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Color name
RGB 133 100 190

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 133 100 190 it is the complementary color RGB 122 155 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 133 100 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 133 100 190 shade: RGB 138 100 185, RGB 155 118 204, RGB 172 136 223, RGB 189 154 242 and RGB 206 172 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 133 100 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 133 100 190 shade: RGB 133 100 190, RGB 116 82 171, RGB 99 64 152, RGB 82 46 133 and RGB 65 28 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 133 100 190 shade: RGB 133 100 190, RGB 157 100 190, RGB 181 100 190, RGB 190 100 174 and RGB 190 100 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 133 100 190 shade: RGB 133 100 190, RGB 109 100 190 and RGB 100 100 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 133 100 190 shade matches the following richer shades: RGB 133 100 190, RGB 128 82 208, RGB 123 64 225 and RGB 119 47 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 133 100 190 shade: RGB 133 100 190, RGB 138 118 172, RGB 142 135 154, RGB 147 153 137 and RGB 152 171 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 133 100 190 shade: RGB 100 115 190, RGB 109 100 190, RGB 133 100 190, RGB 157 100 190 and RGB 181 100 190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 133 100 190 shade: RGB 92 61 146, RGB 111 73 175, RGB 133 100 190, RGB 156 129 202 and RGB 179 158 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 133 100 190 shade: RGB 133 100 190, RGB 190 100 139 and RGB 103 190 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 133 100 190 shade: RGB 133 100 190, RGB 190 133 100 and RGB 100 190 133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 133 100 190 shade: RGB 133 100 190, RGB 190 100 139, RGB 157 190 100 and RGB 100 190 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 133 100 190 shade: RGB 133 100 190, RGB 190 100 112, RGB 157 190 100 and RGB 100 190 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 47 / 0 / 25

HEX #8564BE

RGB 133 100 190

HSL 262, 0.41%, 0.57%

LAB 49.28, 32.57, -42.69

 

Complementary color

CMYK 21 / 0 / 58 / 39

HEX #7A9B41

RGB 122 155 65

HSL 82, 0.41%, 0.43%

LAB 59.85, -26.13, 42.68

 

CMYK 25 / 46 / 0 / 27

HEX #8A64B9

RGB 138 100 185

HSL 266.82, 0.38%, 0.56%

LAB 49.52, 32.71, -39.38

 

CMYK 24 / 42 / 0 / 20

HEX #9B76CC

RGB 155 118 204

HSL 265.81, 0.46%, 0.63%

LAB 56.37, 31.84, -39.36

 

CMYK 23 / 39 / 0 / 13

HEX #AC88DF

RGB 172 136 223

HSL 264.83, 0.58%, 0.7%

LAB 63.1, 31.03, -39.36

 

CMYK 22 / 36 / 0 / 5

HEX #BD9AF2

RGB 189 154 242

HSL 263.86, 0.77%, 0.78%

LAB 69.71, 30.29, -39.38

 

CMYK 19 / 33 / 0 / 0

HEX #CEACFF

RGB 206 172 255

HSL 264.58, 1%, 0.84%

LAB 75.98, 28.28, -36.58

 

CMYK 30 / 47 / 0 / 25

HEX #8564BE

RGB 133 100 190

HSL 262, 0.41%, 0.57%

LAB 49.28, 32.57, -42.69

 

CMYK 32 / 52 / 0 / 33

HEX #7452AB

RGB 116 82 171

HSL 262.92, 0.35%, 0.5%

LAB 42.29, 33.58, -42.8

 

CMYK 35 / 58 / 0 / 40

HEX #634098

RGB 99 64 152

HSL 263.86, 0.41%, 0.42%

LAB 35.18, 34.67, -42.91

 

CMYK 38 / 65 / 0 / 48

HEX #522E85

RGB 82 46 133

HSL 264.83, 0.49%, 0.35%

LAB 27.96, 35.78, -42.95

 

CMYK 43 / 75 / 0 / 55

HEX #411C72

RGB 65 28 114

HSL 265.81, 0.61%, 0.28%

LAB 20.71, 36.71, -42.76

 

CMYK 30 / 47 / 0 / 25

HEX #8564BE

RGB 133 100 190

HSL 262, 0.41%, 0.57%

LAB 49.28, 32.57, -42.69

 

CMYK 17 / 47 / 0 / 25

HEX #9D64BE

RGB 157 100 190

HSL 278, 0.41%, 0.57%

LAB 51.84, 39.32, -38.48

 

CMYK 5 / 47 / 0 / 25

HEX #B564BE

RGB 181 100 190

HSL 294, 0.41%, 0.57%

LAB 54.72, 46.28, -33.76

 

CMYK 0 / 47 / 8 / 25

HEX #BE64AE

RGB 190 100 174

HSL 310.67, 0.41%, 0.57%

LAB 55.19, 46.08, -23.7

 

CMYK 0 / 47 / 21 / 25

HEX #BE6496

RGB 190 100 150

HSL 326.67, 0.41%, 0.57%

LAB 54.31, 42.23, -11.06

 

CMYK 30 / 47 / 0 / 25

HEX #8564BE

RGB 133 100 190

HSL 262, 0.41%, 0.57%

LAB 49.28, 32.57, -42.69

 

CMYK 43 / 47 / 0 / 25

HEX #6D64BE

RGB 109 100 190

HSL 246, 0.41%, 0.57%

LAB 47.08, 26.26, -46.31

 

CMYK 47 / 47 / 0 / 25

HEX #6464BE

RGB 100 100 190

HSL 240, 0.41%, 0.57%

LAB 46.37, 24.08, -47.5

 

CMYK 30 / 47 / 0 / 25

HEX #8564BE

RGB 133 100 190

HSL 262, 0.41%, 0.57%

LAB 49.28, 32.57, -42.69

 

CMYK 38 / 61 / 0 / 18

HEX #8052D0

RGB 128 82 208

HSL 261.9, 0.57%, 0.57%

LAB 45.88, 46.24, -58.53

 

CMYK 45 / 72 / 0 / 12

HEX #7B40E1

RGB 123 64 225

HSL 261.99, 0.73%, 0.57%

LAB 43.23, 58.92, -72.57

 

CMYK 51 / 81 / 0 / 5

HEX #772FF3

RGB 119 47 243

HSL 262.04, 0.89%, 0.57%

LAB 41.89, 70, -84.99

 

CMYK 30 / 47 / 0 / 25

HEX #8564BE

RGB 133 100 190

HSL 262, 0.41%, 0.57%

LAB 49.28, 32.57, -42.69

 

CMYK 20 / 31 / 0 / 33

HEX #8A76AC

RGB 138 118 172

HSL 262.22, 0.25%, 0.57%

LAB 53.32, 19.02, -25.91

 

CMYK 8 / 12 / 0 / 40

HEX #8E879A

RGB 142 135 154

HSL 262.11, 0.09%, 0.57%

LAB 57.47, 6.42, -9.17

 

CMYK 4 / 0 / 10 / 40

HEX #939989

RGB 147 153 137

HSL 82.5, 0.07%, 0.57%

LAB 62.33, -5.18, 7.66

 

CMYK 11 / 0 / 30 / 33

HEX #98AB77

RGB 152 171 119

HSL 81.92, 0.24%, 0.57%

LAB 67.38, -15.8, 24.65

 

CMYK 47 / 39 / 0 / 25

HEX #6473BE

RGB 100 115 190

HSL 230, 0.41%, 0.57%

LAB 50.32, 14.87, -41.21

 

CMYK 43 / 47 / 0 / 25

HEX #6D64BE

RGB 109 100 190

HSL 246, 0.41%, 0.57%

LAB 47.08, 26.26, -46.31

 

CMYK 30 / 47 / 0 / 25

HEX #8564BE

RGB 133 100 190

HSL 262, 0.41%, 0.57%

LAB 49.28, 32.57, -42.69

 

CMYK 17 / 47 / 0 / 25

HEX #9D64BE

RGB 157 100 190

HSL 278, 0.41%, 0.57%

LAB 51.84, 39.32, -38.48

 

CMYK 5 / 47 / 0 / 25

HEX #B564BE

RGB 181 100 190

HSL 294, 0.41%, 0.57%

LAB 54.72, 46.28, -33.76

 

CMYK 37 / 58 / 0 / 43

HEX #5C3D92

RGB 92 61 146

HSL 261.88, 0.41%, 0.41%

LAB 33.32, 33.04, -42.27

 

CMYK 37 / 58 / 0 / 31

HEX #6F49AF

RGB 111 73 175

HSL 262.35, 0.41%, 0.49%

LAB 39.98, 38.61, -48.89

 

CMYK 30 / 47 / 0 / 25

HEX #8564BE

RGB 133 100 190

HSL 262, 0.41%, 0.57%

LAB 49.28, 32.57, -42.69

 

CMYK 23 / 36 / 0 / 21

HEX #9C81CA

RGB 156 129 202

HSL 262.19, 0.41%, 0.65%

LAB 59, 25.34, -34.1

 

CMYK 16 / 26 / 0 / 16

HEX #B39ED6

RGB 179 158 214

HSL 262.5, 0.41%, 0.73%

LAB 68.67, 18.73, -25.68

 

CMYK 30 / 47 / 0 / 25

HEX #8564BE

RGB 133 100 190

HSL 262, 0.41%, 0.57%

LAB 49.28, 32.57, -42.69

 

CMYK 0 / 47 / 27 / 25

HEX #BE648B

RGB 190 100 139

HSL 334, 0.41%, 0.57%

LAB 53.95, 40.64, -5.13

 

CMYK 46 / 0 / 47 / 25

HEX #67BE64

RGB 103 190 100

HSL 118, 0.41%, 0.57%

LAB 69.92, -44.48, 37.33

 

CMYK 30 / 47 / 0 / 25

HEX #8564BE

RGB 133 100 190

HSL 262, 0.41%, 0.57%

LAB 49.28, 32.57, -42.69

 

CMYK 0 / 30 / 47 / 25

HEX #BE8564

RGB 190 133 100

HSL 22, 0.41%, 0.57%

LAB 60.46, 17.97, 26.51

 

CMYK 47 / 0 / 30 / 25

HEX #64BE85

RGB 100 190 133

HSL 142, 0.41%, 0.57%

LAB 70.34, -39.83, 20.65

 

CMYK 30 / 47 / 0 / 25

HEX #8564BE

RGB 133 100 190

HSL 262, 0.41%, 0.57%

LAB 49.28, 32.57, -42.69

 

CMYK 0 / 47 / 27 / 25

HEX #BE648B

RGB 190 100 139

HSL 334, 0.41%, 0.57%

LAB 53.95, 40.64, -5.13

 

CMYK 17 / 0 / 47 / 25

HEX #9DBE64

RGB 157 190 100

HSL 82, 0.41%, 0.57%

LAB 72.84, -25.84, 41.6

 

CMYK 47 / 0 / 21 / 25

HEX #64BE97

RGB 100 190 151

HSL 154, 0.41%, 0.57%

LAB 70.71, -36.17, 11.47

 

CMYK 30 / 47 / 0 / 25

HEX #8564BE

RGB 133 100 190

HSL 262, 0.41%, 0.57%

LAB 49.28, 32.57, -42.69

 

CMYK 0 / 47 / 41 / 25

HEX #BE6470

RGB 190 100 112

HSL 352, 0.41%, 0.57%

LAB 53.2, 37.23, 9.72

 

CMYK 17 / 0 / 47 / 25

HEX #9DBE64

RGB 157 190 100

HSL 82, 0.41%, 0.57%

LAB 72.84, -25.84, 41.6

 

CMYK 47 / 0 / 6 / 25

HEX #64BEB2

RGB 100 190 178

HSL 172, 0.41%, 0.57%

LAB 71.39, -29.9, -2.29

 

Description

Color code: RGB 133 100 190 | qconv.com Color code: RGB 133 100 190 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 100 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 100 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 47 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 47% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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