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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 135 200 it is the complementary color RGB 120 120 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 135 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 135 135 200 shade: RGB 140 135 195, RGB 157 153 214, RGB 174 171 233, RGB 191 189 252 and RGB 208 207 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 135 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 135 135 200 shade: RGB 135 135 200, RGB 118 117 181, RGB 101 99 162, RGB 84 81 143 and RGB 67 63 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 135 135 200 shade: RGB 136 136 200, RGB 153 136 200, RGB 170 136 200, RGB 188 136 200 and RGB 200 136 195

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 135 135 200 shade: RGB 136 136 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 135 135 200 shade matches the following richer shades: RGB 136 136 200, RGB 122 122 214, RGB 108 108 228 and RGB 94 94 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 135 135 200 shade: RGB 136 136 200, RGB 150 150 186, RGB 164 164 172, RGB 178 178 158 and RGB 192 192 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 135 135 200 shade: RGB 136 170 200, RGB 136 153 200, RGB 136 136 200, RGB 153 136 200 and RGB 170 136 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 135 135 200 shade: RGB 80 80 174, RGB 107 107 187, RGB 136 136 200, RGB 164 164 213 and RGB 192 192 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 135 135 200 shade: RGB 135 135 200, RGB 200 136 187 and RGB 161 200 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 135 135 200 shade: RGB 135 135 200, RGB 200 136 136 and RGB 136 200 136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 135 135 200 shade: RGB 135 135 200, RGB 200 136 187, RGB 200 200 136 and RGB 136 200 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 135 135 200 shade: RGB 135 135 200, RGB 200 136 168, RGB 200 200 136 and RGB 136 200 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 33 / 0 / 22

HEX #8787C8

RGB 135 135 200

HSL 240, 0.37%, 0.66%

LAB 58.65, 15.16, -33.66

 

Complementary color

CMYK 0 / 0 / 54 / 53

HEX #787837

RGB 120 120 55

HSL 60, 0.37%, 0.34%

LAB 49.13, -9.63, 35.22

 

CMYK 28 / 31 / 0 / 24

HEX #8C87C3

RGB 140 135 195

HSL 245, 0.33%, 0.65%

LAB 58.83, 15.34, -30.52

 

CMYK 27 / 29 / 0 / 16

HEX #9D99D6

RGB 157 153 214

HSL 243.93, 0.43%, 0.72%

LAB 65.6, 14.79, -30.57

 

CMYK 25 / 27 / 0 / 9

HEX #AEABE9

RGB 174 171 233

HSL 242.9, 0.58%, 0.79%

LAB 72.23, 14.3, -30.66

 

CMYK 24 / 25 / 0 / 1

HEX #BFBDFC

RGB 191 189 252

HSL 241.9, 0.91%, 0.86%

LAB 78.75, 13.86, -30.78

 

CMYK 18 / 19 / 0 / 0

HEX #D0CFFF

RGB 208 207 255

HSL 241.25, 1%, 0.91%

LAB 84.62, 9.91, -23.3

 

CMYK 33 / 33 / 0 / 22

HEX #8787C8

RGB 135 135 200

HSL 240, 0.37%, 0.66%

LAB 58.65, 15.16, -33.66

 

CMYK 35 / 35 / 0 / 29

HEX #7675B5

RGB 118 117 181

HSL 240.94, 0.3%, 0.58%

LAB 51.74, 15.83, -33.71

 

CMYK 38 / 39 / 0 / 36

HEX #6563A2

RGB 101 99 162

HSL 241.9, 0.25%, 0.51%

LAB 44.66, 16.62, -33.82

 

CMYK 41 / 43 / 0 / 44

HEX #54518F

RGB 84 81 143

HSL 242.9, 0.28%, 0.44%

LAB 37.4, 17.55, -33.99

 

CMYK 46 / 49 / 0 / 51

HEX #433F7C

RGB 67 63 124

HSL 243.93, 0.33%, 0.37%

LAB 29.92, 18.7, -34.25

 

CMYK 32 / 32 / 0 / 22

HEX #8888C8

RGB 136 136 200

HSL 240, 0.37%, 0.66%

LAB 58.99, 14.87, -33.13

 

CMYK 24 / 32 / 0 / 22

HEX #9988C8

RGB 153 136 200

HSL 255.94, 0.37%, 0.66%

LAB 60.38, 19.92, -30.85

 

CMYK 15 / 32 / 0 / 22

HEX #AA88C8

RGB 170 136 200

HSL 271.88, 0.37%, 0.66%

LAB 61.93, 25.2, -28.32

 

CMYK 6 / 32 / 0 / 22

HEX #BC88C8

RGB 188 136 200

HSL 288.75, 0.37%, 0.66%

LAB 63.73, 30.94, -25.41

 

CMYK 0 / 32 / 3 / 22

HEX #C888C3

RGB 200 136 195

HSL 304.69, 0.37%, 0.66%

LAB 64.83, 33.88, -20.81

 

CMYK 32 / 32 / 0 / 22

HEX #8888C8

RGB 136 136 200

HSL 240, 0.37%, 0.66%

LAB 58.99, 14.87, -33.13

 

CMYK 32 / 32 / 0 / 22

HEX #8888C8

RGB 136 136 200

HSL 240, 0.37%, 0.66%

LAB 58.99, 14.87, -33.13

 

CMYK 43 / 43 / 0 / 16

HEX #7A7AD6

RGB 122 122 214

HSL 240, 0.53%, 0.66%

LAB 54.98, 23.23, -47.4

 

CMYK 53 / 53 / 0 / 11

HEX #6C6CE4

RGB 108 108 228

HSL 240, 0.69%, 0.66%

LAB 51.28, 32.68, -61.26

 

CMYK 61 / 61 / 0 / 5

HEX #5E5EF2

RGB 94 94 242

HSL 240, 0.85%, 0.66%

LAB 48, 42.97, -74.49

 

CMYK 32 / 32 / 0 / 22

HEX #8888C8

RGB 136 136 200

HSL 240, 0.37%, 0.66%

LAB 58.99, 14.87, -33.13

 

CMYK 19 / 19 / 0 / 27

HEX #9696BA

RGB 150 150 186

HSL 240, 0.21%, 0.66%

LAB 63.21, 7.66, -18.64

 

CMYK 5 / 5 / 0 / 33

HEX #A4A4AC

RGB 164 164 172

HSL 240, 0.05%, 0.66%

LAB 67.59, 1.56, -4.13

 

CMYK 0 / 0 / 11 / 30

HEX #B2B29E

RGB 178 178 158

HSL 60, 0.11%, 0.66%

LAB 72.08, -3.54, 10.23

 

CMYK 0 / 0 / 25 / 25

HEX #C0C090

RGB 192 192 144

HSL 60, 0.28%, 0.66%

LAB 76.63, -7.78, 24.27

 

CMYK 32 / 15 / 0 / 22

HEX #88AAC8

RGB 136 170 200

HSL 208.13, 0.37%, 0.66%

LAB 68.13, -4.42, -19.06

 

CMYK 32 / 24 / 0 / 22

HEX #8899C8

RGB 136 153 200

HSL 224.06, 0.37%, 0.66%

LAB 63.5, 5.07, -26.15

 

CMYK 32 / 32 / 0 / 22

HEX #8888C8

RGB 136 136 200

HSL 240, 0.37%, 0.66%

LAB 58.99, 14.87, -33.13

 

CMYK 24 / 32 / 0 / 22

HEX #9988C8

RGB 153 136 200

HSL 255.94, 0.37%, 0.66%

LAB 60.38, 19.92, -30.85

 

CMYK 15 / 32 / 0 / 22

HEX #AA88C8

RGB 170 136 200

HSL 271.88, 0.37%, 0.66%

LAB 61.93, 25.2, -28.32

 

CMYK 54 / 54 / 0 / 32

HEX #5050AE

RGB 80 80 174

HSL 240, 0.37%, 0.5%

LAB 38.72, 27.03, -50.47

 

CMYK 43 / 43 / 0 / 27

HEX #6B6BBB

RGB 107 107 187

HSL 240, 0.37%, 0.58%

LAB 48.55, 20.61, -42.26

 

CMYK 32 / 32 / 0 / 22

HEX #8888C8

RGB 136 136 200

HSL 240, 0.37%, 0.66%

LAB 58.99, 14.87, -33.13

 

CMYK 23 / 23 / 0 / 16

HEX #A4A4D5

RGB 164 164 213

HSL 240, 0.37%, 0.74%

LAB 68.93, 10.47, -24.85

 

CMYK 15 / 15 / 0 / 11

HEX #C0C0E2

RGB 192 192 226

HSL 240, 0.37%, 0.82%

LAB 78.69, 6.76, -16.9

 

CMYK 33 / 33 / 0 / 22

HEX #8787C8

RGB 135 135 200

HSL 240, 0.37%, 0.66%

LAB 58.65, 15.16, -33.66

 

CMYK 0 / 32 / 7 / 22

HEX #C888BB

RGB 200 136 187

HSL 312.19, 0.37%, 0.66%

LAB 64.54, 32.43, -16.74

 

CMYK 20 / 0 / 32 / 22

HEX #A1C888

RGB 161 200 136

HSL 96.56, 0.37%, 0.66%

LAB 76.47, -24.54, 27.9

 

CMYK 33 / 33 / 0 / 22

HEX #8787C8

RGB 135 135 200

HSL 240, 0.37%, 0.66%

LAB 58.65, 15.16, -33.66

 

CMYK 0 / 32 / 32 / 22

HEX #C88888

RGB 200 136 136

HSL 0, 0.37%, 0.66%

LAB 63.07, 24.51, 9.97

 

CMYK 32 / 0 / 32 / 22

HEX #88C888

RGB 136 200 136

HSL 120, 0.37%, 0.66%

LAB 75.03, -33.12, 25.71

 

CMYK 33 / 33 / 0 / 22

HEX #8787C8

RGB 135 135 200

HSL 240, 0.37%, 0.66%

LAB 58.65, 15.16, -33.66

 

CMYK 0 / 32 / 7 / 22

HEX #C888BB

RGB 200 136 187

HSL 312.19, 0.37%, 0.66%

LAB 64.54, 32.43, -16.74

 

CMYK 0 / 0 / 32 / 22

HEX #C8C888

RGB 200 200 136

HSL 60, 0.37%, 0.66%

LAB 79.25, -9.87, 32.09

 

CMYK 32 / 0 / 26 / 22

HEX #88C895

RGB 136 200 149

HSL 132.19, 0.37%, 0.66%

LAB 75.27, -30.87, 19.16

 

CMYK 33 / 33 / 0 / 22

HEX #8787C8

RGB 135 135 200

HSL 240, 0.37%, 0.66%

LAB 58.65, 15.16, -33.66

 

CMYK 0 / 32 / 16 / 22

HEX #C888A8

RGB 200 136 168

HSL 330, 0.37%, 0.66%

LAB 63.93, 29.21, -6.93

 

CMYK 0 / 0 / 32 / 22

HEX #C8C888

RGB 200 200 136

HSL 60, 0.37%, 0.66%

LAB 79.25, -9.87, 32.09

 

CMYK 32 / 0 / 16 / 22

HEX #88C8A8

RGB 136 200 168

HSL 150, 0.37%, 0.66%

LAB 75.68, -27.24, 9.56

 

Description

Color code: RGB 135 135 200 | qconv.com Color code: RGB 135 135 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 135 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 135 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 33 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 33% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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