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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 99 206 it is the complementary color RGB 120 156 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 99 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 135 99 206 shade: RGB 140 99 201, RGB 157 117 220, RGB 174 135 239, RGB 191 153 255 and RGB 208 171 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 99 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 135 99 206 shade: RGB 135 99 206, RGB 118 81 187, RGB 101 63 168, RGB 84 45 149 and RGB 67 27 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 135 99 206 shade: RGB 135 99 206, RGB 164 99 206, RGB 192 99 206, RGB 206 99 190 and RGB 206 99 161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 135 99 206 shade: RGB 135 99 206, RGB 107 99 206 and RGB 99 99 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 135 99 206 shade matches the following richer shades: RGB 135 99 206, RGB 130 83 222 and RGB 124 66 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 135 99 206 shade: RGB 135 99 206, RGB 141 116 189, RGB 146 132 173, RGB 151 149 156 and RGB 157 165 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 135 99 206 shade: RGB 99 121 206, RGB 107 99 206, RGB 135 99 206, RGB 163 99 206 and RGB 191 99 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 135 99 206 shade: RGB 92 53 169, RGB 111 68 196, RGB 135 99 206, RGB 159 131 215 and RGB 183 162 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 135 99 206 shade: RGB 135 99 206, RGB 206 99 149 and RGB 107 206 99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 135 99 206 shade: RGB 135 99 206, RGB 206 135 99 and RGB 99 206 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 135 99 206 shade: RGB 135 99 206, RGB 206 99 149, RGB 170 206 99 and RGB 99 206 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 135 99 206 shade: RGB 135 99 206, RGB 206 99 117, RGB 170 206 99 and RGB 99 206 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 52 / 0 / 19

HEX #8763CE

RGB 135 99 206

HSL 260.19, 0.52%, 0.6%

LAB 50.13, 37.82, -50.51

 

Complementary color

CMYK 23 / 0 / 69 / 39

HEX #789C31

RGB 120 156 49

HSL 80.19, 0.52%, 0.4%

LAB 59.88, -28.75, 49.79

 

CMYK 30 / 51 / 0 / 21

HEX #8C63C9

RGB 140 99 201

HSL 264.12, 0.49%, 0.59%

LAB 50.35, 37.82, -47.27

 

CMYK 29 / 47 / 0 / 14

HEX #9D75DC

RGB 157 117 220

HSL 263.3, 0.6%, 0.66%

LAB 57.13, 36.85, -47.18

 

CMYK 27 / 44 / 0 / 6

HEX #AE87EF

RGB 174 135 239

HSL 262.5, 0.76%, 0.73%

LAB 63.8, 35.95, -47.1

 

CMYK 25 / 40 / 0 / 0

HEX #BF99FF

RGB 191 153 255

HSL 262.35, 1%, 0.8%

LAB 70.23, 34.42, -45.64

 

CMYK 18 / 33 / 0 / 0

HEX #D0ABFF

RGB 208 171 255

HSL 266.43, 1%, 0.84%

LAB 75.92, 29.41, -36.65

 

CMYK 34 / 52 / 0 / 19

HEX #8763CE

RGB 135 99 206

HSL 260.19, 0.52%, 0.6%

LAB 50.13, 37.82, -50.51

 

CMYK 37 / 57 / 0 / 27

HEX #7651BB

RGB 118 81 187

HSL 260.94, 0.44%, 0.53%

LAB 43.25, 38.93, -50.66

 

CMYK 40 / 63 / 0 / 34

HEX #653FA8

RGB 101 63 168

HSL 261.71, 0.45%, 0.45%

LAB 36.27, 40.09, -50.77

 

CMYK 44 / 70 / 0 / 42

HEX #542D95

RGB 84 45 149

HSL 262.5, 0.54%, 0.38%

LAB 29.24, 41.2, -50.76

 

CMYK 48 / 79 / 0 / 49

HEX #431B82

RGB 67 27 130

HSL 263.3, 0.66%, 0.31%

LAB 22.26, 41.99, -50.41

 

CMYK 34 / 52 / 0 / 19

HEX #8763CE

RGB 135 99 206

HSL 260.19, 0.52%, 0.6%

LAB 50.13, 37.82, -50.51

 

CMYK 20 / 52 / 0 / 19

HEX #A463CE

RGB 164 99 206

HSL 276.45, 0.52%, 0.6%

LAB 53.25, 45.37, -45.37

 

CMYK 7 / 52 / 0 / 19

HEX #C063CE

RGB 192 99 206

HSL 292.15, 0.52%, 0.6%

LAB 56.67, 52.97, -39.73

 

CMYK 0 / 52 / 8 / 19

HEX #CE63BE

RGB 206 99 190

HSL 308.97, 0.52%, 0.6%

LAB 57.81, 54.06, -28.69

 

CMYK 0 / 52 / 22 / 19

HEX #CE63A1

RGB 206 99 161

HSL 325.23, 0.52%, 0.6%

LAB 56.7, 49.56, -13.65

 

CMYK 34 / 52 / 0 / 19

HEX #8763CE

RGB 135 99 206

HSL 260.19, 0.52%, 0.6%

LAB 50.13, 37.82, -50.51

 

CMYK 48 / 52 / 0 / 19

HEX #6B63CE

RGB 107 99 206

HSL 244.49, 0.52%, 0.6%

LAB 47.63, 31.16, -54.66

 

CMYK 52 / 52 / 0 / 19

HEX #6363CE

RGB 99 99 206

HSL 240, 0.52%, 0.6%

LAB 47.02, 29.43, -55.68

 

CMYK 34 / 52 / 0 / 19

HEX #8763CE

RGB 135 99 206

HSL 260.19, 0.52%, 0.6%

LAB 50.13, 37.82, -50.51

 

CMYK 41 / 63 / 0 / 13

HEX #8253DE

RGB 130 83 222

HSL 260.29, 0.68%, 0.6%

LAB 47.24, 49.81, -64.3

 

CMYK 48 / 72 / 0 / 6

HEX #7C42EF

RGB 124 66 239

HSL 260.12, 0.84%, 0.6%

LAB 44.82, 61.75, -77.9

 

CMYK 34 / 52 / 0 / 19

HEX #8763CE

RGB 135 99 206

HSL 260.19, 0.52%, 0.6%

LAB 50.13, 37.82, -50.51

 

CMYK 25 / 39 / 0 / 26

HEX #8D74BD

RGB 141 116 189

HSL 260.55, 0.36%, 0.6%

LAB 53.84, 25.24, -34.87

 

CMYK 16 / 24 / 0 / 32

HEX #9284AD

RGB 146 132 173

HSL 260.49, 0.2%, 0.6%

LAB 57.68, 13.69, -19.72

 

CMYK 3 / 4 / 0 / 39

HEX #97959C

RGB 151 149 156

HSL 257.14, 0.03%, 0.6%

LAB 62.06, 2.1, -3.42

 

CMYK 5 / 0 / 15 / 35

HEX #9DA58C

RGB 157 165 140

HSL 79.2, 0.12%, 0.6%

LAB 66.5, -7.42, 12.01

 

CMYK 52 / 41 / 0 / 19

HEX #6379CE

RGB 99 121 206

HSL 227.66, 0.52%, 0.6%

LAB 52.71, 15.96, -46.57

 

CMYK 48 / 52 / 0 / 19

HEX #6B63CE

RGB 107 99 206

HSL 244.49, 0.52%, 0.6%

LAB 47.63, 31.16, -54.66

 

CMYK 34 / 52 / 0 / 19

HEX #8763CE

RGB 135 99 206

HSL 260.19, 0.52%, 0.6%

LAB 50.13, 37.82, -50.51

 

CMYK 21 / 52 / 0 / 19

HEX #A363CE

RGB 163 99 206

HSL 275.89, 0.52%, 0.6%

LAB 53.13, 45.11, -45.56

 

CMYK 7 / 52 / 0 / 19

HEX #BF63CE

RGB 191 99 206

HSL 291.59, 0.52%, 0.6%

LAB 56.54, 52.69, -39.94

 

CMYK 46 / 69 / 0 / 34

HEX #5C35A9

RGB 92 53 169

HSL 260.17, 0.52%, 0.44%

LAB 33.32, 44.02, -56.2

 

CMYK 43 / 65 / 0 / 23

HEX #6F44C4

RGB 111 68 196

HSL 260.16, 0.52%, 0.52%

LAB 40.41, 47.07, -60.53

 

CMYK 34 / 52 / 0 / 19

HEX #8763CE

RGB 135 99 206

HSL 260.19, 0.52%, 0.6%

LAB 50.13, 37.82, -50.51

 

CMYK 26 / 39 / 0 / 16

HEX #9F83D7

RGB 159 131 215

HSL 260, 0.51%, 0.68%

LAB 60.35, 28.21, -39.29

 

CMYK 19 / 28 / 0 / 12

HEX #B7A2E1

RGB 183 162 225

HSL 260, 0.51%, 0.76%

LAB 70.42, 20.19, -29.03

 

CMYK 34 / 52 / 0 / 19

HEX #8763CE

RGB 135 99 206

HSL 260.19, 0.52%, 0.6%

LAB 50.13, 37.82, -50.51

 

CMYK 0 / 52 / 28 / 19

HEX #CE6395

RGB 206 99 149

HSL 331.96, 0.52%, 0.6%

LAB 56.3, 47.89, -7.26

 

CMYK 48 / 0 / 52 / 19

HEX #6BCE63

RGB 107 206 99

HSL 115.51, 0.52%, 0.6%

LAB 74.93, -50.06, 44.04

 

CMYK 34 / 52 / 0 / 19

HEX #8763CE

RGB 135 99 206

HSL 260.19, 0.52%, 0.6%

LAB 50.13, 37.82, -50.51

 

CMYK 0 / 34 / 52 / 19

HEX #CE8763

RGB 206 135 99

HSL 20.19, 0.52%, 0.6%

LAB 62.8, 23.33, 30.46

 

CMYK 52 / 0 / 34 / 19

HEX #63CE87

RGB 99 206 135

HSL 140.19, 0.52%, 0.6%

LAB 75.17, -46.62, 26.14

 

CMYK 34 / 52 / 0 / 19

HEX #8763CE

RGB 135 99 206

HSL 260.19, 0.52%, 0.6%

LAB 50.13, 37.82, -50.51

 

CMYK 0 / 52 / 28 / 19

HEX #CE6395

RGB 206 99 149

HSL 331.96, 0.52%, 0.6%

LAB 56.3, 47.89, -7.26

 

CMYK 17 / 0 / 52 / 19

HEX #AACE63

RGB 170 206 99

HSL 80.19, 0.52%, 0.6%

LAB 78.22, -28.64, 48.78

 

CMYK 52 / 0 / 24 / 19

HEX #63CE9C

RGB 99 206 156

HSL 151.96, 0.52%, 0.6%

LAB 75.57, -42.52, 15.61

 

CMYK 34 / 52 / 0 / 19

HEX #8763CE

RGB 135 99 206

HSL 260.19, 0.52%, 0.6%

LAB 50.13, 37.82, -50.51

 

CMYK 0 / 52 / 43 / 19

HEX #CE6375

RGB 206 99 117

HSL 349.91, 0.52%, 0.6%

LAB 55.41, 44.07, 10.22

 

CMYK 17 / 0 / 52 / 19

HEX #AACE63

RGB 170 206 99

HSL 80.19, 0.52%, 0.6%

LAB 78.22, -28.64, 48.78

 

CMYK 52 / 0 / 9 / 19

HEX #63CEBC

RGB 99 206 188

HSL 169.91, 0.52%, 0.6%

LAB 76.33, -35.23, -0.47

 

Description

Color code: RGB 135 99 206 | qconv.com Color code: RGB 135 99 206 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 99 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 99 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 52 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 52% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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