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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 162 166 it is the complementary color RGB 121 93 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 162 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 162 166 shade: RGB 139 162 161, RGB 156 180 180, RGB 173 198 199, RGB 190 216 218 and RGB 207 234 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 162 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 162 166 shade: RGB 134 162 166, RGB 117 144 147, RGB 100 126 128, RGB 83 108 109 and RGB 66 90 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 162 166 shade: RGB 134 162 166, RGB 134 153 166, RGB 134 145 166, RGB 134 136 166 and RGB 141 134 166

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 162 166 shade: RGB 134 162 166, RGB 134 153 166, RGB 134 145 166, RGB 134 136 166 and RGB 134 134 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 162 166 shade matches the following richer shades: RGB 134 162 166, RGB 117 174 183, RGB 100 187 199, RGB 84 200 216 and RGB 67 212 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 162 166 shade: RGB 134 162 166, RGB 151 149 149, RGB 168 136 132, RGB 185 124 115 and RGB 202 111 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 162 166 shade: RGB 134 166 153, RGB 134 166 161, RGB 134 162 166, RGB 134 154 166 and RGB 134 145 166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 162 166 shade: RGB 92 121 125, RGB 111 143 148, RGB 134 162 166, RGB 158 180 183 and RGB 182 198 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 162 166 shade: RGB 134 162 166, RGB 144 134 166 and RGB 166 157 134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 162 166 shade: RGB 134 162 166, RGB 166 134 162 and RGB 162 166 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 162 166 shade: RGB 134 162 166, RGB 144 134 166, RGB 166 138 134 and RGB 156 166 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 162 166 shade: RGB 134 162 166, RGB 154 134 166, RGB 166 138 134 and RGB 146 166 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 2 / 0 / 35

HEX #86A2A6

RGB 134 162 166

HSL 187.5, 0.15%, 0.59%

LAB 64.69, -8.77, -5.31

 

Complementary color

CMYK 0 / 23 / 26 / 53

HEX #795D59

RGB 121 93 89

HSL 7.5, 0.15%, 0.41%

LAB 42.18, 10.77, 6.68

 

CMYK 14 / 0 / 1 / 36

HEX #8BA2A1

RGB 139 162 161

HSL 177.39, 0.11%, 0.59%

LAB 64.89, -8.21, -2.19

 

CMYK 13 / 0 / 0 / 29

HEX #9CB4B4

RGB 156 180 180

HSL 180, 0.14%, 0.66%

LAB 71.56, -8.2, -2.78

 

CMYK 13 / 1 / 0 / 22

HEX #ADC6C7

RGB 173 198 199

HSL 182.31, 0.19%, 0.73%

LAB 78.11, -8.2, -3.36

 

CMYK 13 / 1 / 0 / 15

HEX #BED8DA

RGB 190 216 218

HSL 184.29, 0.27%, 0.8%

LAB 84.55, -8.21, -3.92

 

CMYK 13 / 1 / 0 / 7

HEX #CFEAED

RGB 207 234 237

HSL 186, 0.45%, 0.87%

LAB 90.88, -8.22, -4.46

 

CMYK 19 / 2 / 0 / 35

HEX #86A2A6

RGB 134 162 166

HSL 187.5, 0.15%, 0.59%

LAB 64.69, -8.77, -5.31

 

CMYK 20 / 2 / 0 / 42

HEX #759093

RGB 117 144 147

HSL 186, 0.12%, 0.52%

LAB 57.88, -8.8, -4.76

 

CMYK 22 / 2 / 0 / 50

HEX #647E80

RGB 100 126 128

HSL 184.29, 0.12%, 0.45%

LAB 50.91, -8.84, -4.18

 

CMYK 24 / 1 / 0 / 57

HEX #536C6D

RGB 83 108 109

HSL 182.31, 0.14%, 0.38%

LAB 43.75, -8.9, -3.58

 

CMYK 27 / 0 / 0 / 65

HEX #425A5A

RGB 66 90 90

HSL 180, 0.15%, 0.31%

LAB 36.38, -8.99, -2.95

 

CMYK 19 / 2 / 0 / 35

HEX #86A2A6

RGB 134 162 166

HSL 187.5, 0.15%, 0.59%

LAB 64.69, -8.77, -5.31

 

CMYK 19 / 8 / 0 / 35

HEX #8699A6

RGB 134 153 166

HSL 204.38, 0.15%, 0.59%

LAB 62.17, -3.84, -9.06

 

CMYK 19 / 13 / 0 / 35

HEX #8691A6

RGB 134 145 166

HSL 219.38, 0.15%, 0.59%

LAB 59.95, 0.64, -12.38

 

CMYK 19 / 18 / 0 / 35

HEX #8688A6

RGB 134 136 166

HSL 236.25, 0.15%, 0.59%

LAB 57.49, 5.78, -16.1

 

CMYK 15 / 19 / 0 / 35

HEX #8D86A6

RGB 141 134 166

HSL 253.13, 0.15%, 0.59%

LAB 57.53, 9.27, -15.99

 

CMYK 19 / 2 / 0 / 35

HEX #86A2A6

RGB 134 162 166

HSL 187.5, 0.15%, 0.59%

LAB 64.69, -8.77, -5.31

 

CMYK 19 / 8 / 0 / 35

HEX #8699A6

RGB 134 153 166

HSL 204.38, 0.15%, 0.59%

LAB 62.17, -3.84, -9.06

 

CMYK 19 / 13 / 0 / 35

HEX #8691A6

RGB 134 145 166

HSL 219.38, 0.15%, 0.59%

LAB 59.95, 0.64, -12.38

 

CMYK 19 / 18 / 0 / 35

HEX #8688A6

RGB 134 136 166

HSL 236.25, 0.15%, 0.59%

LAB 57.49, 5.78, -16.1

 

CMYK 19 / 19 / 0 / 35

HEX #8686A6

RGB 134 134 166

HSL 240, 0.15%, 0.59%

LAB 56.95, 6.94, -16.92

 

CMYK 19 / 2 / 0 / 35

HEX #86A2A6

RGB 134 162 166

HSL 187.5, 0.15%, 0.59%

LAB 64.69, -8.77, -5.31

 

CMYK 36 / 5 / 0 / 28

HEX #75AEB7

RGB 117 174 183

HSL 188.18, 0.31%, 0.59%

LAB 67.63, -16.23, -10.52

 

CMYK 50 / 6 / 0 / 22

HEX #64BBC7

RGB 100 187 199

HSL 187.27, 0.47%, 0.59%

LAB 71.13, -22.94, -14.16

 

CMYK 61 / 7 / 0 / 15

HEX #54C8D8

RGB 84 200 216

HSL 187.27, 0.63%, 0.59%

LAB 74.92, -27.79, -17.75

 

CMYK 71 / 9 / 0 / 9

HEX #43D4E9

RGB 67 212 233

HSL 187.59, 0.79%, 0.59%

LAB 78.56, -31.12, -21.42

 

CMYK 19 / 2 / 0 / 35

HEX #86A2A6

RGB 134 162 166

HSL 187.5, 0.15%, 0.59%

LAB 64.69, -8.77, -5.31

 

CMYK 0 / 1 / 1 / 41

HEX #979595

RGB 151 149 149

HSL 0, 0.01%, 0.59%

LAB 61.86, 0.73, 0.25

 

CMYK 0 / 19 / 21 / 34

HEX #A88884

RGB 168 136 132

HSL 6.67, 0.17%, 0.59%

LAB 59.52, 11.52, 6.74

 

CMYK 0 / 33 / 38 / 27

HEX #B97C73

RGB 185 124 115

HSL 7.71, 0.33%, 0.59%

LAB 58.01, 22.61, 14.6

 

CMYK 0 / 45 / 51 / 21

HEX #CA6F62

RGB 202 111 98

HSL 7.5, 0.5%, 0.59%

LAB 56.89, 34.56, 23.2

 

CMYK 19 / 0 / 8 / 35

HEX #86A699

RGB 134 166 153

HSL 155.63, 0.15%, 0.59%

LAB 65.47, -13.71, 3.09

 

CMYK 19 / 0 / 3 / 35

HEX #86A6A1

RGB 134 166 161

HSL 170.63, 0.15%, 0.59%

LAB 65.68, -12.02, -1.06

 

CMYK 19 / 2 / 0 / 35

HEX #86A2A6

RGB 134 162 166

HSL 187.5, 0.15%, 0.59%

LAB 64.69, -8.77, -5.31

 

CMYK 19 / 7 / 0 / 35

HEX #869AA6

RGB 134 154 166

HSL 202.5, 0.15%, 0.59%

LAB 62.45, -4.39, -8.64

 

CMYK 19 / 13 / 0 / 35

HEX #8691A6

RGB 134 145 166

HSL 219.38, 0.15%, 0.59%

LAB 59.95, 0.64, -12.38

 

CMYK 26 / 3 / 0 / 51

HEX #5C797D

RGB 92 121 125

HSL 187.27, 0.15%, 0.43%

LAB 48.8, -9.39, -5.6

 

CMYK 25 / 3 / 0 / 42

HEX #6F8F94

RGB 111 143 148

HSL 188.11, 0.15%, 0.51%

LAB 57.23, -9.96, -6.33

 

CMYK 19 / 2 / 0 / 35

HEX #86A2A6

RGB 134 162 166

HSL 187.5, 0.15%, 0.59%

LAB 64.69, -8.77, -5.31

 

CMYK 14 / 2 / 0 / 28

HEX #9EB4B7

RGB 158 180 183

HSL 187.2, 0.15%, 0.67%

LAB 71.78, -6.91, -4.09

 

CMYK 9 / 1 / 0 / 21

HEX #B6C6C9

RGB 182 198 201

HSL 189.47, 0.15%, 0.75%

LAB 78.78, -4.84, -3.37

 

CMYK 19 / 2 / 0 / 35

HEX #86A2A6

RGB 134 162 166

HSL 187.5, 0.15%, 0.59%

LAB 64.69, -8.77, -5.31

 

CMYK 13 / 19 / 0 / 35

HEX #9086A6

RGB 144 134 166

HSL 258.75, 0.15%, 0.59%

LAB 57.78, 10.29, -15.58

 

CMYK 0 / 5 / 19 / 35

HEX #A69D86

RGB 166 157 134

HSL 43.13, 0.15%, 0.59%

LAB 64.92, -0.63, 13.22

 

CMYK 19 / 2 / 0 / 35

HEX #86A2A6

RGB 134 162 166

HSL 187.5, 0.15%, 0.59%

LAB 64.69, -8.77, -5.31

 

CMYK 0 / 19 / 2 / 35

HEX #A686A2

RGB 166 134 162

HSL 307.5, 0.15%, 0.59%

LAB 59.68, 17.14, -10.24

 

CMYK 2 / 0 / 19 / 35

HEX #A2A686

RGB 162 166 134

HSL 67.5, 0.15%, 0.59%

LAB 67.03, -7.05, 16.12

 

CMYK 19 / 2 / 0 / 35

HEX #86A2A6

RGB 134 162 166

HSL 187.5, 0.15%, 0.59%

LAB 64.69, -8.77, -5.31

 

CMYK 13 / 19 / 0 / 35

HEX #9086A6

RGB 144 134 166

HSL 258.75, 0.15%, 0.59%

LAB 57.78, 10.29, -15.58

 

CMYK 0 / 17 / 19 / 35

HEX #A68A86

RGB 166 138 134

HSL 7.5, 0.15%, 0.59%

LAB 59.89, 9.93, 6.1

 

CMYK 6 / 0 / 19 / 35

HEX #9CA686

RGB 156 166 134

HSL 78.75, 0.15%, 0.59%

LAB 66.57, -9.33, 15.41

 

CMYK 19 / 2 / 0 / 35

HEX #86A2A6

RGB 134 162 166

HSL 187.5, 0.15%, 0.59%

LAB 64.69, -8.77, -5.31

 

CMYK 7 / 19 / 0 / 35

HEX #9A86A6

RGB 154 134 166

HSL 277.5, 0.15%, 0.59%

LAB 58.67, 13.72, -14.15

 

CMYK 0 / 17 / 19 / 35

HEX #A68A86

RGB 166 138 134

HSL 7.5, 0.15%, 0.59%

LAB 59.89, 9.93, 6.1

 

CMYK 12 / 0 / 19 / 35

HEX #92A686

RGB 146 166 134

HSL 97.5, 0.15%, 0.59%

LAB 65.83, -13.07, 14.27

 

Description

Color code: RGB 134 162 166 | qconv.com Color code: RGB 134 162 166 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 162 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 162 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 2 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 2% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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