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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 13 160 it is the complementary color RGB 119 242 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 13 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 13 160 shade: RGB 141 13 155, RGB 158 31 174, RGB 175 49 193, RGB 192 67 212 and RGB 209 85 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 13 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 13 160 shade: RGB 136 13 160, RGB 119 0 141, RGB 102 0 122, RGB 85 0 103 and RGB 68 0 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 13 160 shade: RGB 136 13 160, RGB 160 13 144, RGB 160 13 104, RGB 160 13 65 and RGB 160 13 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 13 160 shade: RGB 136 13 160, RGB 96 13 160, RGB 56 13 160, RGB 17 13 160 and RGB 13 13 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 13 160 shade matches the following richer shades: RGB 136 13 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 13 160 shade: RGB 136 13 160, RGB 126 27 146, RGB 117 41 132, RGB 107 55 118 and RGB 98 69 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 13 160 shade: RGB 57 13 160, RGB 96 13 160, RGB 135 13 160, RGB 160 13 145 and RGB 160 13 106

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 13 160 shade: RGB 71 6 84, RGB 103 9 122, RGB 136 13 160, RGB 168 16 198 and RGB 200 19 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 13 160 shade: RGB 136 13 160, RGB 160 17 13 and RGB 13 160 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 13 160 shade: RGB 136 13 160, RGB 160 135 13 and RGB 13 160 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 13 160 shade: RGB 136 13 160, RGB 160 17 13, RGB 37 160 13 and RGB 13 155 160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 13 160 shade: RGB 136 13 160, RGB 160 62 13, RGB 37 160 13 and RGB 13 111 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 92 / 0 / 37

HEX #880DA0

RGB 136 13 160

HSL 290.2, 0.85%, 0.34%

LAB 34.11, 63.74, -49.21

 

Complementary color

CMYK 51 / 0 / 61 / 5

HEX #77F25F

RGB 119 242 95

HSL 110.2, 0.85%, 0.66%

LAB 86.13, -61.13, 59.06

 

CMYK 9 / 92 / 0 / 39

HEX #8D0D9B

RGB 141 13 155

HSL 294.08, 0.85%, 0.33%

LAB 34.63, 63.71, -45.28

 

CMYK 9 / 82 / 0 / 32

HEX #9E1FAE

RGB 158 31 174

HSL 293.29, 0.7%, 0.4%

LAB 40.09, 66.3, -47.78

 

CMYK 9 / 75 / 0 / 24

HEX #AF31C1

RGB 175 49 193

HSL 292.5, 0.6%, 0.47%

LAB 45.85, 67.67, -49.57

 

CMYK 9 / 68 / 0 / 17

HEX #C043D4

RGB 192 67 212

HSL 291.72, 0.63%, 0.55%

LAB 51.81, 68.24, -50.85

 

CMYK 10 / 63 / 0 / 9

HEX #D155E7

RGB 209 85 231

HSL 290.96, 0.75%, 0.62%

LAB 57.87, 68.3, -51.8

 

CMYK 15 / 92 / 0 / 37

HEX #880DA0

RGB 136 13 160

HSL 290.2, 0.85%, 0.34%

LAB 34.11, 63.74, -49.21

 

CMYK 16 / 100 / 0 / 45

HEX #77008D

RGB 119 0 141

HSL 290.64, 1%, 0.28%

LAB 29.02, 59.65, -45.94

 

CMYK 16 / 100 / 0 / 52

HEX #66007A

RGB 102 0 122

HSL 290.16, 1%, 0.24%

LAB 24.42, 53.62, -41.59

 

CMYK 17 / 100 / 0 / 60

HEX #550067

RGB 85 0 103

HSL 289.51, 1%, 0.2%

LAB 19.68, 47.41, -37.13

 

CMYK 19 / 100 / 0 / 67

HEX #440054

RGB 68 0 84

HSL 288.57, 1%, 0.16%

LAB 14.78, 41, -32.53

 

CMYK 15 / 92 / 0 / 37

HEX #880DA0

RGB 136 13 160

HSL 290.2, 0.85%, 0.34%

LAB 34.11, 63.74, -49.21

 

CMYK 0 / 92 / 10 / 37

HEX #A00D90

RGB 160 13 144

HSL 306.53, 0.85%, 0.34%

LAB 37.44, 65.45, -33.88

 

CMYK 0 / 92 / 35 / 37

HEX #A00D68

RGB 160 13 104

HSL 322.86, 0.85%, 0.34%

LAB 35.52, 60.41, -11.84

 

CMYK 0 / 92 / 59 / 37

HEX #A00D41

RGB 160 13 65

HSL 338.78, 0.85%, 0.34%

LAB 34.28, 57.01, 11.65

 

CMYK 0 / 92 / 84 / 37

HEX #A00D19

RGB 160 13 25

HSL 355.1, 0.85%, 0.34%

LAB 33.63, 55.17, 36.07

 

CMYK 15 / 92 / 0 / 37

HEX #880DA0

RGB 136 13 160

HSL 290.2, 0.85%, 0.34%

LAB 34.11, 63.74, -49.21

 

CMYK 40 / 92 / 0 / 37

HEX #600DA0

RGB 96 13 160

HSL 273.88, 0.85%, 0.34%

LAB 27.61, 57.99, -60.08

 

CMYK 65 / 92 / 0 / 37

HEX #380DA0

RGB 56 13 160

HSL 257.55, 0.85%, 0.34%

LAB 22.54, 54.1, -68.62

 

CMYK 89 / 92 / 0 / 37

HEX #110DA0

RGB 17 13 160

HSL 241.63, 0.85%, 0.34%

LAB 19.82, 52.35, -73.22

 

CMYK 92 / 92 / 0 / 37

HEX #0D0DA0

RGB 13 13 160

HSL 240, 0.85%, 0.34%

LAB 19.69, 52.26, -73.45

 

CMYK 15 / 92 / 0 / 37

HEX #880DA0

RGB 136 13 160

HSL 290.2, 0.85%, 0.34%

LAB 34.11, 63.74, -49.21

 

CMYK 15 / 92 / 0 / 37

HEX #880DA0

RGB 136 13 160

HSL 290.2, 0.85%, 0.34%

LAB 34.11, 63.74, -49.21

 

CMYK 14 / 82 / 0 / 43

HEX #7E1B92

RGB 126 27 146

HSL 289.92, 0.69%, 0.34%

LAB 32.47, 56.3, -43.4

 

CMYK 11 / 69 / 0 / 48

HEX #752984

RGB 117 41 132

HSL 290.11, 0.53%, 0.34%

LAB 31.88, 46.47, -35.75

 

CMYK 9 / 53 / 0 / 54

HEX #6B3776

RGB 107 55 118

HSL 289.52, 0.36%, 0.34%

LAB 32.18, 33.74, -26.61

 

CMYK 6 / 34 / 0 / 59

HEX #624568

RGB 98 69 104

HSL 289.71, 0.2%, 0.34%

LAB 33.67, 19.26, -15.55

 

CMYK 64 / 92 / 0 / 37

HEX #390DA0

RGB 57 13 160

HSL 257.96, 0.85%, 0.34%

LAB 22.64, 54.17, -68.45

 

CMYK 40 / 92 / 0 / 37

HEX #600DA0

RGB 96 13 160

HSL 273.88, 0.85%, 0.34%

LAB 27.61, 57.99, -60.08

 

CMYK 16 / 92 / 0 / 37

HEX #870DA0

RGB 135 13 160

HSL 289.8, 0.85%, 0.34%

LAB 33.93, 63.58, -49.5

 

CMYK 0 / 92 / 9 / 37

HEX #A00D91

RGB 160 13 145

HSL 306.12, 0.85%, 0.34%

LAB 37.49, 65.59, -34.41

 

CMYK 0 / 92 / 34 / 37

HEX #A00D6A

RGB 160 13 106

HSL 322.04, 0.85%, 0.34%

LAB 35.6, 60.63, -12.99

 

CMYK 15 / 93 / 0 / 67

HEX #470654

RGB 71 6 84

HSL 290, 0.87%, 0.18%

LAB 16.05, 39.5, -30.45

 

CMYK 16 / 93 / 0 / 52

HEX #67097A

RGB 103 9 122

HSL 289.91, 0.86%, 0.26%

LAB 25.21, 51.97, -40.3

 

CMYK 15 / 92 / 0 / 37

HEX #880DA0

RGB 136 13 160

HSL 290.2, 0.85%, 0.34%

LAB 34.11, 63.74, -49.21

 

CMYK 15 / 92 / 0 / 22

HEX #A810C6

RGB 168 16 198

HSL 290.11, 0.85%, 0.42%

LAB 42.42, 74.95, -58.07

 

CMYK 15 / 92 / 0 / 8

HEX #C813EB

RGB 200 19 235

HSL 290.28, 0.85%, 0.5%

LAB 50.39, 85.55, -66.13

 

CMYK 15 / 92 / 0 / 37

HEX #880DA0

RGB 136 13 160

HSL 290.2, 0.85%, 0.34%

LAB 34.11, 63.74, -49.21

 

CMYK 0 / 89 / 92 / 37

HEX #A0110D

RGB 160 17 13

HSL 1.63, 0.85%, 0.34%

LAB 33.78, 54.24, 42.23

 

CMYK 92 / 0 / 53 / 37

HEX #0DA04C

RGB 13 160 76

HSL 145.71, 0.85%, 0.34%

LAB 57.8, -53.78, 33.9

 

CMYK 15 / 92 / 0 / 37

HEX #880DA0

RGB 136 13 160

HSL 290.2, 0.85%, 0.34%

LAB 34.11, 63.74, -49.21

 

CMYK 0 / 16 / 92 / 37

HEX #A0870D

RGB 160 135 13

HSL 49.8, 0.85%, 0.34%

LAB 56.91, -1.64, 59.5

 

CMYK 92 / 0 / 16 / 37

HEX #0DA087

RGB 13 160 135

HSL 169.8, 0.85%, 0.34%

LAB 58.95, -40.75, 3.23

 

CMYK 15 / 92 / 0 / 37

HEX #880DA0

RGB 136 13 160

HSL 290.2, 0.85%, 0.34%

LAB 34.11, 63.74, -49.21

 

CMYK 0 / 89 / 92 / 37

HEX #A0110D

RGB 160 17 13

HSL 1.63, 0.85%, 0.34%

LAB 33.78, 54.24, 42.23

 

CMYK 77 / 0 / 92 / 37

HEX #25A00D

RGB 37 160 13

HSL 110.2, 0.85%, 0.34%

LAB 57.62, -57.06, 57.23

 

CMYK 92 / 3 / 0 / 37

HEX #0D9BA0

RGB 13 155 160

HSL 182.04, 0.85%, 0.34%

LAB 58.1, -31.03, -12.22

 

CMYK 15 / 92 / 0 / 37

HEX #880DA0

RGB 136 13 160

HSL 290.2, 0.85%, 0.34%

LAB 34.11, 63.74, -49.21

 

CMYK 0 / 61 / 92 / 37

HEX #A03E0D

RGB 160 62 13

HSL 20, 0.85%, 0.34%

LAB 39.49, 38.56, 46.33

 

CMYK 77 / 0 / 92 / 37

HEX #25A00D

RGB 37 160 13

HSL 110.2, 0.85%, 0.34%

LAB 57.62, -57.06, 57.23

 

CMYK 92 / 31 / 0 / 37

HEX #0D6FA0

RGB 13 111 160

HSL 200, 0.85%, 0.34%

LAB 44.22, -7.39, -33.58

 

Description

Color code: RGB 136 13 160 | qconv.com Color code: RGB 136 13 160 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 13 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 13 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 92 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 92% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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