

 

CMYK 21 / 38 / 0 / 16

HEX #AA84D6

RGB 170 132 214

HSL 267.8, 0.5%, 0.68%

LAB 61.57, 30.61, -36.74

 

CMYK 0 / 38 / 37 / 16

HEX #D68487

RGB 214 132 135

HSL 357.8, 0.5%, 0.68%

LAB 63.79, 31.87, 11.8

 

CMYK 18 / 0 / 38 / 16

HEX #B0D684

RGB 176 214 132

HSL 87.8, 0.5%, 0.68%

LAB 81.29, -26.44, 36.47

 

Description

Color code: RGB 132 214 212 | qconv.com Color code: RGB 132 214 212 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 214 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 214 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 1 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 1% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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