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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 133 123 121 it is the complementary color RGB 122 132 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 133 123 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 133 123 121 shade: RGB 138 123 116, RGB 155 141 135, RGB 172 159 154, RGB 189 177 173 and RGB 206 195 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 133 123 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 133 123 121 shade: RGB 133 123 121, RGB 116 105 102, RGB 99 87 83, RGB 82 69 64 and RGB 65 51 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 133 123 121 shade: RGB 133 123 121 and RGB 133 121 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 133 123 121 shade: RGB 133 123 121, RGB 133 126 121, RGB 133 130 121, RGB 133 133 121 and RGB 130 133 121

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 133 123 121 shade matches the following richer shades: RGB 133 123 121, RGB 154 109 100, RGB 175 95 79, RGB 195 81 59 and RGB 216 68 38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 133 123 121 shade: RGB 133 123 121, RGB 113 137 141, RGB 92 150 162, RGB 71 164 183 and RGB 51 178 203

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 133 123 121 shade: RGB 133 121 125, RGB 133 121 122, RGB 133 123 121, RGB 133 126 121 and RGB 133 130 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 133 123 121 shade: RGB 90 83 81, RGB 112 103 101, RGB 133 123 121, RGB 153 144 142 and RGB 173 165 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 133 123 121 shade: RGB 133 123 121, RGB 129 133 121 and RGB 121 124 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 133 123 121 shade: RGB 133 123 121, RGB 121 133 123 and RGB 123 121 133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 133 123 121 shade: RGB 133 123 121, RGB 129 133 121, RGB 121 131 133 and RGB 125 121 133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 133 123 121 shade: RGB 133 123 121, RGB 125 133 121, RGB 121 131 133 and RGB 129 121 133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 9 / 48

HEX #857B79

RGB 133 123 121

HSL 10, 0.05%, 0.5%

LAB 52.43, 3.44, 2.46

 

Complementary color

CMYK 9 / 1 / 0 / 47

HEX #7A8486

RGB 122 132 134

HSL 190, 0.05%, 0.5%

LAB 54.41, -3.24, -2.34

 

CMYK 0 / 11 / 16 / 46

HEX #8A7B74

RGB 138 123 116

HSL 19.09, 0.09%, 0.5%

LAB 52.76, 4.51, 5.92

 

CMYK 0 / 9 / 13 / 39

HEX #9B8D87

RGB 155 141 135

HSL 18, 0.09%, 0.57%

LAB 59.68, 4.16, 5.08

 

CMYK 0 / 8 / 10 / 33

HEX #AC9F9A

RGB 172 159 154

HSL 16.67, 0.1%, 0.64%

LAB 66.44, 3.85, 4.31

 

CMYK 0 / 6 / 8 / 26

HEX #BDB1AD

RGB 189 177 173

HSL 15, 0.11%, 0.71%

LAB 73.08, 3.58, 3.57

 

CMYK 0 / 5 / 7 / 19

HEX #CEC3C0

RGB 206 195 192

HSL 12.86, 0.13%, 0.78%

LAB 79.59, 3.32, 2.87

 

CMYK 0 / 8 / 9 / 48

HEX #857B79

RGB 133 123 121

HSL 10, 0.05%, 0.5%

LAB 52.43, 3.44, 2.46

 

CMYK 0 / 9 / 12 / 55

HEX #746966

RGB 116 105 102

HSL 12.86, 0.06%, 0.43%

LAB 45.33, 3.76, 3.25

 

CMYK 0 / 12 / 16 / 61

HEX #635753

RGB 99 87 83

HSL 15, 0.09%, 0.36%

LAB 38.01, 4.14, 4.11

 

CMYK 0 / 16 / 22 / 68

HEX #524540

RGB 82 69 64

HSL 16.67, 0.12%, 0.29%

LAB 30.45, 4.61, 5.07

 

CMYK 0 / 22 / 31 / 75

HEX #41332D

RGB 65 51 45

HSL 18, 0.18%, 0.22%

LAB 22.59, 5.2, 6.18

 

CMYK 0 / 8 / 9 / 48

HEX #857B79

RGB 133 123 121

HSL 10, 0.05%, 0.5%

LAB 52.43, 3.44, 2.46

 

CMYK 0 / 9 / 9 / 48

HEX #857979

RGB 133 121 121

HSL 0, 0.05%, 0.5%

LAB 51.88, 4.6, 1.66

 

CMYK 0 / 8 / 9 / 48

HEX #857B79

RGB 133 123 121

HSL 10, 0.05%, 0.5%

LAB 52.43, 3.44, 2.46

 

CMYK 0 / 5 / 9 / 48

HEX #857E79

RGB 133 126 121

HSL 25, 0.05%, 0.5%

LAB 53.26, 1.71, 3.66

 

CMYK 0 / 2 / 9 / 48

HEX #858279

RGB 133 130 121

HSL 45, 0.05%, 0.5%

LAB 54.38, -0.57, 5.26

 

CMYK 0 / 0 / 9 / 48

HEX #858579

RGB 133 133 121

HSL 60, 0.05%, 0.5%

LAB 55.22, -2.27, 6.47

 

CMYK 2 / 0 / 9 / 48

HEX #828579

RGB 130 133 121

HSL 75, 0.05%, 0.5%

LAB 54.97, -3.42, 6.08

 

CMYK 0 / 8 / 9 / 48

HEX #857B79

RGB 133 123 121

HSL 10, 0.05%, 0.5%

LAB 52.43, 3.44, 2.46

 

CMYK 0 / 29 / 35 / 40

HEX #9A6D64

RGB 154 109 100

HSL 10, 0.21%, 0.5%

LAB 50.37, 16.66, 12.15

 

CMYK 0 / 46 / 55 / 31

HEX #AF5F4F

RGB 175 95 79

HSL 10, 0.38%, 0.5%

LAB 49.33, 30.81, 23.55

 

CMYK 0 / 58 / 70 / 24

HEX #C3513B

RGB 195 81 59

HSL 9.71, 0.54%, 0.5%

LAB 49.26, 44.28, 35.6

 

CMYK 0 / 69 / 82 / 15

HEX #D84426

RGB 216 68 38

HSL 10.11, 0.7%, 0.5%

LAB 50.54, 56.39, 49.04

 

CMYK 0 / 8 / 9 / 48

HEX #857B79

RGB 133 123 121

HSL 10, 0.05%, 0.5%

LAB 52.43, 3.44, 2.46

 

CMYK 20 / 3 / 0 / 45

HEX #71898D

RGB 113 137 141

HSL 188.57, 0.11%, 0.5%

LAB 55.41, -7.62, -5

 

CMYK 43 / 7 / 0 / 36

HEX #5C96A2

RGB 92 150 162

HSL 190.29, 0.28%, 0.5%

LAB 58.69, -15.69, -12.26

 

CMYK 61 / 10 / 0 / 28

HEX #47A4B7

RGB 71 164 183

HSL 190.18, 0.44%, 0.5%

LAB 62.77, -21.65, -18.04

 

CMYK 75 / 12 / 0 / 20

HEX #33B2CB

RGB 51 178 203

HSL 189.87, 0.6%, 0.5%

LAB 67.17, -25.54, -22.5

 

CMYK 0 / 9 / 6 / 48

HEX #85797D

RGB 133 121 125

HSL 340, 0.05%, 0.5%

LAB 52, 5.35, -0.52

 

CMYK 0 / 9 / 8 / 48

HEX #85797A

RGB 133 121 122

HSL 355, 0.05%, 0.5%

LAB 51.91, 4.78, 1.12

 

CMYK 0 / 8 / 9 / 48

HEX #857B79

RGB 133 123 121

HSL 10, 0.05%, 0.5%

LAB 52.43, 3.44, 2.46

 

CMYK 0 / 5 / 9 / 48

HEX #857E79

RGB 133 126 121

HSL 25, 0.05%, 0.5%

LAB 53.26, 1.71, 3.66

 

CMYK 0 / 2 / 9 / 48

HEX #858279

RGB 133 130 121

HSL 45, 0.05%, 0.5%

LAB 54.38, -0.57, 5.26

 

CMYK 0 / 8 / 10 / 65

HEX #5A5351

RGB 90 83 81

HSL 13.33, 0.05%, 0.34%

LAB 35.9, 2.46, 2.2

 

CMYK 0 / 8 / 10 / 56

HEX #706765

RGB 112 103 101

HSL 10.91, 0.05%, 0.42%

LAB 44.35, 3.16, 2.4

 

CMYK 0 / 8 / 9 / 48

HEX #857B79

RGB 133 123 121

HSL 10, 0.05%, 0.5%

LAB 52.43, 3.44, 2.46

 

CMYK 0 / 6 / 7 / 40

HEX #99908E

RGB 153 144 142

HSL 10.91, 0.05%, 0.58%

LAB 60.49, 2.96, 2.25

 

CMYK 0 / 5 / 5 / 32

HEX #ADA5A4

RGB 173 165 164

HSL 6.67, 0.05%, 0.66%

LAB 68.37, 2.7, 1.54

 

CMYK 0 / 8 / 9 / 48

HEX #857B79

RGB 133 123 121

HSL 10, 0.05%, 0.5%

LAB 52.43, 3.44, 2.46

 

CMYK 3 / 0 / 9 / 48

HEX #818579

RGB 129 133 121

HSL 80, 0.05%, 0.5%

LAB 54.89, -3.8, 5.95

 

CMYK 9 / 7 / 0 / 48

HEX #797C85

RGB 121 124 133

HSL 225, 0.05%, 0.5%

LAB 52.03, 0.77, -5.28

 

CMYK 0 / 8 / 9 / 48

HEX #857B79

RGB 133 123 121

HSL 10, 0.05%, 0.5%

LAB 52.43, 3.44, 2.46

 

CMYK 9 / 0 / 8 / 48

HEX #79857B

RGB 121 133 123

HSL 130, 0.05%, 0.5%

LAB 54.31, -6.43, 3.88

 

CMYK 8 / 9 / 0 / 48

HEX #7B7985

RGB 123 121 133

HSL 250, 0.05%, 0.5%

LAB 51.36, 3.24, -6.26

 

CMYK 0 / 8 / 9 / 48

HEX #857B79

RGB 133 123 121

HSL 10, 0.05%, 0.5%

LAB 52.43, 3.44, 2.46

 

CMYK 3 / 0 / 9 / 48

HEX #818579

RGB 129 133 121

HSL 80, 0.05%, 0.5%

LAB 54.89, -3.8, 5.95

 

CMYK 9 / 2 / 0 / 48

HEX #798385

RGB 121 131 133

HSL 190, 0.05%, 0.5%

LAB 54.02, -3.24, -2.35

 

CMYK 6 / 9 / 0 / 48

HEX #7D7985

RGB 125 121 133

HSL 260, 0.05%, 0.5%

LAB 51.53, 3.97, -5.99

 

CMYK 0 / 8 / 9 / 48

HEX #857B79

RGB 133 123 121

HSL 10, 0.05%, 0.5%

LAB 52.43, 3.44, 2.46

 

CMYK 6 / 0 / 9 / 48

HEX #7D8579

RGB 125 133 121

HSL 100, 0.05%, 0.5%

LAB 54.57, -5.32, 5.45

 

CMYK 9 / 2 / 0 / 48

HEX #798385

RGB 121 131 133

HSL 190, 0.05%, 0.5%

LAB 54.02, -3.24, -2.35

 

CMYK 3 / 9 / 0 / 48

HEX #817985

RGB 129 121 133

HSL 280, 0.05%, 0.5%

LAB 51.88, 5.44, -5.43

 

Description

Color code: RGB 133 123 121 | qconv.com Color code: RGB 133 123 121 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 123 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 123 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 9 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 9% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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