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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 82 129 it is the complementary color RGB 121 173 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 82 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 82 129 shade: RGB 139 82 124, RGB 156 100 143, RGB 173 118 162, RGB 190 136 181 and RGB 207 154 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 82 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 82 129 shade: RGB 134 82 129, RGB 117 64 110, RGB 100 46 91, RGB 83 28 72 and RGB 66 10 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 82 129 shade: RGB 132 81 127, RGB 132 81 113, RGB 132 81 100, RGB 132 81 86 and RGB 132 81 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 82 129 shade: RGB 132 81 127, RGB 123 81 132, RGB 110 81 132, RGB 96 81 132 and RGB 82 81 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 82 129 shade matches the following richer shades: RGB 132 81 127, RGB 150 64 141, RGB 167 46 155, RGB 184 29 169 and RGB 202 12 183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 82 129 shade: RGB 132 81 127, RGB 115 98 113, RGB 98 116 99, RGB 80 133 85 and RGB 63 150 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 82 129 shade: RGB 109 81 132, RGB 123 81 132, RGB 132 81 128, RGB 132 81 114 and RGB 132 81 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 82 129 shade: RGB 81 50 78, RGB 107 65 103, RGB 132 81 127, RGB 158 97 152 and RGB 173 122 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 82 129 shade: RGB 134 82 129, RGB 132 95 81 and RGB 81 132 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 82 129 shade: RGB 134 82 129, RGB 128 132 81 and RGB 81 128 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 82 129 shade: RGB 134 82 129, RGB 132 95 81, RGB 81 132 85 and RGB 81 118 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 82 129 shade: RGB 134 82 129, RGB 132 111 81, RGB 81 132 85 and RGB 81 102 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 4 / 47

HEX #865281

RGB 134 82 129

HSL 305.77, 0.24%, 0.42%

LAB 42.29, 29.42, -17.45

 

Complementary color

CMYK 30 / 0 / 27 / 32

HEX #79AD7E

RGB 121 173 126

HSL 125.77, 0.24%, 0.58%

LAB 66.1, -26.87, 18.8

 

CMYK 0 / 41 / 11 / 45

HEX #8B527C

RGB 139 82 124

HSL 315.79, 0.26%, 0.43%

LAB 42.73, 30.22, -13.67

 

CMYK 0 / 36 / 8 / 39

HEX #9C648F

RGB 156 100 143

HSL 313.93, 0.22%, 0.5%

LAB 49.7, 29.42, -14.32

 

CMYK 0 / 32 / 6 / 32

HEX #AD76A2

RGB 173 118 162

HSL 312, 0.25%, 0.57%

LAB 56.54, 28.66, -14.89

 

CMYK 0 / 28 / 5 / 25

HEX #BE88B5

RGB 190 136 181

HSL 310, 0.29%, 0.64%

LAB 63.25, 27.96, -15.41

 

CMYK 0 / 26 / 3 / 19

HEX #CF9AC8

RGB 207 154 200

HSL 307.92, 0.36%, 0.71%

LAB 69.86, 27.3, -15.9

 

CMYK 0 / 39 / 4 / 47

HEX #865281

RGB 134 82 129

HSL 305.77, 0.24%, 0.42%

LAB 42.29, 29.42, -17.45

 

CMYK 0 / 45 / 6 / 54

HEX #75406E

RGB 117 64 110

HSL 307.92, 0.29%, 0.35%

LAB 35.15, 30.24, -16.85

 

CMYK 0 / 54 / 9 / 61

HEX #642E5B

RGB 100 46 91

HSL 310, 0.37%, 0.29%

LAB 27.9, 31.02, -16.08

 

CMYK 0 / 66 / 13 / 67

HEX #531C48

RGB 83 28 72

HSL 312, 0.5%, 0.22%

LAB 20.59, 31.53, -14.95

 

CMYK 0 / 85 / 20 / 74

HEX #420A35

RGB 66 10 53

HSL 313.93, 0.74%, 0.15%

LAB 13.43, 31.14, -13.01

 

CMYK 0 / 39 / 4 / 48

HEX #84517F

RGB 132 81 127

HSL 305.88, 0.24%, 0.42%

LAB 41.72, 28.92, -17.12

 

CMYK 0 / 39 / 14 / 48

HEX #845171

RGB 132 81 113

HSL 322.35, 0.24%, 0.42%

LAB 41.19, 26.31, -9.35

 

CMYK 0 / 39 / 24 / 48

HEX #845164

RGB 132 81 100

HSL 337.65, 0.24%, 0.42%

LAB 40.75, 24.12, -1.98

 

CMYK 0 / 39 / 35 / 48

HEX #845156

RGB 132 81 86

HSL 354.12, 0.24%, 0.42%

LAB 40.35, 22.04, 6.11

 

CMYK 0 / 39 / 39 / 48

HEX #845151

RGB 132 81 81

HSL 0, 0.24%, 0.42%

LAB 40.22, 21.37, 9.02

 

CMYK 0 / 39 / 4 / 48

HEX #84517F

RGB 132 81 127

HSL 305.88, 0.24%, 0.42%

LAB 41.72, 28.92, -17.12

 

CMYK 7 / 39 / 0 / 48

HEX #7B5184

RGB 123 81 132

HSL 289.41, 0.24%, 0.42%

LAB 40.83, 26.87, -21.63

 

CMYK 17 / 39 / 0 / 48

HEX #6E5184

RGB 110 81 132

HSL 274.12, 0.24%, 0.42%

LAB 39.35, 22.53, -24.04

 

CMYK 27 / 39 / 0 / 48

HEX #605184

RGB 96 81 132

HSL 257.65, 0.24%, 0.42%

LAB 37.91, 17.98, -26.4

 

CMYK 38 / 39 / 0 / 48

HEX #525184

RGB 82 81 132

HSL 241.18, 0.24%, 0.42%

LAB 36.64, 13.68, -28.48

 

CMYK 0 / 39 / 4 / 48

HEX #84517F

RGB 132 81 127

HSL 305.88, 0.24%, 0.42%

LAB 41.72, 28.92, -17.12

 

CMYK 0 / 57 / 6 / 41

HEX #96408D

RGB 150 64 141

HSL 306.28, 0.4%, 0.42%

LAB 41.33, 46.34, -26.05

 

CMYK 0 / 72 / 7 / 35

HEX #A72E9B

RGB 167 46 155

HSL 305.95, 0.57%, 0.42%

LAB 42.06, 60.57, -33.19

 

CMYK 0 / 84 / 8 / 28

HEX #B81DA9

RGB 184 29 169

HSL 305.81, 0.73%, 0.42%

LAB 44.14, 70.96, -38.09

 

CMYK 0 / 94 / 9 / 21

HEX #CA0CB7

RGB 202 12 183

HSL 306, 0.89%, 0.42%

LAB 47.29, 78.77, -41.17

 

CMYK 0 / 39 / 4 / 48

HEX #84517F

RGB 132 81 127

HSL 305.88, 0.24%, 0.42%

LAB 41.72, 28.92, -17.12

 

CMYK 0 / 15 / 2 / 55

HEX #736271

RGB 115 98 113

HSL 307.06, 0.08%, 0.42%

LAB 43.61, 9.71, -5.92

 

CMYK 16 / 0 / 15 / 55

HEX #627463

RGB 98 116 99

HSL 123.33, 0.08%, 0.42%

LAB 46.96, -10.28, 7.18

 

CMYK 40 / 0 / 36 / 48

HEX #508555

RGB 80 133 85

HSL 125.66, 0.25%, 0.42%

LAB 50.85, -28.32, 20.48

 

CMYK 58 / 0 / 53 / 41

HEX #3F9647

RGB 63 150 71

HSL 125.52, 0.41%, 0.42%

LAB 55.4, -43.13, 33.73

 

CMYK 17 / 39 / 0 / 48

HEX #6D5184

RGB 109 81 132

HSL 272.94, 0.24%, 0.42%

LAB 39.24, 22.2, -24.22

 

CMYK 7 / 39 / 0 / 48

HEX #7B5184

RGB 123 81 132

HSL 289.41, 0.24%, 0.42%

LAB 40.83, 26.87, -21.63

 

CMYK 0 / 39 / 3 / 48

HEX #845180

RGB 132 81 128

HSL 304.71, 0.24%, 0.42%

LAB 41.77, 29.11, -17.66

 

CMYK 0 / 39 / 14 / 48

HEX #845172

RGB 132 81 114

HSL 321.18, 0.24%, 0.42%

LAB 41.22, 26.49, -9.91

 

CMYK 0 / 39 / 23 / 48

HEX #845165

RGB 132 81 101

HSL 336.47, 0.24%, 0.42%

LAB 40.78, 24.28, -2.55

 

CMYK 0 / 38 / 4 / 68

HEX #51324E

RGB 81 50 78

HSL 305.81, 0.24%, 0.26%

LAB 25.5, 19.18, -11.43

 

CMYK 0 / 39 / 4 / 58

HEX #6B4167

RGB 107 65 103

HSL 305.71, 0.24%, 0.34%

LAB 33.74, 24.75, -14.71

 

CMYK 0 / 39 / 4 / 48

HEX #84517F

RGB 132 81 127

HSL 305.88, 0.24%, 0.42%

LAB 41.72, 28.92, -17.12

 

CMYK 0 / 39 / 4 / 38

HEX #9E6198

RGB 158 97 152

HSL 305.9, 0.24%, 0.5%

LAB 49.6, 33.46, -19.77

 

CMYK 0 / 29 / 2 / 32

HEX #AD7AA9

RGB 173 122 169

HSL 304.71, 0.24%, 0.58%

LAB 57.72, 27.72, -17.13

 

CMYK 0 / 39 / 4 / 47

HEX #865281

RGB 134 82 129

HSL 305.77, 0.24%, 0.42%

LAB 42.29, 29.42, -17.45

 

CMYK 0 / 28 / 39 / 48

HEX #845F51

RGB 132 95 81

HSL 16.47, 0.24%, 0.42%

LAB 43.78, 13.1, 13.95

 

CMYK 39 / 0 / 12 / 48

HEX #518474

RGB 81 132 116

HSL 161.18, 0.24%, 0.42%

LAB 51.28, -21.03, 3.25

 

CMYK 0 / 39 / 4 / 47

HEX #865281

RGB 134 82 129

HSL 305.77, 0.24%, 0.42%

LAB 42.29, 29.42, -17.45

 

CMYK 3 / 0 / 39 / 48

HEX #808451

RGB 128 132 81

HSL 64.71, 0.24%, 0.42%

LAB 53.69, -9.91, 27.04

 

CMYK 39 / 3 / 0 / 48

HEX #518084

RGB 81 128 132

HSL 184.71, 0.24%, 0.42%

LAB 50.52, -14.85, -7.23

 

CMYK 0 / 39 / 4 / 47

HEX #865281

RGB 134 82 129

HSL 305.77, 0.24%, 0.42%

LAB 42.29, 29.42, -17.45

 

CMYK 0 / 28 / 39 / 48

HEX #845F51

RGB 132 95 81

HSL 16.47, 0.24%, 0.42%

LAB 43.78, 13.1, 13.95

 

CMYK 39 / 0 / 36 / 48

HEX #518455

RGB 81 132 85

HSL 124.71, 0.24%, 0.42%

LAB 50.58, -27.5, 20.13

 

CMYK 39 / 11 / 0 / 48

HEX #517684

RGB 81 118 132

HSL 196.47, 0.24%, 0.42%

LAB 47.46, -9.24, -11.82

 

CMYK 0 / 39 / 4 / 47

HEX #865281

RGB 134 82 129

HSL 305.77, 0.24%, 0.42%

LAB 42.29, 29.42, -17.45

 

CMYK 0 / 16 / 39 / 48

HEX #846F51

RGB 132 111 81

HSL 35.29, 0.24%, 0.42%

LAB 48.09, 3.7, 19.79

 

CMYK 39 / 0 / 36 / 48

HEX #518455

RGB 81 132 85

HSL 124.71, 0.24%, 0.42%

LAB 50.58, -27.5, 20.13

 

CMYK 39 / 23 / 0 / 48

HEX #516684

RGB 81 102 132

HSL 215.29, 0.24%, 0.42%

LAB 42.64, 0.22, -19.16

 

Description

Color code: RGB 134 82 129 | qconv.com Color code: RGB 134 82 129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 82 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 82 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 4 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 4% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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