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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 87 234 it is the complementary color RGB 120 168 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 87 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 135 87 234 shade: RGB 140 87 229, RGB 157 105 248, RGB 174 123 255, RGB 191 141 255 and RGB 208 159 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 87 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 135 87 234 shade: RGB 135 87 234, RGB 118 69 215, RGB 101 51 196, RGB 84 33 177 and RGB 67 15 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 135 87 234 shade: RGB 135 87 234, RGB 174 87 234, RGB 214 87 234, RGB 234 87 214 and RGB 234 87 174

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 135 87 234 shade: RGB 135 87 234, RGB 95 87 234 and RGB 87 87 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 135 87 234 shade matches the following richer shades: RGB 135 87 234 and RGB 129 71 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 135 87 234 shade: RGB 135 87 234, RGB 140 102 218, RGB 145 117 203, RGB 151 132 188 and RGB 156 148 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 135 87 234 shade: RGB 87 118 234, RGB 94 87 234, RGB 133 87 234, RGB 172 87 234 and RGB 212 87 234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 135 87 234 shade: RGB 87 26 212, RGB 108 50 229, RGB 135 87 234, RGB 161 123 238 and RGB 187 160 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 135 87 234 shade: RGB 135 87 234, RGB 234 87 158 and RGB 99 234 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 135 87 234 shade: RGB 135 87 234, RGB 234 133 87 and RGB 87 234 133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 135 87 234 shade: RGB 135 87 234, RGB 234 87 158, RGB 187 234 87 and RGB 87 234 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 135 87 234 shade: RGB 135 87 234, RGB 234 87 114, RGB 187 234 87 and RGB 87 234 207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 63 / 0 / 8

HEX #8757EA

RGB 135 87 234

HSL 259.59, 0.78%, 0.63%

LAB 49.38, 51.86, -67.6

 

Complementary color

CMYK 29 / 0 / 88 / 34

HEX #78A815

RGB 120 168 21

HSL 79.59, 0.78%, 0.37%

LAB 63.39, -35.73, 61.87

 

CMYK 39 / 62 / 0 / 10

HEX #8C57E5

RGB 140 87 229

HSL 262.39, 0.73%, 0.62%

LAB 49.56, 51.57, -64.48

 

CMYK 37 / 58 / 0 / 3

HEX #9D69F8

RGB 157 105 248

HSL 261.82, 0.91%, 0.69%

LAB 56.14, 50.49, -64.4

 

CMYK 32 / 52 / 0 / 0

HEX #AE7BFF

RGB 174 123 255

HSL 263.18, 1%, 0.74%

LAB 61.98, 46.47, -58.79

 

CMYK 25 / 45 / 0 / 0

HEX #BF8DFF

RGB 191 141 255

HSL 266.32, 1%, 0.78%

LAB 67.54, 41.02, -49.88

 

CMYK 18 / 38 / 0 / 0

HEX #D09FFF

RGB 208 159 255

HSL 270.63, 1%, 0.81%

LAB 73.17, 35.95, -40.92

 

CMYK 42 / 63 / 0 / 8

HEX #8757EA

RGB 135 87 234

HSL 259.59, 0.78%, 0.63%

LAB 49.38, 51.86, -67.6

 

CMYK 45 / 68 / 0 / 16

HEX #7645D7

RGB 118 69 215

HSL 260.14, 0.65%, 0.56%

LAB 42.78, 52.98, -67.61

 

CMYK 48 / 74 / 0 / 23

HEX #6533C4

RGB 101 51 196

HSL 260.69, 0.59%, 0.48%

LAB 36.21, 53.94, -67.42

 

CMYK 53 / 81 / 0 / 31

HEX #5421B1

RGB 84 33 177

HSL 261.25, 0.69%, 0.41%

LAB 29.78, 54.45, -66.82

 

CMYK 58 / 91 / 0 / 38

HEX #430F9E

RGB 67 15 158

HSL 261.82, 0.83%, 0.34%

LAB 23.68, 53.92, -65.47

 

CMYK 42 / 63 / 0 / 8

HEX #8757EA

RGB 135 87 234

HSL 259.59, 0.78%, 0.63%

LAB 49.38, 51.86, -67.6

 

CMYK 26 / 63 / 0 / 8

HEX #AE57EA

RGB 174 87 234

HSL 275.51, 0.78%, 0.63%

LAB 53.77, 60.09, -60.3

 

CMYK 9 / 63 / 0 / 8

HEX #D657EA

RGB 214 87 234

HSL 291.84, 0.78%, 0.63%

LAB 59.02, 69.16, -51.6

 

CMYK 0 / 63 / 9 / 8

HEX #EA57D6

RGB 234 87 214

HSL 308.16, 0.78%, 0.63%

LAB 60.93, 70.64, -37.18

 

CMYK 0 / 63 / 26 / 8

HEX #EA57AE

RGB 234 87 174

HSL 324.49, 0.78%, 0.63%

LAB 59.31, 65.03, -16.84

 

CMYK 42 / 63 / 0 / 8

HEX #8757EA

RGB 135 87 234

HSL 259.59, 0.78%, 0.63%

LAB 49.38, 51.86, -67.6

 

CMYK 59 / 63 / 0 / 8

HEX #5F57EA

RGB 95 87 234

HSL 243.27, 0.78%, 0.63%

LAB 45.89, 44.7, -73.43

 

CMYK 63 / 63 / 0 / 8

HEX #5757EA

RGB 87 87 234

HSL 240, 0.78%, 0.63%

LAB 45.34, 43.5, -74.36

 

CMYK 42 / 63 / 0 / 8

HEX #8757EA

RGB 135 87 234

HSL 259.59, 0.78%, 0.63%

LAB 49.38, 51.86, -67.6

 

CMYK 48 / 71 / 0 / 2

HEX #8147F9

RGB 129 71 249

HSL 259.55, 0.94%, 0.63%

LAB 46.99, 62.77, -79.93

 

CMYK 42 / 63 / 0 / 8

HEX #8757EA

RGB 135 87 234

HSL 259.59, 0.78%, 0.63%

LAB 49.38, 51.86, -67.6

 

CMYK 36 / 53 / 0 / 15

HEX #8C66DA

RGB 140 102 218

HSL 259.66, 0.61%, 0.63%

LAB 52, 40.48, -54.33

 

CMYK 29 / 42 / 0 / 20

HEX #9175CB

RGB 145 117 203

HSL 259.53, 0.45%, 0.63%

LAB 55.13, 29.31, -40.81

 

CMYK 20 / 30 / 0 / 26

HEX #9784BC

RGB 151 132 188

HSL 260.36, 0.29%, 0.63%

LAB 58.71, 18.76, -26.67

 

CMYK 10 / 14 / 0 / 32

HEX #9C94AD

RGB 156 148 173

HSL 259.2, 0.13%, 0.63%

LAB 62.73, 7.91, -12

 

CMYK 63 / 50 / 0 / 8

HEX #5776EA

RGB 87 118 234

HSL 227.35, 0.78%, 0.63%

LAB 52.87, 24.63, -62.15

 

CMYK 60 / 63 / 0 / 8

HEX #5E57EA

RGB 94 87 234

HSL 242.86, 0.78%, 0.63%

LAB 45.82, 44.55, -73.55

 

CMYK 43 / 63 / 0 / 8

HEX #8557EA

RGB 133 87 234

HSL 258.78, 0.78%, 0.63%

LAB 49.18, 51.46, -67.93

 

CMYK 26 / 63 / 0 / 8

HEX #AC57EA

RGB 172 87 234

HSL 274.69, 0.78%, 0.63%

LAB 53.52, 59.65, -60.71

 

CMYK 9 / 63 / 0 / 8

HEX #D457EA

RGB 212 87 234

HSL 291.02, 0.78%, 0.63%

LAB 58.75, 68.7, -52.06

 

CMYK 59 / 88 / 0 / 17

HEX #571AD4

RGB 87 26 212

HSL 259.68, 0.78%, 0.47%

LAB 32.96, 66.1, -82.14

 

CMYK 53 / 78 / 0 / 10

HEX #6C32E5

RGB 108 50 229

HSL 259.44, 0.77%, 0.55%

LAB 39.79, 64.01, -80.55

 

CMYK 42 / 63 / 0 / 8

HEX #8757EA

RGB 135 87 234

HSL 259.59, 0.78%, 0.63%

LAB 49.38, 51.86, -67.6

 

CMYK 32 / 48 / 0 / 7

HEX #A17BEE

RGB 161 123 238

HSL 259.83, 0.77%, 0.71%

LAB 59.81, 39, -52.95

 

CMYK 23 / 34 / 0 / 5

HEX #BBA0F3

RGB 187 160 243

HSL 259.52, 0.78%, 0.79%

LAB 70.99, 26.61, -37.94

 

CMYK 42 / 63 / 0 / 8

HEX #8757EA

RGB 135 87 234

HSL 259.59, 0.78%, 0.63%

LAB 49.38, 51.86, -67.6

 

CMYK 0 / 63 / 32 / 8

HEX #EA579E

RGB 234 87 158

HSL 331.02, 0.78%, 0.63%

LAB 58.77, 63.08, -8.38

 

CMYK 58 / 0 / 63 / 8

HEX #63EA57

RGB 99 234 87

HSL 115.1, 0.78%, 0.63%

LAB 83.01, -64.05, 58.74

 

CMYK 42 / 63 / 0 / 8

HEX #8757EA

RGB 135 87 234

HSL 259.59, 0.78%, 0.63%

LAB 49.38, 51.86, -67.6

 

CMYK 0 / 43 / 63 / 8

HEX #EA8557

RGB 234 133 87

HSL 18.78, 0.78%, 0.63%

LAB 65.71, 34.69, 41.3

 

CMYK 63 / 0 / 43 / 8

HEX #57EA85

RGB 87 234 133

HSL 138.78, 0.78%, 0.63%

LAB 83.21, -60.64, 37.69

 

CMYK 42 / 63 / 0 / 8

HEX #8757EA

RGB 135 87 234

HSL 259.59, 0.78%, 0.63%

LAB 49.38, 51.86, -67.6

 

CMYK 0 / 63 / 32 / 8

HEX #EA579E

RGB 234 87 158

HSL 331.02, 0.78%, 0.63%

LAB 58.77, 63.08, -8.38

 

CMYK 20 / 0 / 63 / 8

HEX #BBEA57

RGB 187 234 87

HSL 79.18, 0.78%, 0.63%

LAB 87.05, -36.18, 64.31

 

CMYK 63 / 0 / 30 / 8

HEX #57EAA3

RGB 87 234 163

HSL 151.02, 0.78%, 0.63%

LAB 83.71, -55.22, 23.16

 

CMYK 42 / 63 / 0 / 8

HEX #8757EA

RGB 135 87 234

HSL 259.59, 0.78%, 0.63%

LAB 49.38, 51.86, -67.6

 

CMYK 0 / 63 / 51 / 8

HEX #EA5772

RGB 234 87 114

HSL 348.98, 0.78%, 0.63%

LAB 57.58, 58.7, 15.66

 

CMYK 20 / 0 / 63 / 8

HEX #BBEA57

RGB 187 234 87

HSL 79.18, 0.78%, 0.63%

LAB 87.05, -36.18, 64.31

 

CMYK 63 / 0 / 12 / 8

HEX #57EACF

RGB 87 234 207

HSL 168.98, 0.78%, 0.63%

LAB 84.68, -45.37, 1.55

 

Description

Color code: RGB 135 87 234 | qconv.com Color code: RGB 135 87 234 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 87 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 87 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 63 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 63% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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