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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 133 40 220 it is the complementary color RGB 122 215 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 133 40 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 133 40 220 shade: RGB 138 40 215, RGB 155 58 234, RGB 172 76 253, RGB 189 94 255 and RGB 206 112 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 133 40 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 133 40 220 shade: RGB 133 40 220, RGB 116 22 201, RGB 99 4 182, RGB 82 0 163 and RGB 65 0 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 133 40 220 shade: RGB 133 40 220, RGB 181 40 220, RGB 220 40 209, RGB 220 40 161 and RGB 220 40 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 133 40 220 shade: RGB 133 40 220, RGB 84 40 220 and RGB 40 40 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 133 40 220 shade matches the following richer shades: RGB 133 40 220 and RGB 133 19 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 133 40 220 shade: RGB 133 40 220, RGB 132 60 199, RGB 131 80 179, RGB 131 100 159 and RGB 130 120 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 133 40 220 shade: RGB 40 43 220, RGB 85 40 220, RGB 133 40 220, RGB 181 40 220 and RGB 220 40 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 133 40 220 shade: RGB 90 24 152, RGB 112 30 188, RGB 133 40 220, RGB 153 75 225 and RGB 173 111 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 133 40 220 shade: RGB 133 40 220, RGB 220 40 91 and RGB 40 220 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 133 40 220 shade: RGB 133 40 220, RGB 220 133 40 and RGB 40 220 133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 133 40 220 shade: RGB 133 40 220, RGB 220 40 91, RGB 127 220 40 and RGB 40 220 169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 133 40 220 shade: RGB 133 40 220, RGB 220 43 40, RGB 127 220 40 and RGB 40 217 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 82 / 0 / 14

HEX #8528DC

RGB 133 40 220

HSL 271, 0.72%, 0.51%

LAB 40.69, 68.8, -73.83

 

Complementary color

CMYK 43 / 0 / 84 / 16

HEX #7AD723

RGB 122 215 35

HSL 91, 0.72%, 0.49%

LAB 77.79, -54.17, 71.26

 

CMYK 36 / 81 / 0 / 16

HEX #8A28D7

RGB 138 40 215

HSL 273.6, 0.69%, 0.5%

LAB 40.94, 68.41, -70.52

 

CMYK 34 / 75 / 0 / 8

HEX #9B3AEA

RGB 155 58 234

HSL 273.07, 0.81%, 0.57%

LAB 46.89, 68.91, -71.55

 

CMYK 32 / 70 / 0 / 1

HEX #AC4CFD

RGB 172 76 253

HSL 272.54, 0.98%, 0.65%

LAB 52.98, 68.81, -72.19

 

CMYK 26 / 63 / 0 / 0

HEX #BD5EFF

RGB 189 94 255

HSL 275.4, 1%, 0.68%

LAB 58.08, 64.65, -64.96

 

CMYK 19 / 56 / 0 / 0

HEX #CE70FF

RGB 206 112 255

HSL 279.44, 1%, 0.72%

LAB 63.29, 59.98, -56.52

 

CMYK 40 / 82 / 0 / 14

HEX #8528DC

RGB 133 40 220

HSL 271, 0.72%, 0.51%

LAB 40.69, 68.8, -73.83

 

CMYK 42 / 89 / 0 / 21

HEX #7416C9

RGB 116 22 201

HSL 271.51, 0.8%, 0.44%

LAB 35.01, 67.43, -72.24

 

CMYK 46 / 98 / 0 / 29

HEX #6304B6

RGB 99 4 182

HSL 272.02, 0.96%, 0.36%

LAB 29.71, 64.72, -69.86

 

CMYK 50 / 100 / 0 / 36

HEX #5200A3

RGB 82 0 163

HSL 270.18, 1%, 0.32%

LAB 25.07, 59.73, -66.16

 

CMYK 55 / 100 / 0 / 44

HEX #410090

RGB 65 0 144

HSL 267.08, 1%, 0.28%

LAB 20.59, 54, -61.96

 

CMYK 40 / 82 / 0 / 14

HEX #8528DC

RGB 133 40 220

HSL 271, 0.72%, 0.51%

LAB 40.69, 68.8, -73.83

 

CMYK 18 / 82 / 0 / 14

HEX #B528DC

RGB 181 40 220

HSL 287, 0.72%, 0.51%

LAB 47.63, 76.18, -62.21

 

CMYK 0 / 82 / 5 / 14

HEX #DC28D1

RGB 220 40 209

HSL 303.67, 0.72%, 0.51%

LAB 53.32, 81.4, -46.47

 

CMYK 0 / 82 / 27 / 14

HEX #DC28A1

RGB 220 40 161

HSL 319.67, 0.72%, 0.51%

LAB 51.04, 75.13, -22.07

 

CMYK 0 / 82 / 49 / 14

HEX #DC2870

RGB 220 40 112

HSL 336, 0.72%, 0.51%

LAB 49.38, 70.32, 4.95

 

CMYK 40 / 82 / 0 / 14

HEX #8528DC

RGB 133 40 220

HSL 271, 0.72%, 0.51%

LAB 40.69, 68.8, -73.83

 

CMYK 62 / 82 / 0 / 14

HEX #5428DC

RGB 84 40 220

HSL 254.67, 0.72%, 0.51%

LAB 35.14, 63.1, -83.15

 

CMYK 82 / 82 / 0 / 14

HEX #2828DC

RGB 40 40 220

HSL 240, 0.72%, 0.51%

LAB 32.11, 60.09, -88.27

 

CMYK 40 / 82 / 0 / 14

HEX #8528DC

RGB 133 40 220

HSL 271, 0.72%, 0.51%

LAB 40.69, 68.8, -73.83

 

CMYK 45 / 92 / 0 / 6

HEX #8513F0

RGB 133 19 240

HSL 270.95, 0.88%, 0.51%

LAB 40.81, 78.19, -85.02

 

CMYK 40 / 82 / 0 / 14

HEX #8528DC

RGB 133 40 220

HSL 271, 0.72%, 0.51%

LAB 40.69, 68.8, -73.83

 

CMYK 34 / 70 / 0 / 22

HEX #843CC7

RGB 132 60 199

HSL 271.08, 0.55%, 0.51%

LAB 41.63, 55.97, -60.18

 

CMYK 27 / 55 / 0 / 30

HEX #8350B3

RGB 131 80 179

HSL 270.91, 0.39%, 0.51%

LAB 43.97, 40.71, -44.74

 

CMYK 18 / 37 / 0 / 38

HEX #83649F

RGB 131 100 159

HSL 271.53, 0.24%, 0.51%

LAB 47.55, 24.34, -27.32

 

CMYK 6 / 14 / 0 / 45

HEX #82788B

RGB 130 120 139

HSL 271.58, 0.08%, 0.51%

LAB 51.89, 7.64, -8.93

 

CMYK 82 / 80 / 0 / 14

HEX #282BDC

RGB 40 43 220

HSL 239, 0.72%, 0.51%

LAB 32.58, 58.72, -87.49

 

CMYK 61 / 82 / 0 / 14

HEX #5528DC

RGB 85 40 220

HSL 255, 0.72%, 0.51%

LAB 35.23, 63.19, -83

 

CMYK 40 / 82 / 0 / 14

HEX #8528DC

RGB 133 40 220

HSL 271, 0.72%, 0.51%

LAB 40.69, 68.8, -73.83

 

CMYK 18 / 82 / 0 / 14

HEX #B528DC

RGB 181 40 220

HSL 287, 0.72%, 0.51%

LAB 47.63, 76.18, -62.21

 

CMYK 0 / 82 / 4 / 14

HEX #DC28D3

RGB 220 40 211

HSL 303, 0.72%, 0.51%

LAB 53.42, 81.69, -47.44

 

CMYK 41 / 84 / 0 / 40

HEX #5A1898

RGB 90 24 152

HSL 270.94, 0.73%, 0.35%

LAB 27, 52.34, -56.22

 

CMYK 40 / 84 / 0 / 26

HEX #701EBC

RGB 112 30 188

HSL 271.14, 0.72%, 0.43%

LAB 33.99, 61.88, -66.3

 

CMYK 40 / 82 / 0 / 14

HEX #8528DC

RGB 133 40 220

HSL 271, 0.72%, 0.51%

LAB 40.69, 68.8, -73.83

 

CMYK 32 / 67 / 0 / 12

HEX #994BE1

RGB 153 75 225

HSL 271.2, 0.71%, 0.59%

LAB 48.56, 59.26, -63.75

 

CMYK 25 / 52 / 0 / 9

HEX #AD6FE7

RGB 173 111 231

HSL 271, 0.71%, 0.67%

LAB 58.06, 46.99, -51.77

 

CMYK 40 / 82 / 0 / 14

HEX #8528DC

RGB 133 40 220

HSL 271, 0.72%, 0.51%

LAB 40.69, 68.8, -73.83

 

CMYK 0 / 82 / 59 / 14

HEX #DC285B

RGB 220 40 91

HSL 343, 0.72%, 0.51%

LAB 48.87, 68.81, 17.09

 

CMYK 82 / 0 / 72 / 14

HEX #28DC3D

RGB 40 220 61

HSL 127, 0.72%, 0.51%

LAB 77.27, -72.07, 62.3

 

CMYK 40 / 82 / 0 / 14

HEX #8528DC

RGB 133 40 220

HSL 271, 0.72%, 0.51%

LAB 40.69, 68.8, -73.83

 

CMYK 0 / 40 / 82 / 14

HEX #DC8528

RGB 220 133 40

HSL 31, 0.72%, 0.51%

LAB 63.46, 26.76, 60.08

 

CMYK 82 / 0 / 40 / 14

HEX #28DC85

RGB 40 220 133

HSL 151, 0.72%, 0.51%

LAB 78.07, -62.41, 30.81

 

CMYK 40 / 82 / 0 / 14

HEX #8528DC

RGB 133 40 220

HSL 271, 0.72%, 0.51%

LAB 40.69, 68.8, -73.83

 

CMYK 0 / 82 / 59 / 14

HEX #DC285B

RGB 220 40 91

HSL 343, 0.72%, 0.51%

LAB 48.87, 68.81, 17.09

 

CMYK 42 / 0 / 82 / 14

HEX #7FDC28

RGB 127 220 40

HSL 91, 0.72%, 0.51%

LAB 79.53, -54.31, 71.68

 

CMYK 82 / 0 / 23 / 14

HEX #28DCA9

RGB 40 220 169

HSL 163, 0.72%, 0.51%

LAB 78.75, -54.78, 12.99

 

CMYK 40 / 82 / 0 / 14

HEX #8528DC

RGB 133 40 220

HSL 271, 0.72%, 0.51%

LAB 40.69, 68.8, -73.83

 

CMYK 0 / 80 / 82 / 14

HEX #DC2B28

RGB 220 43 40

HSL 1, 0.72%, 0.51%

LAB 48.38, 65.78, 46.3

 

CMYK 42 / 0 / 82 / 14

HEX #7FDC28

RGB 127 220 40

HSL 91, 0.72%, 0.51%

LAB 79.53, -54.31, 71.68

 

CMYK 82 / 1 / 0 / 14

HEX #28D9DC

RGB 40 217 220

HSL 181, 0.72%, 0.51%

LAB 79.18, -39.98, -13.57

 

Description

Color code: RGB 133 40 220 | qconv.com Color code: RGB 133 40 220 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 40 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 40 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 82 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 82% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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