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Color name
RGB 134 21 233

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 21 233 it is the complementary color RGB 121 234 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 21 233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 21 233 shade: RGB 139 21 228, RGB 156 39 247, RGB 173 57 255, RGB 190 75 255 and RGB 207 93 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 21 233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 21 233 shade: RGB 134 21 233, RGB 117 3 214, RGB 100 0 195, RGB 83 0 176 and RGB 66 0 157

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 21 233 shade: RGB 134 21 233, RGB 191 21 233, RGB 233 21 218, RGB 233 21 160 and RGB 233 21 103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 21 233 shade: RGB 134 21 233, RGB 77 21 233 and RGB 21 21 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 21 233 shade matches the following richer shades: RGB 134 21 233 and RGB 135 1 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 21 233 shade: RGB 134 21 233, RGB 133 42 212, RGB 131 62 192, RGB 130 83 171 and RGB 129 104 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 21 233 shade: RGB 21 25 233, RGB 74 21 233, RGB 131 21 233, RGB 187 21 233 and RGB 233 21 222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 21 233 shade: RGB 90 14 157, RGB 112 18 195, RGB 134 21 233, RGB 153 59 236 and RGB 173 97 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 21 233 shade: RGB 134 21 233, RGB 233 21 81 and RGB 21 233 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 21 233 shade: RGB 134 21 233, RGB 233 131 21 and RGB 21 233 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 21 233 shade: RGB 134 21 233, RGB 233 21 81, RGB 123 233 21 and RGB 21 233 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 21 233 shade: RGB 134 21 233, RGB 233 25 21, RGB 123 233 21 and RGB 21 229 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 91 / 0 / 9

HEX #8615E9

RGB 134 21 233

HSL 271.98, 0.83%, 0.5%

LAB 40.39, 76.47, -81.73

 

Complementary color

CMYK 48 / 0 / 91 / 8

HEX #79EA16

RGB 121 234 22

HSL 91.98, 0.83%, 0.5%

LAB 83.43, -61.99, 78.45

 

CMYK 39 / 91 / 0 / 11

HEX #8B15E4

RGB 139 21 228

HSL 274.2, 0.83%, 0.49%

LAB 40.62, 75.98, -78.49

 

CMYK 37 / 84 / 0 / 3

HEX #9C27F7

RGB 156 39 247

HSL 273.75, 0.93%, 0.56%

LAB 45.95, 77.96, -80.39

 

CMYK 32 / 78 / 0 / 0

HEX #AD39FF

RGB 173 57 255

HSL 275.15, 1%, 0.61%

LAB 50.72, 76.65, -76.97

 

CMYK 25 / 71 / 0 / 0

HEX #BE4BFF

RGB 190 75 255

HSL 278.33, 1%, 0.65%

LAB 55.28, 73.01, -69.47

 

CMYK 19 / 64 / 0 / 0

HEX #CF5DFF

RGB 207 93 255

HSL 282.22, 1%, 0.68%

LAB 60.17, 69.01, -61.48

 

CMYK 42 / 91 / 0 / 9

HEX #8615E9

RGB 134 21 233

HSL 271.98, 0.83%, 0.5%

LAB 40.39, 76.47, -81.73

 

CMYK 45 / 99 / 0 / 16

HEX #7503D6

RGB 117 3 214

HSL 272.42, 0.97%, 0.43%

LAB 35.4, 73.36, -79.14

 

CMYK 49 / 100 / 0 / 24

HEX #6400C3

RGB 100 0 195

HSL 270.77, 1%, 0.38%

LAB 31, 68.27, -75.42

 

CMYK 53 / 100 / 0 / 31

HEX #5300B0

RGB 83 0 176

HSL 268.3, 1%, 0.35%

LAB 26.66, 62.73, -71.38

 

CMYK 58 / 100 / 0 / 38

HEX #42009D

RGB 66 0 157

HSL 265.22, 1%, 0.31%

LAB 22.28, 57.14, -67.19

 

CMYK 42 / 91 / 0 / 9

HEX #8615E9

RGB 134 21 233

HSL 271.98, 0.83%, 0.5%

LAB 40.39, 76.47, -81.73

 

CMYK 18 / 91 / 0 / 9

HEX #BF15E9

RGB 191 21 233

HSL 288.11, 0.83%, 0.5%

LAB 48.88, 83.65, -67.51

 

CMYK 0 / 91 / 6 / 9

HEX #E915DA

RGB 233 21 218

HSL 304.25, 0.83%, 0.5%

LAB 54.99, 88.06, -48.81

 

CMYK 0 / 91 / 31 / 9

HEX #E915A0

RGB 233 21 160

HSL 320.66, 0.83%, 0.5%

LAB 52.28, 81.04, -19.37

 

CMYK 0 / 91 / 56 / 9

HEX #E91567

RGB 233 21 103

HSL 336.79, 0.83%, 0.5%

LAB 50.5, 76.2, 12.39

 

CMYK 42 / 91 / 0 / 9

HEX #8615E9

RGB 134 21 233

HSL 271.98, 0.83%, 0.5%

LAB 40.39, 76.47, -81.73

 

CMYK 67 / 91 / 0 / 9

HEX #4D15E9

RGB 77 21 233

HSL 255.85, 0.83%, 0.5%

LAB 33.98, 71.91, -92.54

 

CMYK 91 / 91 / 0 / 9

HEX #1515E9

RGB 21 21 233

HSL 240, 0.83%, 0.5%

LAB 30.83, 70.06, -97.87

 

CMYK 42 / 91 / 0 / 9

HEX #8615E9

RGB 134 21 233

HSL 271.98, 0.83%, 0.5%

LAB 40.39, 76.47, -81.73

 

CMYK 47 / 100 / 0 / 1

HEX #8701FD

RGB 135 1 253

HSL 271.9, 0.99%, 0.5%

LAB 41.63, 83.21, -90.96

 

CMYK 42 / 91 / 0 / 9

HEX #8615E9

RGB 134 21 233

HSL 271.98, 0.83%, 0.5%

LAB 40.39, 76.47, -81.73

 

CMYK 37 / 80 / 0 / 17

HEX #852AD4

RGB 133 42 212

HSL 272.12, 0.67%, 0.5%

LAB 40.24, 66.36, -69.96

 

CMYK 32 / 68 / 0 / 25

HEX #833EC0

RGB 131 62 192

HSL 271.85, 0.51%, 0.5%

LAB 41.34, 53.18, -56.58

 

CMYK 24 / 51 / 0 / 33

HEX #8253AB

RGB 130 83 171

HSL 272.05, 0.35%, 0.5%

LAB 44.05, 36.81, -39.91

 

CMYK 14 / 31 / 0 / 41

HEX #816896

RGB 129 104 150

HSL 272.61, 0.18%, 0.5%

LAB 47.97, 19.21, -21.37

 

CMYK 91 / 89 / 0 / 9

HEX #1519E9

RGB 21 25 233

HSL 238.87, 0.83%, 0.5%

LAB 31.2, 68.92, -97.25

 

CMYK 68 / 91 / 0 / 9

HEX #4A15E9

RGB 74 21 233

HSL 255, 0.83%, 0.5%

LAB 33.72, 71.75, -92.98

 

CMYK 44 / 91 / 0 / 9

HEX #8315E9

RGB 131 21 233

HSL 271.13, 0.83%, 0.5%

LAB 39.99, 76.16, -82.4

 

CMYK 20 / 91 / 0 / 9

HEX #BB15E9

RGB 187 21 233

HSL 286.98, 0.83%, 0.5%

LAB 48.24, 83.08, -68.58

 

CMYK 0 / 91 / 5 / 9

HEX #E915DE

RGB 233 21 222

HSL 303.11, 0.83%, 0.5%

LAB 55.21, 88.61, -50.73

 

CMYK 43 / 91 / 0 / 38

HEX #5A0E9D

RGB 90 14 157

HSL 271.89, 0.84%, 0.34%

LAB 26.51, 56.36, -60.09

 

CMYK 43 / 91 / 0 / 24

HEX #7012C3

RGB 112 18 195

HSL 271.86, 0.83%, 0.42%

LAB 33.6, 66.53, -71.07

 

CMYK 42 / 91 / 0 / 9

HEX #8615E9

RGB 134 21 233

HSL 271.98, 0.83%, 0.5%

LAB 40.39, 76.47, -81.73

 

CMYK 35 / 75 / 0 / 7

HEX #993BEC

RGB 153 59 236

HSL 271.86, 0.82%, 0.58%

LAB 46.92, 68.64, -72.64

 

CMYK 28 / 60 / 0 / 6

HEX #AD61F0

RGB 173 97 240

HSL 271.89, 0.83%, 0.66%

LAB 55.81, 56.33, -60.38

 

CMYK 42 / 91 / 0 / 9

HEX #8615E9

RGB 134 21 233

HSL 271.98, 0.83%, 0.5%

LAB 40.39, 76.47, -81.73

 

CMYK 0 / 91 / 65 / 9

HEX #E91551

RGB 233 21 81

HSL 343.02, 0.83%, 0.5%

LAB 50.04, 74.93, 25.21

 

CMYK 91 / 0 / 80 / 9

HEX #15E92E

RGB 21 233 46

HSL 127.08, 0.83%, 0.5%

LAB 81.09, -78.28, 70.65

 

CMYK 42 / 91 / 0 / 9

HEX #8615E9

RGB 134 21 233

HSL 271.98, 0.83%, 0.5%

LAB 40.39, 76.47, -81.73

 

CMYK 0 / 44 / 91 / 9

HEX #E98315

RGB 233 131 21

HSL 31.13, 0.83%, 0.5%

LAB 64.65, 32.76, 67.48

 

CMYK 91 / 0 / 44 / 9

HEX #15E983

RGB 21 233 131

HSL 151.13, 0.83%, 0.5%

LAB 81.88, -68.55, 36.76

 

CMYK 42 / 91 / 0 / 9

HEX #8615E9

RGB 134 21 233

HSL 271.98, 0.83%, 0.5%

LAB 40.39, 76.47, -81.73

 

CMYK 0 / 91 / 65 / 9

HEX #E91551

RGB 233 21 81

HSL 343.02, 0.83%, 0.5%

LAB 50.04, 74.93, 25.21

 

CMYK 47 / 0 / 91 / 9

HEX #7BE915

RGB 123 233 21

HSL 91.13, 0.83%, 0.5%

LAB 83.2, -61.06, 78.43

 

CMYK 91 / 0 / 26 / 9

HEX #15E9AD

RGB 21 233 173

HSL 163.02, 0.83%, 0.5%

LAB 82.62, -60.04, 16.31

 

CMYK 42 / 91 / 0 / 9

HEX #8615E9

RGB 134 21 233

HSL 271.98, 0.83%, 0.5%

LAB 40.39, 76.47, -81.73

 

CMYK 0 / 89 / 91 / 9

HEX #E91915

RGB 233 25 21

HSL 1.13, 0.83%, 0.5%

LAB 49.58, 72.55, 56.99

 

CMYK 47 / 0 / 91 / 9

HEX #7BE915

RGB 123 233 21

HSL 91.13, 0.83%, 0.5%

LAB 83.2, -61.06, 78.43

 

CMYK 91 / 2 / 0 / 9

HEX #15E5E9

RGB 21 229 233

HSL 181.13, 0.83%, 0.5%

LAB 82.96, -42.59, -14.83

 

Description

Color code: RGB 134 21 233 | qconv.com Color code: RGB 134 21 233 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 21 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 21 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 91 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 91% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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