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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 156 115 it is the complementary color RGB 119 99 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 156 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 156 115 shade: RGB 141 156 110, RGB 158 174 129, RGB 175 192 148, RGB 192 210 167 and RGB 209 228 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 156 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 156 115 shade: RGB 136 156 115, RGB 119 138 96, RGB 102 120 77, RGB 85 102 58 and RGB 68 84 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 156 115 shade: RGB 135 155 114, RGB 146 155 114, RGB 155 153 114, RGB 155 142 114 and RGB 155 131 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 156 115 shade: RGB 135 155 114, RGB 124 155 114, RGB 114 155 115, RGB 114 155 126 and RGB 114 155 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 156 115 shade matches the following richer shades: RGB 135 155 114, RGB 136 174 95, RGB 136 194 75, RGB 137 213 56 and RGB 137 233 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 156 115 shade: RGB 135 155 114, RGB 135 136 134, RGB 134 116 153, RGB 134 97 172 and RGB 133 77 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 156 115 shade: RGB 155 153 114, RGB 146 155 114, RGB 135 155 114, RGB 124 155 114 and RGB 114 155 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 156 115 shade: RGB 94 109 77, RGB 114 133 95, RGB 135 155 114, RGB 156 172 138 and RGB 176 189 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 156 115 shade: RGB 136 156 115, RGB 114 155 142 and RGB 155 114 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 156 115 shade: RGB 136 156 115, RGB 114 135 155 and RGB 155 114 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 156 115 shade: RGB 136 156 115, RGB 114 155 142, RGB 134 114 155 and RGB 155 114 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 156 115 shade: RGB 136 156 115, RGB 114 155 154, RGB 134 114 155 and RGB 155 114 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 26 / 39

HEX #889C73

RGB 136 156 115

HSL 89.27, 0.17%, 0.53%

LAB 61.87, -14.7, 19.19

 

Complementary color

CMYK 15 / 29 / 0 / 45

HEX #77638C

RGB 119 99 140

HSL 269.27, 0.17%, 0.47%

LAB 45.27, 16.51, -19.65

 

CMYK 10 / 0 / 29 / 39

HEX #8D9C6E

RGB 141 156 110

HSL 79.57, 0.19%, 0.52%

LAB 62.14, -13.54, 22.38

 

CMYK 9 / 0 / 26 / 32

HEX #9EAE81

RGB 158 174 129

HSL 81.33, 0.22%, 0.59%

LAB 68.84, -13.57, 21.3

 

CMYK 9 / 0 / 23 / 25

HEX #AFC094

RGB 175 192 148

HSL 83.18, 0.26%, 0.67%

LAB 75.42, -13.6, 20.28

 

CMYK 9 / 0 / 20 / 18

HEX #C0D2A7

RGB 192 210 167

HSL 85.12, 0.32%, 0.74%

LAB 81.89, -13.62, 19.32

 

CMYK 8 / 0 / 18 / 11

HEX #D1E4BA

RGB 209 228 186

HSL 87.14, 0.44%, 0.81%

LAB 88.25, -13.63, 18.41

 

CMYK 13 / 0 / 26 / 39

HEX #889C73

RGB 136 156 115

HSL 89.27, 0.17%, 0.53%

LAB 61.87, -14.7, 19.19

 

CMYK 14 / 0 / 30 / 46

HEX #778A60

RGB 119 138 96

HSL 87.14, 0.18%, 0.46%

LAB 55.01, -14.73, 20.3

 

CMYK 15 / 0 / 36 / 53

HEX #66784D

RGB 102 120 77

HSL 85.12, 0.22%, 0.39%

LAB 48, -14.75, 21.48

 

CMYK 17 / 0 / 43 / 60

HEX #55663A

RGB 85 102 58

HSL 83.18, 0.28%, 0.31%

LAB 40.8, -14.74, 22.76

 

CMYK 19 / 0 / 54 / 67

HEX #445427

RGB 68 84 39

HSL 81.33, 0.37%, 0.24%

LAB 33.38, -14.66, 24.1

 

CMYK 13 / 0 / 26 / 39

HEX #879B72

RGB 135 155 114

HSL 89.27, 0.17%, 0.53%

LAB 61.49, -14.71, 19.22

 

CMYK 6 / 0 / 26 / 39

HEX #929B72

RGB 146 155 114

HSL 73.17, 0.17%, 0.53%

LAB 62.31, -10.45, 20.47

 

CMYK 0 / 1 / 26 / 39

HEX #9B9972

RGB 155 153 114

HSL 57.07, 0.17%, 0.53%

LAB 62.48, -5.79, 20.82

 

CMYK 0 / 8 / 26 / 39

HEX #9B8E72

RGB 155 142 114

HSL 40.98, 0.17%, 0.53%

LAB 59.46, 0.26, 16.7

 

CMYK 0 / 15 / 26 / 39

HEX #9B8372

RGB 155 131 114

HSL 24.88, 0.17%, 0.53%

LAB 56.5, 6.44, 12.59

 

CMYK 13 / 0 / 26 / 39

HEX #879B72

RGB 135 155 114

HSL 89.27, 0.17%, 0.53%

LAB 61.49, -14.71, 19.22

 

CMYK 20 / 0 / 26 / 39

HEX #7C9B72

RGB 124 155 114

HSL 105.37, 0.17%, 0.53%

LAB 60.73, -18.84, 18.06

 

CMYK 26 / 0 / 26 / 39

HEX #729B73

RGB 114 155 115

HSL 121.46, 0.17%, 0.53%

LAB 60.12, -22.26, 16.56

 

CMYK 26 / 0 / 19 / 39

HEX #729B7E

RGB 114 155 126

HSL 137.56, 0.17%, 0.53%

LAB 60.36, -20.18, 10.74

 

CMYK 26 / 0 / 12 / 39

HEX #729B89

RGB 114 155 137

HSL 153.66, 0.17%, 0.53%

LAB 60.63, -17.92, 4.92

 

CMYK 13 / 0 / 26 / 39

HEX #879B72

RGB 135 155 114

HSL 89.27, 0.17%, 0.53%

LAB 61.49, -14.71, 19.22

 

CMYK 22 / 0 / 45 / 32

HEX #88AE5F

RGB 136 174 95

HSL 88.86, 0.33%, 0.53%

LAB 66.77, -26.66, 36.31

 

CMYK 30 / 0 / 61 / 24

HEX #88C24B

RGB 136 194 75

HSL 89.24, 0.49%, 0.53%

LAB 72.45, -38.12, 52.53

 

CMYK 36 / 0 / 74 / 16

HEX #89D538

RGB 137 213 56

HSL 89.04, 0.65%, 0.53%

LAB 77.99, -47.34, 65.7

 

CMYK 41 / 0 / 84 / 9

HEX #89E925

RGB 137 233 37

HSL 89.39, 0.82%, 0.53%

LAB 83.82, -56.24, 76.34

 

CMYK 13 / 0 / 26 / 39

HEX #879B72

RGB 135 155 114

HSL 89.27, 0.17%, 0.53%

LAB 61.49, -14.71, 19.22

 

CMYK 1 / 0 / 1 / 47

HEX #878886

RGB 135 136 134

HSL 90, 0.01%, 0.53%

LAB 56.57, -0.76, 0.93

 

CMYK 12 / 24 / 0 / 40

HEX #867499

RGB 134 116 153

HSL 269.19, 0.15%, 0.53%

LAB 51.68, 14.47, -17.41

 

CMYK 22 / 44 / 0 / 33

HEX #8661AC

RGB 134 97 172

HSL 269.6, 0.31%, 0.53%

LAB 47.75, 30.13, -34.63

 

CMYK 31 / 60 / 0 / 25

HEX #854DC0

RGB 133 77 192

HSL 269.22, 0.48%, 0.53%

LAB 44.38, 46.01, -51.67

 

CMYK 0 / 1 / 26 / 39

HEX #9B9972

RGB 155 153 114

HSL 57.07, 0.17%, 0.53%

LAB 62.48, -5.79, 20.82

 

CMYK 6 / 0 / 26 / 39

HEX #929B72

RGB 146 155 114

HSL 73.17, 0.17%, 0.53%

LAB 62.31, -10.45, 20.47

 

CMYK 13 / 0 / 26 / 39

HEX #879B72

RGB 135 155 114

HSL 89.27, 0.17%, 0.53%

LAB 61.49, -14.71, 19.22

 

CMYK 20 / 0 / 26 / 39

HEX #7C9B72

RGB 124 155 114

HSL 105.37, 0.17%, 0.53%

LAB 60.73, -18.84, 18.06

 

CMYK 26 / 0 / 26 / 39

HEX #729B73

RGB 114 155 115

HSL 121.46, 0.17%, 0.53%

LAB 60.12, -22.26, 16.56

 

CMYK 14 / 0 / 29 / 57

HEX #5E6D4D

RGB 94 109 77

HSL 88.13, 0.17%, 0.36%

LAB 44.02, -11.96, 16.06

 

CMYK 14 / 0 / 29 / 48

HEX #72855F

RGB 114 133 95

HSL 90, 0.17%, 0.45%

LAB 53.14, -14.17, 18.27

 

CMYK 13 / 0 / 26 / 39

HEX #879B72

RGB 135 155 114

HSL 89.27, 0.17%, 0.53%

LAB 61.49, -14.71, 19.22

 

CMYK 9 / 0 / 20 / 33

HEX #9CAC8A

RGB 156 172 138

HSL 88.24, 0.17%, 0.61%

LAB 68.32, -11.85, 15.65

 

CMYK 7 / 0 / 14 / 26

HEX #B0BDA3

RGB 176 189 163

HSL 90, 0.16%, 0.69%

LAB 74.99, -9.24, 11.63

 

CMYK 13 / 0 / 26 / 39

HEX #889C73

RGB 136 156 115

HSL 89.27, 0.17%, 0.53%

LAB 61.87, -14.7, 19.19

 

CMYK 26 / 0 / 8 / 39

HEX #729B8E

RGB 114 155 142

HSL 160.98, 0.17%, 0.53%

LAB 60.76, -16.84, 2.28

 

CMYK 0 / 26 / 2 / 39

HEX #9B7298

RGB 155 114 152

HSL 304.39, 0.17%, 0.53%

LAB 53.24, 22.76, -14.25

 

CMYK 13 / 0 / 26 / 39

HEX #889C73

RGB 136 156 115

HSL 89.27, 0.17%, 0.53%

LAB 61.87, -14.7, 19.19

 

CMYK 26 / 13 / 0 / 39

HEX #72879B

RGB 114 135 155

HSL 209.27, 0.17%, 0.53%

LAB 55.35, -2.8, -13.15

 

CMYK 0 / 26 / 13 / 39

HEX #9B7287

RGB 155 114 135

HSL 329.27, 0.17%, 0.53%

LAB 52.68, 19.6, -5.14

 

CMYK 13 / 0 / 26 / 39

HEX #889C73

RGB 136 156 115

HSL 89.27, 0.17%, 0.53%

LAB 61.87, -14.7, 19.19

 

CMYK 26 / 0 / 8 / 39

HEX #729B8E

RGB 114 155 142

HSL 160.98, 0.17%, 0.53%

LAB 60.76, -16.84, 2.28

 

CMYK 14 / 26 / 0 / 39

HEX #86729B

RGB 134 114 155

HSL 269.27, 0.17%, 0.53%

LAB 51.23, 16.11, -19.26

 

CMYK 0 / 26 / 18 / 39

HEX #9B727F

RGB 155 114 127

HSL 340.98, 0.17%, 0.53%

LAB 52.44, 18.23, -0.79

 

CMYK 13 / 0 / 26 / 39

HEX #889C73

RGB 136 156 115

HSL 89.27, 0.17%, 0.53%

LAB 61.87, -14.7, 19.19

 

CMYK 26 / 0 / 1 / 39

HEX #729B9A

RGB 114 155 154

HSL 178.54, 0.17%, 0.53%

LAB 61.09, -14.11, -4.02

 

CMYK 14 / 26 / 0 / 39

HEX #86729B

RGB 134 114 155

HSL 269.27, 0.17%, 0.53%

LAB 51.23, 16.11, -19.26

 

CMYK 0 / 26 / 26 / 39

HEX #9B7273

RGB 155 114 115

HSL 358.54, 0.17%, 0.53%

LAB 52.11, 16.32, 5.8

 

Description

Color code: RGB 136 156 115 | qconv.com Color code: RGB 136 156 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 156 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 156 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 26 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 26% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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