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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 239 62 it is the complementary color RGB 123 16 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 239 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 132 239 62 shade: RGB 137 239 57, RGB 154 255 76, RGB 171 255 95, RGB 188 255 114 and RGB 205 255 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 239 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 132 239 62 shade: RGB 132 239 62, RGB 115 221 43, RGB 98 203 24, RGB 81 185 5 and RGB 64 167 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 132 239 62 shade: RGB 131 239 61, RGB 179 239 61, RGB 227 239 61, RGB 239 202 61 and RGB 239 155 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 132 239 62 shade: RGB 131 239 61, RGB 83 239 61, RGB 61 239 87, RGB 61 239 135 and RGB 61 239 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 132 239 62 shade matches the following richer shades: RGB 131 239 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 132 239 62 shade: RGB 131 239 61, RGB 135 222 78, RGB 138 205 95, RGB 142 188 112 and RGB 146 171 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 132 239 62 shade: RGB 227 239 61, RGB 180 239 61, RGB 132 239 61, RGB 85 239 61 and RGB 61 239 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 132 239 62 shade: RGB 89 202 16, RGB 107 236 23, RGB 131 239 61, RGB 156 242 99 and RGB 180 245 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 132 239 62 shade: RGB 132 239 62, RGB 61 239 203 and RGB 239 61 203

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 132 239 62 shade: RGB 132 239 62, RGB 61 132 239 and RGB 239 61 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 132 239 62 shade: RGB 132 239 62, RGB 61 239 203, RGB 168 61 239 and RGB 239 61 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 132 239 62 shade: RGB 132 239 62, RGB 61 221 239, RGB 168 61 239 and RGB 239 79 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 74 / 6

HEX #84EF3E

RGB 132 239 62

HSL 96.27, 0.85%, 0.59%

LAB 85.5, -58.92, 70.99

 

Complementary color

CMYK 36 / 92 / 0 / 24

HEX #7B10C1

RGB 123 16 193

HSL 276.27, 0.85%, 0.41%

LAB 34.87, 67.77, -67.76

 

CMYK 43 / 0 / 76 / 6

HEX #89EF39

RGB 137 239 57

HSL 93.63, 0.85%, 0.58%

LAB 85.68, -57.67, 72.8

 

CMYK 40 / 0 / 70 / 0

HEX #9AFF4C

RGB 154 255 76

HSL 93.85, 1%, 0.65%

LAB 91.19, -57.37, 72.25

 

CMYK 33 / 0 / 63 / 0

HEX #ABFF5F

RGB 171 255 95

HSL 91.5, 1%, 0.69%

LAB 92.13, -50.4, 66.33

 

CMYK 26 / 0 / 55 / 0

HEX #BCFF72

RGB 188 255 114

HSL 88.51, 1%, 0.72%

LAB 93.2, -42.88, 59.77

 

CMYK 20 / 0 / 48 / 0

HEX #CDFF85

RGB 205 255 133

HSL 84.59, 1%, 0.76%

LAB 94.39, -34.94, 52.82

 

CMYK 45 / 0 / 74 / 6

HEX #84EF3E

RGB 132 239 62

HSL 96.27, 0.85%, 0.59%

LAB 85.5, -58.92, 70.99

 

CMYK 48 / 0 / 81 / 13

HEX #73DD2B

RGB 115 221 43

HSL 95.73, 0.72%, 0.52%

LAB 79.35, -58.27, 70.55

 

CMYK 52 / 0 / 88 / 20

HEX #62CB18

RGB 98 203 24

HSL 95.2, 0.79%, 0.45%

LAB 73.14, -57.33, 69.15

 

CMYK 56 / 0 / 97 / 27

HEX #51B905

RGB 81 185 5

HSL 94.67, 0.95%, 0.37%

LAB 66.87, -56.03, 66.41

 

CMYK 62 / 0 / 100 / 35

HEX #40A700

RGB 64 167 0

HSL 97.01, 1%, 0.33%

LAB 60.54, -54.22, 61.78

 

CMYK 45 / 0 / 74 / 6

HEX #83EF3D

RGB 131 239 61

HSL 96.4, 0.85%, 0.59%

LAB 85.45, -59.29, 71.25

 

CMYK 25 / 0 / 74 / 6

HEX #B3EF3D

RGB 179 239 61

HSL 80.22, 0.85%, 0.59%

LAB 87.8, -42.99, 74.33

 

CMYK 5 / 0 / 74 / 6

HEX #E3EF3D

RGB 227 239 61

HSL 64.04, 0.85%, 0.59%

LAB 90.96, -24.2, 78.43

 

CMYK 0 / 15 / 74 / 6

HEX #EFCA3D

RGB 239 202 61

HSL 47.53, 0.85%, 0.59%

LAB 82.34, -0.86, 70.71

 

CMYK 0 / 35 / 74 / 6

HEX #EF9B3D

RGB 239 155 61

HSL 31.69, 0.85%, 0.59%

LAB 70.96, 23.78, 59.67

 

CMYK 45 / 0 / 74 / 6

HEX #83EF3D

RGB 131 239 61

HSL 96.4, 0.85%, 0.59%

LAB 85.45, -59.29, 71.25

 

CMYK 65 / 0 / 74 / 6

HEX #53EF3D

RGB 83 239 61

HSL 112.58, 0.85%, 0.59%

LAB 83.92, -71.36, 69.23

 

CMYK 74 / 0 / 64 / 6

HEX #3DEF57

RGB 61 239 87

HSL 128.76, 0.85%, 0.59%

LAB 83.66, -72.86, 59.21

 

CMYK 74 / 0 / 44 / 6

HEX #3DEF87

RGB 61 239 135

HSL 144.94, 0.85%, 0.59%

LAB 84.21, -66.33, 37.89

 

CMYK 74 / 0 / 23 / 6

HEX #3DEFB7

RGB 61 239 183

HSL 161.12, 0.85%, 0.59%

LAB 85.07, -56.82, 14.6

 

CMYK 45 / 0 / 74 / 6

HEX #83EF3D

RGB 131 239 61

HSL 96.4, 0.85%, 0.59%

LAB 85.45, -59.29, 71.25

 

CMYK 45 / 0 / 74 / 6

HEX #83EF3D

RGB 131 239 61

HSL 96.4, 0.85%, 0.59%

LAB 85.45, -59.29, 71.25

 

CMYK 39 / 0 / 65 / 13

HEX #87DE4E

RGB 135 222 78

HSL 96.25, 0.69%, 0.59%

LAB 80.71, -50.16, 60.29

 

CMYK 33 / 0 / 54 / 20

HEX #8ACD5F

RGB 138 205 95

HSL 96.55, 0.52%, 0.59%

LAB 76, -40.32, 47.56

 

CMYK 24 / 0 / 40 / 26

HEX #8EBC70

RGB 142 188 112

HSL 96.32, 0.36%, 0.59%

LAB 71.48, -29, 33.61

 

CMYK 15 / 0 / 25 / 33

HEX #92AB81

RGB 146 171 129

HSL 95.71, 0.2%, 0.59%

LAB 67.14, -16.51, 18.83

 

CMYK 5 / 0 / 74 / 6

HEX #E3EF3D

RGB 227 239 61

HSL 64.04, 0.85%, 0.59%

LAB 90.96, -24.2, 78.43

 

CMYK 25 / 0 / 74 / 6

HEX #B4EF3D

RGB 180 239 61

HSL 79.89, 0.85%, 0.59%

LAB 87.86, -42.62, 74.4

 

CMYK 45 / 0 / 74 / 6

HEX #84EF3D

RGB 132 239 61

HSL 96.07, 0.85%, 0.59%

LAB 85.49, -58.98, 71.3

 

CMYK 64 / 0 / 74 / 6

HEX #55EF3D

RGB 85 239 61

HSL 111.91, 0.85%, 0.59%

LAB 83.97, -70.96, 69.29

 

CMYK 74 / 0 / 64 / 6

HEX #3DEF55

RGB 61 239 85

HSL 128.09, 0.85%, 0.59%

LAB 83.64, -73.06, 60.01

 

CMYK 56 / 0 / 92 / 21

HEX #59CA10

RGB 89 202 16

HSL 96.45, 0.85%, 0.43%

LAB 72.5, -59.67, 69.78

 

CMYK 55 / 0 / 90 / 7

HEX #6BEC17

RGB 107 236 23

HSL 96.34, 0.85%, 0.51%

LAB 83.54, -66.56, 78.19

 

CMYK 45 / 0 / 74 / 6

HEX #83EF3D

RGB 131 239 61

HSL 96.4, 0.85%, 0.59%

LAB 85.45, -59.29, 71.25

 

CMYK 36 / 0 / 59 / 5

HEX #9CF263

RGB 156 242 99

HSL 96.08, 0.85%, 0.67%

LAB 87.71, -49.66, 59.56

 

CMYK 27 / 0 / 44 / 4

HEX #B4F589

RGB 180 245 137

HSL 96.11, 0.84%, 0.75%

LAB 90.24, -38.77, 45.46

 

CMYK 45 / 0 / 74 / 6

HEX #84EF3E

RGB 132 239 62

HSL 96.27, 0.85%, 0.59%

LAB 85.5, -58.92, 70.99

 

CMYK 74 / 0 / 15 / 6

HEX #3DEFCB

RGB 61 239 203

HSL 167.87, 0.85%, 0.59%

LAB 85.52, -52.07, 4.81

 

CMYK 0 / 74 / 15 / 6

HEX #EF3DCB

RGB 239 61 203

HSL 312.13, 0.85%, 0.59%

LAB 58.04, 79.17, -35.39

 

CMYK 45 / 0 / 74 / 6

HEX #84EF3E

RGB 132 239 62

HSL 96.27, 0.85%, 0.59%

LAB 85.5, -58.92, 70.99

 

CMYK 74 / 45 / 0 / 6

HEX #3D84EF

RGB 61 132 239

HSL 216.07, 0.85%, 0.59%

LAB 55.81, 14.02, -60.26

 

CMYK 0 / 74 / 45 / 6

HEX #EF3D84

RGB 239 61 132

HSL 336.07, 0.85%, 0.59%

LAB 55.44, 71.2, 2.09

 

CMYK 45 / 0 / 74 / 6

HEX #84EF3E

RGB 132 239 62

HSL 96.27, 0.85%, 0.59%

LAB 85.5, -58.92, 70.99

 

CMYK 74 / 0 / 15 / 6

HEX #3DEFCB

RGB 61 239 203

HSL 167.87, 0.85%, 0.59%

LAB 85.52, -52.07, 4.81

 

CMYK 30 / 74 / 0 / 6

HEX #A83DEF

RGB 168 61 239

HSL 276.07, 0.85%, 0.59%

LAB 49.37, 71.07, -70.26

 

CMYK 0 / 74 / 59 / 6

HEX #EF3D61

RGB 239 61 97

HSL 347.87, 0.85%, 0.59%

LAB 54.61, 68.54, 21.8

 

CMYK 45 / 0 / 74 / 6

HEX #84EF3E

RGB 132 239 62

HSL 96.27, 0.85%, 0.59%

LAB 85.5, -58.92, 70.99

 

CMYK 74 / 8 / 0 / 6

HEX #3DDDEF

RGB 61 221 239

HSL 186.07, 0.85%, 0.59%

LAB 81.26, -34.3, -20.53

 

CMYK 30 / 74 / 0 / 6

HEX #A83DEF

RGB 168 61 239

HSL 276.07, 0.85%, 0.59%

LAB 49.37, 71.07, -70.26

 

CMYK 0 / 67 / 74 / 6

HEX #EF4F3D

RGB 239 79 61

HSL 6.07, 0.85%, 0.59%

LAB 56.37, 60.36, 44.52

 

Description

Color code: RGB 132 239 62 | qconv.com Color code: RGB 132 239 62 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 239 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 239 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 74 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 74% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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