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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 142 35 it is the complementary color RGB 118 113 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 142 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 137 142 35 shade: RGB 142 142 30, RGB 159 160 49, RGB 176 178 68, RGB 193 196 87 and RGB 210 214 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 142 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 137 142 35 shade: RGB 137 142 35, RGB 120 124 16, RGB 103 106 0, RGB 86 88 0 and RGB 69 70 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 137 142 35 shade: RGB 137 142 35, RGB 142 118 35, RGB 142 90 35, RGB 142 61 35 and RGB 142 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 137 142 35 shade: RGB 137 142 35, RGB 108 142 35, RGB 80 142 35, RGB 51 142 35 and RGB 35 142 49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 137 142 35 shade matches the following richer shades: RGB 137 142 35, RGB 150 157 21 and RGB 163 171 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 137 142 35 shade: RGB 137 142 35, RGB 124 128 50, RGB 111 113 64, RGB 98 99 79 and RGB 85 85 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 137 142 35 shade: RGB 142 89 35, RGB 142 117 35, RGB 139 142 35, RGB 110 142 35 and RGB 82 142 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 137 142 35 shade: RGB 74 76 19, RGB 105 109 27, RGB 137 142 35, RGB 169 175 43 and RGB 198 205 55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 137 142 35 shade: RGB 137 142 35, RGB 35 142 60 and RGB 103 35 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 137 142 35 shade: RGB 137 142 35, RGB 35 139 142 and RGB 142 35 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 137 142 35 shade: RGB 137 142 35, RGB 35 142 60, RGB 39 35 142 and RGB 142 35 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 137 142 35 shade: RGB 137 142 35, RGB 35 142 92, RGB 39 35 142 and RGB 142 35 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 75 / 44

HEX #898E23

RGB 137 142 35

HSL 62.8, 0.6%, 0.35%

LAB 56.87, -15.24, 52.59

 

Complementary color

CMYK 46 / 49 / 0 / 14

HEX #7671DC

RGB 118 113 220

HSL 242.8, 0.6%, 0.65%

LAB 52.76, 29.41, -54.34

 

CMYK 0 / 0 / 79 / 44

HEX #8E8E1E

RGB 142 142 30

HSL 60, 0.65%, 0.34%

LAB 57.26, -13.21, 54.79

 

CMYK 1 / 0 / 69 / 37

HEX #9FA031

RGB 159 160 49

HSL 60.54, 0.53%, 0.41%

LAB 63.95, -14.2, 54.85

 

CMYK 1 / 0 / 62 / 30

HEX #B0B244

RGB 176 178 68

HSL 61.09, 0.45%, 0.48%

LAB 70.52, -14.98, 54.25

 

CMYK 2 / 0 / 56 / 23

HEX #C1C457

RGB 193 196 87

HSL 61.65, 0.48%, 0.55%

LAB 76.98, -15.62, 53.33

 

CMYK 2 / 0 / 50 / 16

HEX #D2D66A

RGB 210 214 106

HSL 62.22, 0.57%, 0.63%

LAB 83.36, -16.13, 52.26

 

CMYK 4 / 0 / 75 / 44

HEX #898E23

RGB 137 142 35

HSL 62.8, 0.6%, 0.35%

LAB 56.87, -15.24, 52.59

 

CMYK 3 / 0 / 87 / 51

HEX #787C10

RGB 120 124 16

HSL 62.22, 0.77%, 0.27%

LAB 50.03, -14.14, 51.76

 

CMYK 3 / 0 / 100 / 58

HEX #676A00

RGB 103 106 0

HSL 61.7, 1%, 0.21%

LAB 43.05, -12.74, 49.22

 

CMYK 2 / 0 / 100 / 65

HEX #565800

RGB 86 88 0

HSL 61.36, 1%, 0.17%

LAB 35.9, -10.92, 43.28

 

CMYK 1 / 0 / 100 / 73

HEX #454600

RGB 69 70 0

HSL 60.86, 1%, 0.14%

LAB 28.5, -9.01, 37.05

 

CMYK 4 / 0 / 75 / 44

HEX #898E23

RGB 137 142 35

HSL 62.8, 0.6%, 0.35%

LAB 56.87, -15.24, 52.59

 

CMYK 0 / 17 / 75 / 44

HEX #8E7623

RGB 142 118 35

HSL 46.54, 0.6%, 0.35%

LAB 50.49, 0.22, 46.63

 

CMYK 0 / 37 / 75 / 44

HEX #8E5A23

RGB 142 90 35

HSL 30.84, 0.6%, 0.35%

LAB 43.04, 16.41, 39.2

 

CMYK 0 / 57 / 75 / 44

HEX #8E3D23

RGB 142 61 35

HSL 14.58, 0.6%, 0.35%

LAB 36.38, 32.66, 32.17

 

CMYK 0 / 75 / 75 / 44

HEX #8E2323

RGB 142 35 35

HSL 0, 0.6%, 0.35%

LAB 31.98, 44.46, 27.27

 

CMYK 4 / 0 / 75 / 44

HEX #898E23

RGB 137 142 35

HSL 62.8, 0.6%, 0.35%

LAB 56.87, -15.24, 52.59

 

CMYK 24 / 0 / 75 / 44

HEX #6C8E23

RGB 108 142 35

HSL 79.07, 0.6%, 0.35%

LAB 54.72, -27.81, 49.78

 

CMYK 44 / 0 / 75 / 44

HEX #508E23

RGB 80 142 35

HSL 94.77, 0.6%, 0.35%

LAB 53.14, -38.53, 47.7

 

CMYK 64 / 0 / 75 / 44

HEX #338E23

RGB 51 142 35

HSL 111.03, 0.6%, 0.35%

LAB 52.03, -47.07, 46.22

 

CMYK 75 / 0 / 65 / 44

HEX #238E31

RGB 35 142 49

HSL 127.85, 0.6%, 0.35%

LAB 51.75, -48.96, 39.97

 

CMYK 4 / 0 / 75 / 44

HEX #898E23

RGB 137 142 35

HSL 62.8, 0.6%, 0.35%

LAB 56.87, -15.24, 52.59

 

CMYK 4 / 0 / 87 / 38

HEX #969D15

RGB 150 157 21

HSL 63.09, 0.76%, 0.35%

LAB 62.21, -17.75, 61.73

 

CMYK 5 / 0 / 96 / 33

HEX #A3AB06

RGB 163 171 6

HSL 62.91, 0.93%, 0.35%

LAB 67.22, -19.42, 68.52

 

CMYK 4 / 0 / 75 / 44

HEX #898E23

RGB 137 142 35

HSL 62.8, 0.6%, 0.35%

LAB 56.87, -15.24, 52.59

 

CMYK 3 / 0 / 61 / 50

HEX #7C8032

RGB 124 128 50

HSL 63.08, 0.44%, 0.35%

LAB 51.78, -12.65, 40.79

 

CMYK 2 / 0 / 43 / 56

HEX #6F7140

RGB 111 113 64

HSL 62.45, 0.28%, 0.35%

LAB 46.39, -8.79, 26.89

 

CMYK 1 / 0 / 20 / 61

HEX #62634F

RGB 98 99 79

HSL 63, 0.11%, 0.35%

LAB 41.35, -4.2, 11.26

 

CMYK 9 / 9 / 0 / 64

HEX #55555D

RGB 85 85 93

HSL 240, 0.04%, 0.35%

LAB 36.4, 1.78, -4.63

 

CMYK 0 / 37 / 75 / 44

HEX #8E5923

RGB 142 89 35

HSL 30.28, 0.6%, 0.35%

LAB 42.79, 16.99, 38.94

 

CMYK 0 / 18 / 75 / 44

HEX #8E7523

RGB 142 117 35

HSL 45.98, 0.6%, 0.35%

LAB 50.21, 0.79, 46.36

 

CMYK 2 / 0 / 75 / 44

HEX #8B8E23

RGB 139 142 35

HSL 61.68, 0.6%, 0.35%

LAB 57.03, -14.34, 52.8

 

CMYK 23 / 0 / 75 / 44

HEX #6E8E23

RGB 110 142 35

HSL 77.94, 0.6%, 0.35%

LAB 54.85, -26.98, 49.95

 

CMYK 42 / 0 / 75 / 44

HEX #528E23

RGB 82 142 35

HSL 93.64, 0.6%, 0.35%

LAB 53.23, -37.83, 47.82

 

CMYK 3 / 0 / 75 / 70

HEX #4A4C13

RGB 74 76 19

HSL 62.11, 0.6%, 0.19%

LAB 31.05, -9.09, 32

 

CMYK 4 / 0 / 75 / 57

HEX #696D1B

RGB 105 109 27

HSL 62.93, 0.6%, 0.27%

LAB 44.26, -12.5, 42.58

 

CMYK 4 / 0 / 75 / 44

HEX #898E23

RGB 137 142 35

HSL 62.8, 0.6%, 0.35%

LAB 56.87, -15.24, 52.59

 

CMYK 3 / 0 / 75 / 31

HEX #A9AF2B

RGB 169 175 43

HSL 62.73, 0.61%, 0.43%

LAB 68.95, -17.85, 62.1

 

CMYK 3 / 0 / 73 / 20

HEX #C6CD37

RGB 198 205 55

HSL 62.8, 0.6%, 0.51%

LAB 79.58, -19.97, 68.91

 

CMYK 4 / 0 / 75 / 44

HEX #898E23

RGB 137 142 35

HSL 62.8, 0.6%, 0.35%

LAB 56.87, -15.24, 52.59

 

CMYK 75 / 0 / 58 / 44

HEX #238E3C

RGB 35 142 60

HSL 134.02, 0.6%, 0.35%

LAB 51.87, -47.55, 34.85

 

CMYK 27 / 75 / 0 / 44

HEX #67238E

RGB 103 35 142

HSL 278.13, 0.6%, 0.35%

LAB 29.51, 48.07, -45.89

 

CMYK 4 / 0 / 75 / 44

HEX #898E23

RGB 137 142 35

HSL 62.8, 0.6%, 0.35%

LAB 56.87, -15.24, 52.59

 

CMYK 75 / 2 / 0 / 44

HEX #238B8E

RGB 35 139 142

HSL 181.68, 0.6%, 0.35%

LAB 52.7, -27.09, -9.96

 

CMYK 0 / 75 / 2 / 44

HEX #8E238B

RGB 142 35 139

HSL 301.68, 0.6%, 0.35%

LAB 35.63, 55.91, -33.88

 

CMYK 4 / 0 / 75 / 44

HEX #898E23

RGB 137 142 35

HSL 62.8, 0.6%, 0.35%

LAB 56.87, -15.24, 52.59

 

CMYK 75 / 0 / 58 / 44

HEX #238E3C

RGB 35 142 60

HSL 134.02, 0.6%, 0.35%

LAB 51.87, -47.55, 34.85

 

CMYK 73 / 75 / 0 / 44

HEX #27238E

RGB 39 35 142

HSL 242.24, 0.6%, 0.35%

LAB 22.25, 37.68, -58.05

 

CMYK 0 / 75 / 18 / 44

HEX #8E2375

RGB 142 35 117

HSL 314.02, 0.6%, 0.35%

LAB 34.47, 52.45, -21.99

 

CMYK 4 / 0 / 75 / 44

HEX #898E23

RGB 137 142 35

HSL 62.8, 0.6%, 0.35%

LAB 56.87, -15.24, 52.59

 

CMYK 75 / 0 / 35 / 44

HEX #238E5C

RGB 35 142 92

HSL 151.96, 0.6%, 0.35%

LAB 52.37, -41.81, 18.33

 

CMYK 73 / 75 / 0 / 44

HEX #27238E

RGB 39 35 142

HSL 242.24, 0.6%, 0.35%

LAB 22.25, 37.68, -58.05

 

CMYK 0 / 75 / 40 / 44

HEX #8E2355

RGB 142 35 85

HSL 331.96, 0.6%, 0.35%

LAB 33.15, 48.33, -3.51

 

Description

Color code: RGB 137 142 35 | qconv.com Color code: RGB 137 142 35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 142 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 142 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 75 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 75% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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