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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone RGB 134 159 89 it is the complementary color RGB 121 96 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color RGB 134 159 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the RGB 134 159 89 shade: RGB 139 159 84, RGB 156 177 103, RGB 173 195 122, RGB 190 213 141 and RGB 207 231 160
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color RGB 134 159 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the RGB 134 159 89 shade: RGB 134 159 89, RGB 117 141 70, RGB 100 123 51, RGB 83 105 32 and RGB 66 87 13
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the RGB 134 159 89 shade: RGB 134 159 89, RGB 153 159 89, RGB 159 147 89, RGB 159 128 89 and RGB 159 109 89
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the RGB 134 159 89 shade: RGB 134 159 89, RGB 116 159 89, RGB 97 159 89, RGB 89 159 101 and RGB 89 159 120
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The RGB 134 159 89 shade matches the following richer shades: RGB 134 159 89, RGB 140 180 69, RGB 146 200 49, RGB 152 220 29 and RGB 158 240 9
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the RGB 134 159 89 shade: RGB 134 159 89, RGB 129 139 110, RGB 123 119 130, RGB 117 99 150 and RGB 111 79 170
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the RGB 134 159 89 shade: RGB 159 147 89, RGB 154 159 89, RGB 135 159 89, RGB 116 159 89 and RGB 98 159 89
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the RGB 134 159 89 shade: RGB 90 107 60, RGB 112 133 75, RGB 134 159 89, RGB 154 176 114 and RGB 173 191 141
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the RGB 134 159 89 shade: RGB 134 159 89, RGB 89 159 128 and RGB 156 89 159
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the RGB 134 159 89 shade: RGB 134 159 89, RGB 89 135 159 and RGB 159 89 135
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the RGB 134 159 89 shade: RGB 134 159 89, RGB 89 159 128, RGB 114 89 159 and RGB 159 89 121
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the RGB 134 159 89 shade: RGB 134 159 89, RGB 89 159 149, RGB 114 89 159 and RGB 159 89 100
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
Complementary color
Lighter colors
Darker colors
HSL 81.43, 0.28%, 0.49%
LAB 62.16, -20.71, 33.6
HSL 80.28, 0.34%, 0.41%
LAB 55.35, -20.6, 34.82
HSL 79.17, 0.41%, 0.34%
LAB 48.4, -20.41, 35.99
HSL 78.08, 0.53%, 0.27%
LAB 41.29, -20.06, 36.9
HSL 77.03, 0.74%, 0.2%
LAB 33.99, -19.45, 36.96
Warmer colors
HSL 81.43, 0.28%, 0.49%
LAB 62.16, -20.71, 33.6
HSL 65.14, 0.28%, 0.49%
LAB 63.58, -12.97, 35.68
HSL 49.71, 0.28%, 0.49%
LAB 60.75, -4.02, 32.24
HSL 33.43, 0.28%, 0.49%
LAB 55.61, 6.56, 25.66
HSL 17.14, 0.28%, 0.49%
LAB 50.72, 17.39, 19.18
Colder colors
HSL 81.43, 0.28%, 0.49%
LAB 62.16, -20.71, 33.6
HSL 96.86, 0.28%, 0.49%
LAB 60.98, -27.63, 31.87
HSL 113.14, 0.28%, 0.49%
LAB 59.94, -34.31, 30.33
HSL 130.29, 0.28%, 0.49%
LAB 59.76, -34.89, 23.58
HSL 146.57, 0.28%, 0.49%
LAB 60.14, -31.24, 13.6
Richer colors
HSL 81.43, 0.28%, 0.49%
LAB 62.16, -20.71, 33.6
HSL 81.62, 0.45%, 0.49%
LAB 68.5, -30.68, 50.86
HSL 81.46, 0.61%, 0.49%
LAB 74.6, -38.87, 64.9
HSL 81.36, 0.77%, 0.49%
LAB 80.71, -46.06, 75.6
HSL 81.3, 0.93%, 0.49%
LAB 86.8, -52.53, 83.24
Paler colors
HSL 81.43, 0.28%, 0.49%
LAB 62.16, -20.71, 33.6
HSL 80.69, 0.12%, 0.49%
LAB 56.35, -9.08, 14.32
HSL 261.82, 0.04%, 0.49%
LAB 50.71, 3.77, -5.46
HSL 261.18, 0.2%, 0.49%
LAB 45.51, 18.26, -25.27
HSL 261.1, 0.37%, 0.49%
LAB 41.01, 33.77, -44.27
Analogue colors
Monochromatic colors
HSL 81.43, 0.28%, 0.49%
LAB 62.16, -20.71, 33.6
HSL 81.29, 0.28%, 0.57%
LAB 68.85, -18.3, 29.3
HSL 81.6, 0.28%, 0.65%
LAB 74.87, -14.89, 23.24
Partial complementary colors
HSL 81.43, 0.28%, 0.49%
LAB 62.16, -20.71, 33.6
HSL 153.43, 0.28%, 0.49%
LAB 60.32, -29.53, 9.37
HSL 297.43, 0.28%, 0.49%
LAB 47.9, 38.57, -26.55
Triadic colors
HSL 81.43, 0.28%, 0.49%
LAB 62.16, -20.71, 33.6
HSL 200.57, 0.28%, 0.49%
LAB 53.98, -9.07, -17.69
HSL 320.57, 0.28%, 0.49%
LAB 47.32, 35.19, -13.11
Rectangular (tetradic) colors
HSL 81.43, 0.28%, 0.49%
LAB 62.16, -20.71, 33.6
HSL 153.43, 0.28%, 0.49%
LAB 60.32, -29.53, 9.37
HSL 261.43, 0.28%, 0.49%
LAB 43.1, 25.69, -34.41
HSL 332.57, 0.28%, 0.49%
LAB 46.84, 32.95, -5.41
Square colors
HSL 81.43, 0.28%, 0.49%
LAB 62.16, -20.71, 33.6
HSL 171.43, 0.28%, 0.49%
LAB 60.86, -24.57, -1.68
HSL 261.43, 0.28%, 0.49%
LAB 43.1, 25.69, -34.41
HSL 350.57, 0.28%, 0.49%
LAB 46.23, 30.03, 6.41
Description
Since the color values are relatively high compared to others, this hue appears lighter to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 159 green and 89 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 44 yellow and 38 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
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CMYK to RAL®
convert from CMYK cyan / magenta / yellow / black to RAL®-number (RAL 0000)
CMYK to HKS®
convert from CMYK cyan / magenta / yellow / black to HKS®-number (HKS 00)
CMYK to PANTONE®
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CMYK to Sherwin Williams®
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convert from #RRGGBB to RAL®-number (RAL 0000)
HEX to HKS®
convert from #RRGGBB to HKS®-number (HKS 00)
HEX to PANTONE®
convert from #RRGGBB to Pantone®-number (Pantone 0000)
HEX to Sherwin Williams®
convert from #RRGGBB to Sherwin Williams®-number (SW 0000)
HEX to NCS®
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RAL® to HEX
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RAL® to HKS®
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RAL® to PANTONE®
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RAL® to Sherwin Williams®
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RAL® to NCS®
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HKS® to RGB
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HKS® to RGBA
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HKS® to CMYK
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HKS® to RAL®
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HKS® to PANTONE®
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HKS® to Sherwin Williams®
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PANTONE® to CMYK
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PANTONE® to HEX
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PANTONE® to RAL®
convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)
PANTONE® to HKS®
convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)
PANTONE® to Sherwin Williams®
convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)
PANTONE® to NCS®
convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)
Sherwin Williams® to RGB
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Sherwin Williams® to RGBA
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Sherwin Williams® to CMYK
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Sherwin Williams® to HEX
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Sherwin Williams® to RAL®
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Sherwin Williams® to HKS®
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Sherwin Williams® to PANTONE®
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